This wisely funny comedy, which contains some of Shakespeare’s loveliest poetry, contrasts a court’s world of envy and rivalry with a forest’s world of compassion and harmony. In the Forest of Arden, the banished young heroine, Rosalind, disguised as a gentleman farmer, encounters an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own banished father, and the banished young man she loves. Romantic happiness triumphs, even as we laugh at the excesses of love, at the ways of court and countryside, indeed, at everything, in this masterpiece of comic writing.

Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography
Act 1 Scene 1 running scene 1

Enter Orlando and Adam

ORLANDO As I remember, Adam, it was upon this fashion bequeathed me by will but poor a thousand crowns, and, as thou sayest, charged my brother on his blessing to breed me well: and there begins my sadness. My brother Jaques he keeps at school, and report speaks goldenly of his profit. For my part, he keeps me rustically at home, or, to speak more properly, stays me here at home unkept, for call you that keeping for a gentleman of my birth, that differs not from the stalling of an ox? His horses are bred better, for, besides that they are fair with their feeding, they are taught their manage, and to that end riders dearly hired: but I, his brother, gain nothing under him but growth, for the which his animals on his dunghills are as much bound to him as I. Besides this nothing that he so plentifully gives me, the something that nature gave me his countenance seems to take from me: he lets me feed with his hinds, bars me the place of a brother, and, as much as in him lies, mines my gentility with my education. This is it, Adam, that grieves me. And the spirit of my father, which I think is within me, begins to mutiny against this servitude. I will no longer endure it, though yet I know no wise remedy how to avoid it.

Enter Oliver

ADAM Yonder comes my master, your brother.

ORLANDO Go apart, Adam, and thou shalt hear Adam stands

how he will shake me up. aside

OLIVER Now, sir, what make you here?

ORLANDO Nothing: I am not taught to make anything.

OLIVER What mar you then, sir?

ORLANDO Marry, sir, I am helping you to mar that which God made, a poor unworthy brother of yours, with idleness.

OLIVER Marry, sir, be better employed, and be naught awhile.

ORLANDO Shall I keep your hogs and eat husks with them? What prodigal portion have I spent that I should come to such penury?

OLIVER Know you where you are, sir?

ORLANDO O, sir, very well: here in your orchard.

OLIVER Know you before whom, sir?

ORLANDO Ay, better than him I am before knows me. I know you are my eldest brother, and, in the gentle condition of blood, you should so know me. The courtesy of nations allows you my better, in that you are the first-born, but the same tradition takes not away my blood, were there twenty brothers betwixt us: I have as much of my father in me as you, albeit I confess your coming before me is nearer to his reverence.

OLIVER What, boy! Raises his hand or hits him

ORLANDO Come, come, elder brother, you are too Grabs him

young in this.

OLIVER Wilt thou lay hands on me, villain?

ORLANDO I am no villain: I am the youngest son of Sir Rowland de Bois, he was my father, and he is thrice a villain that says such a father begot villains. Wert thou not my brother, I would not take this hand from thy throat till this other had pulled out thy tongue for saying so. Thou hast railed on thyself.

ADAM Sweet masters, be patient: for your father's remembrance, be at accord.

OLIVER Let me go, I say.

ORLANDO I will not, till I please: you shall hear me. My father charged you in his will to give me good education: you have trained me like a peasant, obscuring and hiding from me all gentleman-like qualities. The spirit of my father grows strong in me, and I will no longer endure it: therefore allow me such exercises as may become a gentleman, or give me the poor allottery my father left me by testament, with that I will go buy my fortunes. Lets him go

OLIVER And what wilt thou do? Beg when that is spent? Well, sir, get you in. I will not long be troubled with you. You shall have some part of your will. I pray you leave me.

ORLANDO I will no further offend you than becomes me for my good.

OLIVER Get you with him, you old dog. To Adam

ADAM Is 'old dog' my reward? Most true, I have lost my teeth in your service. God be with my old master, he would not have spoke such a word.

Exeunt Orlando [and] Adam

OLIVER Is it even so? Begin you to grow upon me? I will physic your rankness, and yet give no thousand crowns neither. Holla, Dennis!

Enter Dennis

DENNIS Calls your worship?

OLIVER Was not Charles, the duke's wrestler, here to speak with me?

DENNIS So please you, he is here at the door and importunes access to you.

OLIVER Call him in. [Exit Dennis]

'Twill be a good way, and tomorrow the wrestling is.

Enter Charles

CHARLES Good morrow to your worship.

OLIVER Good Monsieur Charles, what's the new news at the new court?

CHARLES There's no news at the court, sir, but the old news: that is, the old duke is banished by his younger brother the new duke, and three or four loving lords have put themselves into voluntary exile with him, whose lands and revenues enrich the new duke, therefore he gives them good leave to wander.

OLIVER Can you tell if Rosalind, the duke's daughter, be banished with her father?

CHARLES O, no; for the duke's daughter, her cousin, so loves her, being ever from their cradles bred together, that she would have followed her exile, or have died to stay behind her; she is at the court, and no less beloved of her uncle than his own daughter, and never two ladies loved as they do.

OLIVER Where will the old duke live?

CHARLES They say he is already in the Forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England: they say many young gentlemen flock to him every day, and fleet the time carelessly as they did in the golden world.

OLIVER What, you wrestle tomorrow before the new duke?

CHARLES Marry do I, sir, and I came to acquaint you with a matter. I am given, sir, secretly to understand that your younger brother Orlando hath a disposition to come in disguised against me to try a fall. Tomorrow, sir, I wrestle for my credit, and he that escapes me without some broken limb shall acquit him well. Your brother is but young and tender, and for your love I would be loath to foil him, as I must for my own honour if he come in: therefore, out of my love to you, I came hither to acquaint you withal, that either you might stay him from his intendment, or brook such disgrace well as he shall run into, in that it is a thing of his own search and altogether against my will.

OLIVER Charles, I thank thee for thy love to me, which thou shalt find I will most kindly requite. I had myself notice of my brother's purpose herein and have by underhand means laboured to dissuade him from it; but he is resolute. I'll tell thee, Charles, it is the stubbornest young fellow of France, full of ambition, an envious emulator of every man's good parts, a secret and villainous contriver against me his natural brother: therefore use thy discretion. I had as lief thou didst break his neck as his finger. And thou wert best look to't; for if thou dost him any slight disgrace, or if he do not mightily grace himself on thee, he will practise against thee by poison, entrap thee by some treacherous device and never leave thee till he hath ta'en thy life by some indirect means or other, for I assure thee, and almost with tears I speak it, there is not one so young and so villainous this day living. I speak but brotherly of him, but should I anatomize him to thee as he is, I must blush and weep and thou must look pale and wonder.

CHARLES I am heartily glad I came hither to you. If he come tomorrow, I'll give him his payment. If ever he go alone again, I'll never wrestle for prize more. And so God keep your worship! Exit

OLIVER Farewell, good Charles. Now will I stir this gamester: I hope I shall see an end of him; for my soul, yet I know not why, hates nothing more than he. Yet he's gentle, never schooled and yet learnèd, full of noble device, of all sorts enchantingly beloved, and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprised. But it shall not be so long: this wrestler shall clear all. Nothing remains but that I kindle the boy thither, which now I'll go about.

Exit
William Shakespeare (1564–1616) was a poet, playwright, and actor who is widely regarded as one of the most influential writers in the history of the English language. Often referred to as the Bard of Avon, Shakespeare's vast body of work includes comedic, tragic, and historical plays; poems; and 154 sonnets. His dramatic works have been translated into every major language and are performed more often than those of any other playwright. View titles by William Shakespeare

About

This wisely funny comedy, which contains some of Shakespeare’s loveliest poetry, contrasts a court’s world of envy and rivalry with a forest’s world of compassion and harmony. In the Forest of Arden, the banished young heroine, Rosalind, disguised as a gentleman farmer, encounters an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own banished father, and the banished young man she loves. Romantic happiness triumphs, even as we laugh at the excesses of love, at the ways of court and countryside, indeed, at everything, in this masterpiece of comic writing.

Each Edition Includes:
• Comprehensive explanatory notes
• Vivid introductions and the most up-to-date scholarship
• Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
• Completely updated, detailed bibliographies and performance histories
• An interpretive essay on film adaptations of the play, along with an extensive filmography

Excerpt

Act 1 Scene 1 running scene 1

Enter Orlando and Adam

ORLANDO As I remember, Adam, it was upon this fashion bequeathed me by will but poor a thousand crowns, and, as thou sayest, charged my brother on his blessing to breed me well: and there begins my sadness. My brother Jaques he keeps at school, and report speaks goldenly of his profit. For my part, he keeps me rustically at home, or, to speak more properly, stays me here at home unkept, for call you that keeping for a gentleman of my birth, that differs not from the stalling of an ox? His horses are bred better, for, besides that they are fair with their feeding, they are taught their manage, and to that end riders dearly hired: but I, his brother, gain nothing under him but growth, for the which his animals on his dunghills are as much bound to him as I. Besides this nothing that he so plentifully gives me, the something that nature gave me his countenance seems to take from me: he lets me feed with his hinds, bars me the place of a brother, and, as much as in him lies, mines my gentility with my education. This is it, Adam, that grieves me. And the spirit of my father, which I think is within me, begins to mutiny against this servitude. I will no longer endure it, though yet I know no wise remedy how to avoid it.

Enter Oliver

ADAM Yonder comes my master, your brother.

ORLANDO Go apart, Adam, and thou shalt hear Adam stands

how he will shake me up. aside

OLIVER Now, sir, what make you here?

ORLANDO Nothing: I am not taught to make anything.

OLIVER What mar you then, sir?

ORLANDO Marry, sir, I am helping you to mar that which God made, a poor unworthy brother of yours, with idleness.

OLIVER Marry, sir, be better employed, and be naught awhile.

ORLANDO Shall I keep your hogs and eat husks with them? What prodigal portion have I spent that I should come to such penury?

OLIVER Know you where you are, sir?

ORLANDO O, sir, very well: here in your orchard.

OLIVER Know you before whom, sir?

ORLANDO Ay, better than him I am before knows me. I know you are my eldest brother, and, in the gentle condition of blood, you should so know me. The courtesy of nations allows you my better, in that you are the first-born, but the same tradition takes not away my blood, were there twenty brothers betwixt us: I have as much of my father in me as you, albeit I confess your coming before me is nearer to his reverence.

OLIVER What, boy! Raises his hand or hits him

ORLANDO Come, come, elder brother, you are too Grabs him

young in this.

OLIVER Wilt thou lay hands on me, villain?

ORLANDO I am no villain: I am the youngest son of Sir Rowland de Bois, he was my father, and he is thrice a villain that says such a father begot villains. Wert thou not my brother, I would not take this hand from thy throat till this other had pulled out thy tongue for saying so. Thou hast railed on thyself.

ADAM Sweet masters, be patient: for your father's remembrance, be at accord.

OLIVER Let me go, I say.

ORLANDO I will not, till I please: you shall hear me. My father charged you in his will to give me good education: you have trained me like a peasant, obscuring and hiding from me all gentleman-like qualities. The spirit of my father grows strong in me, and I will no longer endure it: therefore allow me such exercises as may become a gentleman, or give me the poor allottery my father left me by testament, with that I will go buy my fortunes. Lets him go

OLIVER And what wilt thou do? Beg when that is spent? Well, sir, get you in. I will not long be troubled with you. You shall have some part of your will. I pray you leave me.

ORLANDO I will no further offend you than becomes me for my good.

OLIVER Get you with him, you old dog. To Adam

ADAM Is 'old dog' my reward? Most true, I have lost my teeth in your service. God be with my old master, he would not have spoke such a word.

Exeunt Orlando [and] Adam

OLIVER Is it even so? Begin you to grow upon me? I will physic your rankness, and yet give no thousand crowns neither. Holla, Dennis!

Enter Dennis

DENNIS Calls your worship?

OLIVER Was not Charles, the duke's wrestler, here to speak with me?

DENNIS So please you, he is here at the door and importunes access to you.

OLIVER Call him in. [Exit Dennis]

'Twill be a good way, and tomorrow the wrestling is.

Enter Charles

CHARLES Good morrow to your worship.

OLIVER Good Monsieur Charles, what's the new news at the new court?

CHARLES There's no news at the court, sir, but the old news: that is, the old duke is banished by his younger brother the new duke, and three or four loving lords have put themselves into voluntary exile with him, whose lands and revenues enrich the new duke, therefore he gives them good leave to wander.

OLIVER Can you tell if Rosalind, the duke's daughter, be banished with her father?

CHARLES O, no; for the duke's daughter, her cousin, so loves her, being ever from their cradles bred together, that she would have followed her exile, or have died to stay behind her; she is at the court, and no less beloved of her uncle than his own daughter, and never two ladies loved as they do.

OLIVER Where will the old duke live?

CHARLES They say he is already in the Forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England: they say many young gentlemen flock to him every day, and fleet the time carelessly as they did in the golden world.

OLIVER What, you wrestle tomorrow before the new duke?

CHARLES Marry do I, sir, and I came to acquaint you with a matter. I am given, sir, secretly to understand that your younger brother Orlando hath a disposition to come in disguised against me to try a fall. Tomorrow, sir, I wrestle for my credit, and he that escapes me without some broken limb shall acquit him well. Your brother is but young and tender, and for your love I would be loath to foil him, as I must for my own honour if he come in: therefore, out of my love to you, I came hither to acquaint you withal, that either you might stay him from his intendment, or brook such disgrace well as he shall run into, in that it is a thing of his own search and altogether against my will.

OLIVER Charles, I thank thee for thy love to me, which thou shalt find I will most kindly requite. I had myself notice of my brother's purpose herein and have by underhand means laboured to dissuade him from it; but he is resolute. I'll tell thee, Charles, it is the stubbornest young fellow of France, full of ambition, an envious emulator of every man's good parts, a secret and villainous contriver against me his natural brother: therefore use thy discretion. I had as lief thou didst break his neck as his finger. And thou wert best look to't; for if thou dost him any slight disgrace, or if he do not mightily grace himself on thee, he will practise against thee by poison, entrap thee by some treacherous device and never leave thee till he hath ta'en thy life by some indirect means or other, for I assure thee, and almost with tears I speak it, there is not one so young and so villainous this day living. I speak but brotherly of him, but should I anatomize him to thee as he is, I must blush and weep and thou must look pale and wonder.

CHARLES I am heartily glad I came hither to you. If he come tomorrow, I'll give him his payment. If ever he go alone again, I'll never wrestle for prize more. And so God keep your worship! Exit

OLIVER Farewell, good Charles. Now will I stir this gamester: I hope I shall see an end of him; for my soul, yet I know not why, hates nothing more than he. Yet he's gentle, never schooled and yet learnèd, full of noble device, of all sorts enchantingly beloved, and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprised. But it shall not be so long: this wrestler shall clear all. Nothing remains but that I kindle the boy thither, which now I'll go about.

Exit

Author

William Shakespeare (1564–1616) was a poet, playwright, and actor who is widely regarded as one of the most influential writers in the history of the English language. Often referred to as the Bard of Avon, Shakespeare's vast body of work includes comedic, tragic, and historical plays; poems; and 154 sonnets. His dramatic works have been translated into every major language and are performed more often than those of any other playwright. View titles by William Shakespeare