Do You Teach Comparative Literature?

1989 It’s the height of the Roaring 20 . . . 10s. Short dresses shimmy and shine under the blindingly bright New York City lights, and our heroine sees through it all. If you follow her down the rabbit hole, you might discover an underground speak- easy where you won’t be found. Or maybe you’ll

By Kristopher Jansma We’ve all been there. We’ve worked for months, or even years, on a book… poured our hearts and souls into those chapters and characters, only to wind up having to walk away in the end. Maybe you queried agents and got no takers. Maybe the publishers didn’t bite. Or maybe you simply

Love Is a HAUNTED HOUSE or, What Pride and Prejudice Would Look Like as a Horror Novel We know (and Jane knew) that Austen’s classic romances are deeply influenced by the Gothic, by the horror and terror of late-eighteenth-century popular fiction. Because Jane Austen is such an influential figure in the history of the novel,

By: Rachel Feder When my new book, The Darcy Myth: Jane Austen, Literary Heartthrobs, and the Monsters They Taught Us to Love, came out this November, I was doing what I usually do in November: teaching a course on Jane Austen. This one was a senior seminar with a brilliant and hilarious group of students