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Little Dorrit

Part of Modern Library Classics

Author Charles Dickens
Illustrated by H. K. Browne
Introduction by David Gates
Look inside
Paperback
$13.00 US
Random House Group | Modern Library
On sale Mar 12, 2002 | 912 Pages | 978-0-375-75914-7
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  • English > Comparative Literature: European > English
  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature – Victorian Period
  • About
  • Excerpt
  • Author
Upon its publication in 1857, Little Dorrit immediately outsold any of Dickens’s previous books. The story of William Dorrit, imprisoned for debt in Marshalsea Prison, and his daughter and helpmate, Amy, or Little Dorrit, the novel charts the progress of the Dorrit family from poverty to riches. In his Introduction, David Gates argues that “intensity of imagination is the gift from which Dickens’s other great attributes derive: his eye and ear, his near-universal empathy, his ability to entertain both a sense of the ridiculous and a sense of ultimate significance.”

This Modern Library Paperback Classic is set from the text of the 1857 edition.

“One of the most significant works of the nineteenth century.”—Lionel Trilling
Chapter 1: Sun and Shadow

Thirty years ago, Marseilles lay burning in the sun, one day.

A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves.

There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire.

The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved by light clouds of mist, slowly rising from the evaporation of the sea; but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hillside, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely happened; so did the exhausted laborers in the fields. Everything that lived or grew, was oppressed by the glare; except the lizard, passing swiftly over rough stone walls, and the cicala, chirping his dry hot chirp, like a rattle. The very dust was scorched brown, and something quivered in the atmosphere as if the air itself were panting.

Blinds, shutters, curtains, awnings, were all closed and drawn to keep out the stare. Grant it but a chink or keyhole, and it shot in like a white-hot arrow. The churches were the freest from it. To come out of the twilight of pillars and arches—dreamily dotted with winking lamps, dreamily peopled with ugly old shadows piously dozing, spitting, and begging—was to plunge into a fiery river, and swim for life to the nearest strip of shade. So, with people lounging and lying wherever shade was, with but little hum of tongues or barking of dogs, with occasional jangling of discordant church bells, and rattling of vicious drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling in the sun one day.

In Marseilles that day there was a villainous prison. In one of its chambers, so repulsive a place that even the obstrusive stare blinked at it, and left it to such refuse of reflected light as it could find for itself, were two men. Besides the two men, a notched and disfigured bench, immoveable from the wall, with a draught-board rudely hacked upon it with a knife, a set of draughts, made of old buttons and soup bones, a set of dominoes, two mats, and two or three wine bottles. That was all the chamber held, exclusive of rats and other unseen vermin, in addition to the seen vermin, the two men.

It received such light as it got, through a grating of iron bars, fashioned like a pretty large window, by means of which it could be always inspected from the gloomy staircase on which the grating gave. There was a broad strong ledge of stone to this grating, where the bottom of it was let into the masonry, three or four feet above the ground. Upon it, one of the two men lolled, half sitting and half lying, with his knees drawn up, and his feet and shoulders planted against the opposite sides of the aperture. The bars were wide enough apart to admit of his thrusting his arm through to the elbow; and so he held on negligently, for his greater ease.

A prison taint was on every thing there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside; and would have kept its polluted atmosphere intact, in one of the spice islands of the Indian Ocean.

The man who lay on the ledge of the grating was even chilled. He jerked his great cloak more heavily upon him by an impatient movement of one shoulder, and growled, “To the devil with this Brigand of a Sun that never shines in here!”

He was waiting to be fed; looking sideways through the bars, that he might see the further down the stairs, with much of the expression of a wild beast in similar expectation. But his eyes, too close together, were not so nobly set in his head as those of the king of beasts are in his, and they were sharp rather than bright—pointed weapons with little surface to betray them. They had no depth or change; they glittered, and they opened and shut. So far, and waiving their use to himself, a clockmaker could have made a better pair. He had a hook nose, handsome after its kind, but too high between the eyes, by probably just as much as his eyes were too near to one another. For the rest, he was large and tall in frame, had thin lips, where his thick moustache showed them at all, and a quantity of dry hair, of no definable color, in its shaggy state, but shot with red. The hand with which he held the grating (seamed all over the back with ugly scratches newly healed) was unusually small and plump; would have been unusually white, but for the prison grime.

The other man was lying on the stone floor, covered with a coarse brown coat.

“Get up, pig!” growled the first. “Don’t sleep when I am hungry.”

“It’s all one, master,” said the pig, in a submissive manner, and not without cheerfulness; “I can wake when I will, I can sleep when I will. It’s all the same.”

As he said it, he rose, shook himself, scratched himself, tied his brown coat loosely round his neck by the sleeves (he had previously used it as a coverlet), and sat down upon the pavement yawning, with his back against the wall opposite to the grating.

“Say what the hour is,” grumbled the first man.

“The mid-day bells will ring—in forty minutes.” When he made the little pause, he had looked round the prison-room, as if for certain information.

“You are a clock. How is it that you always know?”

“How can I say! I always know what the hour is, and where I am. I was brought in here at night, and out of a boat, but I know where I am. See here! Marseilles Harbor;” on his knees on the pavement, mapping it all out with a swarthy forefinger; “Toulon (where the galleys are), Spain over there, Algiers over there. Creeping away to the left here, Nice. Round by the Cornice to Genoa. Genoa Mole and Harbor. Quarantine Ground. City there; terrace-gardens blushing with the bella donna.Here, Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia. So away to—hey! there’s no room for Naples;” he had got to the wall by this time; “but it’s all one; it’s in there!”

He remained on his knees, looking up at his fellow prisoner with a lively look for a prison. A sunburnt, quick, lithe, little man, though rather thickset. Ear-rings in his brown ears, white teeth lighting up his grotesque brown face, intensely black hair clustering about his brown throat, a ragged red shirt open at his brown breast. Loose, seamanlike trousers, decent shoes, a long red cap, a red sash round his waist, and a knife in it.

“Judge if I come back from Naples as I went! See here, my master! Civita Vecchia, Leghorn, Porto Fino, Genoa, Cornice, Off Nice (which is in there), Marseilles, you and me. The apartment of the jailer and his keys is where I put this thumb; and here at my wrist, they keep the national razor in its case—the guillotine locked up.”

The other man spat suddenly on the pavement, and gurgled in his throat.

Some lock below gurgled in its throat immediately afterwards, and then a door clashed. Slow steps began ascending the stairs; the prattle of a sweet little voice mingled with the noise they made; and the prison-keeper appeared, carrying his daughter, three or four years old, and a basket.

“How goes the world this forenoon, gentlemen? My little one, you see, going round with me to have a peep at her father’s birds. Fie, then! Look at the birds, my pretty, look at the birds.”

He looked sharply at the birds himself, as he held the child up at the grate, especially at the little bird, whose activity he seemed to mistrust. “I have brought your bread, Signor John Baptist,” said he (they all spoke in French, but the little man was an Italian); “and if I might recommend you not to game—”

“You don’t recommend the master!” said John Baptist, showing his teeth as he smiled.

“Oh! but the master wins,” returned the jailer, with a passing look of no particular liking at the other man, “and you lose. It’s quite another thing. You get husky bread and sour drink by it; and he gets sausage of Lyons, veal in savory jelly, white bread, strachino cheese, and good wine by it. Look at the birds, my pretty!”

“Poor birds!” said the child.

The fair little face, touched with divine compassion, as it peeped shrinkingly through the grate, was like an angel’s in the prison. John Baptist rose and moved towards it, as if it had a good attraction for him. The other bird remained as before, except for an impatient glance at the basket.

“Stay!” said the jailer, putting his little daughter on the outer ledge of the grate, “she shall feed the birds. This big loaf is for Signor John Baptist. We must break it to get it through into the cage. So, there’s a tame bird, to kiss the little hand! This sausage in a vine-leaf is for Monsieur Rigaud. Again—this veal in savory jelly is for Monsieur Rigaud. Again—these three white little loaves are for Monsieur Rigaud. Again, this cheese—again, this wine—again, this tobacco—all for Monsieur Rigaud. Lucky bird!”

The child put all these things between the bars into the soft, smooth, well-shaped hand, with evident dread—more than once drawing back her own, and looking at the man with her fair brow roughened into an expression half of fright and half of anger. Whereas, she had put the lump of coarse bread into the swart, scaled, knotted hands of John Baptist (who had scarcely as much nail on his eight fingers and two thumbs as would have made out one for Monsieur Rigaud), with ready confidence; and, when he kissed her hand, had herself passed it caressingly over his face. Monsieur Rigaud, indifferent to this distinction, propitiated the father by laughing and nodding at the daughter as often as she gave him anything; and, so soon as he had all his viands about him in convenient nooks of the ledge on which he rested, began to eat with an appetite.

When Monsieur Rigaud laughed, a change took place in his face, that was more remarkable than prepossessing. His moustache went up under his nose, and his nose came down over his moustache, in a very sinister and cruel manner.

“There!” said the jailer, turning his basket upside down to beat the crumbs out, “I have expended all the money I received; here is the note of it, and that’s a thing accomplished. Monsieur Rigaud, as I expected yesterday, the President9 will look for the pleasure of your society at an hour after mid-day, to-day.”

“To try me, eh?” said Rigaud, pausing, knife in hand and morsel in mouth.

“You have said it. To try you.”

“There is no news for me?” asked John Baptist, who had begun, contentedly, to munch his bread.

The jailer shrugged his shoulders.

“Lady of mine! Am I to lie here all my life, my father?”

“What do I know!” cried the jailer, turning upon him with southern quickness, and gesticulating with both his hands and all his fingers, as if he were threatening to tear him to pieces. “My friend, how is it possible for me to tell how long you are to lie here? What do I know, John Baptist Cavalletto? Death of my life! There are prisoners here sometimes, who are not in such a devil of a hurry to be tried.”

He seemed to glance obliquely at Monsieur Rigaud in this remark; but Monsieur Rigaud had already resumed his meal, though not with quite so quick an appetite as before.

“Adieu, my birds!” said the keeper of the prison, taking his pretty child in his arms, and dictating the words with a kiss.

“Adieu, my birds!” the pretty child repeated.

Her innocent face looked back so brightly over his shoulder, as he walked away with her, singing her the song of the child’s game:

“Who passes by this road so late?

Compagnon de la Majolaine!

Who passes by this road so late?

Always gay!”

that John Baptist felt it a point of honor to reply at the grate, and, in good time and tune, though a little hoarsely:

“Of all the king’s knights ’tis the flower,

Compagnon de la Majolaine!

Of all the king’s knights ’tis the flower,

Always gay!”

Which accompanied them so far down the few steep stairs, that the prison-keeper had to stop at last for his little daughter to hear the song out, and repeat the Refrain while they were yet in sight. Then the child’s head disappeared, and the prison-keeper’s head disappeared, but the little voice prolonged the strain until the door clashed.

Monsieur Rigaud, finding the listening John Baptist in his way before the echoes had ceased (even the echoes were the weaker for imprisonment, and seemed to lag), reminded him with a push of his foot that he had better resume his own darker place. The little man sat down again upon the pavement, with the negligent ease of one who was thoroughly accustomed to pavements; and placing three hunks of coarse bread before himself, and falling to upon a fourth, began contentedly to work his way through them, as if to clear them off were a sort of game.

Perhaps he glanced at the Lyons sausage, and perhaps he glanced at the veal in savory jelly, but they were not there long, to make his mouth water; Monsieur Rigaud soon dispatched them, in spite of the president and tribunal, and proceeded to suck his fingers as clean as he could, and to wipe them on his vine leaves. Then, as he paused in his drink to contemplate his fellow-prisoner, his moustache went up, and his nose came down.

“How do you find the bread?”

“A little dry, but I have my old sauce here,” returned John Baptist, holding up his knife.

“How sauce?”

“I can cut my bread so—like a melon. Or so—like an omelette. Or so—like a fried fish. Or so—like Lyons sausage,” said John Baptist, demonstrating the various cuts on the bread he held, and soberly chewing what he had in his mouth.

“Here!” cried Monsieur Rigaud. “You may drink. You may finish this.”

It was no great gift, for there was mighty little wine left; but Signor Cavalletto, jumping to his feet, received the bottle gratefully, turned it upside down at his mouth, and smacked his lips.

“Put the bottle by with the rest,” said Rigaud.

The little man obeyed his orders, and stood ready to give him a lighted match; for he was now rolling his tobacco into cigarettes, by the aid of little squares of paper which had been brought in with it.

“Here! You may have one.”

“A thousand thanks, my master!” John Baptist said it in his own language, and with the quick conciliatory manner of his own countrymen.

Monsieur Rigaud arose, lighted a cigarette, put the rest of his stock into a breast-pocket, and stretched himself out at full length upon the bench. Cavalletto sat down on the pavement, holding one of his ancles in each hand, and smoking peacefully. There seemed to be some uncomfortable attraction of Monsieur Rigaud’s eyes to the immediate neighbourhood of that part of the pavement where the thumb had been in the plan. They were so drawn in that direction, that the Italian more than once followed them to and back from the pavement in some surprise.

“What an infernal hole this is!” said Monsieur Rigaud, breaking a long pause. “Look at the light of day. Day? The light of yesterday week, the light of six months ago, the light of six years ago. So slack and dead!”

It came languishing down a square funnel that blinded a window in the staircase wall, through which the sky was never seen—nor anything else.

“Cavalletto,” said Monsieur Rigaud, suddenly withdrawing his gaze from this funnel, to which they had both involuntarily turned their eyes, “you know me for a gentleman?”

“Surely, surely!”

“How long have we been here?”

“I, eleven weeks, to-morrow night at midnight. You, nine weeks and three days, at five this afternoon.”

“Have I ever done anything here? Ever touched the broom, or spread the mats, or rolled them up, or found the draughts, or collected the dominoes, or put my hand to any kind of work?”

“Never!”

“Have you ever thought of looking to me to do any kind of work?”

John Baptist answered with that peculiar back-handed shake of the right forefinger which is the most expressive negative in the Italian language.

“No! You knew from the first moment when you saw me here, that I was a gentleman?”

“Altro!”11 returned John Baptist, closing his eyes and giving his head a most vehement toss. The word being, according to its Genoese emphasis, a confirmation, a contradiction, an assertion, a denial, a taunt, a compliment, a joke, and fifty other things, became in the pres- ent instance, with a significance beyond all power of written expression, our familiar English “I believe you!”

“Haha! You are right! A gentleman I am! And a gentleman I’ll live, and a gentleman I’ll die! It’s my intent to be a gentleman. It’s my game. Death of my soul, I play it out wherever I go!”

He changed his posture to a sitting one, crying with a triumphant air:

“Here I am! See me! Shaken out of destiny’s dice-box into the company of a mere smuggler;—shut up with a poor little contraband trader, whose papers are wrong, and whom the police lay hold of, besides, for placing his boat (as a means of getting beyond the frontier) at the disposition of other little people whose papers are wrong; and he instinctively recognises my position, even by this light and in this place. It’s well done! By Heaven! I win, however the game goes.”

Again his moustache went up, and his nose came down.

“What’s the hour, now?” he asked, with a dry hot pallor upon him, rather difficult of association with merriment.

“A little half-hour after mid-day.”

“Good! The President will have a gentleman before him soon. Come! Shall I tell you on what accusation? It must be now, or never, for I shall not return here. Either I shall go free, or I shall go to be made ready for shaving. You know where they keep the razor.”

Signor Cavalletto took his cigarette from between his parted lips, and showed more momentary discomfiture than might have been expected.

“I am a”—Monsieur Rigaud stood up to say it—“I am a cosmopolitan gentleman. I own no particular country. My father was Swiss—Canton de Vaud. My mother was French by blood, English by birth. I myself was born in Belgium. I am a citizen of the world.”

His theatrical air, as he stood with one arm on his hip, within the folds of his cloak, together with his manner of disregarding his companion and addressing the opposite wall instead, seemed to intimate that he was rehearsing for the President, whose examination he was shortly to undergo, rather than troubling himself merely to enlighten so small a person as John Baptist Cavalletto.

“Call me five-and-thirty years of age. I have seen the world. I have lived here, and lived there, and lived like a gentleman everywhere. I have been treated and respected as a gentleman universally. If you try to prejudice me, by making out that I have lived by my wits—how do your lawyers live—your politicians—your intriguers—your men of the Exchange?”

He kept his small smooth hand in constant requisition, as if it were a witness to his gentility, that had often done him good service before.

“Two years ago I came to Marseilles. I admit that I was poor; I had been ill. When your lawyers, your politicians, your intriguers, your men of the Exchange, fall ill, and have not scraped money together, they become poor. I put up at the Cross of Gold,—kept then by Monsieur Henri Barronneau—sixty-five at least, and in a failing state of health. I had lived in the house some four months, when Monsieur Henri Barronneau had the misfortune to die;—at any rate, not a rare misfortune, that. It happens without any aid of mine, pretty often.”

John Baptist having smoked his cigarette down to his fingers’ ends, Monsieur Rigaud had the magnanimity to throw him another. He lighted the second at the ashes of the first, and smoked on, looking sideways at his companion, who, pre-occupied with his own case, hardly looked at him.

“Monsieur Barronneau left a widow. She was two-and-twenty. She had gained a reputation for beauty, and (which is often another thing) was beautiful. I continued to live at the Cross of Gold. I married Madame Barronneau. It is not for me to say whether there was any great disparity in such a match. Here I stand, with the contamination of a jail upon me; but it is possible that you may think me better suited to her than her former husband was.”

He had a certain air of being a handsome man—which he was not; and a certain air of being a well-bred man—which he was not. It was mere swagger and challenge; but in this particular, as in many others, blustering assertion goes for proof, half over the world.

“Be it as it may, Madame Barronneau approved of me. That is not to prejudice me I hope?”

His eye happening to light upon John Baptist with this inquiry, that little man briskly shook his head in the negative, and repeated in an argumentative tone under his breath, altro, altro, altro, altro—an infinite number of times.

“Now came the difficulties of our position. I am proud. I say nothing in defence of pride, but I am proud. It is also my character to govern. I can’t submit; I must govern. Unfortunately, the property of Madame Rigaud was settled upon herself. Such was the insane act of her late husband. More unfortunately still, she had relations. When a wife’s relations interpose against a husband who is a gentleman, who is proud, and who must govern, the consequences are inimical to peace. There was yet another source of difference between us. Madame Rigaud was unfortunately a little vulgar. I sought to improve her manners and ameliorate her general tone; she (supported in this likewise by her relations) resented my endeavours. Quarrels began to arise between us; and, propagated and exaggerated by the slanders of the relations of Madame Rigaud, to become notorious to the neighbours. It has been said that I treated Madame Rigaud with cruelty. I may have been seen to slap her face—nothing more. I have a light hand; and if I have been seen apparently to correct Madame Rigaud in that manner, I have done it almost playfully.”

If the playfulness of Monsieur Rigaud were at all expressed by his smile at this point, the relations of Madame Rigaud might have said that they would have much preferred his correcting that unfortunate woman seriously.

“I am sensitive and brave. I do not advance it as a merit to be sensitive and brave, but it is my character. If the male relations of Madame Rigaud had put themselves forward openly, I should have known how to deal with them. They knew that, and their machinations were conducted in secret; consequently, Madame Rigaud and I were brought into frequent and unfortunate collision. Even when I wanted any little sum of money for my personal expenses, I could not obtain it without collision—and I too, a man whose character it is to govern! One night, Madame Rigaud and myself were walking amicably—I may say like lovers—on a height overhanging the sea. An evil star occasioned Madame Rigaud to advert to her relations; I reasoned with her on that subject, and remonstrated on the want of duty and devotion manifested in her allowing herself to be influenced by their jealous ani- mosity towards her husband. Madame Rigaud retorted, I retorted. Madame Rigaud grew warm; I grew warm, and provoked her. I admit it. Frankness is a part of my character. At length, Madame Rigaud, in an access of fury that I must ever deplore, threw herself upon me with screams of passion (no doubt those that were overheard at some distance), tore my clothes, tore my hair, lacerated my hands, trampled and trod the dust, and finally leaped over, dashing herself to death upon the rocks below. Such is the train of incidents which malice has perverted into my endeavouring to force from Madame Rigaud a relinquishment of her rights; and, on her persistence in a refusal to make the concession I required, struggling with her—assassinating her!”

He stepped aside to the ledge where the vine-leaves yet lay strewn about, collected two or three, and stood wiping his hands upon them, with his back to the light.

“Well,” he demanded after a silence, “have you nothing to say to all that?”

“It’s ugly,” returned the little man, who had risen, and was brightening his knife upon his shoe, as he leaned an arm against the wall.

“What do you mean?”

John Baptist polished his knife in silence.

“Do you mean that I have not represented the case correctly?”

“Al-tro!” returned John Baptist. The word was an apology now, and stood for, “Oh, by no means!”

“What then?”

“Presidents and tribunals are so prejudiced.”

“Well!” cried the other, uneasily flinging the end of his cloak over his shoulder with an oath, “Let them do their worst!”

“Truly I think they will,” murmured John Baptist to himself, as he bent his head to put his knife in his sash.

Nothing more was said on either side, though they both began walk- ing to and fro, and necessarily crossed at every turn. Monsieur Rigaud sometimes half stopped, as if he were going to put his case in a new light, or make some irate remonstrance; but Signor Cavalletto continuing to go slowly to and fro at a grotesque kind of jog-trot pace, with his eyes turned downward, nothing came of these inclinings.

Bye-and-bye the noise of the key in the lock arrested them both. The sound of voices succeeded, and the tread of feet. The door clashed, the voices and the feet came on, and the prison-keeper slowly ascended the stairs, followed by a guard of soldiers.

“Now, Monsieur Rigaud,” said he, pausing for a moment at the grate, with his keys in his hand, “have the goodness to come out.”

“I am to depart in state, I see?”

“Why, unless you did,” returned the jailer, “you might depart in so many pieces that it would be difficult to get you together again. There’s a crowd, Monsieur Rigaud, and it doesn’t love you.”

He passed on out of sight, and unlocked and unbarred a low door in the corner of the chamber. “Now,” said he, as he opened it and appeared within, “come out.”
Copyright © 2002 by Charles Dickens. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works. View titles by Charles Dickens
H. K. Browne View titles by H. K. Browne

About

Upon its publication in 1857, Little Dorrit immediately outsold any of Dickens’s previous books. The story of William Dorrit, imprisoned for debt in Marshalsea Prison, and his daughter and helpmate, Amy, or Little Dorrit, the novel charts the progress of the Dorrit family from poverty to riches. In his Introduction, David Gates argues that “intensity of imagination is the gift from which Dickens’s other great attributes derive: his eye and ear, his near-universal empathy, his ability to entertain both a sense of the ridiculous and a sense of ultimate significance.”

This Modern Library Paperback Classic is set from the text of the 1857 edition.

“One of the most significant works of the nineteenth century.”—Lionel Trilling

Excerpt

Chapter 1: Sun and Shadow

Thirty years ago, Marseilles lay burning in the sun, one day.

A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves.

There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire.

The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved by light clouds of mist, slowly rising from the evaporation of the sea; but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hillside, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely happened; so did the exhausted laborers in the fields. Everything that lived or grew, was oppressed by the glare; except the lizard, passing swiftly over rough stone walls, and the cicala, chirping his dry hot chirp, like a rattle. The very dust was scorched brown, and something quivered in the atmosphere as if the air itself were panting.

Blinds, shutters, curtains, awnings, were all closed and drawn to keep out the stare. Grant it but a chink or keyhole, and it shot in like a white-hot arrow. The churches were the freest from it. To come out of the twilight of pillars and arches—dreamily dotted with winking lamps, dreamily peopled with ugly old shadows piously dozing, spitting, and begging—was to plunge into a fiery river, and swim for life to the nearest strip of shade. So, with people lounging and lying wherever shade was, with but little hum of tongues or barking of dogs, with occasional jangling of discordant church bells, and rattling of vicious drums, Marseilles, a fact to be strongly smelt and tasted, lay broiling in the sun one day.

In Marseilles that day there was a villainous prison. In one of its chambers, so repulsive a place that even the obstrusive stare blinked at it, and left it to such refuse of reflected light as it could find for itself, were two men. Besides the two men, a notched and disfigured bench, immoveable from the wall, with a draught-board rudely hacked upon it with a knife, a set of draughts, made of old buttons and soup bones, a set of dominoes, two mats, and two or three wine bottles. That was all the chamber held, exclusive of rats and other unseen vermin, in addition to the seen vermin, the two men.

It received such light as it got, through a grating of iron bars, fashioned like a pretty large window, by means of which it could be always inspected from the gloomy staircase on which the grating gave. There was a broad strong ledge of stone to this grating, where the bottom of it was let into the masonry, three or four feet above the ground. Upon it, one of the two men lolled, half sitting and half lying, with his knees drawn up, and his feet and shoulders planted against the opposite sides of the aperture. The bars were wide enough apart to admit of his thrusting his arm through to the elbow; and so he held on negligently, for his greater ease.

A prison taint was on every thing there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside; and would have kept its polluted atmosphere intact, in one of the spice islands of the Indian Ocean.

The man who lay on the ledge of the grating was even chilled. He jerked his great cloak more heavily upon him by an impatient movement of one shoulder, and growled, “To the devil with this Brigand of a Sun that never shines in here!”

He was waiting to be fed; looking sideways through the bars, that he might see the further down the stairs, with much of the expression of a wild beast in similar expectation. But his eyes, too close together, were not so nobly set in his head as those of the king of beasts are in his, and they were sharp rather than bright—pointed weapons with little surface to betray them. They had no depth or change; they glittered, and they opened and shut. So far, and waiving their use to himself, a clockmaker could have made a better pair. He had a hook nose, handsome after its kind, but too high between the eyes, by probably just as much as his eyes were too near to one another. For the rest, he was large and tall in frame, had thin lips, where his thick moustache showed them at all, and a quantity of dry hair, of no definable color, in its shaggy state, but shot with red. The hand with which he held the grating (seamed all over the back with ugly scratches newly healed) was unusually small and plump; would have been unusually white, but for the prison grime.

The other man was lying on the stone floor, covered with a coarse brown coat.

“Get up, pig!” growled the first. “Don’t sleep when I am hungry.”

“It’s all one, master,” said the pig, in a submissive manner, and not without cheerfulness; “I can wake when I will, I can sleep when I will. It’s all the same.”

As he said it, he rose, shook himself, scratched himself, tied his brown coat loosely round his neck by the sleeves (he had previously used it as a coverlet), and sat down upon the pavement yawning, with his back against the wall opposite to the grating.

“Say what the hour is,” grumbled the first man.

“The mid-day bells will ring—in forty minutes.” When he made the little pause, he had looked round the prison-room, as if for certain information.

“You are a clock. How is it that you always know?”

“How can I say! I always know what the hour is, and where I am. I was brought in here at night, and out of a boat, but I know where I am. See here! Marseilles Harbor;” on his knees on the pavement, mapping it all out with a swarthy forefinger; “Toulon (where the galleys are), Spain over there, Algiers over there. Creeping away to the left here, Nice. Round by the Cornice to Genoa. Genoa Mole and Harbor. Quarantine Ground. City there; terrace-gardens blushing with the bella donna.Here, Porto Fino. Stand out for Leghorn. Out again for Civita Vecchia. So away to—hey! there’s no room for Naples;” he had got to the wall by this time; “but it’s all one; it’s in there!”

He remained on his knees, looking up at his fellow prisoner with a lively look for a prison. A sunburnt, quick, lithe, little man, though rather thickset. Ear-rings in his brown ears, white teeth lighting up his grotesque brown face, intensely black hair clustering about his brown throat, a ragged red shirt open at his brown breast. Loose, seamanlike trousers, decent shoes, a long red cap, a red sash round his waist, and a knife in it.

“Judge if I come back from Naples as I went! See here, my master! Civita Vecchia, Leghorn, Porto Fino, Genoa, Cornice, Off Nice (which is in there), Marseilles, you and me. The apartment of the jailer and his keys is where I put this thumb; and here at my wrist, they keep the national razor in its case—the guillotine locked up.”

The other man spat suddenly on the pavement, and gurgled in his throat.

Some lock below gurgled in its throat immediately afterwards, and then a door clashed. Slow steps began ascending the stairs; the prattle of a sweet little voice mingled with the noise they made; and the prison-keeper appeared, carrying his daughter, three or four years old, and a basket.

“How goes the world this forenoon, gentlemen? My little one, you see, going round with me to have a peep at her father’s birds. Fie, then! Look at the birds, my pretty, look at the birds.”

He looked sharply at the birds himself, as he held the child up at the grate, especially at the little bird, whose activity he seemed to mistrust. “I have brought your bread, Signor John Baptist,” said he (they all spoke in French, but the little man was an Italian); “and if I might recommend you not to game—”

“You don’t recommend the master!” said John Baptist, showing his teeth as he smiled.

“Oh! but the master wins,” returned the jailer, with a passing look of no particular liking at the other man, “and you lose. It’s quite another thing. You get husky bread and sour drink by it; and he gets sausage of Lyons, veal in savory jelly, white bread, strachino cheese, and good wine by it. Look at the birds, my pretty!”

“Poor birds!” said the child.

The fair little face, touched with divine compassion, as it peeped shrinkingly through the grate, was like an angel’s in the prison. John Baptist rose and moved towards it, as if it had a good attraction for him. The other bird remained as before, except for an impatient glance at the basket.

“Stay!” said the jailer, putting his little daughter on the outer ledge of the grate, “she shall feed the birds. This big loaf is for Signor John Baptist. We must break it to get it through into the cage. So, there’s a tame bird, to kiss the little hand! This sausage in a vine-leaf is for Monsieur Rigaud. Again—this veal in savory jelly is for Monsieur Rigaud. Again—these three white little loaves are for Monsieur Rigaud. Again, this cheese—again, this wine—again, this tobacco—all for Monsieur Rigaud. Lucky bird!”

The child put all these things between the bars into the soft, smooth, well-shaped hand, with evident dread—more than once drawing back her own, and looking at the man with her fair brow roughened into an expression half of fright and half of anger. Whereas, she had put the lump of coarse bread into the swart, scaled, knotted hands of John Baptist (who had scarcely as much nail on his eight fingers and two thumbs as would have made out one for Monsieur Rigaud), with ready confidence; and, when he kissed her hand, had herself passed it caressingly over his face. Monsieur Rigaud, indifferent to this distinction, propitiated the father by laughing and nodding at the daughter as often as she gave him anything; and, so soon as he had all his viands about him in convenient nooks of the ledge on which he rested, began to eat with an appetite.

When Monsieur Rigaud laughed, a change took place in his face, that was more remarkable than prepossessing. His moustache went up under his nose, and his nose came down over his moustache, in a very sinister and cruel manner.

“There!” said the jailer, turning his basket upside down to beat the crumbs out, “I have expended all the money I received; here is the note of it, and that’s a thing accomplished. Monsieur Rigaud, as I expected yesterday, the President9 will look for the pleasure of your society at an hour after mid-day, to-day.”

“To try me, eh?” said Rigaud, pausing, knife in hand and morsel in mouth.

“You have said it. To try you.”

“There is no news for me?” asked John Baptist, who had begun, contentedly, to munch his bread.

The jailer shrugged his shoulders.

“Lady of mine! Am I to lie here all my life, my father?”

“What do I know!” cried the jailer, turning upon him with southern quickness, and gesticulating with both his hands and all his fingers, as if he were threatening to tear him to pieces. “My friend, how is it possible for me to tell how long you are to lie here? What do I know, John Baptist Cavalletto? Death of my life! There are prisoners here sometimes, who are not in such a devil of a hurry to be tried.”

He seemed to glance obliquely at Monsieur Rigaud in this remark; but Monsieur Rigaud had already resumed his meal, though not with quite so quick an appetite as before.

“Adieu, my birds!” said the keeper of the prison, taking his pretty child in his arms, and dictating the words with a kiss.

“Adieu, my birds!” the pretty child repeated.

Her innocent face looked back so brightly over his shoulder, as he walked away with her, singing her the song of the child’s game:

“Who passes by this road so late?

Compagnon de la Majolaine!

Who passes by this road so late?

Always gay!”

that John Baptist felt it a point of honor to reply at the grate, and, in good time and tune, though a little hoarsely:

“Of all the king’s knights ’tis the flower,

Compagnon de la Majolaine!

Of all the king’s knights ’tis the flower,

Always gay!”

Which accompanied them so far down the few steep stairs, that the prison-keeper had to stop at last for his little daughter to hear the song out, and repeat the Refrain while they were yet in sight. Then the child’s head disappeared, and the prison-keeper’s head disappeared, but the little voice prolonged the strain until the door clashed.

Monsieur Rigaud, finding the listening John Baptist in his way before the echoes had ceased (even the echoes were the weaker for imprisonment, and seemed to lag), reminded him with a push of his foot that he had better resume his own darker place. The little man sat down again upon the pavement, with the negligent ease of one who was thoroughly accustomed to pavements; and placing three hunks of coarse bread before himself, and falling to upon a fourth, began contentedly to work his way through them, as if to clear them off were a sort of game.

Perhaps he glanced at the Lyons sausage, and perhaps he glanced at the veal in savory jelly, but they were not there long, to make his mouth water; Monsieur Rigaud soon dispatched them, in spite of the president and tribunal, and proceeded to suck his fingers as clean as he could, and to wipe them on his vine leaves. Then, as he paused in his drink to contemplate his fellow-prisoner, his moustache went up, and his nose came down.

“How do you find the bread?”

“A little dry, but I have my old sauce here,” returned John Baptist, holding up his knife.

“How sauce?”

“I can cut my bread so—like a melon. Or so—like an omelette. Or so—like a fried fish. Or so—like Lyons sausage,” said John Baptist, demonstrating the various cuts on the bread he held, and soberly chewing what he had in his mouth.

“Here!” cried Monsieur Rigaud. “You may drink. You may finish this.”

It was no great gift, for there was mighty little wine left; but Signor Cavalletto, jumping to his feet, received the bottle gratefully, turned it upside down at his mouth, and smacked his lips.

“Put the bottle by with the rest,” said Rigaud.

The little man obeyed his orders, and stood ready to give him a lighted match; for he was now rolling his tobacco into cigarettes, by the aid of little squares of paper which had been brought in with it.

“Here! You may have one.”

“A thousand thanks, my master!” John Baptist said it in his own language, and with the quick conciliatory manner of his own countrymen.

Monsieur Rigaud arose, lighted a cigarette, put the rest of his stock into a breast-pocket, and stretched himself out at full length upon the bench. Cavalletto sat down on the pavement, holding one of his ancles in each hand, and smoking peacefully. There seemed to be some uncomfortable attraction of Monsieur Rigaud’s eyes to the immediate neighbourhood of that part of the pavement where the thumb had been in the plan. They were so drawn in that direction, that the Italian more than once followed them to and back from the pavement in some surprise.

“What an infernal hole this is!” said Monsieur Rigaud, breaking a long pause. “Look at the light of day. Day? The light of yesterday week, the light of six months ago, the light of six years ago. So slack and dead!”

It came languishing down a square funnel that blinded a window in the staircase wall, through which the sky was never seen—nor anything else.

“Cavalletto,” said Monsieur Rigaud, suddenly withdrawing his gaze from this funnel, to which they had both involuntarily turned their eyes, “you know me for a gentleman?”

“Surely, surely!”

“How long have we been here?”

“I, eleven weeks, to-morrow night at midnight. You, nine weeks and three days, at five this afternoon.”

“Have I ever done anything here? Ever touched the broom, or spread the mats, or rolled them up, or found the draughts, or collected the dominoes, or put my hand to any kind of work?”

“Never!”

“Have you ever thought of looking to me to do any kind of work?”

John Baptist answered with that peculiar back-handed shake of the right forefinger which is the most expressive negative in the Italian language.

“No! You knew from the first moment when you saw me here, that I was a gentleman?”

“Altro!”11 returned John Baptist, closing his eyes and giving his head a most vehement toss. The word being, according to its Genoese emphasis, a confirmation, a contradiction, an assertion, a denial, a taunt, a compliment, a joke, and fifty other things, became in the pres- ent instance, with a significance beyond all power of written expression, our familiar English “I believe you!”

“Haha! You are right! A gentleman I am! And a gentleman I’ll live, and a gentleman I’ll die! It’s my intent to be a gentleman. It’s my game. Death of my soul, I play it out wherever I go!”

He changed his posture to a sitting one, crying with a triumphant air:

“Here I am! See me! Shaken out of destiny’s dice-box into the company of a mere smuggler;—shut up with a poor little contraband trader, whose papers are wrong, and whom the police lay hold of, besides, for placing his boat (as a means of getting beyond the frontier) at the disposition of other little people whose papers are wrong; and he instinctively recognises my position, even by this light and in this place. It’s well done! By Heaven! I win, however the game goes.”

Again his moustache went up, and his nose came down.

“What’s the hour, now?” he asked, with a dry hot pallor upon him, rather difficult of association with merriment.

“A little half-hour after mid-day.”

“Good! The President will have a gentleman before him soon. Come! Shall I tell you on what accusation? It must be now, or never, for I shall not return here. Either I shall go free, or I shall go to be made ready for shaving. You know where they keep the razor.”

Signor Cavalletto took his cigarette from between his parted lips, and showed more momentary discomfiture than might have been expected.

“I am a”—Monsieur Rigaud stood up to say it—“I am a cosmopolitan gentleman. I own no particular country. My father was Swiss—Canton de Vaud. My mother was French by blood, English by birth. I myself was born in Belgium. I am a citizen of the world.”

His theatrical air, as he stood with one arm on his hip, within the folds of his cloak, together with his manner of disregarding his companion and addressing the opposite wall instead, seemed to intimate that he was rehearsing for the President, whose examination he was shortly to undergo, rather than troubling himself merely to enlighten so small a person as John Baptist Cavalletto.

“Call me five-and-thirty years of age. I have seen the world. I have lived here, and lived there, and lived like a gentleman everywhere. I have been treated and respected as a gentleman universally. If you try to prejudice me, by making out that I have lived by my wits—how do your lawyers live—your politicians—your intriguers—your men of the Exchange?”

He kept his small smooth hand in constant requisition, as if it were a witness to his gentility, that had often done him good service before.

“Two years ago I came to Marseilles. I admit that I was poor; I had been ill. When your lawyers, your politicians, your intriguers, your men of the Exchange, fall ill, and have not scraped money together, they become poor. I put up at the Cross of Gold,—kept then by Monsieur Henri Barronneau—sixty-five at least, and in a failing state of health. I had lived in the house some four months, when Monsieur Henri Barronneau had the misfortune to die;—at any rate, not a rare misfortune, that. It happens without any aid of mine, pretty often.”

John Baptist having smoked his cigarette down to his fingers’ ends, Monsieur Rigaud had the magnanimity to throw him another. He lighted the second at the ashes of the first, and smoked on, looking sideways at his companion, who, pre-occupied with his own case, hardly looked at him.

“Monsieur Barronneau left a widow. She was two-and-twenty. She had gained a reputation for beauty, and (which is often another thing) was beautiful. I continued to live at the Cross of Gold. I married Madame Barronneau. It is not for me to say whether there was any great disparity in such a match. Here I stand, with the contamination of a jail upon me; but it is possible that you may think me better suited to her than her former husband was.”

He had a certain air of being a handsome man—which he was not; and a certain air of being a well-bred man—which he was not. It was mere swagger and challenge; but in this particular, as in many others, blustering assertion goes for proof, half over the world.

“Be it as it may, Madame Barronneau approved of me. That is not to prejudice me I hope?”

His eye happening to light upon John Baptist with this inquiry, that little man briskly shook his head in the negative, and repeated in an argumentative tone under his breath, altro, altro, altro, altro—an infinite number of times.

“Now came the difficulties of our position. I am proud. I say nothing in defence of pride, but I am proud. It is also my character to govern. I can’t submit; I must govern. Unfortunately, the property of Madame Rigaud was settled upon herself. Such was the insane act of her late husband. More unfortunately still, she had relations. When a wife’s relations interpose against a husband who is a gentleman, who is proud, and who must govern, the consequences are inimical to peace. There was yet another source of difference between us. Madame Rigaud was unfortunately a little vulgar. I sought to improve her manners and ameliorate her general tone; she (supported in this likewise by her relations) resented my endeavours. Quarrels began to arise between us; and, propagated and exaggerated by the slanders of the relations of Madame Rigaud, to become notorious to the neighbours. It has been said that I treated Madame Rigaud with cruelty. I may have been seen to slap her face—nothing more. I have a light hand; and if I have been seen apparently to correct Madame Rigaud in that manner, I have done it almost playfully.”

If the playfulness of Monsieur Rigaud were at all expressed by his smile at this point, the relations of Madame Rigaud might have said that they would have much preferred his correcting that unfortunate woman seriously.

“I am sensitive and brave. I do not advance it as a merit to be sensitive and brave, but it is my character. If the male relations of Madame Rigaud had put themselves forward openly, I should have known how to deal with them. They knew that, and their machinations were conducted in secret; consequently, Madame Rigaud and I were brought into frequent and unfortunate collision. Even when I wanted any little sum of money for my personal expenses, I could not obtain it without collision—and I too, a man whose character it is to govern! One night, Madame Rigaud and myself were walking amicably—I may say like lovers—on a height overhanging the sea. An evil star occasioned Madame Rigaud to advert to her relations; I reasoned with her on that subject, and remonstrated on the want of duty and devotion manifested in her allowing herself to be influenced by their jealous ani- mosity towards her husband. Madame Rigaud retorted, I retorted. Madame Rigaud grew warm; I grew warm, and provoked her. I admit it. Frankness is a part of my character. At length, Madame Rigaud, in an access of fury that I must ever deplore, threw herself upon me with screams of passion (no doubt those that were overheard at some distance), tore my clothes, tore my hair, lacerated my hands, trampled and trod the dust, and finally leaped over, dashing herself to death upon the rocks below. Such is the train of incidents which malice has perverted into my endeavouring to force from Madame Rigaud a relinquishment of her rights; and, on her persistence in a refusal to make the concession I required, struggling with her—assassinating her!”

He stepped aside to the ledge where the vine-leaves yet lay strewn about, collected two or three, and stood wiping his hands upon them, with his back to the light.

“Well,” he demanded after a silence, “have you nothing to say to all that?”

“It’s ugly,” returned the little man, who had risen, and was brightening his knife upon his shoe, as he leaned an arm against the wall.

“What do you mean?”

John Baptist polished his knife in silence.

“Do you mean that I have not represented the case correctly?”

“Al-tro!” returned John Baptist. The word was an apology now, and stood for, “Oh, by no means!”

“What then?”

“Presidents and tribunals are so prejudiced.”

“Well!” cried the other, uneasily flinging the end of his cloak over his shoulder with an oath, “Let them do their worst!”

“Truly I think they will,” murmured John Baptist to himself, as he bent his head to put his knife in his sash.

Nothing more was said on either side, though they both began walk- ing to and fro, and necessarily crossed at every turn. Monsieur Rigaud sometimes half stopped, as if he were going to put his case in a new light, or make some irate remonstrance; but Signor Cavalletto continuing to go slowly to and fro at a grotesque kind of jog-trot pace, with his eyes turned downward, nothing came of these inclinings.

Bye-and-bye the noise of the key in the lock arrested them both. The sound of voices succeeded, and the tread of feet. The door clashed, the voices and the feet came on, and the prison-keeper slowly ascended the stairs, followed by a guard of soldiers.

“Now, Monsieur Rigaud,” said he, pausing for a moment at the grate, with his keys in his hand, “have the goodness to come out.”

“I am to depart in state, I see?”

“Why, unless you did,” returned the jailer, “you might depart in so many pieces that it would be difficult to get you together again. There’s a crowd, Monsieur Rigaud, and it doesn’t love you.”

He passed on out of sight, and unlocked and unbarred a low door in the corner of the chamber. “Now,” said he, as he opened it and appeared within, “come out.”
Copyright © 2002 by Charles Dickens. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Charles Dickens was born in a little house in Landport, Portsea, England, on February 7, 1812. The second of eight children, he grew up in a family frequently beset by financial insecurity. When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter, and finally an author. With Pickwick Papers (1836–37) he achieved immediate fame. In a few years he was easily the most popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838–39), and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843–44) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852–53), Hard Times (1854), and Little Dorrit (1855–57), which reveal his deepening concern for the injustices of British society. A Tale of Two Cities (1859), Great Expectations (1860–61), and Our Mutual Friend (1864–65) complete his major works. View titles by Charles Dickens
H. K. Browne View titles by H. K. Browne

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    Selections from the Autobiography, Letters, Essays, and Speeches; Introduction by Adam Hochschild
    Mark Twain
    978-1-101-90770-2
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • Collected Nonfiction of Mark Twain, Volume 2
    Collected Nonfiction of Mark Twain, Volume 2
    Selections from the Memoirs and Travel Writings; Introduction by Richard Russo
    Mark Twain
    978-1-101-90772-6
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • Reflections on the Revolution in France and Other Writings
    Reflections on the Revolution in France and Other Writings
    Edited and Introduced by Jesse Norman
    Edmund Burke
    978-0-375-71253-1
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2015
  • The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    Introduction by Andrew Lycett
    Sir Arthur Conan Doyle
    978-0-375-71267-8
    $28.00 US
    Hardcover
    Everyman's Library
    Dec 02, 2014
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Arabian Nights
    The Arabian Nights
    Introduction by Wen-chin Ouyang
    978-0-375-71241-8
    $28.00 US
    Hardcover
    Everyman's Library
    Jun 10, 2014
  • Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Introduction by Tim Farrant
    Jules Verne
    978-0-307-96148-8
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 01, 2013
  • The Betrothed
    The Betrothed
    Introduction by Jonathan Keates
    Alessandro Manzoni
    978-0-375-71234-0
    $30.00 US
    Hardcover
    Everyman's Library
    Sep 17, 2013
  • The Metamorphoses
    The Metamorphoses
    Introduction by J. C. McKeown
    Ovid
    978-0-375-71231-9
    $28.00 US
    Hardcover
    Everyman's Library
    Sep 10, 2013
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Complete Short Stories of Mark Twain
    The Complete Short Stories of Mark Twain
    Introduction by Adam Gopnik
    Mark Twain
    978-0-307-95937-9
    $28.00 US
    Hardcover
    Everyman's Library
    Jun 05, 2012
  • Agnes Grey, The Tenant of Wildfell Hall
    Agnes Grey, The Tenant of Wildfell Hall
    Introduction by Lucy Hughes-Hallett
    Anne Bronte
    978-0-307-95780-1
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 03, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Everyman Chesterton
    The Everyman Chesterton
    Edited and Introduced by Ian Ker
    G. K. Chesterton
    978-0-307-59497-6
    $32.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2011
  • The Three Musketeers
    The Three Musketeers
    Introduction by Allan Massie
    Alexandre Dumas
    978-0-307-59499-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 15, 2011
  • The Time Machine, The Invisible Man, The War of the Worlds
    The Time Machine, The Invisible Man, The War of the Worlds
    Introduction by Margaret Drabble
    H. G. Wells
    978-0-307-59384-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 03, 2010
  • Dracula
    Dracula
    Introduction by Joan Acocella
    Bram Stoker
    978-0-307-59385-6
    $23.00 US
    Hardcover
    Everyman's Library
    May 04, 2010
  • The Autobiography of Benvenuto Cellini
    The Autobiography of Benvenuto Cellini
    Introduction by James Fenton
    Benvenuto Cellini
    978-0-307-59274-3
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2010
  • A Christmas Carol and Other Christmas Books
    A Christmas Carol and Other Christmas Books
    Introduction by Margaret Atwood
    Charles Dickens
    978-0-307-27175-4
    $22.00 US
    Hardcover
    Everyman's Library
    Nov 10, 2009
  • Annals and Histories
    Annals and Histories
    Introduction by Robin Lane Fox
    Tacitus
    978-0-307-26750-4
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Introduction by Umberto Eco
    Alexandre Dumas
    978-0-307-27112-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 02, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $11.95 US
    Paperback
    Vintage
    Apr 07, 2009
  • The Collected Tales of Nikolai Gogol
    The Collected Tales of Nikolai Gogol
    Introduction by Richard Pevear
    Nikolai Gogol
    978-0-307-26969-0
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 07, 2008
  • Shirley and The Professor
    Shirley and The Professor
    Introduction by Rebecca Fraser
    Charlotte Bronte
    978-0-307-26821-1
    $26.00 US
    Hardcover
    Everyman's Library
    May 20, 2008
  • Ethan Frome, Summer, Bunner Sisters
    Ethan Frome, Summer, Bunner Sisters
    Introduction by Hermione Lee
    Edith Wharton
    978-0-307-26825-9
    $22.00 US
    Hardcover
    Everyman's Library
    Feb 05, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $13.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $9.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • History of My Life
    History of My Life
    Introduction by John Julius Norwich
    Giacomo Casanova
    978-0-307-26557-9
    $40.00 US
    Hardcover
    Everyman's Library
    Feb 06, 2007
  • The Double and The Gambler
    The Double and The Gambler
    Fyodor Dostoevsky
    978-0-375-71901-1
    $16.95 US
    Paperback
    Vintage
    Jan 16, 2007
  • The Audubon Reader
    The Audubon Reader
    Edited and Introduced by Richard Rhodes
    John James Audubon
    978-1-4000-4369-9
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 11, 2006
  • The Cossacks
    The Cossacks
    Leo Tolstoy
    978-0-8129-7504-8
    $15.00 US
    Paperback
    Modern Library
    Feb 14, 2006
  • Barnaby Rudge
    Barnaby Rudge
    Introduction by Peter Ackroyd
    Charles Dickens
    978-0-307-26290-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 08, 2005
  • The Complete Short Novels
    The Complete Short Novels
    Anton Chekhov
    978-1-4000-3292-1
    $18.00 US
    Paperback
    Vintage
    Aug 30, 2005
  • The Secret Agent
    The Secret Agent
    A Simple Tale
    Joseph Conrad
    978-0-8129-7305-1
    $11.00 US
    Paperback
    Modern Library
    Dec 14, 2004
  • The Adolescent
    The Adolescent
    Fyodor Dostoevsky
    978-0-375-71900-4
    $17.95 US
    Paperback
    Vintage
    Dec 07, 2004
  • Kim
    Kim
    Rudyard Kipling
    978-0-8129-7134-7
    $8.00 US
    Paperback
    Modern Library
    Feb 10, 2004
  • The Oresteia
    The Oresteia
    Agamemnon, Choephoroe, Eumenides; Introduction by Richard Seaford
    Aeschylus
    978-1-4000-4192-3
    $22.00 US
    Hardcover
    Everyman's Library
    Jan 20, 2004
  • The Bostonians
    The Bostonians
    Henry James
    978-0-8129-6996-2
    $11.00 US
    Paperback
    Modern Library
    Dec 09, 2003
  • The Origin of Species and The Voyage of the 'Beagle'
    The Origin of Species and The Voyage of the 'Beagle'
    Introduction by Richard Dawkins
    Charles Darwin
    978-1-4000-4127-5
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 14, 2003
  • The Pickwick Papers
    The Pickwick Papers
    Charles Dickens
    978-0-8129-6727-2
    $14.00 US
    Paperback
    Modern Library
    Aug 12, 2003
  • The Idiot
    The Idiot
    Fyodor Dostoevsky
    978-0-375-70224-2
    $18.00 US
    Paperback
    Vintage
    Jul 08, 2003
  • Victory
    Victory
    An Island Tale
    Joseph Conrad
    978-0-375-75908-6
    $16.00 US
    Paperback
    Modern Library
    Jul 08, 2003
  • The Complete Works of Michel de Montaigne
    The Complete Works of Michel de Montaigne
    Introduction by Stuart Hampshire
    Michel de Montaigne
    978-1-4000-4021-6
    $40.00 US
    Hardcover
    Everyman's Library
    Apr 29, 2003
  • The Wings of the Dove
    The Wings of the Dove
    Henry James
    978-0-8129-6719-7
    $11.00 US
    Paperback
    Modern Library
    Apr 08, 2003
  • Dombey and Son
    Dombey and Son
    Charles Dickens
    978-0-8129-6743-2
    $13.00 US
    Paperback
    Modern Library
    Apr 08, 2003
  • Washington Square
    Washington Square
    Henry James
    978-0-375-76122-5
    $7.95 US
    Paperback
    Modern Library
    Oct 08, 2002
  • The Hunchback of Notre-Dame
    The Hunchback of Notre-Dame
    Victor Hugo
    978-0-679-64257-2
    $15.00 US
    Paperback
    Modern Library
    Oct 08, 2002
  • Our Mutual Friend
    Our Mutual Friend
    Charles Dickens
    978-0-375-76114-0
    $13.00 US
    Paperback
    Modern Library
    Sep 10, 2002
  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-375-76013-6
    $11.00 US
    Paperback
    Modern Library
    Jul 09, 2002
  • Moll Flanders
    Moll Flanders
    Daniel Defoe
    978-0-375-76010-5
    $14.00 US
    Paperback
    Modern Library
    Jun 11, 2002
  • A Journey to the Western Islands of Scotland
    A Journey to the Western Islands of Scotland
    with The Journal of a Tour to the Hebrides; Introduction by Allan Massie
    James Boswell, Samuel Johnson
    978-0-375-41418-3
    $23.00 US
    Hardcover
    Everyman's Library
    Mar 26, 2002
  • The Memoirs of Hector Berlioz
    The Memoirs of Hector Berlioz
    Introduced by David Cairns
    Hector Berlioz
    978-0-375-41391-9
    $28.00 US
    Hardcover
    Everyman's Library
    Mar 19, 2002
  • The Portrait of a Lady
    The Portrait of a Lady
    Henry James
    978-0-375-75919-2
    $13.00 US
    Paperback
    Modern Library
    Feb 12, 2002
  • The Woman in White
    The Woman in White
    Wilkie Collins
    978-0-375-75906-2
    $12.00 US
    Paperback
    Modern Library
    Jan 08, 2002
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-375-75797-6
    $11.00 US
    Paperback
    Modern Library
    Dec 11, 2001
  • The Travels of Marco Polo
    The Travels of Marco Polo
    Marco Polo
    978-0-375-75818-8
    $16.00 US
    Paperback
    Modern Library
    Dec 04, 2001
  • Oliver Twist
    Oliver Twist
    Charles Dickens, George Cruikshank
    978-0-375-75784-6
    $8.00 US
    Paperback
    Modern Library
    Oct 09, 2001
  • The Moonstone
    The Moonstone
    Wilkie Collins
    978-0-375-75785-3
    $11.00 US
    Paperback
    Modern Library
    Sep 11, 2001
  • Jude the Obscure
    Jude the Obscure
    Thomas Hardy
    978-0-375-75741-9
    $12.00 US
    Paperback
    Modern Library
    Aug 14, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume I
    Collected Shorter Fiction of Leo Tolstoy, Volume I
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41172-4
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume II
    Collected Shorter Fiction of Leo Tolstoy, Volume II
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41287-5
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-679-64217-6
    $10.00 US
    Paperback
    Modern Library
    Jul 10, 2001
  • Silas Marner
    Silas Marner
    The Weaver of Raveloe
    George Eliot
    978-0-375-75749-5
    $9.00 US
    Paperback
    Modern Library
    May 08, 2001
  • The Confessions
    The Confessions
    Introduction by Robin Lane Fox
    Augustine
    978-0-375-41173-1
    $25.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • The Analects
    The Analects
    Introduction by Sarah Allan
    Confucius
    978-0-375-41204-2
    $22.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • Symposium and Phaedrus
    Symposium and Phaedrus
    Introduction by Richard Rutherford
    Plato
    978-0-375-41174-8
    $21.00 US
    Hardcover
    Everyman's Library
    Mar 06, 2001
  • Tess of the d'Urbervilles
    Tess of the d'Urbervilles
    A Pure Woman
    Thomas Hardy
    978-0-375-75679-5
    $10.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-375-75701-3
    $11.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • Selected Stories of Guy de Maupassant
    Selected Stories of Guy de Maupassant
    Introduction by Catriona Seth
    Guy de Maupassant
    978-0-593-32021-1
    $22.00 US
    Hardcover
    Everyman's Library
    Oct 05, 2021
  • The Babur Nama
    The Babur Nama
    Introduction by William Dalrymple
    Babur
    978-1-101-90823-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2020
  • Independent People
    Independent People
    Introduction by John Freeman
    Halldor Laxness
    978-1-101-90827-3
    $26.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2020
  • Selected Writings of Alexander von Humboldt
    Selected Writings of Alexander von Humboldt
    Edited and Introduced by Andrea Wulf
    Alexander von Humboldt
    978-1-101-90807-5
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 06, 2018
  • The Diary of Samuel Pepys
    The Diary of Samuel Pepys
    Selected and Introduced by Kate Loveman
    Samuel Pepys
    978-1-101-90792-4
    $30.00 US
    Hardcover
    Everyman's Library
    Oct 02, 2018
  • The Art of War
    The Art of War
    Translated and Introduced by Peter Harris
    Sun Tzu
    978-1-101-90800-6
    $24.00 US
    Hardcover
    Everyman's Library
    Mar 13, 2018
  • Selected Letters of Horace Walpole
    Selected Letters of Horace Walpole
    Edited and Introduced by Stephen Clarke
    Horace Walpole
    978-1-101-90789-4
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 27, 2017
  • Selected Writings of John Muir
    Selected Writings of John Muir
    Introduction by Terry Tempest Williams
    John Muir
    978-1-101-90762-7
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • The Duke's Children
    The Duke's Children
    The Only Complete Edition; Introduction by Max Egremont
    Anthony Trollope
    978-1-101-90781-8
    $27.50 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • Collected Nonfiction of Mark Twain, Volume 1
    Collected Nonfiction of Mark Twain, Volume 1
    Selections from the Autobiography, Letters, Essays, and Speeches; Introduction by Adam Hochschild
    Mark Twain
    978-1-101-90770-2
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • Collected Nonfiction of Mark Twain, Volume 2
    Collected Nonfiction of Mark Twain, Volume 2
    Selections from the Memoirs and Travel Writings; Introduction by Richard Russo
    Mark Twain
    978-1-101-90772-6
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • Reflections on the Revolution in France and Other Writings
    Reflections on the Revolution in France and Other Writings
    Edited and Introduced by Jesse Norman
    Edmund Burke
    978-0-375-71253-1
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2015
  • The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    Introduction by Andrew Lycett
    Sir Arthur Conan Doyle
    978-0-375-71267-8
    $28.00 US
    Hardcover
    Everyman's Library
    Dec 02, 2014
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Arabian Nights
    The Arabian Nights
    Introduction by Wen-chin Ouyang
    978-0-375-71241-8
    $28.00 US
    Hardcover
    Everyman's Library
    Jun 10, 2014
  • Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Introduction by Tim Farrant
    Jules Verne
    978-0-307-96148-8
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 01, 2013
  • The Betrothed
    The Betrothed
    Introduction by Jonathan Keates
    Alessandro Manzoni
    978-0-375-71234-0
    $30.00 US
    Hardcover
    Everyman's Library
    Sep 17, 2013
  • The Metamorphoses
    The Metamorphoses
    Introduction by J. C. McKeown
    Ovid
    978-0-375-71231-9
    $28.00 US
    Hardcover
    Everyman's Library
    Sep 10, 2013
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Complete Short Stories of Mark Twain
    The Complete Short Stories of Mark Twain
    Introduction by Adam Gopnik
    Mark Twain
    978-0-307-95937-9
    $28.00 US
    Hardcover
    Everyman's Library
    Jun 05, 2012
  • Agnes Grey, The Tenant of Wildfell Hall
    Agnes Grey, The Tenant of Wildfell Hall
    Introduction by Lucy Hughes-Hallett
    Anne Bronte
    978-0-307-95780-1
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 03, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Everyman Chesterton
    The Everyman Chesterton
    Edited and Introduced by Ian Ker
    G. K. Chesterton
    978-0-307-59497-6
    $32.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2011
  • The Three Musketeers
    The Three Musketeers
    Introduction by Allan Massie
    Alexandre Dumas
    978-0-307-59499-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 15, 2011
  • The Time Machine, The Invisible Man, The War of the Worlds
    The Time Machine, The Invisible Man, The War of the Worlds
    Introduction by Margaret Drabble
    H. G. Wells
    978-0-307-59384-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 03, 2010
  • Dracula
    Dracula
    Introduction by Joan Acocella
    Bram Stoker
    978-0-307-59385-6
    $23.00 US
    Hardcover
    Everyman's Library
    May 04, 2010
  • The Autobiography of Benvenuto Cellini
    The Autobiography of Benvenuto Cellini
    Introduction by James Fenton
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    Sep 27, 2016
  • A Christmas Carol
    A Christmas Carol
    Charles Dickens, Mary Kate McDevitt, Mark Peppe
    978-0-14-751289-5
    $7.99 US
    Paperback
    Puffin Books
    Oct 16, 2014
  • A Christmas Carol
    A Christmas Carol
    Charles Dickens, John Leech
    978-0-14-312249-4
    $16.00 US
    Hardcover
    Penguin Classics
    Oct 08, 2014
  • The Pickwick Papers
    The Pickwick Papers
    Charles Dickens
    978-0-698-16182-5
    $6.99 US
    Ebook
    Signet
    Jun 03, 2014
  • Great Expectations (Movie Tie-In)
    Great Expectations (Movie Tie-In)
    Charles Dickens
    978-0-698-15599-2
    $7.99 US
    Ebook
    Penguin Books
    Oct 23, 2013
  • Great Expectations
    Great Expectations
    Charles Dickens, Jessica Hische
    978-0-14-312379-8
    $28.00 US
    Hardcover
    Penguin Books
    Dec 12, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-14-242335-6
    $7.99 US
    Paperback
    Puffin Books
    Sep 13, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-94716-1
    $7.95 US
    Paperback
    Vintage
    Jan 10, 2012
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-307-94717-8
    $12.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-307-94718-5
    $10.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-307-94720-8
    $9.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-307-94719-2
    $13.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • A Christmas Carol and Other Christmas Stories
    A Christmas Carol and Other Christmas Stories
    Charles Dickens
    978-0-451-53202-2
    $3.95 US
    Mass Market Paperback
    Signet
    Dec 06, 2011
  • A Christmas Carol
    A Christmas Carol
    And Other Christmas Books
    Charles Dickens
    978-0-307-94721-5
    $10.00 US
    Paperback
    Vintage
    Nov 29, 2011
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-75837-8
    $4.99 US
    Ebook
    Random House Books for Young Readers
    Aug 31, 2011
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-451-53190-2
    $8.95 US
    Mass Market Paperback
    Signet
    Apr 05, 2011
  • Great Expectations
    Great Expectations
    (Penguin Classics Deluxe Edition)
    Charles Dickens, Tom Haugomat
    978-0-14-310627-2
    $16.00 US
    Paperback
    Penguin Classics
    Dec 28, 2010
  • A Tale of Two Cities and Great Expectations (Bantam Classics Editions)
    A Tale of Two Cities and Great Expectations (Bantam Classics Editions)
    Charles Dickens
    978-0-345-52964-0
    $8.99 US
    Ebook
    Bantam Classics
    Dec 09, 2010
  • Oliver Twist
    Oliver Twist
    Charles Dickens, Jean Zallinger
    978-0-307-75891-0
    $4.99 US
    Ebook
    Random House Books for Young Readers
    Dec 08, 2010
  • A Tale of Two Cities and Great Expectations (Oprah's Book Club)
    A Tale of Two Cities and Great Expectations (Oprah's Book Club)
    Two Novels
    Charles Dickens
    978-1-101-49951-1
    $9.99 US
    Ebook
    Penguin Books
    Dec 06, 2010
  • A Tale of Two Cities
    A Tale of Two Cities
    Abridged Edition
    Charles Dickens
    978-0-14-132554-5
    $7.99 US
    Paperback
    Puffin Books
    Mar 05, 2009
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-451-53118-6
    $5.95 US
    Mass Market Paperback
    Signet
    Feb 03, 2009
  • A Christmas Carol
    A Christmas Carol
    Charles Dickens
    978-0-14-132452-4
    $6.99 US
    Paperback
    Puffin Books
    Sep 11, 2008
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-451-53099-8
    $5.95 US
    Mass Market Paperback
    Signet
    Jul 01, 2008
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-14-132243-8
    $7.99 US
    Paperback
    Puffin Books
    Jun 19, 2008
  • A Tale of Two Cities
    A Tale of Two Cities
    Charles Dickens
    978-0-451-53057-8
    $6.95 US
    Mass Market Paperback
    Signet
    Feb 06, 2007
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-451-53004-2
    $6.95 US
    Mass Market Paperback
    Signet
    Feb 07, 2006
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-451-52971-8
    $5.95 US
    Mass Market Paperback
    Signet
    Apr 05, 2005
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-14-043944-1
    $10.00 US
    Paperback
    Penguin Classics
    Dec 28, 2004
  • The Haunted House
    The Haunted House
    Charles Dickens
    978-0-8129-7306-8
    $14.00 US
    Paperback
    Modern Library
    Oct 12, 2004
  • Little Dorrit
    Little Dorrit
    Charles Dickens
    978-0-14-143996-9
    $13.00 US
    Paperback
    Penguin Classics
    Jan 27, 2004
  • A Christmas Carol and Other Christmas Writings
    A Christmas Carol and Other Christmas Writings
    Charles Dickens
    978-0-14-043905-2
    $11.00 US
    Paperback
    Penguin Classics
    Sep 30, 2003
  • A Tale of Two Cities
    A Tale of Two Cities
    Charles Dickens
    978-0-14-143960-0
    $8.00 US
    Paperback
    Penguin Classics
    May 27, 2003
  • Barnaby Rudge
    Barnaby Rudge
    Charles Dickens
    978-0-14-043728-7
    $14.00 US
    Paperback
    Penguin Classics
    Apr 29, 2003
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-14-143967-9
    $9.00 US
    Paperback
    Penguin Classics
    Apr 29, 2003
  • Bleak House
    Bleak House
    Charles Dickens, Hablot K. Brown
    978-0-14-143972-3
    $13.00 US
    Paperback
    Penguin Classics
    Apr 29, 2003
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-14-143974-7
    $8.00 US
    Paperback
    Penguin Classics
    Apr 29, 2003
  • Dombey and Son
    Dombey and Son
    Charles Dickens
    978-0-14-043546-7
    $12.00 US
    Paperback
    Penguin Classics
    Nov 26, 2002
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-14-043926-7
    $12.00 US
    Paperback
    Penguin Classics
    May 28, 2002
  • A Christmas Carol and Other Stories
    A Christmas Carol and Other Stories
    Charles Dickens
    978-0-375-75888-1
    $11.00 US
    Paperback
    Modern Library
    Oct 09, 2001
  • American Notes for General Circulation
    American Notes for General Circulation
    Revised Edition
    Charles Dickens
    978-0-14-043649-5
    $18.00 US
    Paperback
    Penguin Classics
    Jul 01, 2001
  • The Old Curiosity Shop
    The Old Curiosity Shop
    Charles Dickens
    978-0-14-043742-3
    $13.00 US
    Paperback
    Penguin Classics
    Jul 01, 2001
  • American Notes
    American Notes
    Charles Dickens
    978-0-679-64133-9
    $2.99 US
    Ebook
    Modern Library
    Oct 31, 2000
  • The Pickwick Papers
    The Pickwick Papers
    Charles Dickens
    978-0-14-043611-2
    $13.00 US
    Paperback
    Penguin Classics
    Aug 01, 2000
  • Martin Chuzzlewit
    Martin Chuzzlewit
    Charles Dickens
    978-0-14-043614-3
    $14.00 US
    Paperback
    Penguin Classics
    Aug 01, 2000
  • The Life and Adventures of Nicholas Nickleby
    The Life and Adventures of Nicholas Nickleby
    Charles Dickens
    978-0-14-043512-2
    $10.00 US
    Paperback
    Penguin Classics
    Nov 01, 1999
  • The Raven and the Monkey's Paw
    The Raven and the Monkey's Paw
    Classics of Horror and Suspense from the Modern Library
    Charles Dickens, O. Henry, Edgar Allan Poe, Edith Wharton, Saki
    978-0-375-75216-2
    $15.00 US
    Paperback
    Modern Library
    Sep 29, 1998
  • Pictures from Italy
    Pictures from Italy
    Charles Dickens
    978-0-14-043431-6
    $19.00 US
    Paperback
    Penguin Classics
    Jul 01, 1998
  • Our Mutual Friend
    Our Mutual Friend
    Charles Dickens
    978-0-14-043497-2
    $13.00 US
    Paperback
    Penguin Classics
    Feb 01, 1998
  • Sketches by Boz
    Sketches by Boz
    Charles Dickens
    978-0-14-043345-6
    $20.00 US
    Paperback
    Penguin Classics
    May 01, 1996
  • The Old Curiosity Shop
    The Old Curiosity Shop
    Introduction by Peter Washington
    Charles Dickens
    978-0-679-44373-5
    $25.00 US
    Hardcover
    Everyman's Library
    Aug 01, 1995
  • Martin Chuzzlewit
    Martin Chuzzlewit
    Introduction by William Boyd
    Charles Dickens
    978-0-679-43884-7
    $30.00 US
    Hardcover
    Everyman's Library
    Mar 20, 1995
  • A Christmas Carol
    A Christmas Carol
    Illustrated by Arthur Rackham
    Charles Dickens, Arthur Rackham
    978-0-679-43639-3
    $15.95 US
    Hardcover
    Everyman's Library
    Sep 27, 1994
  • Nicholas Nickleby
    Nicholas Nickleby
    Introduction by John Carey
    Charles Dickens
    978-0-679-42307-2
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 26, 1993
  • Bleak House
    Bleak House
    Introduction by Barbara Hardy
    Charles Dickens
    978-0-679-40568-9
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 15, 1991
  • A Tale of Two Cities
    A Tale of Two Cities
    Charles Dickens
    978-0-679-72965-5
    $11.00 US
    Paperback
    Vintage
    Jul 14, 1990
  • A Tale of Two Cities
    A Tale of Two Cities
    Charles Dickens
    978-0-553-21176-4
    $6.95 US
    Mass Market Paperback
    Bantam Classics
    May 01, 1989
  • A Christmas Carol
    A Christmas Carol
    Charles Dickens
    978-0-553-21244-0
    $3.95 US
    Mass Market Paperback
    Bantam Classics
    Nov 01, 1986
  • Selected Short Fiction
    Selected Short Fiction
    Charles Dickens
    978-0-14-043103-2
    $14.00 US
    Paperback
    Penguin Classics
    Jul 30, 1976
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