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Paradise Regained, Samson Agonistes, and the Complete Shorter Poems

Part of Modern Library Classics

Author John Milton
Edited by William Kerrigan, John Rumrich, Stephen M. Fallon
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Paperback
$18.00 US
Random House Group | Modern Library
On sale Dec 04, 2012 | 448 Pages | 978-0-8129-8371-5
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  • English > Comparative Literature: European > English
  • English > Literature > British Literature – Milton
  • English > Literature > British Literature – Poetry
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Derived from the Modern Library’s esteemed The Complete Poetry and Essential Prose of John Milton, this new volume, extensively revised and updated by its editors, contains Milton’s two late masterpieces, the brief epic Paradise Regained and the tragic drama Samson Agonistes. Age after age, these works have inspired new controversy and exciting interpretive debates. With expert commentary to guide the reader through historical contexts and verbal details, as well as the larger political and philosophical implications, the concerns of these canonical pieces live once again for today’s audiences. The volume also contains Milton’s complete shorter poems, which include such major achievements as “Lycidas,” “A Masque Presented at Ludlow Castle, 1634,” “L’Allegro,” and “Il Penseroso,” and the author’s twenty-four influential sonnets. Thoughtfully edited and carefully designed, this is an essential publication of Milton’s classic poetry.

Praise for The Complete Poetry and Essential Prose of John Milton

“For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation, this new Modern Library volume will be the standard. It brings Milton, as a poet and a thinker, vividly alive before us.”—Robert Hass, former Poet Laureate of the United States

“A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too.”—Leo Damrosch, Harvard University
A NOTE ON THE TEXT
 
Paradise Regained and Samson Agonistes were first printed in tandem. Although the book was licensed on July 2, 1670, and entered into the Stationers’ Register on September 10, 1670, all known copies bear the date 1671. The book, postdated, was probably issued in 1670 (Knoppers xcviii–xcviv, 1). Its publication occurred about midway between the first edition (1667) and the second edition (1674) of Paradise Lost. The back of this haphazardly printed volume contains a list of errata for each poem and ten lines omitted (whether a late revision or a printing error, we have no way of knowing) from Samson Agonistes.
 
Both poems appear on the title page, but whereas one is a bit oversold, the other is distinctly undersold. Paradise Regained was the featured attraction, set in large letters at the top of the title page. The name of the brief epic, whatever else Milton may have had in mind, encouraged browsers in London bookstalls to believe, somewhat misleadingly, that this new work was a sequel to Paradise Lost. Samson Agonistes, set in smaller print at the bottom of the title page, is introduced a line earlier by the words “To which is added.” The title page’s treatment of Samson seems to a modern reader breathtakingly casual: this has to rank among the most consequential afterthoughts in English publishing.
 
Since there are no surviving manuscripts of Paradise Regained or Samson Agonistes, our text for these two poems derives primarily from their first edition. All subsequent printings took place after Milton’s death in 1674. The second edition of 1680 introduced numerous variants, most of which reappeared in the third edition of 1688. It is a measure of the unreliability of the second and third editions that neither corrected the errors listed at the end of the first. In fact, the texts of Paradise Regained and Samson Agonistes were not emended in the manner specified by the 1671 printing until the variorum of Thomas Newton (1752; reissued 1753). The two poems continued to be published together in early editions, and the tradition persists to this day, as our own volume attests. Controversies about dating the composition of the works, especially the vexed case of Samson Agonistes, are discussed in our headnotes.
 
Texts for the main body of Milton’s shorter poems, including those in Italian, Latin, and Greek, are based on Poems of Mr. John Milton (1645) and the revised and enlarged second edition of this book in 1673. We have also consulted the holograph drafts and transcriptions of those shorter poems found in the Cambridge Manuscript (also called the Trinity Manuscript). Unique problems with the texts of A Masque and “Lycidas” are considered in the headnotes to those works. In general, we have drawn on clarifying moments in the early printed versions and the manuscripts, when they exist, without feeling bound to the old editorial idea of a singular “copy text.” The virtues of an eclectic approach to editing Milton have been ably set forth by John Creaser (1983, 1984).
 
Milton’s shorter poems are organized in a manner unique to this edition. Numerous editors have tried to retain the order in which these poems appeared in Milton’s 1645 Poems, finding a way to tip in works that first appeared in his 1673 Poems, translations found in his prose works, or pieces never published during his lifetime but discovered subsequently by scholars. Others try to present all the minor poems in their probable order of composition. The result in both cases is chaotic to the modern eye. Poems in different languages jostle against each other. Some works, particularly the shortest of the minor poems, seem to get lost in the mix, and even if all the poems in an edition have been numbered sequentially, remain difficult to locate without consulting a table of contents that is itself difficult to locate.
 
No doubt this teeming profusion is revealing. It shows that the young Milton did in fact move from language to language, genre to genre, turning the different aspects of his education into different expressions of his developing literary ambitions. But we think that little will be lost in the way of revelation by reconfiguring the minor poems, while something will be gained in the way of clarity and ease of use. We have therefore divided them into three groups. “English Poems,” much the largest one, contains all the poems Milton wrote in English, including classical and biblical translations, with the exception of his sonnets. A second group, “English and Italian Sonnets,” includes the poems entitled “Sonnets” and numbered in both the 1645 and 1673 editions. The sonnets group has the further justification that its poems should for some purposes be studied together, given their power and originality in the history of this important poetic form. A final category, “Latin and Greek Poems,” contains all the poems written in those languages; the English prose translations accompanying these pieces are the work of Gordon Braden, and were commissioned for this edition. Within each section the works have been placed in their probable order of composition. “A Chronology of Milton’s Poems,” prepared by Stephen B. Dobranski, allows readers to determine at a glance the likely time frame for the composition of any poem printed in this edition. Our headnotes and annotations, first published in 2007, have been revised and updated for this printing.
 
We have sought to ease the journey of modern readers. Most of Milton’s capitalization, italics, and contractions have been removed. Quotation marks came into vogue some years after the death of Milton, and do not appear in early manuscripts or editions of his works. We have added them. His spelling has been modernized and Americanized; “musick” becomes “music,” and “vigour” becomes “vigor.” But there are important exceptions to these preferences. Our efforts at modernization have been checked by a desire to preserve whenever possible the sound, rhythm, and texture of his poems. We have therefore left archaic words and some original spellings intact; “enow” does not become “enough,” and “highth” does not become “height.” In cases where Milton’s contractions indicate that a syllable voiced in the modern pronunciation of a word is to be elided, as with “flow’ry” in l. 84 of “At a Vacation Exercise” or “Heav’nly” in l. 15 of “On the Morning of Christ’s Nativity,” we have left them alone. Sometimes the final -ed in words like “fixed” is not voiced, as in lines 70 and 141 of the Nativity Ode. Where -ed is a voiced syllable, as in l. 4 of “Il Penseroso,” we have placed an accent mark slanting down from left to right.
 
Punctuation offers the most troubling questions for modernizers. For punctuation, or “pointing” as it was called in Milton’s day, serves two purposes at least. It displays the logic of the syntax, aiding a reader in the basic chore of construing sense. But especially in a poetic text, and most especially in poetic texts of the seventeenth century, punctuation also indicates rhythmic pauses. It is generally assumed, perhaps without much evidence, that a semicolon points to a longer pause than a comma, a colon to a longer pause than a semicolon, and a period to the most pronounced pause of all. Milton’s punctuation is difficult to update for modern readers in both of its functions. With regard to construing sense, his syntax does not come packaged in the modern unit of the sentence. His clauses twist and turn, sending out tendrils of sense both forwards and backwards. Linking verb with subject is sometimes a puzzling chore, as it is in reading Latin. His pronouns are often hard to track down to single antecedents. Perhaps, in some instances, ambiguity rather than clarity was the author’s intention. On the rhythmic side, many of the commas and semicolons that look superfluous by modern standards could well indicate the sound-patterns of his verse. But in poetry, as in good prose, sound-patterns are, above and beyond their inherent beauty, meaning-patterns. Countless works of literary criticism have demonstrated that sound effects in literary language contribute to meaning, and we see no reason to doubt these results. Milton, moreover, is widely judged to be a master of this aspect of literary craftsmanship.
 
Given these concerns, we have sought within a general framework of modernization to respect the punctuation schemes developed by Milton and his publishers. We remove a number of commas. Some are changed to semicolons and periods for the sake of readability. But in places where marking the rhythm seems paramount, we reproduce either closely or entirely the pointing of the early texts.
 
The addition of quotation marks at times restrains the growth of ambiguity in a reader’s mind, particularly in the case of “Lycidas,” where the various speeches reported in the course of the poem could be punctuated differently than they have been in our text of the poem. Some readers find these multiplying uncertainties both needless and overvalued. Some prefer being suspended in the free-form possibilities of the original pointing. But whatever benefits may stem from preserving this feature of Milton’s early texts are in our view outweighed by the crowning benefit of making this difficult author as readable as possible for modern students. Like all editions, ours is only a beginning. Old spelling texts with old-style punctuation are readily available, and should a reader become particularly fascinated with a specific passage or work, we strongly recommend that these versions be consulted.
 
PSALM 114
The 1645 Poems informed its readers that “this and the following Psalm were done by the author at fifteen years old.” They could well have been school exercises, as is usually assumed, but Milton’s father’s combination of faith and musical skill expressed itself in a keen appreciation for the Psalter. Milton Sr. in fact contributed six settings to Thomas Ravenscroft’s The Whole Book of Psalms (1621). These translations are his son’s earliest surviving English compositions.
 
When the blest seed of Terah’s faithful son,1
After long toil their liberty had won,
And passed from Pharian fields to Canaan land,3
Led by the strength of the Almighty’s hand,
Jehovah’s wonders were in Israel shown,
His praise and glory was in Israel known.
That saw the troubled sea, and shivering fled,
And sought to hide his froth-becurlèd head
Low in the earth; Jordan’s clear streams recoil,
As a faint host that hath received the foil.10
The high, huge-bellied mountains skip like rams
Amongst their ewes, the little hills like lambs.
Why fled the ocean? And why skipped the mountains?
Why turnèd Jordan toward his crystal fountains?
Shake earth, and at the presence be aghast
Of him that ever was, and ay shall last,
That glassy floods from rugged rocks can crush,
And make soft rills from fiery flint-stones gush.
Copyright © 2012 by John Milton. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
John Milton was born in London on December 9, 1608, and studied at the University of Cambridge. He originally planned to become a clergyman, but abandoned those ambitions to become a poet. Political in his writings, he served a government post during the time of the Commonwealth. In 1651, he went completely blind but he continued to write, finishing Paradise Lost in 1667, and Paradise Regained in 1671. He died in 1674. View titles by John Milton

About

Derived from the Modern Library’s esteemed The Complete Poetry and Essential Prose of John Milton, this new volume, extensively revised and updated by its editors, contains Milton’s two late masterpieces, the brief epic Paradise Regained and the tragic drama Samson Agonistes. Age after age, these works have inspired new controversy and exciting interpretive debates. With expert commentary to guide the reader through historical contexts and verbal details, as well as the larger political and philosophical implications, the concerns of these canonical pieces live once again for today’s audiences. The volume also contains Milton’s complete shorter poems, which include such major achievements as “Lycidas,” “A Masque Presented at Ludlow Castle, 1634,” “L’Allegro,” and “Il Penseroso,” and the author’s twenty-four influential sonnets. Thoughtfully edited and carefully designed, this is an essential publication of Milton’s classic poetry.

Praise for The Complete Poetry and Essential Prose of John Milton

“For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation, this new Modern Library volume will be the standard. It brings Milton, as a poet and a thinker, vividly alive before us.”—Robert Hass, former Poet Laureate of the United States

“A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too.”—Leo Damrosch, Harvard University

Excerpt

A NOTE ON THE TEXT
 
Paradise Regained and Samson Agonistes were first printed in tandem. Although the book was licensed on July 2, 1670, and entered into the Stationers’ Register on September 10, 1670, all known copies bear the date 1671. The book, postdated, was probably issued in 1670 (Knoppers xcviii–xcviv, 1). Its publication occurred about midway between the first edition (1667) and the second edition (1674) of Paradise Lost. The back of this haphazardly printed volume contains a list of errata for each poem and ten lines omitted (whether a late revision or a printing error, we have no way of knowing) from Samson Agonistes.
 
Both poems appear on the title page, but whereas one is a bit oversold, the other is distinctly undersold. Paradise Regained was the featured attraction, set in large letters at the top of the title page. The name of the brief epic, whatever else Milton may have had in mind, encouraged browsers in London bookstalls to believe, somewhat misleadingly, that this new work was a sequel to Paradise Lost. Samson Agonistes, set in smaller print at the bottom of the title page, is introduced a line earlier by the words “To which is added.” The title page’s treatment of Samson seems to a modern reader breathtakingly casual: this has to rank among the most consequential afterthoughts in English publishing.
 
Since there are no surviving manuscripts of Paradise Regained or Samson Agonistes, our text for these two poems derives primarily from their first edition. All subsequent printings took place after Milton’s death in 1674. The second edition of 1680 introduced numerous variants, most of which reappeared in the third edition of 1688. It is a measure of the unreliability of the second and third editions that neither corrected the errors listed at the end of the first. In fact, the texts of Paradise Regained and Samson Agonistes were not emended in the manner specified by the 1671 printing until the variorum of Thomas Newton (1752; reissued 1753). The two poems continued to be published together in early editions, and the tradition persists to this day, as our own volume attests. Controversies about dating the composition of the works, especially the vexed case of Samson Agonistes, are discussed in our headnotes.
 
Texts for the main body of Milton’s shorter poems, including those in Italian, Latin, and Greek, are based on Poems of Mr. John Milton (1645) and the revised and enlarged second edition of this book in 1673. We have also consulted the holograph drafts and transcriptions of those shorter poems found in the Cambridge Manuscript (also called the Trinity Manuscript). Unique problems with the texts of A Masque and “Lycidas” are considered in the headnotes to those works. In general, we have drawn on clarifying moments in the early printed versions and the manuscripts, when they exist, without feeling bound to the old editorial idea of a singular “copy text.” The virtues of an eclectic approach to editing Milton have been ably set forth by John Creaser (1983, 1984).
 
Milton’s shorter poems are organized in a manner unique to this edition. Numerous editors have tried to retain the order in which these poems appeared in Milton’s 1645 Poems, finding a way to tip in works that first appeared in his 1673 Poems, translations found in his prose works, or pieces never published during his lifetime but discovered subsequently by scholars. Others try to present all the minor poems in their probable order of composition. The result in both cases is chaotic to the modern eye. Poems in different languages jostle against each other. Some works, particularly the shortest of the minor poems, seem to get lost in the mix, and even if all the poems in an edition have been numbered sequentially, remain difficult to locate without consulting a table of contents that is itself difficult to locate.
 
No doubt this teeming profusion is revealing. It shows that the young Milton did in fact move from language to language, genre to genre, turning the different aspects of his education into different expressions of his developing literary ambitions. But we think that little will be lost in the way of revelation by reconfiguring the minor poems, while something will be gained in the way of clarity and ease of use. We have therefore divided them into three groups. “English Poems,” much the largest one, contains all the poems Milton wrote in English, including classical and biblical translations, with the exception of his sonnets. A second group, “English and Italian Sonnets,” includes the poems entitled “Sonnets” and numbered in both the 1645 and 1673 editions. The sonnets group has the further justification that its poems should for some purposes be studied together, given their power and originality in the history of this important poetic form. A final category, “Latin and Greek Poems,” contains all the poems written in those languages; the English prose translations accompanying these pieces are the work of Gordon Braden, and were commissioned for this edition. Within each section the works have been placed in their probable order of composition. “A Chronology of Milton’s Poems,” prepared by Stephen B. Dobranski, allows readers to determine at a glance the likely time frame for the composition of any poem printed in this edition. Our headnotes and annotations, first published in 2007, have been revised and updated for this printing.
 
We have sought to ease the journey of modern readers. Most of Milton’s capitalization, italics, and contractions have been removed. Quotation marks came into vogue some years after the death of Milton, and do not appear in early manuscripts or editions of his works. We have added them. His spelling has been modernized and Americanized; “musick” becomes “music,” and “vigour” becomes “vigor.” But there are important exceptions to these preferences. Our efforts at modernization have been checked by a desire to preserve whenever possible the sound, rhythm, and texture of his poems. We have therefore left archaic words and some original spellings intact; “enow” does not become “enough,” and “highth” does not become “height.” In cases where Milton’s contractions indicate that a syllable voiced in the modern pronunciation of a word is to be elided, as with “flow’ry” in l. 84 of “At a Vacation Exercise” or “Heav’nly” in l. 15 of “On the Morning of Christ’s Nativity,” we have left them alone. Sometimes the final -ed in words like “fixed” is not voiced, as in lines 70 and 141 of the Nativity Ode. Where -ed is a voiced syllable, as in l. 4 of “Il Penseroso,” we have placed an accent mark slanting down from left to right.
 
Punctuation offers the most troubling questions for modernizers. For punctuation, or “pointing” as it was called in Milton’s day, serves two purposes at least. It displays the logic of the syntax, aiding a reader in the basic chore of construing sense. But especially in a poetic text, and most especially in poetic texts of the seventeenth century, punctuation also indicates rhythmic pauses. It is generally assumed, perhaps without much evidence, that a semicolon points to a longer pause than a comma, a colon to a longer pause than a semicolon, and a period to the most pronounced pause of all. Milton’s punctuation is difficult to update for modern readers in both of its functions. With regard to construing sense, his syntax does not come packaged in the modern unit of the sentence. His clauses twist and turn, sending out tendrils of sense both forwards and backwards. Linking verb with subject is sometimes a puzzling chore, as it is in reading Latin. His pronouns are often hard to track down to single antecedents. Perhaps, in some instances, ambiguity rather than clarity was the author’s intention. On the rhythmic side, many of the commas and semicolons that look superfluous by modern standards could well indicate the sound-patterns of his verse. But in poetry, as in good prose, sound-patterns are, above and beyond their inherent beauty, meaning-patterns. Countless works of literary criticism have demonstrated that sound effects in literary language contribute to meaning, and we see no reason to doubt these results. Milton, moreover, is widely judged to be a master of this aspect of literary craftsmanship.
 
Given these concerns, we have sought within a general framework of modernization to respect the punctuation schemes developed by Milton and his publishers. We remove a number of commas. Some are changed to semicolons and periods for the sake of readability. But in places where marking the rhythm seems paramount, we reproduce either closely or entirely the pointing of the early texts.
 
The addition of quotation marks at times restrains the growth of ambiguity in a reader’s mind, particularly in the case of “Lycidas,” where the various speeches reported in the course of the poem could be punctuated differently than they have been in our text of the poem. Some readers find these multiplying uncertainties both needless and overvalued. Some prefer being suspended in the free-form possibilities of the original pointing. But whatever benefits may stem from preserving this feature of Milton’s early texts are in our view outweighed by the crowning benefit of making this difficult author as readable as possible for modern students. Like all editions, ours is only a beginning. Old spelling texts with old-style punctuation are readily available, and should a reader become particularly fascinated with a specific passage or work, we strongly recommend that these versions be consulted.
 
PSALM 114
The 1645 Poems informed its readers that “this and the following Psalm were done by the author at fifteen years old.” They could well have been school exercises, as is usually assumed, but Milton’s father’s combination of faith and musical skill expressed itself in a keen appreciation for the Psalter. Milton Sr. in fact contributed six settings to Thomas Ravenscroft’s The Whole Book of Psalms (1621). These translations are his son’s earliest surviving English compositions.
 
When the blest seed of Terah’s faithful son,1
After long toil their liberty had won,
And passed from Pharian fields to Canaan land,3
Led by the strength of the Almighty’s hand,
Jehovah’s wonders were in Israel shown,
His praise and glory was in Israel known.
That saw the troubled sea, and shivering fled,
And sought to hide his froth-becurlèd head
Low in the earth; Jordan’s clear streams recoil,
As a faint host that hath received the foil.10
The high, huge-bellied mountains skip like rams
Amongst their ewes, the little hills like lambs.
Why fled the ocean? And why skipped the mountains?
Why turnèd Jordan toward his crystal fountains?
Shake earth, and at the presence be aghast
Of him that ever was, and ay shall last,
That glassy floods from rugged rocks can crush,
And make soft rills from fiery flint-stones gush.
Copyright © 2012 by John Milton. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

John Milton was born in London on December 9, 1608, and studied at the University of Cambridge. He originally planned to become a clergyman, but abandoned those ambitions to become a poet. Political in his writings, he served a government post during the time of the Commonwealth. In 1651, he went completely blind but he continued to write, finishing Paradise Lost in 1667, and Paradise Regained in 1671. He died in 1674. View titles by John Milton

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  • Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
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  • Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    John Milton
    978-0-679-64558-0
    $9.99 US
    Ebook
    Modern Library
    Dec 04, 2012

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    Ghalib Lakhnavi, Abdullah Bilgrami
    978-0-8129-7744-8
    $18.00 US
    Paperback
    Modern Library
    Feb 14, 2012
  • The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    Remembrance of Things Past, Volumes I-VI
    Marcel Proust
    978-0-679-64568-9
    $49.99 US
    Ebook
    Modern Library
    Feb 06, 2012
  • Panorama
    Panorama
    A Novel
    H. G. Adler
    978-0-8129-8060-8
    $17.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Eternal Husband and Other Stories
    The Eternal Husband and Other Stories
    Fyodor Dostoevsky
    978-0-8129-8337-1
    $15.00 US
    Paperback
    Modern Library
    Jan 03, 2012
  • Titus Andronicus & Timon of Athens
    Titus Andronicus & Timon of Athens
    William Shakespeare
    978-0-8129-6935-1
    $10.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • All's Well That Ends Well
    All's Well That Ends Well
    William Shakespeare
    978-0-8129-6937-5
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Two Gentlemen of Verona
    The Two Gentlemen of Verona
    William Shakespeare
    978-0-8129-6938-2
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • Cymbeline
    Cymbeline
    William Shakespeare
    978-0-8129-6942-9
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Merry Wives of Windsor
    The Merry Wives of Windsor
    William Shakespeare
    978-0-8129-6932-0
    $9.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • The Comedy of Errors
    The Comedy of Errors
    William Shakespeare
    978-0-8129-6933-7
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Coriolanus
    Coriolanus
    William Shakespeare
    978-0-8129-6934-4
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Julius Caesar
    Julius Caesar
    William Shakespeare
    978-0-8129-6936-8
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Dusk and Other Stories
    Dusk and Other Stories
    James Salter
    978-0-8129-8113-1
    $17.00 US
    Paperback
    Modern Library
    May 10, 2011
  • Under Western Eyes
    Under Western Eyes
    Joseph Conrad
    978-0-307-76969-5
    $2.99 US
    Ebook
    Modern Library
    Oct 27, 2010
  • Measure for Measure
    Measure for Measure
    William Shakespeare
    978-0-8129-6928-3
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Taming of the Shrew
    The Taming of the Shrew
    William Shakespeare
    978-0-8129-6929-0
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Richard II
    Richard II
    William Shakespeare
    978-0-8129-6930-6
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Troilus and Cressida
    Troilus and Cressida
    William Shakespeare
    978-0-8129-6931-3
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $14.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Ethics
    Ethics
    The Essential Writings
    978-0-8129-7778-3
    $20.00 US
    Paperback
    Modern Library
    Aug 10, 2010
  • As You Like It
    As You Like It
    William Shakespeare
    978-0-8129-6922-1
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Twelfth Night
    Twelfth Night
    William Shakespeare
    978-0-8129-6923-8
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Henry V
    Henry V
    William Shakespeare
    978-0-8129-6926-9
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Merchant of Venice
    The Merchant of Venice
    William Shakespeare
    978-0-8129-6927-6
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-8129-7845-2
    $17.00 US
    Paperback
    Modern Library
    Nov 10, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • The Journey
    The Journey
    A Novel
    H. G. Adler
    978-0-8129-7831-5
    $17.00 US
    Paperback
    Modern Library
    Sep 08, 2009
  • Othello
    Othello
    William Shakespeare
    978-0-8129-6915-3
    $10.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Much Ado About Nothing
    Much Ado About Nothing
    William Shakespeare
    978-0-8129-6917-7
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Romeo and Juliet
    Romeo and Juliet
    William Shakespeare
    978-0-8129-6921-4
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 1
    Henry IV, Part 1
    William Shakespeare
    978-0-8129-6924-5
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 2
    Henry IV, Part 2
    William Shakespeare
    978-0-8129-6925-2
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Les Misérables
    Les Misérables
    Victor Hugo
    978-0-8129-7426-3
    $20.00 US
    Paperback
    Modern Library
    Jul 14, 2009
  • The Belly of Paris
    The Belly of Paris
    Emile Zola
    978-0-8129-7422-5
    $16.00 US
    Paperback
    Modern Library
    May 12, 2009
  • King Lear
    King Lear
    William Shakespeare
    978-0-8129-6911-5
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Macbeth
    Macbeth
    William Shakespeare
    978-0-8129-6916-0
    $10.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Antony and Cleopatra
    Antony and Cleopatra
    William Shakespeare
    978-0-8129-6918-4
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • The Winter's Tale
    The Winter's Tale
    William Shakespeare
    978-0-8129-6919-1
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • The Sonnets and Other Poems
    The Sonnets and Other Poems
    William Shakespeare
    978-0-8129-6920-7
    $10.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Mr. Beluncle
    Mr. Beluncle
    A Novel
    V. S. Pritchett
    978-0-307-53865-9
    $2.99 US
    Ebook
    Modern Library
    Feb 19, 2009
  • The Essential Writings of James Weldon Johnson
    The Essential Writings of James Weldon Johnson
    James Weldon Johnson
    978-0-8129-7532-1
    $16.00 US
    Paperback
    Modern Library
    Oct 21, 2008
  • Paradise Lost
    Paradise Lost
    John Milton
    978-0-375-75796-9
    $12.00 US
    Paperback
    Modern Library
    Sep 09, 2008
  • Hamlet
    Hamlet
    William Shakespeare
    978-0-8129-6909-2
    $10.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • The Tempest
    The Tempest
    William Shakespeare
    978-0-8129-6910-8
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • A Midsummer Night's Dream
    A Midsummer Night's Dream
    William Shakespeare
    978-0-8129-6912-2
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Richard III
    Richard III
    William Shakespeare
    978-0-8129-6913-9
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Love's Labour's Lost
    Love's Labour's Lost
    William Shakespeare
    978-0-8129-6914-6
    $9.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Georges
    Georges
    Alexandre Dumas
    978-0-8129-7589-5
    $18.00 US
    Paperback
    Modern Library
    Jun 10, 2008
  • Anne of Green Gables
    Anne of Green Gables
    L. M. Montgomery
    978-0-8129-7903-9
    $10.00 US
    Paperback
    Modern Library
    Jun 10, 2008
  • Nada: Una novela
    Nada: Una novela
    Carmen Laforet
    978-0-8129-7771-4
    $18.00 US
    Paperback
    Modern Library
    Feb 12, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $14.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Jacques Futrelle's "The Thinking Machine"
    Jacques Futrelle's "The Thinking Machine"
    The Enigmatic Problems of Prof. Augustus S. F. X. Van Dusen, Ph. D., LL. D., F. R. S., M. D., M. D. S.
    Jacques Futrelle
    978-0-307-43133-2
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Pure Pagan
    Pure Pagan
    Seven Centuries of Greek Poems and Fragments
    978-0-307-43164-6
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Representative Men
    Representative Men
    Seven Lectures
    Ralph Waldo Emerson
    978-0-307-43169-1
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Tono-Bungay
    Tono-Bungay
    H. G. Wells
    978-0-307-43282-7
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • When the Sleeper Wakes
    When the Sleeper Wakes
    H. G. Wells
    978-0-307-43287-2
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Siddhartha
    Siddhartha
    Hermann Hesse
    978-0-8129-7478-2
    $15.00 US
    Paperback
    Modern Library
    Dec 04, 2007
  • The Essential Feminist Reader
    The Essential Feminist Reader
    978-0-8129-7460-7
    $20.00 US
    Paperback
    Modern Library
    Sep 18, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • The Essential Words and Writings of Clarence Darrow
    The Essential Words and Writings of Clarence Darrow
    Clarence Darrow
    978-0-8129-6677-0
    $17.00 US
    Paperback
    Modern Library
    Jun 12, 2007
  • Life on the Mississippi
    Life on the Mississippi
    Mark Twain
    978-0-375-75937-6
    $13.00 US
    Paperback
    Modern Library
    May 29, 2007
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • The Voyage Out
    The Voyage Out
    Virginia Woolf
    978-0-593-24262-9
    $15.00 US
    Paperback
    Modern Library
    Jul 06, 2021
  • The Southern Woman
    The Southern Woman
    Selected Fiction
    Elizabeth Spencer
    978-0-593-24118-9
    $18.00 US
    Paperback
    Modern Library
    May 11, 2021
  • The Squatter and the Don
    The Squatter and the Don
    Maria Amparo Ruiz de Burton
    978-0-593-23123-4
    $17.00 US
    Paperback
    Modern Library
    Mar 02, 2021
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • The Mysterious Affair at Styles
    The Mysterious Affair at Styles
    The First Hercule Poirot Mystery
    Agatha Christie
    978-0-525-56510-9
    $10.00 US
    Paperback
    Vintage
    Apr 30, 2019
  • The War of the Worlds
    The War of the Worlds
    H. G. Wells
    978-0-525-56416-4
    $9.00 US
    Paperback
    Vintage
    Nov 06, 2018
  • The Dark Interval
    The Dark Interval
    Letters on Loss, Grief, and Transformation
    Rainer Maria Rilke
    978-0-525-50984-4
    $22.00 US
    Hardcover
    Modern Library
    Aug 14, 2018
  • The Greek Plays
    The Greek Plays
    Sixteen Plays by Aeschylus, Sophocles, and Euripides
    Aeschylus, Sophocles, Euripides
    978-0-8129-8309-8
    $25.00 US
    Paperback
    Modern Library
    Sep 05, 2017
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • A Place in the Country
    A Place in the Country
    W.G. Sebald
    978-0-8129-9503-9
    $7.99 US
    Ebook
    Random House
    Feb 18, 2014
  • The Metamorphosis
    The Metamorphosis
    Franz Kafka
    978-0-8129-8514-6
    $15.00 US
    Paperback
    Modern Library
    Nov 26, 2013
  • Madame Bovary
    Madame Bovary
    Gustave Flaubert
    978-0-8129-8520-7
    $15.00 US
    Paperback
    Modern Library
    Aug 13, 2013
  • The Essential Writings of Rousseau
    The Essential Writings of Rousseau
    Jean-Jacques Rousseau
    978-0-8129-8038-7
    $20.00 US
    Paperback
    Modern Library
    Mar 26, 2013
  • The Essential Prose of John Milton
    The Essential Prose of John Milton
    John Milton
    978-0-8129-8372-2
    $18.00 US
    Paperback
    Modern Library
    Mar 12, 2013
  • The Complete Novels of Jane Austen, Volume 2
    The Complete Novels of Jane Austen, Volume 2
    Emma, Northanger Abbey, Persuasion
    Jane Austen
    978-0-307-82276-5
    $2.99 US
    Ebook
    Modern Library
    Jun 20, 2012
  • The Life and Writings of Abraham Lincoln
    The Life and Writings of Abraham Lincoln
    Abraham Lincoln
    978-0-307-81681-8
    $10.99 US
    Ebook
    Modern Library
    Jun 13, 2012
  • King John & Henry VIII
    King John & Henry VIII
    William Shakespeare
    978-0-8129-6939-9
    $12.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Henry VI
    Henry VI
    Parts I, II, and III
    William Shakespeare
    978-0-8129-6940-5
    $14.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Pericles
    Pericles
    William Shakespeare
    978-0-8129-6943-6
    $9.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • The Adventures of Amir Hamza
    The Adventures of Amir Hamza
    Special abridged edition
    Ghalib Lakhnavi, Abdullah Bilgrami
    978-0-8129-7744-8
    $18.00 US
    Paperback
    Modern Library
    Feb 14, 2012
  • The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    Remembrance of Things Past, Volumes I-VI
    Marcel Proust
    978-0-679-64568-9
    $49.99 US
    Ebook
    Modern Library
    Feb 06, 2012
  • Panorama
    Panorama
    A Novel
    H. G. Adler
    978-0-8129-8060-8
    $17.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Eternal Husband and Other Stories
    The Eternal Husband and Other Stories
    Fyodor Dostoevsky
    978-0-8129-8337-1
    $15.00 US
    Paperback
    Modern Library
    Jan 03, 2012
  • Titus Andronicus & Timon of Athens
    Titus Andronicus & Timon of Athens
    William Shakespeare
    978-0-8129-6935-1
    $10.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • All's Well That Ends Well
    All's Well That Ends Well
    William Shakespeare
    978-0-8129-6937-5
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Two Gentlemen of Verona
    The Two Gentlemen of Verona
    William Shakespeare
    978-0-8129-6938-2
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • Cymbeline
    Cymbeline
    William Shakespeare
    978-0-8129-6942-9
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Merry Wives of Windsor
    The Merry Wives of Windsor
    William Shakespeare
    978-0-8129-6932-0
    $9.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • The Comedy of Errors
    The Comedy of Errors
    William Shakespeare
    978-0-8129-6933-7
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Coriolanus
    Coriolanus
    William Shakespeare
    978-0-8129-6934-4
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Julius Caesar
    Julius Caesar
    William Shakespeare
    978-0-8129-6936-8
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Dusk and Other Stories
    Dusk and Other Stories
    James Salter
    978-0-8129-8113-1
    $17.00 US
    Paperback
    Modern Library
    May 10, 2011
  • Under Western Eyes
    Under Western Eyes
    Joseph Conrad
    978-0-307-76969-5
    $2.99 US
    Ebook
    Modern Library
    Oct 27, 2010
  • Measure for Measure
    Measure for Measure
    William Shakespeare
    978-0-8129-6928-3
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Taming of the Shrew
    The Taming of the Shrew
    William Shakespeare
    978-0-8129-6929-0
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Richard II
    Richard II
    William Shakespeare
    978-0-8129-6930-6
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Troilus and Cressida
    Troilus and Cressida
    William Shakespeare
    978-0-8129-6931-3
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $14.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Ethics
    Ethics
    The Essential Writings
    978-0-8129-7778-3
    $20.00 US
    Paperback
    Modern Library
    Aug 10, 2010
  • As You Like It
    As You Like It
    William Shakespeare
    978-0-8129-6922-1
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Twelfth Night
    Twelfth Night
    William Shakespeare
    978-0-8129-6923-8
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Henry V
    Henry V
    William Shakespeare
    978-0-8129-6926-9
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Merchant of Venice
    The Merchant of Venice
    William Shakespeare
    978-0-8129-6927-6
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-8129-7845-2
    $17.00 US
    Paperback
    Modern Library
    Nov 10, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • The Journey
    The Journey
    A Novel
    H. G. Adler
    978-0-8129-7831-5
    $17.00 US
    Paperback
    Modern Library
    Sep 08, 2009
  • Othello
    Othello
    William Shakespeare
    978-0-8129-6915-3
    $10.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Much Ado About Nothing
    Much Ado About Nothing
    William Shakespeare
    978-0-8129-6917-7
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Romeo and Juliet
    Romeo and Juliet
    William Shakespeare
    978-0-8129-6921-4
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 1
    Henry IV, Part 1
    William Shakespeare
    978-0-8129-6924-5
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 2
    Henry IV, Part 2
    William Shakespeare
    978-0-8129-6925-2
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Les Misérables
    Les Misérables
    Victor Hugo
    978-0-8129-7426-3
    $20.00 US
    Paperback
    Modern Library
    Jul 14, 2009
  • The Belly of Paris
    The Belly of Paris
    Emile Zola
    978-0-8129-7422-5
    $16.00 US
    Paperback
    Modern Library
    May 12, 2009
  • King Lear
    King Lear
    William Shakespeare
    978-0-8129-6911-5
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    Modern Library
    Apr 14, 2009
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    Macbeth
    William Shakespeare
    978-0-8129-6916-0
    $10.00 US
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    Modern Library
    Apr 14, 2009
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    Antony and Cleopatra
    William Shakespeare
    978-0-8129-6918-4
    $8.00 US
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    Modern Library
    Apr 14, 2009
  • The Winter's Tale
    The Winter's Tale
    William Shakespeare
    978-0-8129-6919-1
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • The Sonnets and Other Poems
    The Sonnets and Other Poems
    William Shakespeare
    978-0-8129-6920-7
    $10.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Mr. Beluncle
    Mr. Beluncle
    A Novel
    V. S. Pritchett
    978-0-307-53865-9
    $2.99 US
    Ebook
    Modern Library
    Feb 19, 2009
  • The Essential Writings of James Weldon Johnson
    The Essential Writings of James Weldon Johnson
    James Weldon Johnson
    978-0-8129-7532-1
    $16.00 US
    Paperback
    Modern Library
    Oct 21, 2008
  • Paradise Lost
    Paradise Lost
    John Milton
    978-0-375-75796-9
    $12.00 US
    Paperback
    Modern Library
    Sep 09, 2008
  • Hamlet
    Hamlet
    William Shakespeare
    978-0-8129-6909-2
    $10.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • The Tempest
    The Tempest
    William Shakespeare
    978-0-8129-6910-8
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • A Midsummer Night's Dream
    A Midsummer Night's Dream
    William Shakespeare
    978-0-8129-6912-2
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Richard III
    Richard III
    William Shakespeare
    978-0-8129-6913-9
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Love's Labour's Lost
    Love's Labour's Lost
    William Shakespeare
    978-0-8129-6914-6
    $9.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Georges
    Georges
    Alexandre Dumas
    978-0-8129-7589-5
    $18.00 US
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    Modern Library
    Jun 10, 2008
  • Anne of Green Gables
    Anne of Green Gables
    L. M. Montgomery
    978-0-8129-7903-9
    $10.00 US
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    Modern Library
    Jun 10, 2008
  • Nada: Una novela
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    Carmen Laforet
    978-0-8129-7771-4
    $18.00 US
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    Modern Library
    Feb 12, 2008
  • The Prince
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    978-0-8129-7805-6
    $14.00 US
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    Modern Library
    Feb 05, 2008
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    The Enigmatic Problems of Prof. Augustus S. F. X. Van Dusen, Ph. D., LL. D., F. R. S., M. D., M. D. S.
    Jacques Futrelle
    978-0-307-43133-2
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Pure Pagan
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    Seven Centuries of Greek Poems and Fragments
    978-0-307-43164-6
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
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    Seven Lectures
    Ralph Waldo Emerson
    978-0-307-43169-1
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Tono-Bungay
    Tono-Bungay
    H. G. Wells
    978-0-307-43282-7
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • When the Sleeper Wakes
    When the Sleeper Wakes
    H. G. Wells
    978-0-307-43287-2
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Siddhartha
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    Hermann Hesse
    978-0-8129-7478-2
    $15.00 US
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    Modern Library
    Dec 04, 2007
  • The Essential Feminist Reader
    The Essential Feminist Reader
    978-0-8129-7460-7
    $20.00 US
    Paperback
    Modern Library
    Sep 18, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • The Essential Words and Writings of Clarence Darrow
    The Essential Words and Writings of Clarence Darrow
    Clarence Darrow
    978-0-8129-6677-0
    $17.00 US
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    Modern Library
    Jun 12, 2007
  • Life on the Mississippi
    Life on the Mississippi
    Mark Twain
    978-0-375-75937-6
    $13.00 US
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    Modern Library
    May 29, 2007

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    John Milton
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    978-0-14-043363-0
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