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Casa Rossa

Part of Vintage Contemporaries

Author Francesca Marciano
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Paperback
$14.95 US
Knopf | Vintage
On sale Oct 14, 2003 | 352 Pages | 978-0-375-72637-8
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  • English > Comparative Literature: European > Italian
  • About
  • Excerpt
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A crumbling farmhouse in Puglia, Casa Rossa was bought by Alina Strada’s grandfather at a time when no one else wanted it. Now busy preparing it for sale, Alina endeavors to recover the memories it still harbors—in particular of three women whose passions indelibly shaped her family’s dark past. There’s grandmother Renee, whose love of novelty won over everything else. Alina’s mother, Alba, whose marriage to a screenwriter inspired both great art and unbearable sadness. Finally Isabella, Alina’s sister, whose fervent politics drove her to ever-escalating betrayals. Moving from Jazz Age Paris to 1950s Rome to modern-day New York, but returning always to the uncompromising beauty of Italy’s south, Casa Rossa is a spellbinding story of how loves and losses, secrets and lies, resonate across the generations.


“An engaging, sweeping and compulsively readable novel.” —The Washington Post Book World

“Elegant, eloquent prose . . . Casa Rossa is notable for its rueful understanding of the volatile mix of emotions that binds us to those we love.” —Los Angeles Times

“[A]ffecting, beautifully told. . . [R]ich and resonant. . .Marciano is a natural-born storyteller.”—The New York Times

“Beautifully told . . . rich and resonant. . . . Marciano is a natural-born storyteller.” —The New York Times Book Review

“A family epic [that] revolves around three generations of extraordinary women… Fans of Marciano’s first novel will once again embrace her sensual descriptions of exotic lands.” —San Francisco Chronicle

“Marciano brings Southern Italy as boldly to life as she did Kenya in Rules of the Wild. . . . imperturbably weav[ing] intricate complications together into a glamorous, romantic whole.” —Publishers Weekly

”We are made to reevaluate history and to look at the human cost both of ideals and failures in ideals. . .The period [Marciano] describes may have been given a stylish apotheosis by the early Fellini, but it can survive now only in elegies which, like this one, are really indictments.” —Times Literary Supplement
When we were small, my sister Isabella and I used to wonder whether Alba had murdered our father.

Murdered him, and then made up the suicide story.

We'd be in the kitchen, hunting for food, two skinny girls, ten and twelve. Murdered. We'd let that possibility hang in the air, to see if anything crashed or shattered, but nothing ever moved. The house remained perfectly still.

"Who knows, anyway," we'd say, to finish it off. We didn't really want to know. If she had done it, eventually they would come and lock her up.

It was bad enough, what had happened already. Dad vanishing, like a card in a trick.

We'd hear the keys in the door. She'd come in smiling, wearing her green dress and sandals, her arms full of groceries.

There she was: Alba. Our mother. The Murderer.

"Want a prosciutto sandwich, darlings?"

When we were that small, things shifted proportions all the time: the really dangerous stuff shrunk, curled up in a ball so that we could juggle it, study it closely, let it drop from our hands the minute it began to bother us.

It was a silent agreement between my sister and me. To move on, to survive.

To eat that sandwich.



CHAPTER ONE

Careful now. Watch what you do.

You keep staring at the living room, you don't think you can fol- low this task. It feels like sacrilege to alter its order, like rummaging a temple.

How long has this dark red armchair been sitting across from the threadbare sofa, right next to the painted lampshade? How many years has the faded rug sat on these stone tiles? Ren?e's portrait hung on the wall? The opaline vase stood on the mantelpiece?

My grandfather bought this house in the late twenties. It was a crumbling farmhouse then, nobody wanted it. My mother grew up here. My sister and I did, too.

Casa Rossa has been my family house for over seventy years.

I know its smell like I know the smell of cut grass. Its map is imprinted in me, I can walk it blindfolded.

Why did I think these objects would stay like this forever and that I could always come back, find the chair and the sofa and the rug and the painting in their place? That way I assumed I could always reenact all the different moments that shaped our story. Like the day when Ren?e was sitting for my grandfather on the wicker chair and, as he was painting another one of her portraits, she told him about Muriel. The summer day Oliviero came for lunch and sat outside on the patio under the trellis and fell in love with my mother. The times my sister lay awake at night, wrapped in her hatred, fearing every noise. Or the night I took Daniel Moore in here for the first time. I opened the door and showed him this room. This rug, this faded sofa, that yellowing lampshade. The room smelled of firewood. "This is it," I said.

I hoped it would stay like this forever, so that, by coming back and finding everything still arranged exactly as I had left it, I would believe I had secured my history in a safe place. Inside a shrine, where nothing would get lost. Just as prayers are never lost in a church. One can always go back and light another candle.

As I walk across the ground floor of Casa Rossa, as I move from the large kitchen into the living room, then through the big wooden door into my grandfather's studio, I look around, I count my steps, I mark my territory as if it's the last time I will ever do this. And, guess what. It is.

I talk out loud to myself-like I always do when I'm scared. Careful now, watch what you do. Everything, from now on, will be final and surprisingly quick.

The movers will arrive and wait for me to give them a sign. Then they will heft the table, then the sofa, they will roll up the rug and take down the painting. They will wrap the furniture in blankets and tie it with rope. They will blindfold and choke the familiar shapes and will pile them up one on top of the other in the truck. An armrest will show from under the blanket. The stain on its faded fabric will look pathetic. The scratches on the table legs, the pale circle a cup had once left on its top: all these familiar marks will look spooky now, like scars. One didn't notice them so much before. But it will be impossible to look at them now without shame. You will have to admit that these things have turned into what they have always been but which you always refused to see: a pile of sad, old junk.

Once every single piece of furniture and every single box are loaded onto the truck, this house, stripped bare in a single morning, will go back to being mute. A white canvas, where someone else will write their story.

That's how fast our memories disintegrate.

I've been procrastinating about calling the movers, of course. Who wouldn't? It's like phoning in your own death sentence and prodding the executioner.

Instead I've been wandering around the rooms in a daze, touching surfaces, sizing things up. Every time I open a drawer or look in the back of an armoire, some new discovery stuns me. I keep turning between my fingers what I have just found, as if expecting it to talk to me. An old dusty ribbon (a hat? gift wrapping?), a newspaper clipping from the fifties, the obituary page (whose death are we looking at here?), a single light-blue silk shoe, custom-made in Paris (Ren?e's?), a tiny photograph in black-and-white, of a group of young people huddled together on a beach in thirties-style bathing suits (which one is my grandfather?), a single page from a letter (no date, no signature, written in French).

It's like trying to trace the history of an Egyptian mummy from her ring, a few glass beads, bits of broken pottery, a faded inscription. Yes, she was a merchant's wife-no, a pharaoh's sister, or maybe a high priestess. History demands a plot with a proper beginning and a proper end.

This is not a story about what we know, nor about what we have.

This story is about what gets lost on the way.

My mother, Alba, rings me twice a day from her house in Rome. She wants to know how I'm proceeding with the move.

"Oh," I say gingerly, "I'm not quite ready yet. I still have to go through all the drawers upstairs in the bedrooms. There are all these papers, photographs, you have no idea how-"

"Just chuck everything in the boxes," she interrupts. "You'll never get out alive if you start looking at everything. Those people said they want to move in next week."

"It's all right. They have the house for life now. They can wait another day or two. By the way, I found your wedding dress."

"Oh my God."

"It doesn't even look like a wedding dress. I only recognized it from of the photos."

"You found those as well?" she asks.

"Yes. Everything was kind of stuffed inside a box on top of the armoire in your room. There were hats, printed wedding invitations, an envelope full of pictures. Papa  looks like this smart kid with glasses. Like a math genius or something. Why didn't you wear a long white dress?"

"Oh, I don't know. It was a country wedding. . . . I kept it simple," she sighs, impatient with me already. "I remember it was a pretty dress."

"Knee-length, full skirt. Tiny poppies embroidered here and there. Fifties-style, you know. I'm wearing it right now."

"You are?"

"It barely fits me, but it makes this whole process a bit more fun. You know, wearing something so nice."

"Alina," she sighs . . . . "are you okay doing this on your own? Do you want me to come down? I could get on the train tomorrow if you need me."

She asks this question twice a day, her voice full of dread that I'll say yes.

"No, I'm fine. You would only get in the way."

"Are you sure? I'll come if-"

"No, really. I'm actually enjoying it. It's kind of . . . therapeutic."

I don't hear anything coming from her end, so I add:

"It's like, you don't even begin to realize someone you love is really dead until you see their body go underground. It's part of the process."

"Jesus, you are morbid," she says, but I can feel her relief: she can stay in Rome.

I always knew she wouldn't have anything to do with sorting out old, forgotten boxes. Alba has never been big on remembering.

Puglia is the heel of Italy, the thinnest strip of land between two seas. Lorenzo, my grandfather, said it was exactly this-the refraction of the sun hitting the water on both sides-that made the light of Puglia so rich and warm. He had chosen to buy a house there because of it. He needed to paint in that light, he said.

Way before it was called Casa Rossa, the house had been a crumbling farmhouse-a masseria-built in the eighteen-hundreds, surrounded by a wall in the midst of an olive grove among the open fields in the countryside south of Lecce.
Copyright © 2002 by Francesca Marciano. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
© Jeannette Montgomery Barron

Francesca Marciano is the author of the novels Rules of the Wild, Casa Rossa, and The End of Manners, and the story collections The Other Language and Animal Spirit. She lives in Rome.

View titles by Francesca Marciano

About

A crumbling farmhouse in Puglia, Casa Rossa was bought by Alina Strada’s grandfather at a time when no one else wanted it. Now busy preparing it for sale, Alina endeavors to recover the memories it still harbors—in particular of three women whose passions indelibly shaped her family’s dark past. There’s grandmother Renee, whose love of novelty won over everything else. Alina’s mother, Alba, whose marriage to a screenwriter inspired both great art and unbearable sadness. Finally Isabella, Alina’s sister, whose fervent politics drove her to ever-escalating betrayals. Moving from Jazz Age Paris to 1950s Rome to modern-day New York, but returning always to the uncompromising beauty of Italy’s south, Casa Rossa is a spellbinding story of how loves and losses, secrets and lies, resonate across the generations.


“An engaging, sweeping and compulsively readable novel.” —The Washington Post Book World

“Elegant, eloquent prose . . . Casa Rossa is notable for its rueful understanding of the volatile mix of emotions that binds us to those we love.” —Los Angeles Times

“[A]ffecting, beautifully told. . . [R]ich and resonant. . .Marciano is a natural-born storyteller.”—The New York Times

“Beautifully told . . . rich and resonant. . . . Marciano is a natural-born storyteller.” —The New York Times Book Review

“A family epic [that] revolves around three generations of extraordinary women… Fans of Marciano’s first novel will once again embrace her sensual descriptions of exotic lands.” —San Francisco Chronicle

“Marciano brings Southern Italy as boldly to life as she did Kenya in Rules of the Wild. . . . imperturbably weav[ing] intricate complications together into a glamorous, romantic whole.” —Publishers Weekly

”We are made to reevaluate history and to look at the human cost both of ideals and failures in ideals. . .The period [Marciano] describes may have been given a stylish apotheosis by the early Fellini, but it can survive now only in elegies which, like this one, are really indictments.” —Times Literary Supplement

Excerpt

When we were small, my sister Isabella and I used to wonder whether Alba had murdered our father.

Murdered him, and then made up the suicide story.

We'd be in the kitchen, hunting for food, two skinny girls, ten and twelve. Murdered. We'd let that possibility hang in the air, to see if anything crashed or shattered, but nothing ever moved. The house remained perfectly still.

"Who knows, anyway," we'd say, to finish it off. We didn't really want to know. If she had done it, eventually they would come and lock her up.

It was bad enough, what had happened already. Dad vanishing, like a card in a trick.

We'd hear the keys in the door. She'd come in smiling, wearing her green dress and sandals, her arms full of groceries.

There she was: Alba. Our mother. The Murderer.

"Want a prosciutto sandwich, darlings?"

When we were that small, things shifted proportions all the time: the really dangerous stuff shrunk, curled up in a ball so that we could juggle it, study it closely, let it drop from our hands the minute it began to bother us.

It was a silent agreement between my sister and me. To move on, to survive.

To eat that sandwich.



CHAPTER ONE

Careful now. Watch what you do.

You keep staring at the living room, you don't think you can fol- low this task. It feels like sacrilege to alter its order, like rummaging a temple.

How long has this dark red armchair been sitting across from the threadbare sofa, right next to the painted lampshade? How many years has the faded rug sat on these stone tiles? Ren?e's portrait hung on the wall? The opaline vase stood on the mantelpiece?

My grandfather bought this house in the late twenties. It was a crumbling farmhouse then, nobody wanted it. My mother grew up here. My sister and I did, too.

Casa Rossa has been my family house for over seventy years.

I know its smell like I know the smell of cut grass. Its map is imprinted in me, I can walk it blindfolded.

Why did I think these objects would stay like this forever and that I could always come back, find the chair and the sofa and the rug and the painting in their place? That way I assumed I could always reenact all the different moments that shaped our story. Like the day when Ren?e was sitting for my grandfather on the wicker chair and, as he was painting another one of her portraits, she told him about Muriel. The summer day Oliviero came for lunch and sat outside on the patio under the trellis and fell in love with my mother. The times my sister lay awake at night, wrapped in her hatred, fearing every noise. Or the night I took Daniel Moore in here for the first time. I opened the door and showed him this room. This rug, this faded sofa, that yellowing lampshade. The room smelled of firewood. "This is it," I said.

I hoped it would stay like this forever, so that, by coming back and finding everything still arranged exactly as I had left it, I would believe I had secured my history in a safe place. Inside a shrine, where nothing would get lost. Just as prayers are never lost in a church. One can always go back and light another candle.

As I walk across the ground floor of Casa Rossa, as I move from the large kitchen into the living room, then through the big wooden door into my grandfather's studio, I look around, I count my steps, I mark my territory as if it's the last time I will ever do this. And, guess what. It is.

I talk out loud to myself-like I always do when I'm scared. Careful now, watch what you do. Everything, from now on, will be final and surprisingly quick.

The movers will arrive and wait for me to give them a sign. Then they will heft the table, then the sofa, they will roll up the rug and take down the painting. They will wrap the furniture in blankets and tie it with rope. They will blindfold and choke the familiar shapes and will pile them up one on top of the other in the truck. An armrest will show from under the blanket. The stain on its faded fabric will look pathetic. The scratches on the table legs, the pale circle a cup had once left on its top: all these familiar marks will look spooky now, like scars. One didn't notice them so much before. But it will be impossible to look at them now without shame. You will have to admit that these things have turned into what they have always been but which you always refused to see: a pile of sad, old junk.

Once every single piece of furniture and every single box are loaded onto the truck, this house, stripped bare in a single morning, will go back to being mute. A white canvas, where someone else will write their story.

That's how fast our memories disintegrate.

I've been procrastinating about calling the movers, of course. Who wouldn't? It's like phoning in your own death sentence and prodding the executioner.

Instead I've been wandering around the rooms in a daze, touching surfaces, sizing things up. Every time I open a drawer or look in the back of an armoire, some new discovery stuns me. I keep turning between my fingers what I have just found, as if expecting it to talk to me. An old dusty ribbon (a hat? gift wrapping?), a newspaper clipping from the fifties, the obituary page (whose death are we looking at here?), a single light-blue silk shoe, custom-made in Paris (Ren?e's?), a tiny photograph in black-and-white, of a group of young people huddled together on a beach in thirties-style bathing suits (which one is my grandfather?), a single page from a letter (no date, no signature, written in French).

It's like trying to trace the history of an Egyptian mummy from her ring, a few glass beads, bits of broken pottery, a faded inscription. Yes, she was a merchant's wife-no, a pharaoh's sister, or maybe a high priestess. History demands a plot with a proper beginning and a proper end.

This is not a story about what we know, nor about what we have.

This story is about what gets lost on the way.

My mother, Alba, rings me twice a day from her house in Rome. She wants to know how I'm proceeding with the move.

"Oh," I say gingerly, "I'm not quite ready yet. I still have to go through all the drawers upstairs in the bedrooms. There are all these papers, photographs, you have no idea how-"

"Just chuck everything in the boxes," she interrupts. "You'll never get out alive if you start looking at everything. Those people said they want to move in next week."

"It's all right. They have the house for life now. They can wait another day or two. By the way, I found your wedding dress."

"Oh my God."

"It doesn't even look like a wedding dress. I only recognized it from of the photos."

"You found those as well?" she asks.

"Yes. Everything was kind of stuffed inside a box on top of the armoire in your room. There were hats, printed wedding invitations, an envelope full of pictures. Papa  looks like this smart kid with glasses. Like a math genius or something. Why didn't you wear a long white dress?"

"Oh, I don't know. It was a country wedding. . . . I kept it simple," she sighs, impatient with me already. "I remember it was a pretty dress."

"Knee-length, full skirt. Tiny poppies embroidered here and there. Fifties-style, you know. I'm wearing it right now."

"You are?"

"It barely fits me, but it makes this whole process a bit more fun. You know, wearing something so nice."

"Alina," she sighs . . . . "are you okay doing this on your own? Do you want me to come down? I could get on the train tomorrow if you need me."

She asks this question twice a day, her voice full of dread that I'll say yes.

"No, I'm fine. You would only get in the way."

"Are you sure? I'll come if-"

"No, really. I'm actually enjoying it. It's kind of . . . therapeutic."

I don't hear anything coming from her end, so I add:

"It's like, you don't even begin to realize someone you love is really dead until you see their body go underground. It's part of the process."

"Jesus, you are morbid," she says, but I can feel her relief: she can stay in Rome.

I always knew she wouldn't have anything to do with sorting out old, forgotten boxes. Alba has never been big on remembering.

Puglia is the heel of Italy, the thinnest strip of land between two seas. Lorenzo, my grandfather, said it was exactly this-the refraction of the sun hitting the water on both sides-that made the light of Puglia so rich and warm. He had chosen to buy a house there because of it. He needed to paint in that light, he said.

Way before it was called Casa Rossa, the house had been a crumbling farmhouse-a masseria-built in the eighteen-hundreds, surrounded by a wall in the midst of an olive grove among the open fields in the countryside south of Lecce.
Copyright © 2002 by Francesca Marciano. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

© Jeannette Montgomery Barron

Francesca Marciano is the author of the novels Rules of the Wild, Casa Rossa, and The End of Manners, and the story collections The Other Language and Animal Spirit. She lives in Rome.

View titles by Francesca Marciano

Additional formats

  • Casa Rossa
    Casa Rossa
    Francesca Marciano
    978-0-307-42519-5
    $11.99 US
    Ebook
    Vintage
    Dec 18, 2007
  • Casa Rossa
    Casa Rossa
    Francesca Marciano
    978-0-307-42519-5
    $11.99 US
    Ebook
    Vintage
    Dec 18, 2007

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    May 19, 2020
  • The Body in Question
    The Body in Question
    A Novel
    Jill Ciment
    978-0-525-56537-6
    $15.00 US
    Paperback
    Vintage
    May 19, 2020
  • Orange World and Other Stories
    Orange World and Other Stories
    Karen Russell
    978-0-525-56607-6
    $16.00 US
    Paperback
    Vintage
    May 05, 2020
  • Lost and Wanted
    Lost and Wanted
    A novel
    Nell Freudenberger
    978-0-8041-7096-3
    $16.95 US
    Paperback
    Vintage
    Mar 31, 2020
  • The River
    The River
    A novel
    Peter Heller
    978-0-525-56353-2
    $17.00 US
    Paperback
    Vintage
    Mar 03, 2020
  • Goulash
    Goulash
    A Novel
    Brian Kimberling
    978-0-345-80337-5
    $16.00 US
    Paperback
    Vintage
    Jan 21, 2020
  • The Stories of Alice Adams
    The Stories of Alice Adams
    Alice Adams
    978-1-9848-9811-1
    $18.00 US
    Paperback
    Vintage
    Nov 19, 2019
  • Old Newgate Road
    Old Newgate Road
    A novel
    Keith Scribner
    978-0-525-56346-4
    $17.00 US
    Paperback
    Vintage
    Oct 08, 2019
  • Notes from the Fog
    Notes from the Fog
    Ben Marcus
    978-1-101-97168-0
    $16.00 US
    Paperback
    Vintage
    Jul 09, 2019
  • Red, White, Blue
    Red, White, Blue
    A novel
    Lea Carpenter
    978-0-525-43298-2
    $16.95 US
    Paperback
    Vintage
    Jun 04, 2019
  • Good Trouble
    Good Trouble
    Stories
    Joseph O'Neill
    978-0-525-43664-5
    $15.00 US
    Paperback
    Vintage
    May 14, 2019
  • Sociable
    Sociable
    Rebecca Harrington
    978-0-8041-7217-2
    $16.00 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Flight Attendant
    The Flight Attendant
    A Novel
    Chris Bohjalian
    978-0-525-43268-5
    $16.00 US
    Paperback
    Vintage
    Jan 08, 2019
  • Cockfosters
    Cockfosters
    Stories
    Helen Simpson
    978-0-525-56362-4
    $16.00 US
    Paperback
    Vintage
    Sep 04, 2018
  • Gork, the Teenage Dragon
    Gork, the Teenage Dragon
    A Novel
    Gabe Hudson
    978-0-375-71341-5
    $16.00 US
    Paperback
    Vintage
    Jun 26, 2018
  • The Misfortune of Marion Palm
    The Misfortune of Marion Palm
    A Novel
    Emily Culliton
    978-0-525-43262-3
    $15.95 US
    Paperback
    Vintage
    Jun 26, 2018
  • Saints for All Occasions
    Saints for All Occasions
    A novel
    J. Courtney Sullivan
    978-0-307-94980-6
    $17.00 US
    Paperback
    Vintage
    May 29, 2018
  • Chemistry
    Chemistry
    A Novel
    Weike Wang
    978-0-525-43222-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Trajectory
    Trajectory
    Stories
    Richard Russo
    978-1-101-97198-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Living in the Weather of the World
    Living in the Weather of the World
    Stories
    Richard Bausch
    978-0-525-43185-5
    $17.00 US
    Paperback
    Vintage
    Mar 20, 2018
  • The Delight of Being Ordinary
    The Delight of Being Ordinary
    A Road Trip with the Pope and the Dalai Lama
    Roland Merullo
    978-1-101-97079-9
    $18.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • White Tears
    White Tears
    A novel
    Hari Kunzru
    978-1-101-97321-9
    $16.95 US
    Paperback
    Vintage
    Feb 06, 2018
  • The Girl at the Baggage Claim
    The Girl at the Baggage Claim
    Explaining the East-West Culture Gap
    Gish Jen
    978-1-101-97206-9
    $17.00 US
    Paperback
    Vintage
    Jan 16, 2018
  • Celine
    Celine
    A novel
    Peter Heller
    978-1-101-97348-6
    $16.95 US
    Paperback
    Vintage
    Jan 02, 2018
  • Signals
    Signals
    New and Selected Stories
    Tim Gautreaux
    978-1-101-97251-9
    $17.95 US
    Paperback
    Vintage
    Dec 12, 2017
  • The Sleepwalker
    The Sleepwalker
    A Novel
    Chris Bohjalian
    978-0-8041-7099-4
    $16.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • A Gambler's Anatomy
    A Gambler's Anatomy
    A Novel
    Jonathan Lethem
    978-1-101-87367-0
    $16.95 US
    Paperback
    Vintage
    Sep 05, 2017
  • The Tragedy of Brady Sims
    The Tragedy of Brady Sims
    Ernest J. Gaines
    978-0-525-43446-7
    $16.95 US
    Paperback
    Vintage
    Aug 29, 2017
  • Bridget Jones's Baby
    Bridget Jones's Baby
    The Diaries
    Helen Fielding
    978-0-525-43388-0
    $15.00 US
    Paperback
    Vintage
    Jul 25, 2017
  • Attic
    Attic
    Katherine Dunn
    978-0-525-43406-1
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • How to Set a Fire and Why
    How to Set a Fire and Why
    A Novel
    Jesse Ball
    978-1-101-91175-4
    $18.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • Break in Case of Emergency
    Break in Case of Emergency
    A Novel
    Jessica Winter
    978-1-101-91193-8
    $16.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Hopefuls
    The Hopefuls
    Jennifer Close
    978-1-101-91145-7
    $16.00 US
    Paperback
    Vintage
    May 30, 2017
  • Bright, Precious Days
    Bright, Precious Days
    A Novel
    Jay McInerney
    978-1-101-97226-7
    $16.95 US
    Paperback
    Vintage
    May 30, 2017
  • This Must Be the Place
    This Must Be the Place
    Maggie O'Farrell
    978-0-345-80472-3
    $17.00 US
    Paperback
    Vintage
    May 16, 2017
  • The Pier Falls
    The Pier Falls
    And Other Stories
    Mark Haddon
    978-1-101-97013-3
    $16.95 US
    Paperback
    Vintage
    May 02, 2017
  • Dear Fang, With Love
    Dear Fang, With Love
    A Novel
    Rufi Thorpe
    978-1-101-91157-0
    $16.00 US
    Paperback
    Vintage
    Apr 18, 2017
  • Sweetbitter
    Sweetbitter
    Stephanie Danler
    978-1-101-91186-0
    $18.00 US
    Paperback
    Vintage
    Apr 04, 2017
  • Honeymoon and Other Stories
    Honeymoon and Other Stories
    Kevin Canty
    978-0-525-43504-4
    $10.99 US
    Ebook
    Vintage
    Feb 22, 2017
  • Before the Wind
    Before the Wind
    A Novel
    Jim Lynch
    978-0-307-94935-6
    $16.00 US
    Paperback
    Vintage
    Feb 21, 2017
  • Burning Down the House
    Burning Down the House
    A Novel
    Jane Mendelsohn
    978-1-101-91119-8
    $16.00 US
    Paperback
    Vintage
    Feb 21, 2017
  • The Bed Moved
    The Bed Moved
    Stories
    Rebecca Schiff
    978-1-101-91085-6
    $15.95 US
    Paperback
    Vintage
    Feb 07, 2017
  • The Guest Room
    The Guest Room
    Chris Bohjalian
    978-0-8041-7098-7
    $16.00 US
    Paperback
    Vintage
    Oct 25, 2016
  • The Mare
    The Mare
    A Novel
    Mary Gaitskill
    978-0-307-74360-2
    $16.95 US
    Paperback
    Vintage
    Oct 04, 2016
  • Sea Lovers
    Sea Lovers
    Selected Stories
    Valerie Martin
    978-0-307-73955-1
    $16.95 US
    Paperback
    Vintage
    Aug 23, 2016
  • California Bloodstock
    California Bloodstock
    Terry McDonell
    978-0-525-43304-0
    $12.99 US
    Ebook
    Vintage
    Aug 17, 2016
  • The Visiting Privilege
    The Visiting Privilege
    New and Collected Stories
    Joy Williams
    978-1-101-87371-7
    $16.95 US
    Paperback
    Vintage
    Aug 09, 2016
  • The Captive Condition
    The Captive Condition
    A Novel
    Kevin P. Keating
    978-0-8041-6930-1
    $16.00 US
    Paperback
    Vintage
    Jul 12, 2016
  • Days of Awe
    Days of Awe
    Lauren Fox
    978-0-307-38827-8
    $16.00 US
    Paperback
    Vintage
    Jun 28, 2016
  • Our Souls at Night
    Our Souls at Night
    Kent Haruf, Alan Kent Haruf
    978-1-101-91192-1
    $16.00 US
    Paperback
    Vintage
    Jun 28, 2016
  • The Jezebel Remedy
    The Jezebel Remedy
    Martin Clark
    978-0-8041-7290-5
    $17.00 US
    Paperback
    Vintage
    Jun 14, 2016
  • A Cure for Suicide
    A Cure for Suicide
    A Novel
    Jesse Ball
    978-1-101-87213-0
    $16.00 US
    Paperback
    Vintage
    Jun 14, 2016
  • A Hand Reached Down to Guide Me
    A Hand Reached Down to Guide Me
    Stories and a Novella
    David Gates
    978-0-8041-6874-8
    $16.00 US
    Paperback
    Vintage
    Apr 19, 2016
  • Act of God
    Act of God
    A Novel
    Jill Ciment
    978-0-8041-6970-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Crow Fair
    Crow Fair
    Stories
    Thomas McGuane
    978-0-345-80591-1
    $16.95 US
    Paperback
    Vintage
    Mar 08, 2016
  • Voices in the Night
    Voices in the Night
    Steven Millhauser
    978-0-8041-6908-0
    $16.00 US
    Paperback
    Vintage
    Mar 08, 2016
  • She Weeps Each Time You're Born
    She Weeps Each Time You're Born
    Quan Barry
    978-0-8041-7130-4
    $17.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • There's Something I Want You to Do
    There's Something I Want You to Do
    Stories
    Charles Baxter
    978-0-8041-7273-8
    $16.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • Lucky Alan
    Lucky Alan
    and Other Stories
    Jonathan Lethem
    978-1-101-87366-3
    $15.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • The Tusk That Did the Damage
    The Tusk That Did the Damage
    Tania James
    978-0-8041-7343-8
    $16.95 US
    Paperback
    Vintage
    Feb 09, 2016
  • Single, Carefree, Mellow
    Single, Carefree, Mellow
    Katherine Heiny
    978-0-8041-7315-5
    $16.00 US
    Paperback
    Vintage
    Jan 26, 2016
  • The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe
    The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe
    Romain Puertolas
    978-0-8041-7208-0
    $17.00 US
    Paperback
    Vintage
    Jan 12, 2016
  • Harrow
    Harrow
    A novel
    Joy Williams
    978-1-9848-9880-7
    $16.00 US
    Paperback
    Vintage
    Jul 05, 2022
  • Phase Six
    Phase Six
    A novel
    Jim Shepard
    978-0-525-56503-1
    $17.00 US
    Paperback
    Vintage
    May 24, 2022
  • You Have a Friend in 10A
    You Have a Friend in 10A
    Stories
    Maggie Shipstead
    978-0-525-65699-9
    $27.00 US
    Hardcover
    Knopf
    May 17, 2022
  • Marrying the Ketchups
    Marrying the Ketchups
    A novel
    Jennifer Close
    978-0-525-65887-0
    $28.00 US
    Hardcover
    Knopf
    Apr 26, 2022
  • Whereabouts
    Whereabouts
    Jhumpa Lahiri
    978-0-593-31208-7
    $16.00 US
    Paperback
    Vintage
    Mar 29, 2022
  • A Bright Ray of Darkness
    A Bright Ray of Darkness
    A novel
    Ethan Hawke
    978-0-8041-7052-9
    $17.00 US
    Paperback
    Vintage
    Jan 18, 2022
  • The Sun Collective
    The Sun Collective
    A Novel
    Charles Baxter
    978-1-9848-9971-2
    $17.00 US
    Paperback
    Vintage
    Oct 05, 2021
  • Red Pill
    Red Pill
    A novel
    Hari Kunzru
    978-1-101-97322-6
    $16.00 US
    Paperback
    Vintage
    Aug 31, 2021
  • Leave Society
    Leave Society
    Tao Lin
    978-1-101-97447-6
    $17.00 US
    Paperback
    Vintage
    Aug 03, 2021
  • I Give It to You
    I Give It to You
    A Novel
    Valerie Martin
    978-0-593-08211-9
    $17.00 US
    Paperback
    Vintage
    Jul 27, 2021
  • Push (Revised)
    Push (Revised)
    Sapphire
    978-0-593-31460-9
    $15.95 US
    Paperback
    Vintage
    Jun 22, 2021
  • Push
    Push
    Sapphire
    978-0-593-46675-9
    $11.99 US
    Ebook
    Vintage
    Jun 22, 2021
  • Why I Don't Write
    Why I Don't Write
    And Other Stories
    Susan Minot
    978-1-9848-9987-3
    $16.00 US
    Paperback
    Vintage
    Jun 15, 2021
  • Animal Spirit
    Animal Spirit
    Stories
    Francesca Marciano
    978-0-525-56574-1
    $17.00 US
    Paperback
    Vintage
    May 18, 2021
  • Friends and Strangers
    Friends and Strangers
    A novel
    J. Courtney Sullivan
    978-0-525-43647-8
    $17.00 US
    Paperback
    Vintage
    Apr 27, 2021
  • The Knockout Queen
    The Knockout Queen
    A novel
    Rufi Thorpe
    978-0-525-56729-5
    $16.00 US
    Paperback
    Vintage
    Mar 02, 2021
  • We Ride Upon Sticks
    We Ride Upon Sticks
    A Novel
    Quan Barry
    978-0-525-56543-7
    $16.95 US
    Paperback
    Vintage
    Feb 16, 2021
  • Weather
    Weather
    Jenny Offill
    978-0-345-80690-1
    $16.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • The Resisters
    The Resisters
    A novel
    Gish Jen
    978-0-525-65722-4
    $16.95 US
    Paperback
    Vintage
    Jan 12, 2021
  • The Red Lotus
    The Red Lotus
    A Novel
    Chris Bohjalian
    978-0-525-56596-3
    $16.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Queen's Gambit (Television Tie-in)
    The Queen's Gambit (Television Tie-in)
    Walter Tevis
    978-0-593-31465-4
    $16.95 US
    Paperback
    Vintage
    Dec 15, 2020
  • Interior Chinatown
    Interior Chinatown
    A Novel
    Charles Yu
    978-0-307-94847-2
    $16.00 US
    Paperback
    Vintage
    Nov 17, 2020
  • Sleep Donation
    Sleep Donation
    Karen Russell
    978-0-525-56608-3
    $16.00 US
    Paperback
    Vintage
    Sep 29, 2020
  • Middle England
    Middle England
    A novel
    Jonathan Coe
    978-0-525-56684-7
    $17.00 US
    Paperback
    Vintage
    Jul 14, 2020
  • Everything Inside
    Everything Inside
    Stories
    Edwidge Danticat
    978-0-525-56305-1
    $16.00 US
    Paperback
    Vintage
    Jul 07, 2020
  • The Flight Portfolio
    The Flight Portfolio
    A novel
    Julie Orringer
    978-0-307-94971-4
    $16.95 US
    Paperback
    Vintage
    Jun 30, 2020
  • Water Witches
    Water Witches
    Chris Bohjalian
    978-0-593-08178-5
    $16.00 US
    Paperback
    Vintage
    Jun 30, 2020
  • Very Nice
    Very Nice
    A novel
    Marcy Dermansky
    978-0-525-56522-2
    $16.00 US
    Paperback
    Vintage
    Jun 09, 2020
  • Dual Citizens
    Dual Citizens
    A novel
    Alix Ohlin
    978-0-525-56355-6
    $16.00 US
    Paperback
    Vintage
    May 19, 2020
  • The Body in Question
    The Body in Question
    A Novel
    Jill Ciment
    978-0-525-56537-6
    $15.00 US
    Paperback
    Vintage
    May 19, 2020
  • Orange World and Other Stories
    Orange World and Other Stories
    Karen Russell
    978-0-525-56607-6
    $16.00 US
    Paperback
    Vintage
    May 05, 2020
  • Lost and Wanted
    Lost and Wanted
    A novel
    Nell Freudenberger
    978-0-8041-7096-3
    $16.95 US
    Paperback
    Vintage
    Mar 31, 2020
  • The River
    The River
    A novel
    Peter Heller
    978-0-525-56353-2
    $17.00 US
    Paperback
    Vintage
    Mar 03, 2020
  • Goulash
    Goulash
    A Novel
    Brian Kimberling
    978-0-345-80337-5
    $16.00 US
    Paperback
    Vintage
    Jan 21, 2020
  • The Stories of Alice Adams
    The Stories of Alice Adams
    Alice Adams
    978-1-9848-9811-1
    $18.00 US
    Paperback
    Vintage
    Nov 19, 2019
  • Old Newgate Road
    Old Newgate Road
    A novel
    Keith Scribner
    978-0-525-56346-4
    $17.00 US
    Paperback
    Vintage
    Oct 08, 2019
  • Notes from the Fog
    Notes from the Fog
    Ben Marcus
    978-1-101-97168-0
    $16.00 US
    Paperback
    Vintage
    Jul 09, 2019
  • Red, White, Blue
    Red, White, Blue
    A novel
    Lea Carpenter
    978-0-525-43298-2
    $16.95 US
    Paperback
    Vintage
    Jun 04, 2019
  • Good Trouble
    Good Trouble
    Stories
    Joseph O'Neill
    978-0-525-43664-5
    $15.00 US
    Paperback
    Vintage
    May 14, 2019
  • Sociable
    Sociable
    Rebecca Harrington
    978-0-8041-7217-2
    $16.00 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Flight Attendant
    The Flight Attendant
    A Novel
    Chris Bohjalian
    978-0-525-43268-5
    $16.00 US
    Paperback
    Vintage
    Jan 08, 2019
  • Cockfosters
    Cockfosters
    Stories
    Helen Simpson
    978-0-525-56362-4
    $16.00 US
    Paperback
    Vintage
    Sep 04, 2018
  • Gork, the Teenage Dragon
    Gork, the Teenage Dragon
    A Novel
    Gabe Hudson
    978-0-375-71341-5
    $16.00 US
    Paperback
    Vintage
    Jun 26, 2018
  • The Misfortune of Marion Palm
    The Misfortune of Marion Palm
    A Novel
    Emily Culliton
    978-0-525-43262-3
    $15.95 US
    Paperback
    Vintage
    Jun 26, 2018
  • Saints for All Occasions
    Saints for All Occasions
    A novel
    J. Courtney Sullivan
    978-0-307-94980-6
    $17.00 US
    Paperback
    Vintage
    May 29, 2018
  • Chemistry
    Chemistry
    A Novel
    Weike Wang
    978-0-525-43222-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Trajectory
    Trajectory
    Stories
    Richard Russo
    978-1-101-97198-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Living in the Weather of the World
    Living in the Weather of the World
    Stories
    Richard Bausch
    978-0-525-43185-5
    $17.00 US
    Paperback
    Vintage
    Mar 20, 2018
  • The Delight of Being Ordinary
    The Delight of Being Ordinary
    A Road Trip with the Pope and the Dalai Lama
    Roland Merullo
    978-1-101-97079-9
    $18.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • White Tears
    White Tears
    A novel
    Hari Kunzru
    978-1-101-97321-9
    $16.95 US
    Paperback
    Vintage
    Feb 06, 2018
  • The Girl at the Baggage Claim
    The Girl at the Baggage Claim
    Explaining the East-West Culture Gap
    Gish Jen
    978-1-101-97206-9
    $17.00 US
    Paperback
    Vintage
    Jan 16, 2018
  • Celine
    Celine
    A novel
    Peter Heller
    978-1-101-97348-6
    $16.95 US
    Paperback
    Vintage
    Jan 02, 2018
  • Signals
    Signals
    New and Selected Stories
    Tim Gautreaux
    978-1-101-97251-9
    $17.95 US
    Paperback
    Vintage
    Dec 12, 2017
  • The Sleepwalker
    The Sleepwalker
    A Novel
    Chris Bohjalian
    978-0-8041-7099-4
    $16.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • A Gambler's Anatomy
    A Gambler's Anatomy
    A Novel
    Jonathan Lethem
    978-1-101-87367-0
    $16.95 US
    Paperback
    Vintage
    Sep 05, 2017
  • The Tragedy of Brady Sims
    The Tragedy of Brady Sims
    Ernest J. Gaines
    978-0-525-43446-7
    $16.95 US
    Paperback
    Vintage
    Aug 29, 2017
  • Bridget Jones's Baby
    Bridget Jones's Baby
    The Diaries
    Helen Fielding
    978-0-525-43388-0
    $15.00 US
    Paperback
    Vintage
    Jul 25, 2017
  • Attic
    Attic
    Katherine Dunn
    978-0-525-43406-1
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • How to Set a Fire and Why
    How to Set a Fire and Why
    A Novel
    Jesse Ball
    978-1-101-91175-4
    $18.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • Break in Case of Emergency
    Break in Case of Emergency
    A Novel
    Jessica Winter
    978-1-101-91193-8
    $16.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Hopefuls
    The Hopefuls
    Jennifer Close
    978-1-101-91145-7
    $16.00 US
    Paperback
    Vintage
    May 30, 2017
  • Bright, Precious Days
    Bright, Precious Days
    A Novel
    Jay McInerney
    978-1-101-97226-7
    $16.95 US
    Paperback
    Vintage
    May 30, 2017
  • This Must Be the Place
    This Must Be the Place
    Maggie O'Farrell
    978-0-345-80472-3
    $17.00 US
    Paperback
    Vintage
    May 16, 2017
  • The Pier Falls
    The Pier Falls
    And Other Stories
    Mark Haddon
    978-1-101-97013-3
    $16.95 US
    Paperback
    Vintage
    May 02, 2017
  • Dear Fang, With Love
    Dear Fang, With Love
    A Novel
    Rufi Thorpe
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