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Far from the Madding Crowd

Part of Modern Library Classics

Author Thomas Hardy
Introduction by Margaret Drabble
Look inside
Paperback
$11.00 US
Random House Group | Modern Library
On sale Dec 11, 2001 | 512 Pages | 978-0-375-75797-6
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  • English > Comparative Literature > 20th Century Film and Literature (1800s-1949)
  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature – Victorian Period
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Far from the Madding Crowd, Hardy’s passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, “The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels.” Introducing the fictional name of “Wessex” to describe Hardy’s legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England.

This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy’s map of Wessex.

“Far from the Madding Crowd is the first of Thomas Hardy’s great novels, and the first to sound the tragic note
for which his fiction is best remembered.”-Margaret Drabble
Chapter I Description of Farmer Oak—An Incident

When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.

His Christian name was Gabriel,and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section,—that is, he went to church, but yawned privately by the time the congregation reached the Nicene creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.

Since he lived six times as many working-days as Sundays, Oak’s appearance in his old clothes was most peculiarly his own—the mental picture formed by his neighbours in imagining him being always dressed in that way. He wore a low-crowned felt hat, spread out at the base by tight jamming upon the head for security in high winds, and a coat like Dr. Johnson’s,4 his lower extremities being encased in ordinary leather leggings and boots emphatically large, affording to each foot a roomy apartment so constructed that any wearer might stand in a river all day long and know nothing of damp—their maker being a conscientious man who endeavoured to compensate for any weakness in his cut by unstinted dimension and solidity.

Mr. Oak carried about him, by way of watch, what may be called a small silver clock; in other words, it was a watch as to shape and intention, and a small clock as to size. This instrument being several years older than Oak’s grandfather, had the peculiarity of going either too fast or not at all. The smaller of its hands, too, occasionally slipped round on the pivot, and thus, though the minutes were told with precision, nobody could be quite certain of the hour they belonged to. The stopping peculiarity of his watch Oak remedied by thumps and shakes, and he escaped any evil consequences from the other two defects by constant comparisons with and observations of the sun and stars, and by pressing his face close to the glass of his neighbours’ windows, till he could discern the hour marked by the green-faced timekeepers within. It may be mentioned that Oak’s fob being difficult of access, by reason of its somewhat high situation in the waistband of his trousers (which also lay at a remote height under his waistcoat), the watch was as a necessity pulled out by throwing the body to one side, compressing the mouth and face to a mere mass of ruddy flesh on account of the exertion, and drawing up the watch by its chain, like a bucket from a well.

But some thoughtful persons, who had seen him walking across one of his fields on a certain December morning—sunny and exceedingly mild—might have regarded Gabriel Oak in other aspects than these. In his face one might notice that many of the hues and curves of youth had tarried on to manhood: there even remained in his remoter crannies some relics of the boy. His height and breadth would have been sufficient to make his presence imposing, had they been exhibited with due consideration. But there is a way some men have, rural and urban alike, for which the mind is more responsible than flesh and sinew: it is a way of curtailing their dimensions by their manner of showing them. And from a quiet modesty that would have become a vestal, which seemed continually to impress upon him that he had no great claim on the world’s room, Oak walked unassumingly, and with a faintly perceptible bend, yet distinct from a bowing of the shoulders. This may be said to be a defect in an individual if he depends for his valuation more upon his appearance than upon his capacity to wear well, which Oak did not.

He had just reached the time of life at which “young” is ceasing to be the prefix of “man” in speaking of one. He was at the brightest period of masculine growth, for his intellect and his emotions were clearly separated: he had passed the time during which the influence of youth indiscriminately mingles them in the character of impulse, and he had not yet arrived at the stage wherein they become united again, in the character of prejudice, by the influence of a wife and family. In short, he was twenty-eight, and a bachelor.

The field he was in this morning sloped to a ridge called Norcombe Hill. Through a spur of this hill ran the highway between Emminster and Chalk-Newton. Casually glancing over the hedge, Oak saw coming down the incline before him an ornamental spring waggon, painted yellow and gaily marked, drawn by two horses, a waggoner walking alongside bearing a whip perpendicularly. The waggon was laden with household goods and window plants, and on the apex of the whole sat a woman, young and attractive. Gabriel had not beheld the sight for more than half a minute, when the vehicle was brought to a standstill just beneath his eyes.

“The tailboard of the waggon is gone, Miss,” said the waggoner.

“Then I heard it fall,” said the girl, in a soft, though not particularly low voice. “I heard a noise I could not account for when we were coming up the hill.”

“I’ll run back.”

“Do,” she answered.

The sensible horses stood perfectly still, and the waggoner’s steps sank fainter and fainter in the distance.

The girl on the summit of the load sat motionless, surrounded by tables and chairs with their legs upwards, backed by an oak settle, and ornamented in front by pots of geraniums, myrtles, and cactuses, together with a caged canary—all probably from the windows of the house just vacated. There was also a cat in a willow basket, from the partly-opened lid of which she gazed with half-closed eyes, and affectionately surveyed the small birds around.

The handsome girl waited for some time idly in her place, and the only sound heard in the stillness was the hopping of the canary up and down the perches of its prison. Then she looked attentively downwards. It was not at the bird, nor at the cat; it was at an oblong package tied in paper, and lying between them. She turned her head to learn if the waggoner were coming. He was not yet in sight; and her eyes crept back to the package, her thoughts seeming to run upon what was inside it. At length she drew the article into her lap, and untied the paper covering; a small swing looking-glass was disclosed, in which she proceeded to survey herself attentively. She parted her lips and smiled.

It was a fine morning, and the sun lighted up to a scarlet glow the crimson jacket she wore, and painted a soft lustre upon her bright face and dark hair. The myrtles, geraniums, and cactuses packed around her were fresh and green, and at such a leafless season they invested the whole concern of horses, waggon, furniture, and girl with a peculiar vernal charm. What possessed her to indulge in such a performance in the sight of the sparrows, blackbirds, and unperceived farmer who were alone its spectators,—whether the smile began as a factitious one, to test her capacity in that art,—nobody knows; it ended certainly in a real smile. She blushed at herself, and seeing her reflection blush, blushed the more.

The change from the customary spot and necessary occasion of such an act—from the dressing hour in a bedroom to a time of travelling out of doors—lent to the idle deed a novelty it did not intrinsically possess. The picture was a delicate one. Woman’s prescriptive infirmity had stalked into the sunlight, which had clothed it in the freshness of an originality. A cynical inference was irresistible by Gabriel Oak as he regarded the scene, generous though he fain would have been. There was no necessity whatever for her looking in the glass. She did not adjust her hat, or pat her hair, or press a dimple into shape, or do one thing to signify that any such intention had been her motive in taking up the glass. She simply observed herself as a fair product of Nature in the feminine kind, her thoughts seeming to glide into far-off though likely dramas in which men would play a part—vistas of probable triumphs—the smiles being of a phase suggesting that hearts were imagined as lost and won. Still, this was but conjecture, and the whole series of actions was so idly put forth as to make it rash to assert that intention had any part in them at all.

The waggoner’s steps were heard returning. She put the glass in the paper, and the whole again into its place.

When the waggon had passed on, Gabriel withdrew from his point of espial, and descending into the road, followed the vehicle to the turnpike-gate some way beyond the bottom of the hill, where the object of his contemplation now halted for the payment of toll. About twenty steps still remained between him and the gate, when he heard a dispute. It was a difference concerning twopence between the persons with the waggon and the man at the toll-bar.

“Mis’ess’s niece is upon the top of the things, and she says that’s enough that I’ve offered ye, you great miser, and she won’t pay any more.” These were the waggoner’s words.

“Very well; then mis’ess’s niece can’t pass,” said the turnpike-keeper, closing the gate.

Oak looked from one to the other of the disputants, and fell into a reverie. There was something in the tone of twopence remarkably insignificant. Threepence had a definite value as money—it was an appreciable infringement on a day’s wages, and, as such, a higgling matter; but twopence——“Here,” he said, stepping forward and handing twopence to the gatekeeper; “let the young woman pass.” He looked up at her then; she heard his words, and looked down.

Gabriel’s features adhered throughout their form so exactly to the middle line between the beauty of St. John and the ugliness of Judas Iscariot, as represented in a window of the church he attended, that not a single lineament could be selected and called worthy either of distinction or notoriety. The red-jacketed and dark-haired maiden seemed to think so too, for she carelessly glanced over him, and told her man to drive on. She might have looked her thanks to Gabriel on a minute scale, but she did not speak them; more probably she felt none, for in gaining her a passage he had lost her her point, and we know how women take a favour of that kind.

The gatekeeper surveyed the retreating vehicle. “That’s a handsome maid,” he said to Oak.

“But she has her faults,” said Gabriel.

“True, farmer.”

“And the greatest of them is—well, what it is always.”

“Beating people down? ay, ’tis so.”

“O no.”

“What, then?”

Gabriel, perhaps a little piqued by the comely traveller’s indifference, glanced back to where he had witnessed her performance over the hedge, and said, “Vanity.”
Copyright © 2001 by Thomas Hardy. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Thomas Hardy was born on June 2, 1840. In his writing, he immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester, England. Delicate as a child, he was taught at home by his mother before he attended grammar school. At 16, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D'Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He died on January 11, 1928, and was buried in Poets' Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.  View titles by Thomas Hardy

About

Far from the Madding Crowd, Hardy’s passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, “The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels.” Introducing the fictional name of “Wessex” to describe Hardy’s legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England.

This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy’s map of Wessex.

“Far from the Madding Crowd is the first of Thomas Hardy’s great novels, and the first to sound the tragic note
for which his fiction is best remembered.”-Margaret Drabble

Excerpt

Chapter I Description of Farmer Oak—An Incident

When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.

His Christian name was Gabriel,and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section,—that is, he went to church, but yawned privately by the time the congregation reached the Nicene creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.

Since he lived six times as many working-days as Sundays, Oak’s appearance in his old clothes was most peculiarly his own—the mental picture formed by his neighbours in imagining him being always dressed in that way. He wore a low-crowned felt hat, spread out at the base by tight jamming upon the head for security in high winds, and a coat like Dr. Johnson’s,4 his lower extremities being encased in ordinary leather leggings and boots emphatically large, affording to each foot a roomy apartment so constructed that any wearer might stand in a river all day long and know nothing of damp—their maker being a conscientious man who endeavoured to compensate for any weakness in his cut by unstinted dimension and solidity.

Mr. Oak carried about him, by way of watch, what may be called a small silver clock; in other words, it was a watch as to shape and intention, and a small clock as to size. This instrument being several years older than Oak’s grandfather, had the peculiarity of going either too fast or not at all. The smaller of its hands, too, occasionally slipped round on the pivot, and thus, though the minutes were told with precision, nobody could be quite certain of the hour they belonged to. The stopping peculiarity of his watch Oak remedied by thumps and shakes, and he escaped any evil consequences from the other two defects by constant comparisons with and observations of the sun and stars, and by pressing his face close to the glass of his neighbours’ windows, till he could discern the hour marked by the green-faced timekeepers within. It may be mentioned that Oak’s fob being difficult of access, by reason of its somewhat high situation in the waistband of his trousers (which also lay at a remote height under his waistcoat), the watch was as a necessity pulled out by throwing the body to one side, compressing the mouth and face to a mere mass of ruddy flesh on account of the exertion, and drawing up the watch by its chain, like a bucket from a well.

But some thoughtful persons, who had seen him walking across one of his fields on a certain December morning—sunny and exceedingly mild—might have regarded Gabriel Oak in other aspects than these. In his face one might notice that many of the hues and curves of youth had tarried on to manhood: there even remained in his remoter crannies some relics of the boy. His height and breadth would have been sufficient to make his presence imposing, had they been exhibited with due consideration. But there is a way some men have, rural and urban alike, for which the mind is more responsible than flesh and sinew: it is a way of curtailing their dimensions by their manner of showing them. And from a quiet modesty that would have become a vestal, which seemed continually to impress upon him that he had no great claim on the world’s room, Oak walked unassumingly, and with a faintly perceptible bend, yet distinct from a bowing of the shoulders. This may be said to be a defect in an individual if he depends for his valuation more upon his appearance than upon his capacity to wear well, which Oak did not.

He had just reached the time of life at which “young” is ceasing to be the prefix of “man” in speaking of one. He was at the brightest period of masculine growth, for his intellect and his emotions were clearly separated: he had passed the time during which the influence of youth indiscriminately mingles them in the character of impulse, and he had not yet arrived at the stage wherein they become united again, in the character of prejudice, by the influence of a wife and family. In short, he was twenty-eight, and a bachelor.

The field he was in this morning sloped to a ridge called Norcombe Hill. Through a spur of this hill ran the highway between Emminster and Chalk-Newton. Casually glancing over the hedge, Oak saw coming down the incline before him an ornamental spring waggon, painted yellow and gaily marked, drawn by two horses, a waggoner walking alongside bearing a whip perpendicularly. The waggon was laden with household goods and window plants, and on the apex of the whole sat a woman, young and attractive. Gabriel had not beheld the sight for more than half a minute, when the vehicle was brought to a standstill just beneath his eyes.

“The tailboard of the waggon is gone, Miss,” said the waggoner.

“Then I heard it fall,” said the girl, in a soft, though not particularly low voice. “I heard a noise I could not account for when we were coming up the hill.”

“I’ll run back.”

“Do,” she answered.

The sensible horses stood perfectly still, and the waggoner’s steps sank fainter and fainter in the distance.

The girl on the summit of the load sat motionless, surrounded by tables and chairs with their legs upwards, backed by an oak settle, and ornamented in front by pots of geraniums, myrtles, and cactuses, together with a caged canary—all probably from the windows of the house just vacated. There was also a cat in a willow basket, from the partly-opened lid of which she gazed with half-closed eyes, and affectionately surveyed the small birds around.

The handsome girl waited for some time idly in her place, and the only sound heard in the stillness was the hopping of the canary up and down the perches of its prison. Then she looked attentively downwards. It was not at the bird, nor at the cat; it was at an oblong package tied in paper, and lying between them. She turned her head to learn if the waggoner were coming. He was not yet in sight; and her eyes crept back to the package, her thoughts seeming to run upon what was inside it. At length she drew the article into her lap, and untied the paper covering; a small swing looking-glass was disclosed, in which she proceeded to survey herself attentively. She parted her lips and smiled.

It was a fine morning, and the sun lighted up to a scarlet glow the crimson jacket she wore, and painted a soft lustre upon her bright face and dark hair. The myrtles, geraniums, and cactuses packed around her were fresh and green, and at such a leafless season they invested the whole concern of horses, waggon, furniture, and girl with a peculiar vernal charm. What possessed her to indulge in such a performance in the sight of the sparrows, blackbirds, and unperceived farmer who were alone its spectators,—whether the smile began as a factitious one, to test her capacity in that art,—nobody knows; it ended certainly in a real smile. She blushed at herself, and seeing her reflection blush, blushed the more.

The change from the customary spot and necessary occasion of such an act—from the dressing hour in a bedroom to a time of travelling out of doors—lent to the idle deed a novelty it did not intrinsically possess. The picture was a delicate one. Woman’s prescriptive infirmity had stalked into the sunlight, which had clothed it in the freshness of an originality. A cynical inference was irresistible by Gabriel Oak as he regarded the scene, generous though he fain would have been. There was no necessity whatever for her looking in the glass. She did not adjust her hat, or pat her hair, or press a dimple into shape, or do one thing to signify that any such intention had been her motive in taking up the glass. She simply observed herself as a fair product of Nature in the feminine kind, her thoughts seeming to glide into far-off though likely dramas in which men would play a part—vistas of probable triumphs—the smiles being of a phase suggesting that hearts were imagined as lost and won. Still, this was but conjecture, and the whole series of actions was so idly put forth as to make it rash to assert that intention had any part in them at all.

The waggoner’s steps were heard returning. She put the glass in the paper, and the whole again into its place.

When the waggon had passed on, Gabriel withdrew from his point of espial, and descending into the road, followed the vehicle to the turnpike-gate some way beyond the bottom of the hill, where the object of his contemplation now halted for the payment of toll. About twenty steps still remained between him and the gate, when he heard a dispute. It was a difference concerning twopence between the persons with the waggon and the man at the toll-bar.

“Mis’ess’s niece is upon the top of the things, and she says that’s enough that I’ve offered ye, you great miser, and she won’t pay any more.” These were the waggoner’s words.

“Very well; then mis’ess’s niece can’t pass,” said the turnpike-keeper, closing the gate.

Oak looked from one to the other of the disputants, and fell into a reverie. There was something in the tone of twopence remarkably insignificant. Threepence had a definite value as money—it was an appreciable infringement on a day’s wages, and, as such, a higgling matter; but twopence——“Here,” he said, stepping forward and handing twopence to the gatekeeper; “let the young woman pass.” He looked up at her then; she heard his words, and looked down.

Gabriel’s features adhered throughout their form so exactly to the middle line between the beauty of St. John and the ugliness of Judas Iscariot, as represented in a window of the church he attended, that not a single lineament could be selected and called worthy either of distinction or notoriety. The red-jacketed and dark-haired maiden seemed to think so too, for she carelessly glanced over him, and told her man to drive on. She might have looked her thanks to Gabriel on a minute scale, but she did not speak them; more probably she felt none, for in gaining her a passage he had lost her her point, and we know how women take a favour of that kind.

The gatekeeper surveyed the retreating vehicle. “That’s a handsome maid,” he said to Oak.

“But she has her faults,” said Gabriel.

“True, farmer.”

“And the greatest of them is—well, what it is always.”

“Beating people down? ay, ’tis so.”

“O no.”

“What, then?”

Gabriel, perhaps a little piqued by the comely traveller’s indifference, glanced back to where he had witnessed her performance over the hedge, and said, “Vanity.”
Copyright © 2001 by Thomas Hardy. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Thomas Hardy was born on June 2, 1840. In his writing, he immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester, England. Delicate as a child, he was taught at home by his mother before he attended grammar school. At 16, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D'Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He died on January 11, 1928, and was buried in Poets' Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.  View titles by Thomas Hardy

Additional formats

  • Far from the Madding Crowd (Movie Tie-in Edition)
    Far from the Madding Crowd (Movie Tie-in Edition)
    Thomas Hardy
    978-0-553-55067-2
    $17.50 US
    Audiobook Download
    Random House Audio
    Apr 28, 2015
  • Far From the Madding Crowd
    Far From the Madding Crowd
    Thomas Hardy
    978-1-55199-740-7
    $1.99 US
    Ebook
    McClelland & Stewart
    Aug 12, 2014
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-553-90555-7
    $1.99 US
    Ebook
    Bantam
    Aug 26, 2008
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-679-64150-6
    $7.99 US
    Ebook
    Modern Library
    Oct 31, 2000
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Introduction by Michael Slater
    Thomas Hardy
    978-0-679-40576-4
    $24.00 US
    Hardcover
    Everyman's Library
    Oct 15, 1991
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-553-21331-7
    $5.95 US
    Mass Market Paperback
    Bantam Classics
    Jun 01, 1983
  • Far from the Madding Crowd (Movie Tie-in Edition)
    Far from the Madding Crowd (Movie Tie-in Edition)
    Thomas Hardy
    978-0-553-55067-2
    $17.50 US
    Audiobook Download
    Random House Audio
    Apr 28, 2015
  • Far From the Madding Crowd
    Far From the Madding Crowd
    Thomas Hardy
    978-1-55199-740-7
    $1.99 US
    Ebook
    McClelland & Stewart
    Aug 12, 2014
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-553-90555-7
    $1.99 US
    Ebook
    Bantam
    Aug 26, 2008
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-679-64150-6
    $7.99 US
    Ebook
    Modern Library
    Oct 31, 2000
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Introduction by Michael Slater
    Thomas Hardy
    978-0-679-40576-4
    $24.00 US
    Hardcover
    Everyman's Library
    Oct 15, 1991
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-553-21331-7
    $5.95 US
    Mass Market Paperback
    Bantam Classics
    Jun 01, 1983

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  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $11.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $17.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
    $17.00 US
    Paperback
    Vintage
    May 14, 2013
  • The Captain's Daughter and Other Stories
    The Captain's Daughter and Other Stories
    Alexander Pushkin
    978-0-307-83197-2
    $10.99 US
    Ebook
    Vintage
    Feb 27, 2013
  • Anna Karenina (Movie Tie-in Edition)
    Anna Karenina (Movie Tie-in Edition)
    Official Tie-in Edition Including the screenplay by Tom Stoppard
    Leo Tolstoy
    978-0-345-80393-1
    $8.99 US
    Ebook
    Vintage
    Oct 16, 2012
  • The Death of Ivan Ilyich
    The Death of Ivan Ilyich
    Leo Tolstoy
    978-0-307-95133-5
    $9.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • Hadji Murat
    Hadji Murat
    Leo Tolstoy
    978-0-307-95134-2
    $12.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • The Captain's Daughter
    The Captain's Daughter
    And Other Stories
    Alexander Pushkin
    978-0-307-94965-3
    $14.00 US
    Paperback
    Vintage
    Aug 07, 2012
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The House of Mirth
    The House of Mirth
    Edith Wharton
    978-0-307-94952-3
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Ethan Frome
    Ethan Frome
    Edith Wharton
    978-0-307-94953-0
    $10.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-94716-1
    $7.95 US
    Paperback
    Vintage
    Jan 10, 2012
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-307-94717-8
    $12.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-307-94718-5
    $10.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-307-94720-8
    $9.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Parade's End
    Parade's End
    Ford Madox Ford
    978-0-307-74420-3
    $21.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-307-94719-2
    $13.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • A Christmas Carol
    A Christmas Carol
    And Other Christmas Books
    Charles Dickens
    978-0-307-94721-5
    $11.00 US
    Paperback
    Vintage
    Nov 29, 2011
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Fifth Queen
    The Fifth Queen
    Ford Madox Ford
    978-0-307-74491-3
    $15.95 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-0-307-74352-7
    $8.95 US
    Paperback
    Vintage
    Jul 26, 2011
  • The Canterbury Tales
    The Canterbury Tales
    A Prose Version in Modern English
    Geoffrey Chaucer
    978-0-307-74353-4
    $11.00 US
    Paperback
    Vintage
    Jul 12, 2011
  • Dracula
    Dracula
    Bram Stoker
    978-0-307-74330-5
    $11.00 US
    Paperback
    Vintage
    Jun 14, 2011
  • Hawthorne's Short Stories
    Hawthorne's Short Stories
    Nathaniel Hawthorne
    978-0-307-74121-9
    $16.95 US
    Paperback
    Vintage
    Jan 11, 2011
  • Sapphira and the Slave Girl
    Sapphira and the Slave Girl
    Willa Cather
    978-0-307-73965-0
    $15.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • Alexander's Bridge
    Alexander's Bridge
    Willa Cather
    978-0-307-73966-7
    $13.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • The Death of Ivan Ilyich and Other Stories
    The Death of Ivan Ilyich and Other Stories
    Leo Tolstoy
    978-0-307-38886-5
    $17.95 US
    Paperback
    Vintage
    Oct 05, 2010
  • Bel Ami
    Bel Ami
    Guy De Maupassant
    978-0-307-74088-5
    $14.00 US
    Paperback
    Vintage
    Oct 05, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $12.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Tales of the Jazz Age
    Tales of the Jazz Age
    Stories
    F. Scott Fitzgerald
    978-0-307-47637-1
    $11.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Original Frankenstein
    The Original Frankenstein
    Mary Shelley
    978-0-307-47442-1
    $16.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Flappers and Philosophers
    Flappers and Philosophers
    Stories
    F. Scott Fitzgerald
    978-0-307-47452-0
    $11.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Great Tales and Poems of Edgar Allan Poe
    Great Tales and Poems of Edgar Allan Poe
    Edgar Allan Poe
    978-0-307-47477-3
    $12.95 US
    Paperback
    Vintage
    Sep 01, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $11.95 US
    Paperback
    Vintage
    Apr 07, 2009
  • War and Peace
    War and Peace
    Leo Tolstoy
    978-1-4000-7998-8
    $21.00 US
    Paperback
    Vintage
    Dec 02, 2008
  • The Shadow-Line
    The Shadow-Line
    A Confession
    Joseph Conrad
    978-0-307-38653-3
    $10.00 US
    Paperback
    Vintage
    Oct 09, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Pride and Prejudice
    Pride and Prejudice
    Jane Austen
    978-0-307-38686-1
    $7.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • God's Trombones
    God's Trombones
    James Weldon Johnson
    978-0-593-46881-4
    $11.00 US
    Paperback
    Vintage
    Feb 07, 2023
  • Clouds of Witness
    Clouds of Witness
    Dorothy L. Sayers
    978-0-593-46637-7
    $10.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Boris Godunov, Little Tragedies, and Others
    Boris Godunov, Little Tragedies, and Others
    The Complete Plays
    Alexander Pushkin
    978-0-593-46756-5
    $17.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Men Without Women
    Men Without Women
    Ernest Hemingway
    978-0-593-46884-5
    $12.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • The Sun Also Rises
    The Sun Also Rises
    Ernest Hemingway
    978-0-593-46634-6
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $11.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $17.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
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