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Sweetbitter

Part of Vintage Contemporaries

Author Stephanie Danler
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Paperback
$18.00 US
Knopf | Vintage
On sale Apr 04, 2017 | 368 Pages | 978-1-101-91186-0
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  • English > Literature > American Literature – 21st Century
  • About
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Newly arrived in New York City, twenty-two-year-old Tess lands a job working front of house at a celebrated downtown restaurant. What follows is her education: in champagne and cocaine, love and lust, dive bars and fine dining rooms, as she learns to navigate the chaotic, enchanting, punishing life she has chosen. The story of a young woman’s coming-of-age, set against the glitzy, grimy backdrop of New York’s most elite restaurants, in Sweetbitter Stephanie Danler deftly conjures the nonstop and high-adrenaline world of the food industry and evokes the infinite possibilities, the unbearable beauty, and the fragility and brutality of being young and adrift.

“Outstanding.” —Gabrielle Hamilton, The New York Times Book Review

“Vivid and exquisite.” —NPR
 
“[A] heady first taste of self-discovery, bitter and salty and sweet.” —Entertainment Weekly
 
“Meticulously rendered.” —Los Angeles Times
 
“Ravishing. . . . It tantalizes, seduces, satisfies.” —O, The Oprah Magazine
 
“Smart, delicious. . . . A sexy, sweaty book of sensory overload.” —The Washington Post
 
“[Sweetbitter] is going to make a lot of people hungry.” .—The New York Times

“A heady mix of youth, love, gastronomic delights and determined self-invention. . . . [Danler] is a writer of prodigious talent.” —San Francisco Chronicle
 
“A raw, shucked, pungent, wild love story.” —Marie Claire

“Sexy, astute. . . . Anyone who’s ever tied on an apron will think, ‘Finally, someone wrote a book about us.’ And nailed it.” —People 
 
“This dynamite book is filled with the heart-wrenching indignities of self-discovery, and gives a gritty, inside look to the fast-paced, drug-filled, whirlwind scene of restaurant life.” —Bon Appétit
I

You will develop a palate.

A palate is a spot on your tongue where you remember. Where you assign words to the textures of taste. Eating becomes a discipline, language-­obsessed. You will never simply eat food again.

I don’t know what it is exactly, being a server. It’s a job, certainly, but not exclusively. There’s a transparency to it, an occupation stripped of the usual ambitions. One doesn’t move up or down. One waits. You are a waiter.

It is fast money—­loose, slippery bills that inflate and disappear over the course of an evening. It can be a means, to those with concrete ends and unwavering vision. I grasped most of that easily enough when I was hired at the restaurant at twenty-­two.

Some of it was a draw: the money, the sense of safety that came from having a place to wait. What I didn’t see was that the time had severe brackets around it. Within those brackets nothing else existed. Outside of them, all you could remember was the blur of a momentary madness. Ninety percent of us wouldn’t even put it on a résumé. We might mention it as a tossed-­off reference to our moral rigor, a badge of a certain kind of misery, like enduring earthquakes, or spending time in the army. It was so finite.

I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-­latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-­modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map.

Does anyone come to New York clean? I’m afraid not. But crossing the Hudson I thought of crossing Lethe, milky river of forgetting. I forgot that I had a mother who drove away before I could open my eyes, and a father who moved invisibly through the rooms of our house. I forgot the parade of people in my life as thin as mesh screens, who couldn’t catch whatever it was I wanted to say to them, and I forgot how I drove down dirt roads between desiccated fields, under an oppressive guard of stars, and felt nothing.

Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-­de-­sacs? Mornings of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitively forward.

Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.



SOUR: all the puckering citrus juices, the thin-­skinned Meyer lemons, knobbed Kaffirs. Astringent yogurts and vinegars. Lemons resting in pint containers at all the cooks’ sides. Chef yelled, This needs acid!, and they eviscerated lemons, leaving the caressing sting of food that’s alive.

I didn’t know about the tollbooths.

“I didn’t know,” I said to the tollbooth lady. “Can’t I squeeze through this one time?”

The woman in the booth was as unmoved as an obelisk. The driver in the car behind me started honking, and then the driver behind him, until I wanted to duck under the steering wheel. She directed me to the side where I reversed, turned, and found myself facing the direction from which I had just come.

I pulled off into a maze of industrial streets, each one more misleading than the next. It was irrational but I was terrified of not being able to find an ATM and having to go all the way back. I pulled into a Dunkin’ Donuts. I took out twenty dollars and looked at my remaining balance: $146.00. I used the restroom and rinsed off my face. Almost, I said to my strained face in the mirror.

“Can I get a large iced hazelnut coffee?” I asked. The man wheezing behind the counter masticated me with his eyes.

“You’re back?” He handed me the change.

“Excuse me?”

“You were in here yesterday. You got that same coffee.”

“No. I. Did. Not.” I shook my head for emphasis. I imagined myself getting out of the car yesterday, tomorrow, and every day of my new life, pulling into the Dunkin’ Donuts in motherfucking New Jersey, and ordering that coffee. I felt sick. “I didn’t,” I said again, still shaking my head.

“I’m back, it’s me,” I said to the tollbooth woman, rolling the window down triumphantly. She raised one eyebrow and hooked her thumb into her belt loop. I handed her money like it was nothing. “Can I get in now?”

SALT: your mouth waters itself. Flakes from Brittany, liquescent on contact. Blocks of pink salt from the Himalayas, matte gray clumps from Japan. An endless stream of kosher salt, falling from Chef’s hand. Salting the most nuanced of enterprises, the food always requesting more, but the tipping point fatal.

A friend of a friend of a friend, his name was Jesse. A spare bedroom for $700 a month. A neighborhood called Williamsburg. The city was in the grips of a tyrannical heat wave, the daily papers headlined with news of people dying in Queens and the outer boroughs where there were blackouts. The cops were passing out bags of ice, an evaporating consolation.

The streets were wide and vacant and I parked my car on Roebling. It was midafternoon, there wasn’t enough shade, and every business seemed closed. I walked over to Bedford Avenue to look for signs of life. I saw a coffee shop and thought about asking if they needed a barista. When I looked through the window the kids on laptops were thin lipped, pierced, gaunt, so much older than me. I had promised myself to find work swiftly and unthinkingly—­as a waitress, a barista, a whatever-­the-­fuck-­job so I could feel planted. But when I told myself to open the door my hand objected.

The waterfront skyline was plastered with skeletons of high-­rises, escalating out of the low buildings. They looked like mistakes that had been rubbed out with an eraser. Creaking above an overgrown, abandoned lot was a rusted-out Mobil gas sign—­all around me ambivalent evidence of extinction.

This new roommate had left the keys at a bar near the apartment. He worked in an office in Midtown during the day and couldn’t meet me.

Clem’s was a dark spot on a bright corner, the air conditioner rumbling like a diesel motor. It anointed me with a drip when I walked in, and I stood blinking in the airstream while my eyes adjusted.

There was a bartender leaning heavily against the back counter with his boots up on the bar in front of him. He wore a patched and studded denim vest with no shirt underneath. Two women sat in front of him in yellow print dresses, twirling straws in big drinks. No one said anything to me.

“Keys, keys, keys,” he said when I asked. In addition to his body odor, which hit me in the face on my approach, this man was covered in terrifying—­demonic—­tattoos. The skin of his ribs seemed glued on. A mustache as defined as pigtails. He pulled out the register, threw it on the bar, and rummaged through the drawer underneath. Stacks of credit cards, foreign change, envelopes, receipts. The bills fluttered against the clamps.

“You Jesse’s girl?”

“Ha,” one of the women said from down the bar. She pressed her drink onto her forehead and rolled it back and forth. “That was funny.”

“It’s South Second and Roebling,” I said.

“Am I a fucking real estate agent?” He threw a handful of keys with plastic colored tags at me.

“Aw, don’t scare her,” the second woman said. They didn’t look like sisters exactly, but they were both fleshy, rising out of their halter necklines like figureheads on the prow of a ship. One was blond, the other brunette—­and now that I was looking, their dresses were definitely identical. They murmured inside jokes to each other.

How am I going to live here? I wondered. Someone is going to have to change, them or me. I found the keys marked 220 Roeb­ling. The bartender ducked down.

“Thank you very much, sir,” I said to the air.

“Oh, no problem, madame,” he said, popping up and batting his eyes at me. He opened a can of beer, pushed his mustache up, and ran his tongue around it while looking at me.

“Okay,” I said, backing away. “Well, maybe I’ll come in again. For like . . . a drink.”

“I’ll be here with bells on,” he said, turning his back on me. His stench lingered.

Just before I stepped out into the heat I heard one of the women say, “Oh god,” and then from that bartender: “There goes the fucking neighborhood.”

SWEET: granular, powdered, brown, slow like honey or molasses. The mouth-­coating sugars in milk. Once, when we were wild, sugar intoxicated us, the first narcotic we craved and languished in. We’ve tamed, refined it, but the juice from a peach still runs like a flash flood.

I don’t remember why I went to that restaurant first.

I do remember—­in perfect detail—­that stretch of Sixteenth Street that gave away so little: the impersonal, midcentury teal of Coffee Shop, the battalion of dumpsters between us and Blue Water Grill, the bodega with two small card tables where they let you drink beer. Always uniformed servers buying Altoids and energy drinks.

The alley where the cooks lined up to smoke cigarettes between services, the recesses of the alley where they smoked pot and kicked at the rats tearing through the trash. And just beyond our line of vision we could sense the outlines of the scrawny park.

What did the Owner gaze at when he built it? The future.

When I got there they told me a lot of stories. Nobody went to Union Square in the eighties, they said. Only a few of the publishing houses had moved down there. That city has been replaced by another city. The Whole Foods, the Barnes & Noble, the Best Buy—­they got stacked right on top of it. In Rome, they dig for a subway and find whole civilizations. With all the artists, the politicians, the tailors, the hairdressers, the bartenders. If you dug right here on Sixteenth Street you’d find us, younger, and all the stale haunts, and all the old bums in the park younger too.

What did those original servers see when they went to the first interviews in 1985? A tavern, a grill, a bistro? A mess of Italy, France, and some burgeoning American cuisine that nobody really believed in yet? A hodgepodge that shouldn’t have worked? When I asked them what they saw, they said he’d built a kind of restaurant that hadn’t been there before. They all said that when they walked in, it felt like coming home.

BITTER: always a bit unanticipated. Coffee, chocolate, rosemary, citrus rinds, wine. Once, when we were wild, it told us about poison. The mouth still hesitates at each new encounter. We urge it forward, say, Adapt. Now, enjoy it.


I smiled too much. At the end of the interview the corners of my mouth ached like stakes in a tent. I wore a black sundress and a pilled cardigan, which was the most conservative and professional thing I owned. I had a handful of résumés folded up in my purse, and my loose plan—­if that’s even the right word for the hesitant brand of instinct I forced myself to follow with a sense of doom—­was to walk into restaurants until I got hired. When I asked my roommate where I should look for a job, he said the best restaurant in New York City was in Union Square. Within a minute of getting off the train I developed giant wet half-­moons of sweat in the cardigan, but the top of my dress was too revealing to remove it.

“Why did you choose New York?” asked Howard, the general manager.

“I thought you were going to ask me why I chose this restaurant,” I said.

“Let’s start with New York.”

I knew from books, movies, and Sex and the City how I was supposed to answer. I’ve always dreamed of living here, they say. They stress the word dreamed, lengthen it, to make it sound true.

I knew so many said: I came here to be a singer/dancer/actress/photographer/painter. In finance/fashion/publishing. I came here to be powerful/beautiful/wealthy. This always seemed to mean: I’m stopping here to become someone else.

I said, “It really didn’t feel like a choice. Where else is there to go?”

“Ah,” he said. “It’s a bit of a calling isn’t it?”

That’s all. Ah. And I felt like he understood that I didn’t have endless options, that there was only one place large enough to hold so much unbridled, unfocused desire. Ah. Maybe he knew how I fantasized about living a twenty-­four-­hour life. Maybe he knew how bored I had been up until now.

Howard was in his late forties with a cultivated, square face. His hair receded finely, emphasizing bulging eyes that told me he didn’t need much sleep. He stood squarely on athletic legs, balancing a prominent belly. Judicious eyes, I thought, as he tapped his fingers on the white tablecloth and assessed me.

“You have nice nails,” I said, looking at his hands.

“It’s part of the job,” he said, unswayed. “Tell me what you know about wine.”

“Oh, the basics. I’m competent in the basics.” As in I knew the difference between white and red wine and it couldn’t get more basic than that.

“For example,” he said, looking around the room as if plucking a question from the air, “what are the five noble grapes of Bordeaux?”

I pictured cartoon grapes wearing crowns on their heads, welcoming me to their châteaux—­Hello, we are the noble grapes of Bordeaux, they said. I debated lying. It was impossible to know how much honesty about my ignorance would be valued.

“Mer . . . lot?”

“Yes,” he said. “That’s one.”

“Cabernet? I’m sorry, I don’t really drink Bordeaux.”

He seemed sympathetic. “Of course, it’s a bit above the average price point.”

“Yep.” I nodded. “That’s totally it.”

“What do you drink?”

My first instinct was to list the different beverages I drank on a daily basis. The noble grapes were back in my head, dancing, telling him all about my Dunkin’ Donuts iced coffee.

“What do I drink when?”

“When you purchase a bottle of wine, what do you tend toward?”

I imagined myself purchasing a bottle of wine, not based on price or proximity to the checkout line, not based on what animal was on the label, but by an internal matrix of my own taste. That image was as laughable as my noble grapes, even if I was wearing a cardigan.

“Beaujolais? Is that a wine?”

“It is. Beaujolais, c’est un vin fainéant et radin.”

“Yes. That.”

“Which cru do you prefer?”

“I’m not sure,” I said, batting my eyelashes forcibly, falsely.

“Do you have any experience as a server?”

“Yes. I’ve been working at that coffee shop for years. It’s on my résumé.”

“I mean in a restaurant. Do you know what it means to be a server?”

“Yes. When the plates are ready I bring them out and serve them to customers.”

“You mean guests.”

“Guests?”

“Your guests.”

“Yes, that’s what I meant.” He scribbled on the top of my résumé. Server? Guests? What was the difference between a guest and a customer?

“It says here you were an English major.”

“Yes. I know. It’s generic.”

“What are you reading?”

“Reading?”

“What are you reading right now?”

“Is that a job question?”

“Perhaps.” He smiled. His eyes made an unabashed, slow circle around my face.

“Um. Nothing. For the first time in my life, I’m reading nothing.” I paused and looked out the window. I don’t think anyone, even my professors, had once asked me what I was reading. He was digging, and though I had no idea what he was looking for, I decided it was better to play. “You know, Howard, if I can call you that, when I was leaving for here I packed a few boxes of books. But then I really started looking at them. These books were . . . I don’t know . . . totems of who I was. . .  . I . . .”

My words had a point, I had just felt the point coming, I was trying to tell him the truth. “I left them behind. That’s what I mean.”

He rested his cheek on an aristocratic hand. He listened. No, he perceived. I felt perceived. “Yes. It’s startling to look back on the passionate epiphanies of our youth. But a good sign perhaps. That our minds have changed, that we’ve evolved.”

“Or maybe it means we’ve forgotten ourselves. And we keep forgetting ourselves. And that’s the big grown-­up secret to survival.”

I stared out the window. The city passed on, obliviously. If this went badly I would forget it too.

“Are you a writer?”

“No,” I said. The table came back into focus. He was looking at me. “I like books. And everything else.”

“You like everything else?”

“You know what I mean, I like it all. I like being moved.”

He made another note on my résumé.

“What do you dislike?”

“What?” I thought I’d misheard him.

“If you like being moved, what do you dislike?”

“Are these normal questions?”

“This isn’t a normal restaurant.” He smiled and crossed his hands.

“Okay.” I looked back out the window. Enough. “I don’t like that question.”

“Why?”

My palms were damp. That was the moment I realized I wanted the job. That job, at that restaurant specifically. I looked at my hands and said, “It feels a little personal.”

“All right.” He didn’t skip a beat, a quick glance at my résumé and he was on track. “Can you tell me about a problem at one of your last jobs? At that coffee shop, I suppose. Tell me about a problem there and how you solved it.”

As if I had dreamed it, the interior of the coffee shop dissolved when I tried to recall it directly. And when I tried to remember punching in there, tried to remember the sink, the register, the coffee grinds, the objects faded. And then her fat, gloating, vindictive face appeared.

“There was this awful woman, Mrs. Pound. I mean it, she was insufferable. We called her The Hammer. From the second she walked in everything was wrong, the coffee scalded her or it tasted like dirt, the music was too loud, or her blueberry muffin had poisoned her the night before. She was always threatening to shut us down, telling us to get our lawyer ready each time she bumped into a table. She wanted scrambled eggs for her dog. Never tipped us a cent. She was dreaded. But then, this was a little over a year ago, she had her foot amputated. She was diabetic. None of us ever knew, I mean, why would we know? And she would wheel by in her wheelchair and everyone was like, Finally, The Hammer is done.”

“Finally, what?” Howard asked.

“Oh, I forgot that part. We didn’t have a ramp. And there were stairs. So she was finished, more or less.”

“More or less,” he said.

“But, the real part of the story. We met eyes one day when she was wheeling by, and she was glaring, I mean, hateful. And I don’t know why, but I missed her. I missed her face. So I made her coffee and I ran after her. I wheeled her across the street to the park and she complained about everything from the weather to indigestion. From then on it was our thing. Every day. I even brought the scrambled eggs in a to-­go container for her dog. My coworkers made so much fun of me.”

The Hammer’s swollen, varicosed legs. Flashing her stump at me from under her housedress. Her purple fingers.

“Does that answer your question? The problem was not having a ramp, I guess. The solution was to bring out the coffee. I’m sorry, I didn’t explain it very well.”

“I think you explained it perfectly. That was a kind thing to do.”

I shrugged. “I really liked her actually.”

The Hammer was the only impolite person I knew. She put me in that restaurant. I felt it then but didn’t understand it. It was her niece’s daughter who was a friend of a friend of my new roommate in Williamsburg. Our goodbye had been tearful—­on my end, not hers. I promised to write her letters, but the weeks were eclipsing our small relationship. And as I looked at Howard and the perfectly set table and the tasteful hydrangea arrangement between us, I understood what he meant by guest, and I also knew that I would never see her again.

“Did you move here with anyone? Girlfriends? A boyfriend?”

“No.”

“That’s very brave.”

“Is it? It’s been two days and I feel pretty foolish.”

“It’s brave if you make it, foolish if you fail.”

I wanted to ask him how I would be able to tell the difference and when.

“If you’re hired here, what do you want the next year to bring you?”

I forgot that I was being interviewed. I forgot about my negative bank account, my pit stains, and the noble grapes. I said something about wanting to learn. About my work ethic.

I was never good at the future. I grew up with girls whose chief occupation was the future—­designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing.

I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me.

The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.

As I thanked him and we reviewed my contact information, I didn’t know what had transpired, whether it was good or bad. It took me a moment to even remember the name of the restaurant. He held my hand too long and as I stood, his eyes traveled down my body, not like an employer’s, but like a man’s.

“I dislike mopping. And lying,” I said. I don’t know why. “Those are the two that come to mind.”

He nodded and smiled—­what I wanted to call a private smile. The backs of my legs were damp with sweat and as I walked away I felt his eyes unabashedly on my ass. At the door, I rolled my cardigan off my shoulders, and arched as if stretching. No one knows how I got the job, but it’s better to be honest about these things.

TASTE, Chef said, is all about balance. The sour, the salty, the sweet, the bitter. Now your tongue is coded. A certain connoisseurship of taste, a mark of how you deal with the world, is the ability to relish the bitter, to crave it even, the way you do the sweet.
Copyright © 2016 by Stephanie Danler. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
© Emily Knecht
STEPHANIE DANLER is a novelist and screenwriter. She is the author of the international bestseller Sweetbitter and the creator and executive producer of the Sweetbitter TV series. Her work has appeared in The Sewanee Review, Vogue, The New York Times Book Review, and The Paris Review Daily. She lives in Los Angeles, California. View titles by Stephanie Danler

About

Newly arrived in New York City, twenty-two-year-old Tess lands a job working front of house at a celebrated downtown restaurant. What follows is her education: in champagne and cocaine, love and lust, dive bars and fine dining rooms, as she learns to navigate the chaotic, enchanting, punishing life she has chosen. The story of a young woman’s coming-of-age, set against the glitzy, grimy backdrop of New York’s most elite restaurants, in Sweetbitter Stephanie Danler deftly conjures the nonstop and high-adrenaline world of the food industry and evokes the infinite possibilities, the unbearable beauty, and the fragility and brutality of being young and adrift.

“Outstanding.” —Gabrielle Hamilton, The New York Times Book Review

“Vivid and exquisite.” —NPR
 
“[A] heady first taste of self-discovery, bitter and salty and sweet.” —Entertainment Weekly
 
“Meticulously rendered.” —Los Angeles Times
 
“Ravishing. . . . It tantalizes, seduces, satisfies.” —O, The Oprah Magazine
 
“Smart, delicious. . . . A sexy, sweaty book of sensory overload.” —The Washington Post
 
“[Sweetbitter] is going to make a lot of people hungry.” .—The New York Times

“A heady mix of youth, love, gastronomic delights and determined self-invention. . . . [Danler] is a writer of prodigious talent.” —San Francisco Chronicle
 
“A raw, shucked, pungent, wild love story.” —Marie Claire

“Sexy, astute. . . . Anyone who’s ever tied on an apron will think, ‘Finally, someone wrote a book about us.’ And nailed it.” —People 
 
“This dynamite book is filled with the heart-wrenching indignities of self-discovery, and gives a gritty, inside look to the fast-paced, drug-filled, whirlwind scene of restaurant life.” —Bon Appétit

Excerpt

I

You will develop a palate.

A palate is a spot on your tongue where you remember. Where you assign words to the textures of taste. Eating becomes a discipline, language-­obsessed. You will never simply eat food again.

I don’t know what it is exactly, being a server. It’s a job, certainly, but not exclusively. There’s a transparency to it, an occupation stripped of the usual ambitions. One doesn’t move up or down. One waits. You are a waiter.

It is fast money—­loose, slippery bills that inflate and disappear over the course of an evening. It can be a means, to those with concrete ends and unwavering vision. I grasped most of that easily enough when I was hired at the restaurant at twenty-­two.

Some of it was a draw: the money, the sense of safety that came from having a place to wait. What I didn’t see was that the time had severe brackets around it. Within those brackets nothing else existed. Outside of them, all you could remember was the blur of a momentary madness. Ninety percent of us wouldn’t even put it on a résumé. We might mention it as a tossed-­off reference to our moral rigor, a badge of a certain kind of misery, like enduring earthquakes, or spending time in the army. It was so finite.

I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-­latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-­modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map.

Does anyone come to New York clean? I’m afraid not. But crossing the Hudson I thought of crossing Lethe, milky river of forgetting. I forgot that I had a mother who drove away before I could open my eyes, and a father who moved invisibly through the rooms of our house. I forgot the parade of people in my life as thin as mesh screens, who couldn’t catch whatever it was I wanted to say to them, and I forgot how I drove down dirt roads between desiccated fields, under an oppressive guard of stars, and felt nothing.

Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-­de-­sacs? Mornings of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitively forward.

Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.



SOUR: all the puckering citrus juices, the thin-­skinned Meyer lemons, knobbed Kaffirs. Astringent yogurts and vinegars. Lemons resting in pint containers at all the cooks’ sides. Chef yelled, This needs acid!, and they eviscerated lemons, leaving the caressing sting of food that’s alive.

I didn’t know about the tollbooths.

“I didn’t know,” I said to the tollbooth lady. “Can’t I squeeze through this one time?”

The woman in the booth was as unmoved as an obelisk. The driver in the car behind me started honking, and then the driver behind him, until I wanted to duck under the steering wheel. She directed me to the side where I reversed, turned, and found myself facing the direction from which I had just come.

I pulled off into a maze of industrial streets, each one more misleading than the next. It was irrational but I was terrified of not being able to find an ATM and having to go all the way back. I pulled into a Dunkin’ Donuts. I took out twenty dollars and looked at my remaining balance: $146.00. I used the restroom and rinsed off my face. Almost, I said to my strained face in the mirror.

“Can I get a large iced hazelnut coffee?” I asked. The man wheezing behind the counter masticated me with his eyes.

“You’re back?” He handed me the change.

“Excuse me?”

“You were in here yesterday. You got that same coffee.”

“No. I. Did. Not.” I shook my head for emphasis. I imagined myself getting out of the car yesterday, tomorrow, and every day of my new life, pulling into the Dunkin’ Donuts in motherfucking New Jersey, and ordering that coffee. I felt sick. “I didn’t,” I said again, still shaking my head.

“I’m back, it’s me,” I said to the tollbooth woman, rolling the window down triumphantly. She raised one eyebrow and hooked her thumb into her belt loop. I handed her money like it was nothing. “Can I get in now?”

SALT: your mouth waters itself. Flakes from Brittany, liquescent on contact. Blocks of pink salt from the Himalayas, matte gray clumps from Japan. An endless stream of kosher salt, falling from Chef’s hand. Salting the most nuanced of enterprises, the food always requesting more, but the tipping point fatal.

A friend of a friend of a friend, his name was Jesse. A spare bedroom for $700 a month. A neighborhood called Williamsburg. The city was in the grips of a tyrannical heat wave, the daily papers headlined with news of people dying in Queens and the outer boroughs where there were blackouts. The cops were passing out bags of ice, an evaporating consolation.

The streets were wide and vacant and I parked my car on Roebling. It was midafternoon, there wasn’t enough shade, and every business seemed closed. I walked over to Bedford Avenue to look for signs of life. I saw a coffee shop and thought about asking if they needed a barista. When I looked through the window the kids on laptops were thin lipped, pierced, gaunt, so much older than me. I had promised myself to find work swiftly and unthinkingly—­as a waitress, a barista, a whatever-­the-­fuck-­job so I could feel planted. But when I told myself to open the door my hand objected.

The waterfront skyline was plastered with skeletons of high-­rises, escalating out of the low buildings. They looked like mistakes that had been rubbed out with an eraser. Creaking above an overgrown, abandoned lot was a rusted-out Mobil gas sign—­all around me ambivalent evidence of extinction.

This new roommate had left the keys at a bar near the apartment. He worked in an office in Midtown during the day and couldn’t meet me.

Clem’s was a dark spot on a bright corner, the air conditioner rumbling like a diesel motor. It anointed me with a drip when I walked in, and I stood blinking in the airstream while my eyes adjusted.

There was a bartender leaning heavily against the back counter with his boots up on the bar in front of him. He wore a patched and studded denim vest with no shirt underneath. Two women sat in front of him in yellow print dresses, twirling straws in big drinks. No one said anything to me.

“Keys, keys, keys,” he said when I asked. In addition to his body odor, which hit me in the face on my approach, this man was covered in terrifying—­demonic—­tattoos. The skin of his ribs seemed glued on. A mustache as defined as pigtails. He pulled out the register, threw it on the bar, and rummaged through the drawer underneath. Stacks of credit cards, foreign change, envelopes, receipts. The bills fluttered against the clamps.

“You Jesse’s girl?”

“Ha,” one of the women said from down the bar. She pressed her drink onto her forehead and rolled it back and forth. “That was funny.”

“It’s South Second and Roebling,” I said.

“Am I a fucking real estate agent?” He threw a handful of keys with plastic colored tags at me.

“Aw, don’t scare her,” the second woman said. They didn’t look like sisters exactly, but they were both fleshy, rising out of their halter necklines like figureheads on the prow of a ship. One was blond, the other brunette—­and now that I was looking, their dresses were definitely identical. They murmured inside jokes to each other.

How am I going to live here? I wondered. Someone is going to have to change, them or me. I found the keys marked 220 Roeb­ling. The bartender ducked down.

“Thank you very much, sir,” I said to the air.

“Oh, no problem, madame,” he said, popping up and batting his eyes at me. He opened a can of beer, pushed his mustache up, and ran his tongue around it while looking at me.

“Okay,” I said, backing away. “Well, maybe I’ll come in again. For like . . . a drink.”

“I’ll be here with bells on,” he said, turning his back on me. His stench lingered.

Just before I stepped out into the heat I heard one of the women say, “Oh god,” and then from that bartender: “There goes the fucking neighborhood.”

SWEET: granular, powdered, brown, slow like honey or molasses. The mouth-­coating sugars in milk. Once, when we were wild, sugar intoxicated us, the first narcotic we craved and languished in. We’ve tamed, refined it, but the juice from a peach still runs like a flash flood.

I don’t remember why I went to that restaurant first.

I do remember—­in perfect detail—­that stretch of Sixteenth Street that gave away so little: the impersonal, midcentury teal of Coffee Shop, the battalion of dumpsters between us and Blue Water Grill, the bodega with two small card tables where they let you drink beer. Always uniformed servers buying Altoids and energy drinks.

The alley where the cooks lined up to smoke cigarettes between services, the recesses of the alley where they smoked pot and kicked at the rats tearing through the trash. And just beyond our line of vision we could sense the outlines of the scrawny park.

What did the Owner gaze at when he built it? The future.

When I got there they told me a lot of stories. Nobody went to Union Square in the eighties, they said. Only a few of the publishing houses had moved down there. That city has been replaced by another city. The Whole Foods, the Barnes & Noble, the Best Buy—­they got stacked right on top of it. In Rome, they dig for a subway and find whole civilizations. With all the artists, the politicians, the tailors, the hairdressers, the bartenders. If you dug right here on Sixteenth Street you’d find us, younger, and all the stale haunts, and all the old bums in the park younger too.

What did those original servers see when they went to the first interviews in 1985? A tavern, a grill, a bistro? A mess of Italy, France, and some burgeoning American cuisine that nobody really believed in yet? A hodgepodge that shouldn’t have worked? When I asked them what they saw, they said he’d built a kind of restaurant that hadn’t been there before. They all said that when they walked in, it felt like coming home.

BITTER: always a bit unanticipated. Coffee, chocolate, rosemary, citrus rinds, wine. Once, when we were wild, it told us about poison. The mouth still hesitates at each new encounter. We urge it forward, say, Adapt. Now, enjoy it.


I smiled too much. At the end of the interview the corners of my mouth ached like stakes in a tent. I wore a black sundress and a pilled cardigan, which was the most conservative and professional thing I owned. I had a handful of résumés folded up in my purse, and my loose plan—­if that’s even the right word for the hesitant brand of instinct I forced myself to follow with a sense of doom—­was to walk into restaurants until I got hired. When I asked my roommate where I should look for a job, he said the best restaurant in New York City was in Union Square. Within a minute of getting off the train I developed giant wet half-­moons of sweat in the cardigan, but the top of my dress was too revealing to remove it.

“Why did you choose New York?” asked Howard, the general manager.

“I thought you were going to ask me why I chose this restaurant,” I said.

“Let’s start with New York.”

I knew from books, movies, and Sex and the City how I was supposed to answer. I’ve always dreamed of living here, they say. They stress the word dreamed, lengthen it, to make it sound true.

I knew so many said: I came here to be a singer/dancer/actress/photographer/painter. In finance/fashion/publishing. I came here to be powerful/beautiful/wealthy. This always seemed to mean: I’m stopping here to become someone else.

I said, “It really didn’t feel like a choice. Where else is there to go?”

“Ah,” he said. “It’s a bit of a calling isn’t it?”

That’s all. Ah. And I felt like he understood that I didn’t have endless options, that there was only one place large enough to hold so much unbridled, unfocused desire. Ah. Maybe he knew how I fantasized about living a twenty-­four-­hour life. Maybe he knew how bored I had been up until now.

Howard was in his late forties with a cultivated, square face. His hair receded finely, emphasizing bulging eyes that told me he didn’t need much sleep. He stood squarely on athletic legs, balancing a prominent belly. Judicious eyes, I thought, as he tapped his fingers on the white tablecloth and assessed me.

“You have nice nails,” I said, looking at his hands.

“It’s part of the job,” he said, unswayed. “Tell me what you know about wine.”

“Oh, the basics. I’m competent in the basics.” As in I knew the difference between white and red wine and it couldn’t get more basic than that.

“For example,” he said, looking around the room as if plucking a question from the air, “what are the five noble grapes of Bordeaux?”

I pictured cartoon grapes wearing crowns on their heads, welcoming me to their châteaux—­Hello, we are the noble grapes of Bordeaux, they said. I debated lying. It was impossible to know how much honesty about my ignorance would be valued.

“Mer . . . lot?”

“Yes,” he said. “That’s one.”

“Cabernet? I’m sorry, I don’t really drink Bordeaux.”

He seemed sympathetic. “Of course, it’s a bit above the average price point.”

“Yep.” I nodded. “That’s totally it.”

“What do you drink?”

My first instinct was to list the different beverages I drank on a daily basis. The noble grapes were back in my head, dancing, telling him all about my Dunkin’ Donuts iced coffee.

“What do I drink when?”

“When you purchase a bottle of wine, what do you tend toward?”

I imagined myself purchasing a bottle of wine, not based on price or proximity to the checkout line, not based on what animal was on the label, but by an internal matrix of my own taste. That image was as laughable as my noble grapes, even if I was wearing a cardigan.

“Beaujolais? Is that a wine?”

“It is. Beaujolais, c’est un vin fainéant et radin.”

“Yes. That.”

“Which cru do you prefer?”

“I’m not sure,” I said, batting my eyelashes forcibly, falsely.

“Do you have any experience as a server?”

“Yes. I’ve been working at that coffee shop for years. It’s on my résumé.”

“I mean in a restaurant. Do you know what it means to be a server?”

“Yes. When the plates are ready I bring them out and serve them to customers.”

“You mean guests.”

“Guests?”

“Your guests.”

“Yes, that’s what I meant.” He scribbled on the top of my résumé. Server? Guests? What was the difference between a guest and a customer?

“It says here you were an English major.”

“Yes. I know. It’s generic.”

“What are you reading?”

“Reading?”

“What are you reading right now?”

“Is that a job question?”

“Perhaps.” He smiled. His eyes made an unabashed, slow circle around my face.

“Um. Nothing. For the first time in my life, I’m reading nothing.” I paused and looked out the window. I don’t think anyone, even my professors, had once asked me what I was reading. He was digging, and though I had no idea what he was looking for, I decided it was better to play. “You know, Howard, if I can call you that, when I was leaving for here I packed a few boxes of books. But then I really started looking at them. These books were . . . I don’t know . . . totems of who I was. . .  . I . . .”

My words had a point, I had just felt the point coming, I was trying to tell him the truth. “I left them behind. That’s what I mean.”

He rested his cheek on an aristocratic hand. He listened. No, he perceived. I felt perceived. “Yes. It’s startling to look back on the passionate epiphanies of our youth. But a good sign perhaps. That our minds have changed, that we’ve evolved.”

“Or maybe it means we’ve forgotten ourselves. And we keep forgetting ourselves. And that’s the big grown-­up secret to survival.”

I stared out the window. The city passed on, obliviously. If this went badly I would forget it too.

“Are you a writer?”

“No,” I said. The table came back into focus. He was looking at me. “I like books. And everything else.”

“You like everything else?”

“You know what I mean, I like it all. I like being moved.”

He made another note on my résumé.

“What do you dislike?”

“What?” I thought I’d misheard him.

“If you like being moved, what do you dislike?”

“Are these normal questions?”

“This isn’t a normal restaurant.” He smiled and crossed his hands.

“Okay.” I looked back out the window. Enough. “I don’t like that question.”

“Why?”

My palms were damp. That was the moment I realized I wanted the job. That job, at that restaurant specifically. I looked at my hands and said, “It feels a little personal.”

“All right.” He didn’t skip a beat, a quick glance at my résumé and he was on track. “Can you tell me about a problem at one of your last jobs? At that coffee shop, I suppose. Tell me about a problem there and how you solved it.”

As if I had dreamed it, the interior of the coffee shop dissolved when I tried to recall it directly. And when I tried to remember punching in there, tried to remember the sink, the register, the coffee grinds, the objects faded. And then her fat, gloating, vindictive face appeared.

“There was this awful woman, Mrs. Pound. I mean it, she was insufferable. We called her The Hammer. From the second she walked in everything was wrong, the coffee scalded her or it tasted like dirt, the music was too loud, or her blueberry muffin had poisoned her the night before. She was always threatening to shut us down, telling us to get our lawyer ready each time she bumped into a table. She wanted scrambled eggs for her dog. Never tipped us a cent. She was dreaded. But then, this was a little over a year ago, she had her foot amputated. She was diabetic. None of us ever knew, I mean, why would we know? And she would wheel by in her wheelchair and everyone was like, Finally, The Hammer is done.”

“Finally, what?” Howard asked.

“Oh, I forgot that part. We didn’t have a ramp. And there were stairs. So she was finished, more or less.”

“More or less,” he said.

“But, the real part of the story. We met eyes one day when she was wheeling by, and she was glaring, I mean, hateful. And I don’t know why, but I missed her. I missed her face. So I made her coffee and I ran after her. I wheeled her across the street to the park and she complained about everything from the weather to indigestion. From then on it was our thing. Every day. I even brought the scrambled eggs in a to-­go container for her dog. My coworkers made so much fun of me.”

The Hammer’s swollen, varicosed legs. Flashing her stump at me from under her housedress. Her purple fingers.

“Does that answer your question? The problem was not having a ramp, I guess. The solution was to bring out the coffee. I’m sorry, I didn’t explain it very well.”

“I think you explained it perfectly. That was a kind thing to do.”

I shrugged. “I really liked her actually.”

The Hammer was the only impolite person I knew. She put me in that restaurant. I felt it then but didn’t understand it. It was her niece’s daughter who was a friend of a friend of my new roommate in Williamsburg. Our goodbye had been tearful—­on my end, not hers. I promised to write her letters, but the weeks were eclipsing our small relationship. And as I looked at Howard and the perfectly set table and the tasteful hydrangea arrangement between us, I understood what he meant by guest, and I also knew that I would never see her again.

“Did you move here with anyone? Girlfriends? A boyfriend?”

“No.”

“That’s very brave.”

“Is it? It’s been two days and I feel pretty foolish.”

“It’s brave if you make it, foolish if you fail.”

I wanted to ask him how I would be able to tell the difference and when.

“If you’re hired here, what do you want the next year to bring you?”

I forgot that I was being interviewed. I forgot about my negative bank account, my pit stains, and the noble grapes. I said something about wanting to learn. About my work ethic.

I was never good at the future. I grew up with girls whose chief occupation was the future—­designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing.

I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me.

The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.

As I thanked him and we reviewed my contact information, I didn’t know what had transpired, whether it was good or bad. It took me a moment to even remember the name of the restaurant. He held my hand too long and as I stood, his eyes traveled down my body, not like an employer’s, but like a man’s.

“I dislike mopping. And lying,” I said. I don’t know why. “Those are the two that come to mind.”

He nodded and smiled—­what I wanted to call a private smile. The backs of my legs were damp with sweat and as I walked away I felt his eyes unabashedly on my ass. At the door, I rolled my cardigan off my shoulders, and arched as if stretching. No one knows how I got the job, but it’s better to be honest about these things.

TASTE, Chef said, is all about balance. The sour, the salty, the sweet, the bitter. Now your tongue is coded. A certain connoisseurship of taste, a mark of how you deal with the world, is the ability to relish the bitter, to crave it even, the way you do the sweet.
Copyright © 2016 by Stephanie Danler. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

© Emily Knecht
STEPHANIE DANLER is a novelist and screenwriter. She is the author of the international bestseller Sweetbitter and the creator and executive producer of the Sweetbitter TV series. Her work has appeared in The Sewanee Review, Vogue, The New York Times Book Review, and The Paris Review Daily. She lives in Los Angeles, California. View titles by Stephanie Danler

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    Mar 31, 2020
  • The River
    The River
    A novel
    Peter Heller
    978-0-525-56353-2
    $17.00 US
    Paperback
    Vintage
    Mar 03, 2020
  • Goulash
    Goulash
    A Novel
    Brian Kimberling
    978-0-345-80337-5
    $16.00 US
    Paperback
    Vintage
    Jan 21, 2020
  • The Stories of Alice Adams
    The Stories of Alice Adams
    Alice Adams
    978-1-9848-9811-1
    $18.00 US
    Paperback
    Vintage
    Nov 19, 2019
  • Old Newgate Road
    Old Newgate Road
    A novel
    Keith Scribner
    978-0-525-56346-4
    $17.00 US
    Paperback
    Vintage
    Oct 08, 2019
  • Notes from the Fog
    Notes from the Fog
    Ben Marcus
    978-1-101-97168-0
    $16.00 US
    Paperback
    Vintage
    Jul 09, 2019
  • Red, White, Blue
    Red, White, Blue
    A novel
    Lea Carpenter
    978-0-525-43298-2
    $16.95 US
    Paperback
    Vintage
    Jun 04, 2019
  • Good Trouble
    Good Trouble
    Stories
    Joseph O'Neill
    978-0-525-43664-5
    $15.00 US
    Paperback
    Vintage
    May 14, 2019
  • Sociable
    Sociable
    Rebecca Harrington
    978-0-8041-7217-2
    $16.00 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Flight Attendant
    The Flight Attendant
    A Novel
    Chris Bohjalian
    978-0-525-43268-5
    $16.00 US
    Paperback
    Vintage
    Jan 08, 2019
  • Cockfosters
    Cockfosters
    Stories
    Helen Simpson
    978-0-525-56362-4
    $16.00 US
    Paperback
    Vintage
    Sep 04, 2018
  • Gork, the Teenage Dragon
    Gork, the Teenage Dragon
    A Novel
    Gabe Hudson
    978-0-375-71341-5
    $16.00 US
    Paperback
    Vintage
    Jun 26, 2018
  • The Misfortune of Marion Palm
    The Misfortune of Marion Palm
    A Novel
    Emily Culliton
    978-0-525-43262-3
    $15.95 US
    Paperback
    Vintage
    Jun 26, 2018
  • Saints for All Occasions
    Saints for All Occasions
    A novel
    J. Courtney Sullivan
    978-0-307-94980-6
    $17.00 US
    Paperback
    Vintage
    May 29, 2018
  • Chemistry
    Chemistry
    A Novel
    Weike Wang
    978-0-525-43222-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Trajectory
    Trajectory
    Stories
    Richard Russo
    978-1-101-97198-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Living in the Weather of the World
    Living in the Weather of the World
    Stories
    Richard Bausch
    978-0-525-43185-5
    $17.00 US
    Paperback
    Vintage
    Mar 20, 2018
  • The Delight of Being Ordinary
    The Delight of Being Ordinary
    A Road Trip with the Pope and the Dalai Lama
    Roland Merullo
    978-1-101-97079-9
    $18.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • White Tears
    White Tears
    A novel
    Hari Kunzru
    978-1-101-97321-9
    $16.95 US
    Paperback
    Vintage
    Feb 06, 2018
  • The Girl at the Baggage Claim
    The Girl at the Baggage Claim
    Explaining the East-West Culture Gap
    Gish Jen
    978-1-101-97206-9
    $17.00 US
    Paperback
    Vintage
    Jan 16, 2018
  • Celine
    Celine
    A novel
    Peter Heller
    978-1-101-97348-6
    $16.95 US
    Paperback
    Vintage
    Jan 02, 2018
  • Signals
    Signals
    New and Selected Stories
    Tim Gautreaux
    978-1-101-97251-9
    $17.95 US
    Paperback
    Vintage
    Dec 12, 2017
  • The Sleepwalker
    The Sleepwalker
    A Novel
    Chris Bohjalian
    978-0-8041-7099-4
    $16.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • A Gambler's Anatomy
    A Gambler's Anatomy
    A Novel
    Jonathan Lethem
    978-1-101-87367-0
    $16.95 US
    Paperback
    Vintage
    Sep 05, 2017
  • The Tragedy of Brady Sims
    The Tragedy of Brady Sims
    Ernest J. Gaines
    978-0-525-43446-7
    $16.95 US
    Paperback
    Vintage
    Aug 29, 2017
  • Bridget Jones's Baby
    Bridget Jones's Baby
    The Diaries
    Helen Fielding
    978-0-525-43388-0
    $15.00 US
    Paperback
    Vintage
    Jul 25, 2017
  • Attic
    Attic
    Katherine Dunn
    978-0-525-43406-1
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • How to Set a Fire and Why
    How to Set a Fire and Why
    A Novel
    Jesse Ball
    978-1-101-91175-4
    $18.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • Break in Case of Emergency
    Break in Case of Emergency
    A Novel
    Jessica Winter
    978-1-101-91193-8
    $16.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Hopefuls
    The Hopefuls
    Jennifer Close
    978-1-101-91145-7
    $16.00 US
    Paperback
    Vintage
    May 30, 2017
  • Bright, Precious Days
    Bright, Precious Days
    A Novel
    Jay McInerney
    978-1-101-97226-7
    $16.95 US
    Paperback
    Vintage
    May 30, 2017
  • This Must Be the Place
    This Must Be the Place
    Maggie O'Farrell
    978-0-345-80472-3
    $17.00 US
    Paperback
    Vintage
    May 16, 2017
  • The Pier Falls
    The Pier Falls
    And Other Stories
    Mark Haddon
    978-1-101-97013-3
    $16.95 US
    Paperback
    Vintage
    May 02, 2017
  • Dear Fang, With Love
    Dear Fang, With Love
    A Novel
    Rufi Thorpe
    978-1-101-91157-0
    $16.00 US
    Paperback
    Vintage
    Apr 18, 2017
  • Honeymoon and Other Stories
    Honeymoon and Other Stories
    Kevin Canty
    978-0-525-43504-4
    $10.99 US
    Ebook
    Vintage
    Feb 22, 2017
  • Before the Wind
    Before the Wind
    A Novel
    Jim Lynch
    978-0-307-94935-6
    $16.00 US
    Paperback
    Vintage
    Feb 21, 2017
  • Burning Down the House
    Burning Down the House
    A Novel
    Jane Mendelsohn
    978-1-101-91119-8
    $16.00 US
    Paperback
    Vintage
    Feb 21, 2017
  • The Bed Moved
    The Bed Moved
    Stories
    Rebecca Schiff
    978-1-101-91085-6
    $15.95 US
    Paperback
    Vintage
    Feb 07, 2017
  • The Guest Room
    The Guest Room
    Chris Bohjalian
    978-0-8041-7098-7
    $16.00 US
    Paperback
    Vintage
    Oct 25, 2016
  • The Mare
    The Mare
    A Novel
    Mary Gaitskill
    978-0-307-74360-2
    $16.95 US
    Paperback
    Vintage
    Oct 04, 2016
  • Sea Lovers
    Sea Lovers
    Selected Stories
    Valerie Martin
    978-0-307-73955-1
    $16.95 US
    Paperback
    Vintage
    Aug 23, 2016
  • California Bloodstock
    California Bloodstock
    Terry McDonell
    978-0-525-43304-0
    $12.99 US
    Ebook
    Vintage
    Aug 17, 2016
  • The Visiting Privilege
    The Visiting Privilege
    New and Collected Stories
    Joy Williams
    978-1-101-87371-7
    $16.95 US
    Paperback
    Vintage
    Aug 09, 2016
  • The Captive Condition
    The Captive Condition
    A Novel
    Kevin P. Keating
    978-0-8041-6930-1
    $16.00 US
    Paperback
    Vintage
    Jul 12, 2016
  • Days of Awe
    Days of Awe
    Lauren Fox
    978-0-307-38827-8
    $16.00 US
    Paperback
    Vintage
    Jun 28, 2016
  • Our Souls at Night
    Our Souls at Night
    Kent Haruf, Alan Kent Haruf
    978-1-101-91192-1
    $16.00 US
    Paperback
    Vintage
    Jun 28, 2016
  • The Jezebel Remedy
    The Jezebel Remedy
    Martin Clark
    978-0-8041-7290-5
    $17.00 US
    Paperback
    Vintage
    Jun 14, 2016
  • A Cure for Suicide
    A Cure for Suicide
    A Novel
    Jesse Ball
    978-1-101-87213-0
    $16.00 US
    Paperback
    Vintage
    Jun 14, 2016
  • A Hand Reached Down to Guide Me
    A Hand Reached Down to Guide Me
    Stories and a Novella
    David Gates
    978-0-8041-6874-8
    $16.00 US
    Paperback
    Vintage
    Apr 19, 2016
  • Act of God
    Act of God
    A Novel
    Jill Ciment
    978-0-8041-6970-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Crow Fair
    Crow Fair
    Stories
    Thomas McGuane
    978-0-345-80591-1
    $16.95 US
    Paperback
    Vintage
    Mar 08, 2016
  • Voices in the Night
    Voices in the Night
    Steven Millhauser
    978-0-8041-6908-0
    $16.00 US
    Paperback
    Vintage
    Mar 08, 2016
  • She Weeps Each Time You're Born
    She Weeps Each Time You're Born
    Quan Barry
    978-0-8041-7130-4
    $17.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • There's Something I Want You to Do
    There's Something I Want You to Do
    Stories
    Charles Baxter
    978-0-8041-7273-8
    $16.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • Lucky Alan
    Lucky Alan
    and Other Stories
    Jonathan Lethem
    978-1-101-87366-3
    $15.00 US
    Paperback
    Vintage
    Feb 23, 2016
  • The Tusk That Did the Damage
    The Tusk That Did the Damage
    Tania James
    978-0-8041-7343-8
    $16.95 US
    Paperback
    Vintage
    Feb 09, 2016
  • Single, Carefree, Mellow
    Single, Carefree, Mellow
    Katherine Heiny
    978-0-8041-7315-5
    $16.00 US
    Paperback
    Vintage
    Jan 26, 2016
  • The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe
    The Extraordinary Journey of the Fakir Who Got Trapped in an Ikea Wardrobe
    Romain Puertolas
    978-0-8041-7208-0
    $17.00 US
    Paperback
    Vintage
    Jan 12, 2016
  • Beginners
    Beginners
    Raymond Carver
    978-0-307-94792-5
    $16.00 US
    Paperback
    Vintage
    Sep 15, 2015
  • Harrow
    Harrow
    A novel
    Joy Williams
    978-1-9848-9880-7
    $16.00 US
    Paperback
    Vintage
    Jul 05, 2022
  • Phase Six
    Phase Six
    A novel
    Jim Shepard
    978-0-525-56503-1
    $17.00 US
    Paperback
    Vintage
    May 24, 2022
  • You Have a Friend in 10A
    You Have a Friend in 10A
    Stories
    Maggie Shipstead
    978-0-525-65699-9
    $27.00 US
    Hardcover
    Knopf
    May 17, 2022
  • Marrying the Ketchups
    Marrying the Ketchups
    A novel
    Jennifer Close
    978-0-525-65887-0
    $28.00 US
    Hardcover
    Knopf
    Apr 26, 2022
  • Whereabouts
    Whereabouts
    Jhumpa Lahiri
    978-0-593-31208-7
    $16.00 US
    Paperback
    Vintage
    Mar 29, 2022
  • A Bright Ray of Darkness
    A Bright Ray of Darkness
    A novel
    Ethan Hawke
    978-0-8041-7052-9
    $17.00 US
    Paperback
    Vintage
    Jan 18, 2022
  • The Sun Collective
    The Sun Collective
    A Novel
    Charles Baxter
    978-1-9848-9971-2
    $17.00 US
    Paperback
    Vintage
    Oct 05, 2021
  • Red Pill
    Red Pill
    A novel
    Hari Kunzru
    978-1-101-97322-6
    $16.00 US
    Paperback
    Vintage
    Aug 31, 2021
  • Leave Society
    Leave Society
    Tao Lin
    978-1-101-97447-6
    $17.00 US
    Paperback
    Vintage
    Aug 03, 2021
  • I Give It to You
    I Give It to You
    A Novel
    Valerie Martin
    978-0-593-08211-9
    $17.00 US
    Paperback
    Vintage
    Jul 27, 2021
  • Push (Revised)
    Push (Revised)
    Sapphire
    978-0-593-31460-9
    $15.95 US
    Paperback
    Vintage
    Jun 22, 2021
  • Push
    Push
    Sapphire
    978-0-593-46675-9
    $11.99 US
    Ebook
    Vintage
    Jun 22, 2021
  • Why I Don't Write
    Why I Don't Write
    And Other Stories
    Susan Minot
    978-1-9848-9987-3
    $16.00 US
    Paperback
    Vintage
    Jun 15, 2021
  • Animal Spirit
    Animal Spirit
    Stories
    Francesca Marciano
    978-0-525-56574-1
    $17.00 US
    Paperback
    Vintage
    May 18, 2021
  • Friends and Strangers
    Friends and Strangers
    A novel
    J. Courtney Sullivan
    978-0-525-43647-8
    $17.00 US
    Paperback
    Vintage
    Apr 27, 2021
  • The Knockout Queen
    The Knockout Queen
    A novel
    Rufi Thorpe
    978-0-525-56729-5
    $16.00 US
    Paperback
    Vintage
    Mar 02, 2021
  • We Ride Upon Sticks
    We Ride Upon Sticks
    A Novel
    Quan Barry
    978-0-525-56543-7
    $16.95 US
    Paperback
    Vintage
    Feb 16, 2021
  • Weather
    Weather
    Jenny Offill
    978-0-345-80690-1
    $16.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • The Resisters
    The Resisters
    A novel
    Gish Jen
    978-0-525-65722-4
    $16.95 US
    Paperback
    Vintage
    Jan 12, 2021
  • The Red Lotus
    The Red Lotus
    A Novel
    Chris Bohjalian
    978-0-525-56596-3
    $16.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Queen's Gambit (Television Tie-in)
    The Queen's Gambit (Television Tie-in)
    Walter Tevis
    978-0-593-31465-4
    $16.95 US
    Paperback
    Vintage
    Dec 15, 2020
  • Interior Chinatown
    Interior Chinatown
    A Novel
    Charles Yu
    978-0-307-94847-2
    $16.00 US
    Paperback
    Vintage
    Nov 17, 2020
  • Sleep Donation
    Sleep Donation
    Karen Russell
    978-0-525-56608-3
    $16.00 US
    Paperback
    Vintage
    Sep 29, 2020
  • Middle England
    Middle England
    A novel
    Jonathan Coe
    978-0-525-56684-7
    $17.00 US
    Paperback
    Vintage
    Jul 14, 2020
  • Everything Inside
    Everything Inside
    Stories
    Edwidge Danticat
    978-0-525-56305-1
    $16.00 US
    Paperback
    Vintage
    Jul 07, 2020
  • The Flight Portfolio
    The Flight Portfolio
    A novel
    Julie Orringer
    978-0-307-94971-4
    $16.95 US
    Paperback
    Vintage
    Jun 30, 2020
  • Water Witches
    Water Witches
    Chris Bohjalian
    978-0-593-08178-5
    $16.00 US
    Paperback
    Vintage
    Jun 30, 2020
  • Very Nice
    Very Nice
    A novel
    Marcy Dermansky
    978-0-525-56522-2
    $16.00 US
    Paperback
    Vintage
    Jun 09, 2020
  • Dual Citizens
    Dual Citizens
    A novel
    Alix Ohlin
    978-0-525-56355-6
    $16.00 US
    Paperback
    Vintage
    May 19, 2020
  • The Body in Question
    The Body in Question
    A Novel
    Jill Ciment
    978-0-525-56537-6
    $15.00 US
    Paperback
    Vintage
    May 19, 2020
  • Orange World and Other Stories
    Orange World and Other Stories
    Karen Russell
    978-0-525-56607-6
    $16.00 US
    Paperback
    Vintage
    May 05, 2020
  • Lost and Wanted
    Lost and Wanted
    A novel
    Nell Freudenberger
    978-0-8041-7096-3
    $16.95 US
    Paperback
    Vintage
    Mar 31, 2020
  • The River
    The River
    A novel
    Peter Heller
    978-0-525-56353-2
    $17.00 US
    Paperback
    Vintage
    Mar 03, 2020
  • Goulash
    Goulash
    A Novel
    Brian Kimberling
    978-0-345-80337-5
    $16.00 US
    Paperback
    Vintage
    Jan 21, 2020
  • The Stories of Alice Adams
    The Stories of Alice Adams
    Alice Adams
    978-1-9848-9811-1
    $18.00 US
    Paperback
    Vintage
    Nov 19, 2019
  • Old Newgate Road
    Old Newgate Road
    A novel
    Keith Scribner
    978-0-525-56346-4
    $17.00 US
    Paperback
    Vintage
    Oct 08, 2019
  • Notes from the Fog
    Notes from the Fog
    Ben Marcus
    978-1-101-97168-0
    $16.00 US
    Paperback
    Vintage
    Jul 09, 2019
  • Red, White, Blue
    Red, White, Blue
    A novel
    Lea Carpenter
    978-0-525-43298-2
    $16.95 US
    Paperback
    Vintage
    Jun 04, 2019
  • Good Trouble
    Good Trouble
    Stories
    Joseph O'Neill
    978-0-525-43664-5
    $15.00 US
    Paperback
    Vintage
    May 14, 2019
  • Sociable
    Sociable
    Rebecca Harrington
    978-0-8041-7217-2
    $16.00 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Flight Attendant
    The Flight Attendant
    A Novel
    Chris Bohjalian
    978-0-525-43268-5
    $16.00 US
    Paperback
    Vintage
    Jan 08, 2019
  • Cockfosters
    Cockfosters
    Stories
    Helen Simpson
    978-0-525-56362-4
    $16.00 US
    Paperback
    Vintage
    Sep 04, 2018
  • Gork, the Teenage Dragon
    Gork, the Teenage Dragon
    A Novel
    Gabe Hudson
    978-0-375-71341-5
    $16.00 US
    Paperback
    Vintage
    Jun 26, 2018
  • The Misfortune of Marion Palm
    The Misfortune of Marion Palm
    A Novel
    Emily Culliton
    978-0-525-43262-3
    $15.95 US
    Paperback
    Vintage
    Jun 26, 2018
  • Saints for All Occasions
    Saints for All Occasions
    A novel
    J. Courtney Sullivan
    978-0-307-94980-6
    $17.00 US
    Paperback
    Vintage
    May 29, 2018
  • Chemistry
    Chemistry
    A Novel
    Weike Wang
    978-0-525-43222-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Trajectory
    Trajectory
    Stories
    Richard Russo
    978-1-101-97198-7
    $16.00 US
    Paperback
    Vintage
    Apr 03, 2018
  • Living in the Weather of the World
    Living in the Weather of the World
    Stories
    Richard Bausch
    978-0-525-43185-5
    $17.00 US
    Paperback
    Vintage
    Mar 20, 2018
  • The Delight of Being Ordinary
    The Delight of Being Ordinary
    A Road Trip with the Pope and the Dalai Lama
    Roland Merullo
    978-1-101-97079-9
    $18.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • White Tears
    White Tears
    A novel
    Hari Kunzru
    978-1-101-97321-9
    $16.95 US
    Paperback
    Vintage
    Feb 06, 2018
  • The Girl at the Baggage Claim
    The Girl at the Baggage Claim
    Explaining the East-West Culture Gap
    Gish Jen
    978-1-101-97206-9
    $17.00 US
    Paperback
    Vintage
    Jan 16, 2018
  • Celine
    Celine
    A novel
    Peter Heller
    978-1-101-97348-6
    $16.95 US
    Paperback
    Vintage
    Jan 02, 2018
  • Signals
    Signals
    New and Selected Stories
    Tim Gautreaux
    978-1-101-97251-9
    $17.95 US
    Paperback
    Vintage
    Dec 12, 2017
  • The Sleepwalker
    The Sleepwalker
    A Novel
    Chris Bohjalian
    978-0-8041-7099-4
    $16.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • A Gambler's Anatomy
    A Gambler's Anatomy
    A Novel
    Jonathan Lethem
    978-1-101-87367-0
    $16.95 US
    Paperback
    Vintage
    Sep 05, 2017
  • The Tragedy of Brady Sims
    The Tragedy of Brady Sims
    Ernest J. Gaines
    978-0-525-43446-7
    $16.95 US
    Paperback
    Vintage
    Aug 29, 2017
  • Bridget Jones's Baby
    Bridget Jones's Baby
    The Diaries
    Helen Fielding
    978-0-525-43388-0
    $15.00 US
    Paperback
    Vintage
    Jul 25, 2017
  • Attic
    Attic
    Katherine Dunn
    978-0-525-43406-1
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • How to Set a Fire and Why
    How to Set a Fire and Why
    A Novel
    Jesse Ball
    978-1-101-91175-4
    $18.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • Break in Case of Emergency
    Break in Case of Emergency
    A Novel
    Jessica Winter
    978-1-101-91193-8
    $16.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Hopefuls
    The Hopefuls
    Jennifer Close
    978-1-101-91145-7
    $16.00 US
    Paperback
    Vintage
    May 30, 2017
  • Bright, Precious Days
    Bright, Precious Days
    A Novel
    Jay McInerney
    978-1-101-97226-7
    $16.95 US
    Paperback
    Vintage
    May 30, 2017
  • This Must Be the Place
    This Must Be the Place
    Maggie O'Farrell
    978-0-345-80472-3
    $17.00 US
    Paperback
    Vintage
    May 16, 2017
  • The Pier Falls
    The Pier Falls
    And Other Stories
    Mark Haddon
    978-1-101-97013-3
    $16.95 US
    Paperback
    Vintage
    May 02, 2017
  • Dear Fang, With Love
    Dear Fang, With Love
    A Novel
    Rufi Thorpe
    978-1-101-91157-0
    $16.00 US
    Paperback
    Vintage
    Apr 18, 2017
  • Honeymoon and Other Stories
    Honeymoon and Other Stories
    Kevin Canty
    978-0-525-43504-4
    $10.99 US
    Ebook
    Vintage
    Feb 22, 2017
  • Before the Wind
    Before the Wind
    A Novel
    Jim Lynch
    978-0-307-94935-6
    $16.00 US
    Paperback
    Vintage
    Feb 21, 2017
  • Burning Down the House
    Burning Down the House
    A Novel
    Jane Mendelsohn
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