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Daniel Deronda

Introduction by A. S. Byatt

Part of Everyman's Library Classics Series

Author George Eliot
Introduction by A. S. Byatt
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Hardcover
$30.00 US
Knopf | Everyman's Library
On sale Sep 19, 2000 | 928 Pages | 978-0-375-41123-6
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  • English > Comparative Literature: European > English
  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature – Victorian Period
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George Eliot’s last and most unconventional novel is considered by many to be her greatest. First published in 1876, Daniel Deronda is a richly imagined epic with a mysterious hero at its heart.

Daniel Deronda, a high-minded young man searching for his path in life, finds himself drawn by a series of dramatic encounters into two contrasting worlds: the English country-house life of Gwendolen Harleth, a high-spirited beauty trapped in an oppressive marriage to a wealthy man, and the very different life of a poor Jewish girl, Mirah, who is searching for her family. After rescuing Mirah from an attempt to drown herself in the Thames, Deronda accompanies her on her quest into London’s Jewish community, which he finds unexpectedly appealing. Gwendolen, meanwhile, increasingly relies on his support as she suffers from the consequences of her mistakes and the terror that she has brought a curse upon herself. As Deronda uncovers the surprising secret of his own parentage, Eliot’s moving and suspenseful narrative opens up a world of Jewish experience previously unknown to the Victorian novel.

Book I
The Spoiled Child


Chapter I
Men can do nothing without the make-believe of a beginning. Even Science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars’ unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backwards as well as forwards, divides his unit into billions, and with his clock-finger at Nought really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.

Was she beautiful or not beautiful? and what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents?

She who raised these questions in Daniel Deronda’s mind was occupied in gambling: not in the open air under a southern sky, tossing coppers on a ruined wall, with rags about her limbs; but in one of those splendid resorts which the enlightenment of ages has prepared for the same species of pleasure at a heavy cost of gilt mouldings, dark-toned colour and chubby nudities, all correspondingly heavy—forming a suitable condenser for human breath belonging, in great part, to the highest fashion, and not easily procurable to be breathed in elsewhere in the like proportion, at least by persons of little fashion.

It was near four o’clock on a September day, so that the atmosphere was well-brewed to a visible haze. There was deep stillness, broken only by a light rattle, a light chink, a small sweeping sound, and an occasional monotone in French, such as might be expected to issue from an ingeniously constructed automaton. Round two long tables were gathered two serried crowds of human beings, all save one having their faces and attention bent on the tables. The one exception was a melancholy little boy, with his knees and calves simply in their natural clothing of epidermis, but for the rest of his person in a fancy dress. He alone had his face turned towards the doorway, and fixing on it the blank gaze of a bedizened child stationed as a masquerading advertisement on the platform of an itinerant show, stood close behind a lady deeply engaged at the roulette-table.

About this table fifty or sixty persons were assembled, many in the outer rows, where there was occasionally a deposit of new comers, being mere spectators, only that one of them, usually a woman, might now and then be observed putting down a five-franc piece with a simpering air, just to see what the passion of gambling really was. Those who were taking their pleasure at a higher strength, and were absorbed in play, showed very distant varieties of European type: Livonian and Spanish, Græco-Italian and miscellaneous German, English aristocratic and English plebeian. Here certainly was a striking admission of human equality. The white bejewelled fingers of an English countess were very near touching a bony, yellow, crab-like hand stretching a bared wrist to clutch a heap of coin—a hand easy to sort with the square, gaunt face, deep-set eyes, grizzled eyebrows, and ill-combed scanty hair which seemed a slight metamorphosis of the vulture. And where else would her ladyship have graciously consented to sit by that dry-lipped feminine figure prematurely old, withered after short bloom like her artificial flowers, holding a shabby velvet reticule before her, and occasionally putting in her mouth the point with which she pricked her card? There too, very near the fair countess, was a respectable London tradesman, blond and soft-handed, his sleek hair scrupulously parted behind and before, conscious of circulars addressed to the nobility and gentry, whose distinguished patronage enabled him to take his holidays fashionably, and to a certain extent in their distinguished company. Not his the gambler’s passion that nullifies appetite, but a well-fed leisure, which in the intervals of winning money in business and spending it showily, sees no better resource than winning money in play and spending it yet more showily—reflecting always that Providence had never manifested any disapprobation of his amusement, and dispassionate enough to leave off if the sweetness of winning much and seeing others lose had turned to the sourness of losing much and seeing others win. For the vice of gambling lay in losing money at it. In his bearing there might be something of the tradesman, but in his pleasures he was fit to rank with the owners of the oldest titles. Standing close to his chair was a handsome Italian, calm, statuesque, reaching across him to place the first pile of napoleons from a new bagful just brought him by an envoy with a scrolled mustache. The pile was in half a minute pushed over to an old bewigged woman with eye-glasses pinching her nose. There was a slight gleam, a faint mumbling smile about the lips of the old woman; but the statuesque Italian remained impassive, and—probably secure in an infallible system which placed his foot on the neck of chance—immediately prepared a new pile. So did a man with the air of an emaciated beau or worn-out libertine, who looked at life through one eye-glass, and held out his hand tremulously when he asked for change. It could surely be no severity of system, but rather some dream of white crows, or the induction that the eighth of the month was lucky, which inspired the fierce yet tottering impulsiveness of his play.

But while every single player differed markedly from every other, there was a certain uniform negativeness of expression which had the effect of a mask—as if they had all eaten of some root that for the time compelled the brains of each to the same narrow monotony of action.

Deronda’s first thought when his eyes fell on this scene of dull, gas-poisoned absorption was that the gambling of Spanish shepherd-boys had seemed to him more enviable:—so far Rousseau might be justified in maintaining that art and science had done a poor service to mankind. But suddenly he felt the moment become dramatic. His attention was arrested by a young lady who, standing at an angle not far from him, was the last to whom his eyes travelled. She was bending and speaking English to a middle-aged lady seated at play beside her; but the next instant she returned to her play, and showed the full height of a graceful figure, with a face which might possibly be looked at without admiration, but could hardly be passed with indifference.

The inward debate which she raised in Deronda gave to his eyes a growing expression of scrutiny, tending farther and farther away from the glow of mingled undefined sensibilities forming admiration. At one moment they followed the movements of the figure, of the arms and hands, as this problematic sylph bent forward to deposit her stake with an air of firm choice; and the next they returned to the face which, at present unaffected by beholders, was directed steadily towards the game. The sylph was a winner; and as her taper fingers, delicately gloved in pale-grey, were adjusting the coins which had been pushed towards her in order to pass them back again to the winning point, she looked round her with a survey too markedly cold and neutral not to have in it a little of that nature which we call art concealing an inward exultation.

But in the course of that survey her eyes met Deronda’s, and instead of averting them as she would have desired to do, she was unpleasantly conscious that they were arrested—how long? The darting sense that he was measuring her and looking down on her as an inferior, that he was of different quality from the human dross around her, that he felt himself in a region outside and above her, and was examining her as a specimen of a lower order, roused a tingling resentment which stretched the moment with conflict. It did not bring the blood to her cheeks, but sent it away from her lips. She controlled herself by the help of an inward defiance, and without other sign of emotion than this lip-paleness turned to her play. But Deronda’s gaze seemed to have acted as an evil eye. Her stake was gone. No matter; she had been winning ever since she took to roulette with a few napoleons at command, and had a considerable reserve. She had begun to believe in her luck, others had begun to believe in it: she had visions of being followed by a cortège who would worship her as a goddess of luck and watch her play as a directing augury. Such things had been known of male gamblers; why should not a woman have a like supremacy? Her friend and chaperon who had not wished her to play at first was beginning to approve, only administering the prudent advice to stop at the right moment and carry money back to England—advice to which Gwendolen had replied that she cared for the excitement of play, not the winnings. On that supposition the present moment ought to have made the flood-tide in her eager experience of gambling. Yet when her next stake was swept away, she felt the orbits of her eyes getting hot, and the certainty she had (without looking) of that man still watching her was something like a pressure which begins to be torturing. The more reason to her why she should not flinch, but go on playing as if she were indifferent to loss or gain. Her friend touched her elbow and proposed that they should quit the table. For reply Gwendolen put ten louis on the same spot: she was in that mood of defiance in which the mind loses sight of any end beyond the satisfaction of enraged resistance; and with the puerile stupidity of a dominant impulse includes luck among its objects of defiance. Since she was not winning strikingly, the next best thing was to lose strikingly. She controlled her muscles, and showed no tremor of mouth or hands. Each time her stake was swept off she doubled it. Many were now watching her, but the sole observation she was conscious of was Deronda’s, who, though she never looked towards him, she was sure had not moved away. Such a drama takes no long while to play out: development and catastrophe can often be measured by nothing clumsier than the moment-hand. “Faites votre jeu, mesdames et messieurs,” said the automatic voice of destiny from between the mustache and imperial of the croupier: and Gwendolen’s arm was stretched to deposit her last poor heap of napoleons. “Le jeu ne va plus,” said destiny. And in five seconds Gwendolen turned from the table, but turned resolutely with her face towards Deronda and looked at him. There was a smile of irony in his eyes as their glances met; but it was at least better that he should have kept his attention fixed on her than that he should have disregarded her as one of an insect swarm who had no individual physiognomy. Besides, in spite of his superciliousness and irony, it was difficult to believe that he did not admire her spirit as well as her person: he was young, handsome, distinguished in appearance—not one of those ridiculous and dowdy Philistines who thought it incumbent on them to blight the gaming-table with a sour look of protest as they passed by it. The general conviction that we are admirable does not easily give way before a single negative; rather when any of Vanity’s large family, male or female, find their performance received coldly, they are apt to believe that a little more of it will win over the unaccountable dissident. In Gwendolen’s habits of mind it had been taken for granted that she knew what was admirable and that she herself was admired. This basis of her thinking had received a disagreeable concussion, and reeled a little, but was not easily to be overthrown.

In the evening the same room was more stiflingly heated, was brilliant with gas and with the costumes of many ladies who floated their trains along it or were seated on the ottomans.

The Nereid in sea-green robes and silver ornaments, with a pale sea-green feather fastened in silver falling backward over her green hat and light-brown hair, was Gwendolen Harleth. She was under the wing or rather soared by the shoulder of the lady who had sat by her at the roulette-table; and with them was a gentleman with a white mustache and clipped hair: solid-browed, stiff, and German. They were walking about or standing to chat with acquaintances; and Gwendolen was much observed by the seated groups.
Copyright © 2002 by George Eliot Introduction by Edmund White. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Mary Ann Evans was born on November 22, 1819, at Chilvers Coton, Warwickshire, England, the last child of an estate agent. During her girlhood, she went through a phase of evangelical piety, but her strong interest in philosophy and her friendship with religious freethinkers led to a break with orthodox religion. When one of these friends married in 1843, Mary Ann took over from his wife the task of translating D.F. Strauss’s The Life of Jesus Critically Examined (1846), a work that had deep effect on English rationalism. After her father’s death she settled in London and from 1851 to 1854 she served as a writer and editor of the Westminster Review, the organ of the Radical party. In London she met she met George Henry Lewes, a journalist and advanced thinker. Lewes was separated from his wife, who had had two sons by another man, but had been unable to obtain a divorce. In a step daring for Victorian times, Mary Ann Evans began living openly with Lewes in 1854, in a union they both considered as sacred as a legal marriage and one that lasted until his death in 1878.

With Lewes’s encouragement, Mary Ann Evans wrote her first fictional work, “The Sad Fortunes of the Reverend Amos Barton,” for Blackwood’s Magazine in 1857; it was followed by two more stories published under the pseudonym George Elliot–“George” because it was Lewes’s name and “Eliot” because, she said, it was good mouth-filling, easily pronounced word.” At the age of thirty-nine she used her memories of Warwickshire to write her first long novel, Adam Bede (1859), a book that established her as the foremost woman novelist in her day. Then came The Mill on the Floss (1860), Silas Marner (1861), and Romola (1863). Her masterpiece and one of the greatest English novels, Middlemarch, was published in 1871-72. Her last work was Daniel Deronda (1876). After Lewes’s death George Eliot married John Walter Cross. He was forty; she was sixty-one. Before her death on December 22, 1880, she had been recognized by her contemporaries as the greatest living writer of English fiction. View titles by George Eliot

About

George Eliot’s last and most unconventional novel is considered by many to be her greatest. First published in 1876, Daniel Deronda is a richly imagined epic with a mysterious hero at its heart.

Daniel Deronda, a high-minded young man searching for his path in life, finds himself drawn by a series of dramatic encounters into two contrasting worlds: the English country-house life of Gwendolen Harleth, a high-spirited beauty trapped in an oppressive marriage to a wealthy man, and the very different life of a poor Jewish girl, Mirah, who is searching for her family. After rescuing Mirah from an attempt to drown herself in the Thames, Deronda accompanies her on her quest into London’s Jewish community, which he finds unexpectedly appealing. Gwendolen, meanwhile, increasingly relies on his support as she suffers from the consequences of her mistakes and the terror that she has brought a curse upon herself. As Deronda uncovers the surprising secret of his own parentage, Eliot’s moving and suspenseful narrative opens up a world of Jewish experience previously unknown to the Victorian novel.

Excerpt

Book I
The Spoiled Child


Chapter I
Men can do nothing without the make-believe of a beginning. Even Science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars’ unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backwards as well as forwards, divides his unit into billions, and with his clock-finger at Nought really sets off in medias res. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out.

Was she beautiful or not beautiful? and what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and not as a longing in which the whole being consents?

She who raised these questions in Daniel Deronda’s mind was occupied in gambling: not in the open air under a southern sky, tossing coppers on a ruined wall, with rags about her limbs; but in one of those splendid resorts which the enlightenment of ages has prepared for the same species of pleasure at a heavy cost of gilt mouldings, dark-toned colour and chubby nudities, all correspondingly heavy—forming a suitable condenser for human breath belonging, in great part, to the highest fashion, and not easily procurable to be breathed in elsewhere in the like proportion, at least by persons of little fashion.

It was near four o’clock on a September day, so that the atmosphere was well-brewed to a visible haze. There was deep stillness, broken only by a light rattle, a light chink, a small sweeping sound, and an occasional monotone in French, such as might be expected to issue from an ingeniously constructed automaton. Round two long tables were gathered two serried crowds of human beings, all save one having their faces and attention bent on the tables. The one exception was a melancholy little boy, with his knees and calves simply in their natural clothing of epidermis, but for the rest of his person in a fancy dress. He alone had his face turned towards the doorway, and fixing on it the blank gaze of a bedizened child stationed as a masquerading advertisement on the platform of an itinerant show, stood close behind a lady deeply engaged at the roulette-table.

About this table fifty or sixty persons were assembled, many in the outer rows, where there was occasionally a deposit of new comers, being mere spectators, only that one of them, usually a woman, might now and then be observed putting down a five-franc piece with a simpering air, just to see what the passion of gambling really was. Those who were taking their pleasure at a higher strength, and were absorbed in play, showed very distant varieties of European type: Livonian and Spanish, Græco-Italian and miscellaneous German, English aristocratic and English plebeian. Here certainly was a striking admission of human equality. The white bejewelled fingers of an English countess were very near touching a bony, yellow, crab-like hand stretching a bared wrist to clutch a heap of coin—a hand easy to sort with the square, gaunt face, deep-set eyes, grizzled eyebrows, and ill-combed scanty hair which seemed a slight metamorphosis of the vulture. And where else would her ladyship have graciously consented to sit by that dry-lipped feminine figure prematurely old, withered after short bloom like her artificial flowers, holding a shabby velvet reticule before her, and occasionally putting in her mouth the point with which she pricked her card? There too, very near the fair countess, was a respectable London tradesman, blond and soft-handed, his sleek hair scrupulously parted behind and before, conscious of circulars addressed to the nobility and gentry, whose distinguished patronage enabled him to take his holidays fashionably, and to a certain extent in their distinguished company. Not his the gambler’s passion that nullifies appetite, but a well-fed leisure, which in the intervals of winning money in business and spending it showily, sees no better resource than winning money in play and spending it yet more showily—reflecting always that Providence had never manifested any disapprobation of his amusement, and dispassionate enough to leave off if the sweetness of winning much and seeing others lose had turned to the sourness of losing much and seeing others win. For the vice of gambling lay in losing money at it. In his bearing there might be something of the tradesman, but in his pleasures he was fit to rank with the owners of the oldest titles. Standing close to his chair was a handsome Italian, calm, statuesque, reaching across him to place the first pile of napoleons from a new bagful just brought him by an envoy with a scrolled mustache. The pile was in half a minute pushed over to an old bewigged woman with eye-glasses pinching her nose. There was a slight gleam, a faint mumbling smile about the lips of the old woman; but the statuesque Italian remained impassive, and—probably secure in an infallible system which placed his foot on the neck of chance—immediately prepared a new pile. So did a man with the air of an emaciated beau or worn-out libertine, who looked at life through one eye-glass, and held out his hand tremulously when he asked for change. It could surely be no severity of system, but rather some dream of white crows, or the induction that the eighth of the month was lucky, which inspired the fierce yet tottering impulsiveness of his play.

But while every single player differed markedly from every other, there was a certain uniform negativeness of expression which had the effect of a mask—as if they had all eaten of some root that for the time compelled the brains of each to the same narrow monotony of action.

Deronda’s first thought when his eyes fell on this scene of dull, gas-poisoned absorption was that the gambling of Spanish shepherd-boys had seemed to him more enviable:—so far Rousseau might be justified in maintaining that art and science had done a poor service to mankind. But suddenly he felt the moment become dramatic. His attention was arrested by a young lady who, standing at an angle not far from him, was the last to whom his eyes travelled. She was bending and speaking English to a middle-aged lady seated at play beside her; but the next instant she returned to her play, and showed the full height of a graceful figure, with a face which might possibly be looked at without admiration, but could hardly be passed with indifference.

The inward debate which she raised in Deronda gave to his eyes a growing expression of scrutiny, tending farther and farther away from the glow of mingled undefined sensibilities forming admiration. At one moment they followed the movements of the figure, of the arms and hands, as this problematic sylph bent forward to deposit her stake with an air of firm choice; and the next they returned to the face which, at present unaffected by beholders, was directed steadily towards the game. The sylph was a winner; and as her taper fingers, delicately gloved in pale-grey, were adjusting the coins which had been pushed towards her in order to pass them back again to the winning point, she looked round her with a survey too markedly cold and neutral not to have in it a little of that nature which we call art concealing an inward exultation.

But in the course of that survey her eyes met Deronda’s, and instead of averting them as she would have desired to do, she was unpleasantly conscious that they were arrested—how long? The darting sense that he was measuring her and looking down on her as an inferior, that he was of different quality from the human dross around her, that he felt himself in a region outside and above her, and was examining her as a specimen of a lower order, roused a tingling resentment which stretched the moment with conflict. It did not bring the blood to her cheeks, but sent it away from her lips. She controlled herself by the help of an inward defiance, and without other sign of emotion than this lip-paleness turned to her play. But Deronda’s gaze seemed to have acted as an evil eye. Her stake was gone. No matter; she had been winning ever since she took to roulette with a few napoleons at command, and had a considerable reserve. She had begun to believe in her luck, others had begun to believe in it: she had visions of being followed by a cortège who would worship her as a goddess of luck and watch her play as a directing augury. Such things had been known of male gamblers; why should not a woman have a like supremacy? Her friend and chaperon who had not wished her to play at first was beginning to approve, only administering the prudent advice to stop at the right moment and carry money back to England—advice to which Gwendolen had replied that she cared for the excitement of play, not the winnings. On that supposition the present moment ought to have made the flood-tide in her eager experience of gambling. Yet when her next stake was swept away, she felt the orbits of her eyes getting hot, and the certainty she had (without looking) of that man still watching her was something like a pressure which begins to be torturing. The more reason to her why she should not flinch, but go on playing as if she were indifferent to loss or gain. Her friend touched her elbow and proposed that they should quit the table. For reply Gwendolen put ten louis on the same spot: she was in that mood of defiance in which the mind loses sight of any end beyond the satisfaction of enraged resistance; and with the puerile stupidity of a dominant impulse includes luck among its objects of defiance. Since she was not winning strikingly, the next best thing was to lose strikingly. She controlled her muscles, and showed no tremor of mouth or hands. Each time her stake was swept off she doubled it. Many were now watching her, but the sole observation she was conscious of was Deronda’s, who, though she never looked towards him, she was sure had not moved away. Such a drama takes no long while to play out: development and catastrophe can often be measured by nothing clumsier than the moment-hand. “Faites votre jeu, mesdames et messieurs,” said the automatic voice of destiny from between the mustache and imperial of the croupier: and Gwendolen’s arm was stretched to deposit her last poor heap of napoleons. “Le jeu ne va plus,” said destiny. And in five seconds Gwendolen turned from the table, but turned resolutely with her face towards Deronda and looked at him. There was a smile of irony in his eyes as their glances met; but it was at least better that he should have kept his attention fixed on her than that he should have disregarded her as one of an insect swarm who had no individual physiognomy. Besides, in spite of his superciliousness and irony, it was difficult to believe that he did not admire her spirit as well as her person: he was young, handsome, distinguished in appearance—not one of those ridiculous and dowdy Philistines who thought it incumbent on them to blight the gaming-table with a sour look of protest as they passed by it. The general conviction that we are admirable does not easily give way before a single negative; rather when any of Vanity’s large family, male or female, find their performance received coldly, they are apt to believe that a little more of it will win over the unaccountable dissident. In Gwendolen’s habits of mind it had been taken for granted that she knew what was admirable and that she herself was admired. This basis of her thinking had received a disagreeable concussion, and reeled a little, but was not easily to be overthrown.

In the evening the same room was more stiflingly heated, was brilliant with gas and with the costumes of many ladies who floated their trains along it or were seated on the ottomans.

The Nereid in sea-green robes and silver ornaments, with a pale sea-green feather fastened in silver falling backward over her green hat and light-brown hair, was Gwendolen Harleth. She was under the wing or rather soared by the shoulder of the lady who had sat by her at the roulette-table; and with them was a gentleman with a white mustache and clipped hair: solid-browed, stiff, and German. They were walking about or standing to chat with acquaintances; and Gwendolen was much observed by the seated groups.
Copyright © 2002 by George Eliot Introduction by Edmund White. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Mary Ann Evans was born on November 22, 1819, at Chilvers Coton, Warwickshire, England, the last child of an estate agent. During her girlhood, she went through a phase of evangelical piety, but her strong interest in philosophy and her friendship with religious freethinkers led to a break with orthodox religion. When one of these friends married in 1843, Mary Ann took over from his wife the task of translating D.F. Strauss’s The Life of Jesus Critically Examined (1846), a work that had deep effect on English rationalism. After her father’s death she settled in London and from 1851 to 1854 she served as a writer and editor of the Westminster Review, the organ of the Radical party. In London she met she met George Henry Lewes, a journalist and advanced thinker. Lewes was separated from his wife, who had had two sons by another man, but had been unable to obtain a divorce. In a step daring for Victorian times, Mary Ann Evans began living openly with Lewes in 1854, in a union they both considered as sacred as a legal marriage and one that lasted until his death in 1878.

With Lewes’s encouragement, Mary Ann Evans wrote her first fictional work, “The Sad Fortunes of the Reverend Amos Barton,” for Blackwood’s Magazine in 1857; it was followed by two more stories published under the pseudonym George Elliot–“George” because it was Lewes’s name and “Eliot” because, she said, it was good mouth-filling, easily pronounced word.” At the age of thirty-nine she used her memories of Warwickshire to write her first long novel, Adam Bede (1859), a book that established her as the foremost woman novelist in her day. Then came The Mill on the Floss (1860), Silas Marner (1861), and Romola (1863). Her masterpiece and one of the greatest English novels, Middlemarch, was published in 1871-72. Her last work was Daniel Deronda (1876). After Lewes’s death George Eliot married John Walter Cross. He was forty; she was sixty-one. Before her death on December 22, 1880, she had been recognized by her contemporaries as the greatest living writer of English fiction. View titles by George Eliot

Additional formats

  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-307-43087-8
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-375-76013-6
    $11.00 US
    Paperback
    Modern Library
    Jul 09, 2002
  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-307-43087-8
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-375-76013-6
    $11.00 US
    Paperback
    Modern Library
    Jul 09, 2002

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    Everyman's Library
    Oct 17, 2023
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • Selected Stories of Guy de Maupassant
    Selected Stories of Guy de Maupassant
    Introduction by Catriona Seth
    Guy de Maupassant
    978-0-593-32021-1
    $22.00 US
    Hardcover
    Everyman's Library
    Oct 05, 2021
  • The Babur Nama
    The Babur Nama
    Introduction by William Dalrymple
    Babur
    978-1-101-90823-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2020
  • Independent People
    Independent People
    Introduction by John Freeman
    Halldor Laxness
    978-1-101-90827-3
    $26.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2020
  • Selected Writings of Alexander von Humboldt
    Selected Writings of Alexander von Humboldt
    Edited and Introduced by Andrea Wulf
    Alexander von Humboldt
    978-1-101-90807-5
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 06, 2018
  • The Diary of Samuel Pepys
    The Diary of Samuel Pepys
    Selected and Introduced by Kate Loveman
    Samuel Pepys
    978-1-101-90792-4
    $30.00 US
    Hardcover
    Everyman's Library
    Oct 02, 2018
  • The Art of War
    The Art of War
    Translated and Introduced by Peter Harris
    Sun Tzu
    978-1-101-90800-6
    $24.00 US
    Hardcover
    Everyman's Library
    Mar 13, 2018
  • Selected Letters of Horace Walpole
    Selected Letters of Horace Walpole
    Edited and Introduced by Stephen Clarke
    Horace Walpole
    978-1-101-90789-4
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 27, 2017
  • Selected Writings of John Muir
    Selected Writings of John Muir
    Introduction by Terry Tempest Williams
    John Muir
    978-1-101-90762-7
    $35.00 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • The Duke's Children
    The Duke's Children
    The Only Complete Edition; Introduction by Max Egremont
    Anthony Trollope
    978-1-101-90781-8
    $27.50 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • Collected Nonfiction of Mark Twain, Volume 1
    Collected Nonfiction of Mark Twain, Volume 1
    Selections from the Autobiography, Letters, Essays, and Speeches; Introduction by Adam Hochschild
    Mark Twain
    978-1-101-90770-2
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • Collected Nonfiction of Mark Twain, Volume 2
    Collected Nonfiction of Mark Twain, Volume 2
    Selections from the Memoirs and Travel Writings; Introduction by Richard Russo
    Mark Twain
    978-1-101-90772-6
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • Reflections on the Revolution in France and Other Writings
    Reflections on the Revolution in France and Other Writings
    Edited and Introduced by Jesse Norman
    Edmund Burke
    978-0-375-71253-1
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2015
  • The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    Introduction by Andrew Lycett
    Sir Arthur Conan Doyle
    978-0-375-71267-8
    $28.00 US
    Hardcover
    Everyman's Library
    Dec 02, 2014
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Arabian Nights
    The Arabian Nights
    Introduction by Wen-chin Ouyang
    978-0-375-71241-8
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 10, 2014
  • Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Introduction by Tim Farrant
    Jules Verne
    978-0-307-96148-8
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 01, 2013
  • The Betrothed
    The Betrothed
    Introduction by Jonathan Keates
    Alessandro Manzoni
    978-0-375-71234-0
    $30.00 US
    Hardcover
    Everyman's Library
    Sep 17, 2013
  • The Metamorphoses
    The Metamorphoses
    Introduction by J. C. McKeown
    Ovid
    978-0-375-71231-9
    $28.00 US
    Hardcover
    Everyman's Library
    Sep 10, 2013
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Complete Short Stories of Mark Twain
    The Complete Short Stories of Mark Twain
    Introduction by Adam Gopnik
    Mark Twain
    978-0-307-95937-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 05, 2012
  • Agnes Grey, The Tenant of Wildfell Hall
    Agnes Grey, The Tenant of Wildfell Hall
    Introduction by Lucy Hughes-Hallett
    Anne Bronte
    978-0-307-95780-1
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 03, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Everyman Chesterton
    The Everyman Chesterton
    Edited and Introduced by Ian Ker
    G. K. Chesterton
    978-0-307-59497-6
    $32.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2011
  • The Three Musketeers
    The Three Musketeers
    Introduction by Allan Massie
    Alexandre Dumas
    978-0-307-59499-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 15, 2011
  • Shirley and The Professor
    Shirley and The Professor
    Introduction by Rebecca Fraser
    Charlotte Bronte
    978-0-307-77362-3
    $8.99 US
    Ebook
    Everyman's Library
    Nov 24, 2010
  • The Time Machine, The Invisible Man, The War of the Worlds
    The Time Machine, The Invisible Man, The War of the Worlds
    Introduction by Margaret Drabble
    H. G. Wells
    978-0-307-59384-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 03, 2010
  • Dracula
    Dracula
    Introduction by Joan Acocella
    Bram Stoker
    978-0-307-59385-6
    $25.00 US
    Hardcover
    Everyman's Library
    May 04, 2010
  • The Autobiography of Benvenuto Cellini
    The Autobiography of Benvenuto Cellini
    Introduction by James Fenton
    Benvenuto Cellini
    978-0-307-59274-3
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2010
  • A Christmas Carol and Other Christmas Books
    A Christmas Carol and Other Christmas Books
    Introduction by Margaret Atwood
    Charles Dickens
    978-0-307-27175-4
    $22.00 US
    Hardcover
    Everyman's Library
    Nov 10, 2009
  • Annals and Histories
    Annals and Histories
    Introduction by Robin Lane Fox
    Tacitus
    978-0-307-26750-4
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Introduction by Umberto Eco
    Alexandre Dumas
    978-0-307-27112-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 02, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $17.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • The Collected Tales of Nikolai Gogol
    The Collected Tales of Nikolai Gogol
    Introduction by Richard Pevear
    Nikolai Gogol
    978-0-307-26969-0
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 07, 2008
  • Ethan Frome, Summer, Bunner Sisters
    Ethan Frome, Summer, Bunner Sisters
    Introduction by Hermione Lee
    Edith Wharton
    978-0-307-26825-9
    $22.00 US
    Hardcover
    Everyman's Library
    Feb 05, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $14.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • History of My Life
    History of My Life
    Introduction by John Julius Norwich
    Giacomo Casanova
    978-0-307-26557-9
    $40.00 US
    Hardcover
    Everyman's Library
    Feb 06, 2007
  • The Double and The Gambler
    The Double and The Gambler
    Fyodor Dostoevsky
    978-0-375-71901-1
    $16.95 US
    Paperback
    Vintage
    Jan 16, 2007
  • The Audubon Reader
    The Audubon Reader
    Edited and Introduced by Richard Rhodes
    John James Audubon
    978-1-4000-4369-9
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 11, 2006
  • The Cossacks
    The Cossacks
    Leo Tolstoy
    978-0-8129-7504-8
    $15.00 US
    Paperback
    Modern Library
    Feb 14, 2006
  • Barnaby Rudge
    Barnaby Rudge
    Introduction by Peter Ackroyd
    Charles Dickens
    978-0-307-26290-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 08, 2005
  • The Complete Short Novels
    The Complete Short Novels
    Anton Chekhov
    978-1-4000-3292-1
    $20.00 US
    Paperback
    Vintage
    Aug 30, 2005
  • The Secret Agent
    The Secret Agent
    A Simple Tale
    Joseph Conrad
    978-0-8129-7305-1
    $11.00 US
    Paperback
    Modern Library
    Dec 14, 2004
  • The Adolescent
    The Adolescent
    Fyodor Dostoevsky
    978-0-375-71900-4
    $19.00 US
    Paperback
    Vintage
    Dec 07, 2004
  • Kim
    Kim
    Rudyard Kipling
    978-0-8129-7134-7
    $8.00 US
    Paperback
    Modern Library
    Feb 10, 2004
  • The Oresteia
    The Oresteia
    Agamemnon, Choephoroe, Eumenides; Introduction by Richard Seaford
    Aeschylus
    978-1-4000-4192-3
    $22.00 US
    Hardcover
    Everyman's Library
    Jan 20, 2004
  • The Bostonians
    The Bostonians
    Henry James
    978-0-8129-6996-2
    $11.00 US
    Paperback
    Modern Library
    Dec 09, 2003
  • The Origin of Species and The Voyage of the 'Beagle'
    The Origin of Species and The Voyage of the 'Beagle'
    Introduction by Richard Dawkins
    Charles Darwin
    978-1-4000-4127-5
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 14, 2003
  • The Pickwick Papers
    The Pickwick Papers
    Charles Dickens
    978-0-8129-6727-2
    $14.00 US
    Paperback
    Modern Library
    Aug 12, 2003
  • The Idiot
    The Idiot
    Fyodor Dostoevsky
    978-0-375-70224-2
    $19.00 US
    Paperback
    Vintage
    Jul 08, 2003
  • Victory
    Victory
    An Island Tale
    Joseph Conrad
    978-0-375-75908-6
    $16.00 US
    Paperback
    Modern Library
    Jul 08, 2003
  • The Complete Works of Michel de Montaigne
    The Complete Works of Michel de Montaigne
    Introduction by Stuart Hampshire
    Michel de Montaigne
    978-1-4000-4021-6
    $40.00 US
    Hardcover
    Everyman's Library
    Apr 29, 2003
  • The Wings of the Dove
    The Wings of the Dove
    Henry James
    978-0-8129-6719-7
    $11.00 US
    Paperback
    Modern Library
    Apr 08, 2003
  • Washington Square
    Washington Square
    Henry James
    978-0-375-76122-5
    $7.95 US
    Paperback
    Modern Library
    Oct 08, 2002
  • The Hunchback of Notre-Dame
    The Hunchback of Notre-Dame
    Victor Hugo
    978-0-679-64257-2
    $15.00 US
    Paperback
    Modern Library
    Oct 08, 2002
  • Our Mutual Friend
    Our Mutual Friend
    Charles Dickens
    978-0-375-76114-0
    $13.00 US
    Paperback
    Modern Library
    Sep 10, 2002
  • Moll Flanders
    Moll Flanders
    Daniel Defoe
    978-0-375-76010-5
    $14.00 US
    Paperback
    Modern Library
    Jun 11, 2002
  • A Journey to the Western Islands of Scotland
    A Journey to the Western Islands of Scotland
    with The Journal of a Tour to the Hebrides; Introduction by Allan Massie
    James Boswell, Samuel Johnson
    978-0-375-41418-3
    $30.00 US
    Hardcover
    Everyman's Library
    Mar 26, 2002
  • The Memoirs of Hector Berlioz
    The Memoirs of Hector Berlioz
    Introduced by David Cairns
    Hector Berlioz
    978-0-375-41391-9
    $35.00 US
    Hardcover
    Everyman's Library
    Mar 19, 2002
  • Little Dorrit
    Little Dorrit
    Charles Dickens, H. K. Browne
    978-0-375-75914-7
    $13.00 US
    Paperback
    Modern Library
    Mar 12, 2002
  • The Portrait of a Lady
    The Portrait of a Lady
    Henry James
    978-0-375-75919-2
    $13.00 US
    Paperback
    Modern Library
    Feb 12, 2002
  • The Woman in White
    The Woman in White
    Wilkie Collins
    978-0-375-75906-2
    $12.00 US
    Paperback
    Modern Library
    Jan 08, 2002
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-375-75797-6
    $11.00 US
    Paperback
    Modern Library
    Dec 11, 2001
  • The Travels of Marco Polo
    The Travels of Marco Polo
    Marco Polo
    978-0-375-75818-8
    $16.00 US
    Paperback
    Modern Library
    Dec 04, 2001
  • Oliver Twist
    Oliver Twist
    Charles Dickens, George Cruikshank
    978-0-375-75784-6
    $8.00 US
    Paperback
    Modern Library
    Oct 09, 2001
  • The Moonstone
    The Moonstone
    Wilkie Collins
    978-0-375-75785-3
    $11.00 US
    Paperback
    Modern Library
    Sep 11, 2001
  • Jude the Obscure
    Jude the Obscure
    Thomas Hardy
    978-0-375-75741-9
    $12.00 US
    Paperback
    Modern Library
    Aug 14, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume I
    Collected Shorter Fiction of Leo Tolstoy, Volume I
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41172-4
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume II
    Collected Shorter Fiction of Leo Tolstoy, Volume II
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41287-5
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-679-64217-6
    $10.00 US
    Paperback
    Modern Library
    Jul 10, 2001
  • Silas Marner
    Silas Marner
    The Weaver of Raveloe
    George Eliot
    978-0-375-75749-5
    $9.00 US
    Paperback
    Modern Library
    May 08, 2001
  • The Confessions
    The Confessions
    Introduction by Robin Lane Fox
    Augustine
    978-0-375-41173-1
    $25.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • The Analects
    The Analects
    Introduction by Sarah Allan
    Confucius
    978-0-375-41204-2
    $22.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • Symposium and Phaedrus
    Symposium and Phaedrus
    Introduction by Richard Rutherford
    Plato
    978-0-375-41174-8
    $21.00 US
    Hardcover
    Everyman's Library
    Mar 06, 2001
  • Tess of the d'Urbervilles
    Tess of the d'Urbervilles
    A Pure Woman
    Thomas Hardy
    978-0-375-75679-5
    $10.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-375-75701-3
    $11.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • The Best of Tagore
    The Best of Tagore
    Edited and Introduced by Rudrangshu Mukherjee
    Rabindranath Tagore
    978-1-101-90838-9
    $32.00 US
    Hardcover
    Everyman's Library
    Oct 17, 2023
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • Selected Stories of Guy de Maupassant
    Selected Stories of Guy de Maupassant
    Introduction by Catriona Seth
    Guy de Maupassant
    978-0-593-32021-1
    $22.00 US
    Hardcover
    Everyman's Library
    Oct 05, 2021
  • The Babur Nama
    The Babur Nama
    Introduction by William Dalrymple
    Babur
    978-1-101-90823-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2020
  • Independent People
    Independent People
    Introduction by John Freeman
    Halldor Laxness
    978-1-101-90827-3
    $26.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2020
  • Selected Writings of Alexander von Humboldt
    Selected Writings of Alexander von Humboldt
    Edited and Introduced by Andrea Wulf
    Alexander von Humboldt
    978-1-101-90807-5
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 06, 2018
  • The Diary of Samuel Pepys
    The Diary of Samuel Pepys
    Selected and Introduced by Kate Loveman
    Samuel Pepys
    978-1-101-90792-4
    $30.00 US
    Hardcover
    Everyman's Library
    Oct 02, 2018
  • The Art of War
    The Art of War
    Translated and Introduced by Peter Harris
    Sun Tzu
    978-1-101-90800-6
    $24.00 US
    Hardcover
    Everyman's Library
    Mar 13, 2018
  • Selected Letters of Horace Walpole
    Selected Letters of Horace Walpole
    Edited and Introduced by Stephen Clarke
    Horace Walpole
    978-1-101-90789-4
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 27, 2017
  • Selected Writings of John Muir
    Selected Writings of John Muir
    Introduction by Terry Tempest Williams
    John Muir
    978-1-101-90762-7
    $35.00 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • The Duke's Children
    The Duke's Children
    The Only Complete Edition; Introduction by Max Egremont
    Anthony Trollope
    978-1-101-90781-8
    $27.50 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • Collected Nonfiction of Mark Twain, Volume 1
    Collected Nonfiction of Mark Twain, Volume 1
    Selections from the Autobiography, Letters, Essays, and Speeches; Introduction by Adam Hochschild
    Mark Twain
    978-1-101-90770-2
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • Collected Nonfiction of Mark Twain, Volume 2
    Collected Nonfiction of Mark Twain, Volume 2
    Selections from the Memoirs and Travel Writings; Introduction by Richard Russo
    Mark Twain
    978-1-101-90772-6
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • Reflections on the Revolution in France and Other Writings
    Reflections on the Revolution in France and Other Writings
    Edited and Introduced by Jesse Norman
    Edmund Burke
    978-0-375-71253-1
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2015
  • The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    Introduction by Andrew Lycett
    Sir Arthur Conan Doyle
    978-0-375-71267-8
    $28.00 US
    Hardcover
    Everyman's Library
    Dec 02, 2014
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Arabian Nights
    The Arabian Nights
    Introduction by Wen-chin Ouyang
    978-0-375-71241-8
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 10, 2014
  • Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Introduction by Tim Farrant
    Jules Verne
    978-0-307-96148-8
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 01, 2013
  • The Betrothed
    The Betrothed
    Introduction by Jonathan Keates
    Alessandro Manzoni
    978-0-375-71234-0
    $30.00 US
    Hardcover
    Everyman's Library
    Sep 17, 2013
  • The Metamorphoses
    The Metamorphoses
    Introduction by J. C. McKeown
    Ovid
    978-0-375-71231-9
    $28.00 US
    Hardcover
    Everyman's Library
    Sep 10, 2013
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
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