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The Canterbury Tales

Part of Modern Library Classics

Author Geoffrey Chaucer
Introduction by John Miles Foley
Translated by Burton Raffel
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Random House Group | Modern Library
On sale Nov 10, 2009 | 672 Pages | 978-0-8129-7845-2
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  • English > Comparative Literature > Major Themes: Satire and Humor
  • English > Comparative Literature: European > English
  • English > Literature > British Literature – Chaucer
  • English > Literature > British Literature – Medieval Literature
  • English > Literature > British Literature – Poetry
  • English > Literature > British Literature Survey – Beowulf to 1640
  • English > Literature > British Literature Survey – Beowulf to Modern
  • English > Literature > World Literature Survey – Classic to 17th Century
  • About
  • Excerpt
  • Author
Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer’ s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel’s magnificent new unabridged translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction by the widely influential medievalist and author John Miles Foley that discusses Chaucer’ s work as well as his life and times.

“A delight . . . [Raffel’s translation] provides more opportunities to savor the counterpoint of Chaucer’s earthy humor against passages of piercingly beautiful lyric poetry.”—Kirkus Reviews

“Masterly . . . This new translation beckons us to make our own pilgrimage back to the very wellsprings of literature in our language.” —Billy Collins

“The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel’s translation makes the stories even more inviting.”—Wall Street Journal
The Knight’s Tale

1

Introduction

1 The Knight’s Tale, which mostly takes place in ancient Athens, is the conflicted love story of two royal Theban cousins who love the same woman. Because “The Knight’s Tale” is by far the longest and most complex of the Canterbury Tales presented in this volume, a quick summary of the action of the four parts of the tale may help readers encountering it for the first time:

Part I. On his way back to Athens with his bride, Hypolita, and his sister-in-law, Emily, Duke Theseus responds to the pleas of some grieving widows by defeating Creon, the tyrant of Thebes. Among the bodies of the defeated army, he finds near death the royal cousins Palamon and Arcite. Rather than kill them, Theseus takes them back to Athens and places them in prison. From their barred prison window, the two young men see the lovely Emily and both fall in love with her. Arcite after a time is released but banished from Athens on pain of death, while Palamon remains in prison. The two are envious of each other’s condition.

Part II. Arcite disguises himself as a common laborer and comes back to Athens, where he gets a job working in Emily’s household. Meanwhile, Palamon escapes from prison, and the rival cousins chance to meet in a grove near Athens. While Palamon and Arcite are fighting a bloody duel, Theseus, Hypolita, and Emily, out hunting, by chance come upon them in a grove. At first angry, Theseus soon relents, sets both of his enemies free, and invites them to return in a year, each with a hundred knights, to take part in a glorious tournament, with Emily’s hand going to the winner.

Part III. Theseus builds a splendid amphitheater in preparation for the tournament and places on its west, east, and north borders elaborately decorated temples to Mars, Venus, and Diana. When the two troops of warriors come back for the tournament, the three principals each pray to one of the planetary deities. Palamon prays to Venus, not for victory but for the hand of Emily. Emily prays to Diana to be spared marriage to either Palamon or Arcite, praying instead to remain a maiden always. Arcite prays to Mars for victory in the tournament.

Part IV. Just before the tournament begins Theseus declares that he wants no lives to be lost and restricts the kinds of weapons that may be used. He sets out the rules of the game, the primary one being that the winning side will be the one that takes the loser to a stake at the end of the field. After vigorous fighting, Arcite’s men drag the wounded Palamon to the stake. No sooner is Arcite declared the winner than Saturn commands Pluto, god of the underworld, to send a diabolical fury to frighten Arcite’s horse. Arcite is thrown and crushed by his own saddle bow. After an elaborate funeral and the passage of some years, Theseus tells Palamon and Emily to marry, and they happily do so.





Arching over the story of the warriors and lovers down on the earth below is a heavenly conflict among the gods or, more precisely, among the planetary or astrological influences that were thought to control the affairs of men. Indeed, a key feature of “The Knight’s Tale” is the prayers of the three principal characters to these influences. Closely tied up with the question of whether Palamon or Arcite will get the young woman they both love is the question of how the powerful Saturn will settle the conflicting demands on him of Mars, Venus, and Diana.

Chaucer’s main source for “The Knight’s Tale” is Giovanni Boccaccio’s several-hundred-page-long Teseida. Readers who are upset at having to read Chaucer’s long and leisurely story of Palamon, Arcite, and Emily should thank Chaucer for streamlining a story that is less than a quarter the length of Boccaccio’s Italian story of Palemone, Arcita, and Emilia. Chaucer reduced the story in lots of ways, particularly by staying focused on the love story. He cut out, for example, Boccaccio’s long opening description of Theseus’s journey to the land of the Amazons, his defeat of them, and his acquiring as his bride the Amazonian queen Hypolita. But Chaucer did more than reduce the Teseida, which focuses on Arcite as the main character, who in Boccaccio is almost a tragic figure who makes the mistake of praying to the wrong deity. For Chaucer, Palamon is raised to equal importance, if not more importance, than his rival. And Chaucer transforms the vain and coquettish Emilia of his source into a more innocent object of the love of rival cousins.

One of Chaucer’s most important changes was to give the story a philosophical overlay by introducing into it the ideas of the ancient philosopher Boethius. One of Boethius’s key ideas was that there is a great God who designs a far better plan for human beings than they could possibly design for themselves. That design sometimes involves what looks like adversity, but the adversity is always (for Boethius) part of a design that leads to happiness. We should then, according to Boethius, not resist or fight against the troubles that come our way, but cheerfully accept them, trusting that in the end things will work out for the best. The ending of “The Knight’s Tale,” then, reflects this reassuring philosophy by showing that although the three principal characters all seem at first not to get what they want most, in the end all of them do get what they want, or perhaps something even better.

For this and the other tales in this volume, readers should reread the portrait of the teller given by Chaucer in the General Prologue. The portrait of the Knight (lines 43–78) shows him to be the idealized Christian soldier who fought with valor and honor at most of the important late-fourteenth-century battles against heathens. We know less of his marital than of his martial life, but he does have a son who is with him on this pilgrimage. The Knight seems, all in all, an ideal teller for the long tale of war, romance, honor, and philosophy that Chaucer assigns to him.

Notes

Part I

Femenye (line 8). A race of warlike women, led by Hypolita, who decided that they could live and protect themselves without the help of men. They are sometimes called Amazons, their land Scithia.

Saturne, Juno (470–71). Two forces that Palamon blames for the setbacks that Thebes has suffered. Saturn is the powerful planet. Juno is the jealous wife of Jupiter, who had made love to two Theban women.

Part II

Hereos (516). Eros, a sickness associated with the intense emotion of falling in love.

manye (516). A kind of melancholy madness or mania brought on by the frustration of his love for an inaccessible woman.

Argus (532). In classical mythology, the jealous Juno had set the hundred-eyed Argus as guard to Io, who was a lover of her husband, Jupiter. Argus was killed by Mercury (see line 527), who first sang all of Argus’s hundred eyes to sleep.

Cadme and Amphioun (688). Cadmus and Amphion are the legendary founders of the city of Thebes, home to Palamon and Arcite.

regne of Trace (780). The reference in this and the next lines is to the Thracian kingdom in which a hunter prepares himself at a mountain pass to meet a charging lion or bear.

Part III

Citheroun (1078). Venus’s supposed mountainous island of Cytherea, though Chaucer may have confused the name with the name of a different location.

Ydelnesse, Salamon, Hercules, Medea, Circes, Turnus, Cresus (1082–88). Various literary, historical, and classical allusions, most of them demonstrating the follies and miseries associated with the snares of love.

qualm (1156). Probably a reference to the “pestilence” or bubonic plague that killed millions in Europe during Chaucer’s lifetime. See also line 1611 below, where Saturn claims to have the power to send the plague. The reference to the bubonic plague here is anachronistic, since “The Knight’s Tale” is set in the classical pre-Christian era.

Julius, Nero, Antonius (1173–74). Three famous rulers slaughtered in time of war—exemplary of the mayhem and death caused by mighty Mars. The last is Marcus Aurelius Antoninus Caracalla, a Roman emperor murdered in AD 217.

Puella, Rubeus (1187). Two astrological references to Mars as cast by a complicated process called geomancy, a pseudoscience involving dots and lines.

Calistopee, Dane, Attheon, Atthalante, Meleagre (1198– 1213). Various classical and legendary allusions to hunters or the hunted whose unfortunate tales are depicted on the walls of the temple of Diana, goddess of the hunt.

griffon (1275). A griffin was in Greek mythology a fearsome beast with the head and wings of an eagle on the body of a lion.

in hir houre (1359). Palamon picks his hour of prayer carefully. The various planets were supposed to have special powers on certain hours of the day, hours in which it was particularly propitious to make prayers for their astrological influence. Venus would have had special strength on the twenty-third hour of Sunday night (see line 1351), when it was not yet two hours before dawn on Monday morning (line 1352).

the thridde houre inequal (1413). The medieval astrological day was divided into twenty-four “inequal” or planetary hours. In this system the time between dawn and dusk was divided equally into twelve hours, the time between dusk and the following dawn into twelve more. Except at the two equinoxes, when the daylight hours would have been exactly equal in length to the nighttime hours (that is, sixty minutes), the daylight hours would have been longer or shorter than the hours of darkness, depending on the time of the year—thus the inequality. Emily prays to Diana on the third inequal hour after Palamon prayed to Venus. That would have been the first hour of Monday (“moon day”), or the dawn hour, the hour at which Diana’s power would have been the greatest. Like Palamon, Emily picks her prayer time very carefully.

Stace of Thebes (1436). The Thebaid of Statius, though Chaucer’s more direct source was actually Boccaccio’s Teseida, which he does not mention by name here or elsewhere. Chaucer was often eager to claim an ancient source, not a contemporary one.

Attheon (1445). While hunting, Acteon accidentally saw Diana while she was bathing. In her anger she changed him into a stag, which Acteon’s hunting dogs then killed, not realizing that they were killing their master. See lines 1207–10 above, where Acteon’s unhappy story is artistically summarized on the walls of Diana’s temple.

thre formes (1455). As suggested in lines 1439–42 above, the goddess was imagined to have appeared in various forms. The three referred to here are probably Luna, the moon (in the heavens), the chaste Diana, the huntress (on earth), and Proserpina, the reluctant wife of Pluto (in the underworld).

the nexte houre of Mars (1509). Mars’s next hour, the hour that Arcite would have selected for his prayer to Mars, would have been the fourth hour of that Monday.

Part IV

al that Monday (1628). Monday is given over to partying and celebrations so that the tournament itself takes place the next day, on a Tuesday, or Mars’s day (“Mardi” in French). Since Tuesday is the day when the influence of Mars is strongest, it would not have surprised a medieval audience that Arcite, who had prayed to Mars, wins the tournament.

Galgopheye (1768). Probably a valley in another part of Greece, perhaps Gargaphia.

Belmarye (1772). Probably Benmarin in Morocco but, like the previous name, perhaps just meant to be an exotic place where wild animals were rampant and dangerous.

furie infernal (1826). A fury was an avenging spirit usually confined to the underworld but released from time to time to influence the affairs of men, sometimes to see that justice was done.

vertu expulsif (1891). This “virtue” involved the ability to expel certain harmful poisons from the body. This complex account of the mechanics of Arcite’s dying, the technical details of which are not important here, shows Chaucer’s awareness of the medical terminology of his day.

Firste Moevere (2129). This First Mover who creates the links in the great “chain of love,” though later in the passage identified as Jupiter, may perhaps be read as an anachronistic stand-in for the Judeo-Christian godhead, the all- loving deity who stands above and beyond the planetary gods and goddesses that seem to control the fates of men. This prime mover determines the number of years indi- vidual men and women get to live on earth and arranges things better for them than they could arrange them for themselves.
Copyright © 2006 by Geoffrey Chaucer. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Geoffrey Chaucer (1343-1400), often referred to as “the grandfather of English literature,” is invariably ranked with Shakespeare and Milton as one of the three greatest poets of the English language. His masterpiece, The Canterbury Tales, has been a touchstone for English-language poetry for more than half a millennium and is one of the most widely read works in the Western canon. View titles by Geoffrey Chaucer

About

Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer’ s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel’s magnificent new unabridged translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction by the widely influential medievalist and author John Miles Foley that discusses Chaucer’ s work as well as his life and times.

“A delight . . . [Raffel’s translation] provides more opportunities to savor the counterpoint of Chaucer’s earthy humor against passages of piercingly beautiful lyric poetry.”—Kirkus Reviews

“Masterly . . . This new translation beckons us to make our own pilgrimage back to the very wellsprings of literature in our language.” —Billy Collins

“The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel’s translation makes the stories even more inviting.”—Wall Street Journal

Excerpt

The Knight’s Tale

1

Introduction

1 The Knight’s Tale, which mostly takes place in ancient Athens, is the conflicted love story of two royal Theban cousins who love the same woman. Because “The Knight’s Tale” is by far the longest and most complex of the Canterbury Tales presented in this volume, a quick summary of the action of the four parts of the tale may help readers encountering it for the first time:

Part I. On his way back to Athens with his bride, Hypolita, and his sister-in-law, Emily, Duke Theseus responds to the pleas of some grieving widows by defeating Creon, the tyrant of Thebes. Among the bodies of the defeated army, he finds near death the royal cousins Palamon and Arcite. Rather than kill them, Theseus takes them back to Athens and places them in prison. From their barred prison window, the two young men see the lovely Emily and both fall in love with her. Arcite after a time is released but banished from Athens on pain of death, while Palamon remains in prison. The two are envious of each other’s condition.

Part II. Arcite disguises himself as a common laborer and comes back to Athens, where he gets a job working in Emily’s household. Meanwhile, Palamon escapes from prison, and the rival cousins chance to meet in a grove near Athens. While Palamon and Arcite are fighting a bloody duel, Theseus, Hypolita, and Emily, out hunting, by chance come upon them in a grove. At first angry, Theseus soon relents, sets both of his enemies free, and invites them to return in a year, each with a hundred knights, to take part in a glorious tournament, with Emily’s hand going to the winner.

Part III. Theseus builds a splendid amphitheater in preparation for the tournament and places on its west, east, and north borders elaborately decorated temples to Mars, Venus, and Diana. When the two troops of warriors come back for the tournament, the three principals each pray to one of the planetary deities. Palamon prays to Venus, not for victory but for the hand of Emily. Emily prays to Diana to be spared marriage to either Palamon or Arcite, praying instead to remain a maiden always. Arcite prays to Mars for victory in the tournament.

Part IV. Just before the tournament begins Theseus declares that he wants no lives to be lost and restricts the kinds of weapons that may be used. He sets out the rules of the game, the primary one being that the winning side will be the one that takes the loser to a stake at the end of the field. After vigorous fighting, Arcite’s men drag the wounded Palamon to the stake. No sooner is Arcite declared the winner than Saturn commands Pluto, god of the underworld, to send a diabolical fury to frighten Arcite’s horse. Arcite is thrown and crushed by his own saddle bow. After an elaborate funeral and the passage of some years, Theseus tells Palamon and Emily to marry, and they happily do so.





Arching over the story of the warriors and lovers down on the earth below is a heavenly conflict among the gods or, more precisely, among the planetary or astrological influences that were thought to control the affairs of men. Indeed, a key feature of “The Knight’s Tale” is the prayers of the three principal characters to these influences. Closely tied up with the question of whether Palamon or Arcite will get the young woman they both love is the question of how the powerful Saturn will settle the conflicting demands on him of Mars, Venus, and Diana.

Chaucer’s main source for “The Knight’s Tale” is Giovanni Boccaccio’s several-hundred-page-long Teseida. Readers who are upset at having to read Chaucer’s long and leisurely story of Palamon, Arcite, and Emily should thank Chaucer for streamlining a story that is less than a quarter the length of Boccaccio’s Italian story of Palemone, Arcita, and Emilia. Chaucer reduced the story in lots of ways, particularly by staying focused on the love story. He cut out, for example, Boccaccio’s long opening description of Theseus’s journey to the land of the Amazons, his defeat of them, and his acquiring as his bride the Amazonian queen Hypolita. But Chaucer did more than reduce the Teseida, which focuses on Arcite as the main character, who in Boccaccio is almost a tragic figure who makes the mistake of praying to the wrong deity. For Chaucer, Palamon is raised to equal importance, if not more importance, than his rival. And Chaucer transforms the vain and coquettish Emilia of his source into a more innocent object of the love of rival cousins.

One of Chaucer’s most important changes was to give the story a philosophical overlay by introducing into it the ideas of the ancient philosopher Boethius. One of Boethius’s key ideas was that there is a great God who designs a far better plan for human beings than they could possibly design for themselves. That design sometimes involves what looks like adversity, but the adversity is always (for Boethius) part of a design that leads to happiness. We should then, according to Boethius, not resist or fight against the troubles that come our way, but cheerfully accept them, trusting that in the end things will work out for the best. The ending of “The Knight’s Tale,” then, reflects this reassuring philosophy by showing that although the three principal characters all seem at first not to get what they want most, in the end all of them do get what they want, or perhaps something even better.

For this and the other tales in this volume, readers should reread the portrait of the teller given by Chaucer in the General Prologue. The portrait of the Knight (lines 43–78) shows him to be the idealized Christian soldier who fought with valor and honor at most of the important late-fourteenth-century battles against heathens. We know less of his marital than of his martial life, but he does have a son who is with him on this pilgrimage. The Knight seems, all in all, an ideal teller for the long tale of war, romance, honor, and philosophy that Chaucer assigns to him.

Notes

Part I

Femenye (line 8). A race of warlike women, led by Hypolita, who decided that they could live and protect themselves without the help of men. They are sometimes called Amazons, their land Scithia.

Saturne, Juno (470–71). Two forces that Palamon blames for the setbacks that Thebes has suffered. Saturn is the powerful planet. Juno is the jealous wife of Jupiter, who had made love to two Theban women.

Part II

Hereos (516). Eros, a sickness associated with the intense emotion of falling in love.

manye (516). A kind of melancholy madness or mania brought on by the frustration of his love for an inaccessible woman.

Argus (532). In classical mythology, the jealous Juno had set the hundred-eyed Argus as guard to Io, who was a lover of her husband, Jupiter. Argus was killed by Mercury (see line 527), who first sang all of Argus’s hundred eyes to sleep.

Cadme and Amphioun (688). Cadmus and Amphion are the legendary founders of the city of Thebes, home to Palamon and Arcite.

regne of Trace (780). The reference in this and the next lines is to the Thracian kingdom in which a hunter prepares himself at a mountain pass to meet a charging lion or bear.

Part III

Citheroun (1078). Venus’s supposed mountainous island of Cytherea, though Chaucer may have confused the name with the name of a different location.

Ydelnesse, Salamon, Hercules, Medea, Circes, Turnus, Cresus (1082–88). Various literary, historical, and classical allusions, most of them demonstrating the follies and miseries associated with the snares of love.

qualm (1156). Probably a reference to the “pestilence” or bubonic plague that killed millions in Europe during Chaucer’s lifetime. See also line 1611 below, where Saturn claims to have the power to send the plague. The reference to the bubonic plague here is anachronistic, since “The Knight’s Tale” is set in the classical pre-Christian era.

Julius, Nero, Antonius (1173–74). Three famous rulers slaughtered in time of war—exemplary of the mayhem and death caused by mighty Mars. The last is Marcus Aurelius Antoninus Caracalla, a Roman emperor murdered in AD 217.

Puella, Rubeus (1187). Two astrological references to Mars as cast by a complicated process called geomancy, a pseudoscience involving dots and lines.

Calistopee, Dane, Attheon, Atthalante, Meleagre (1198– 1213). Various classical and legendary allusions to hunters or the hunted whose unfortunate tales are depicted on the walls of the temple of Diana, goddess of the hunt.

griffon (1275). A griffin was in Greek mythology a fearsome beast with the head and wings of an eagle on the body of a lion.

in hir houre (1359). Palamon picks his hour of prayer carefully. The various planets were supposed to have special powers on certain hours of the day, hours in which it was particularly propitious to make prayers for their astrological influence. Venus would have had special strength on the twenty-third hour of Sunday night (see line 1351), when it was not yet two hours before dawn on Monday morning (line 1352).

the thridde houre inequal (1413). The medieval astrological day was divided into twenty-four “inequal” or planetary hours. In this system the time between dawn and dusk was divided equally into twelve hours, the time between dusk and the following dawn into twelve more. Except at the two equinoxes, when the daylight hours would have been exactly equal in length to the nighttime hours (that is, sixty minutes), the daylight hours would have been longer or shorter than the hours of darkness, depending on the time of the year—thus the inequality. Emily prays to Diana on the third inequal hour after Palamon prayed to Venus. That would have been the first hour of Monday (“moon day”), or the dawn hour, the hour at which Diana’s power would have been the greatest. Like Palamon, Emily picks her prayer time very carefully.

Stace of Thebes (1436). The Thebaid of Statius, though Chaucer’s more direct source was actually Boccaccio’s Teseida, which he does not mention by name here or elsewhere. Chaucer was often eager to claim an ancient source, not a contemporary one.

Attheon (1445). While hunting, Acteon accidentally saw Diana while she was bathing. In her anger she changed him into a stag, which Acteon’s hunting dogs then killed, not realizing that they were killing their master. See lines 1207–10 above, where Acteon’s unhappy story is artistically summarized on the walls of Diana’s temple.

thre formes (1455). As suggested in lines 1439–42 above, the goddess was imagined to have appeared in various forms. The three referred to here are probably Luna, the moon (in the heavens), the chaste Diana, the huntress (on earth), and Proserpina, the reluctant wife of Pluto (in the underworld).

the nexte houre of Mars (1509). Mars’s next hour, the hour that Arcite would have selected for his prayer to Mars, would have been the fourth hour of that Monday.

Part IV

al that Monday (1628). Monday is given over to partying and celebrations so that the tournament itself takes place the next day, on a Tuesday, or Mars’s day (“Mardi” in French). Since Tuesday is the day when the influence of Mars is strongest, it would not have surprised a medieval audience that Arcite, who had prayed to Mars, wins the tournament.

Galgopheye (1768). Probably a valley in another part of Greece, perhaps Gargaphia.

Belmarye (1772). Probably Benmarin in Morocco but, like the previous name, perhaps just meant to be an exotic place where wild animals were rampant and dangerous.

furie infernal (1826). A fury was an avenging spirit usually confined to the underworld but released from time to time to influence the affairs of men, sometimes to see that justice was done.

vertu expulsif (1891). This “virtue” involved the ability to expel certain harmful poisons from the body. This complex account of the mechanics of Arcite’s dying, the technical details of which are not important here, shows Chaucer’s awareness of the medical terminology of his day.

Firste Moevere (2129). This First Mover who creates the links in the great “chain of love,” though later in the passage identified as Jupiter, may perhaps be read as an anachronistic stand-in for the Judeo-Christian godhead, the all- loving deity who stands above and beyond the planetary gods and goddesses that seem to control the fates of men. This prime mover determines the number of years indi- vidual men and women get to live on earth and arranges things better for them than they could arrange them for themselves.
Copyright © 2006 by Geoffrey Chaucer. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Geoffrey Chaucer (1343-1400), often referred to as “the grandfather of English literature,” is invariably ranked with Shakespeare and Milton as one of the three greatest poets of the English language. His masterpiece, The Canterbury Tales, has been a touchstone for English-language poetry for more than half a millennium and is one of the most widely read works in the Western canon. View titles by Geoffrey Chaucer

Additional formats

  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-1-58836-764-8
    $5.99 US
    Ebook
    Modern Library
    Nov 18, 2008
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-90252-5
    $5.99 US
    Ebook
    Bantam Classics
    May 30, 2006
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-21082-8
    $5.99 US
    Mass Market Paperback
    Bantam Classics
    Feb 01, 1982
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-1-58836-764-8
    $5.99 US
    Ebook
    Modern Library
    Nov 18, 2008
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-90252-5
    $5.99 US
    Ebook
    Bantam Classics
    May 30, 2006
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-21082-8
    $5.99 US
    Mass Market Paperback
    Bantam Classics
    Feb 01, 1982

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    Paperback
    Modern Library
    Jul 06, 2021
  • The Southern Woman
    The Southern Woman
    Selected Fiction
    Elizabeth Spencer
    978-0-593-24118-9
    $18.00 US
    Paperback
    Modern Library
    May 11, 2021
  • The Squatter and the Don
    The Squatter and the Don
    Maria Amparo Ruiz de Burton
    978-0-593-23123-4
    $17.00 US
    Paperback
    Modern Library
    Mar 02, 2021
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • The Mysterious Affair at Styles
    The Mysterious Affair at Styles
    The First Hercule Poirot Mystery
    Agatha Christie
    978-0-525-56510-9
    $10.00 US
    Paperback
    Vintage
    Apr 30, 2019
  • The War of the Worlds
    The War of the Worlds
    H. G. Wells
    978-0-525-56416-4
    $9.00 US
    Paperback
    Vintage
    Nov 06, 2018
  • The Dark Interval
    The Dark Interval
    Letters on Loss, Grief, and Transformation
    Rainer Maria Rilke
    978-0-525-50984-4
    $22.00 US
    Hardcover
    Modern Library
    Aug 14, 2018
  • The Greek Plays
    The Greek Plays
    Sixteen Plays by Aeschylus, Sophocles, and Euripides
    Aeschylus, Sophocles, Euripides
    978-0-8129-8309-8
    $25.00 US
    Paperback
    Modern Library
    Sep 05, 2017
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • A Place in the Country
    A Place in the Country
    W.G. Sebald
    978-0-8129-9503-9
    $8.99 US
    Ebook
    Random House
    Feb 18, 2014
  • The Metamorphosis
    The Metamorphosis
    Franz Kafka
    978-0-8129-8514-6
    $15.00 US
    Paperback
    Modern Library
    Nov 26, 2013
  • Madame Bovary
    Madame Bovary
    Gustave Flaubert
    978-0-8129-8520-7
    $14.00 US
    Paperback
    Modern Library
    Aug 13, 2013
  • The Essential Writings of Rousseau
    The Essential Writings of Rousseau
    Jean-Jacques Rousseau
    978-0-8129-8038-7
    $20.00 US
    Paperback
    Modern Library
    Mar 26, 2013
  • The Essential Prose of John Milton
    The Essential Prose of John Milton
    John Milton
    978-0-8129-8372-2
    $18.00 US
    Paperback
    Modern Library
    Mar 12, 2013
  • Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    John Milton
    978-0-8129-8371-5
    $18.00 US
    Paperback
    Modern Library
    Dec 04, 2012
  • The Complete Novels of Jane Austen, Volume 2
    The Complete Novels of Jane Austen, Volume 2
    Emma, Northanger Abbey, Persuasion
    Jane Austen
    978-0-307-82276-5
    $2.99 US
    Ebook
    Modern Library
    Jun 20, 2012
  • The Life and Writings of Abraham Lincoln
    The Life and Writings of Abraham Lincoln
    Abraham Lincoln
    978-0-307-81681-8
    $10.99 US
    Ebook
    Modern Library
    Jun 13, 2012
  • King John & Henry VIII
    King John & Henry VIII
    William Shakespeare
    978-0-8129-6939-9
    $12.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Henry VI
    Henry VI
    Parts I, II, and III
    William Shakespeare
    978-0-8129-6940-5
    $14.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Pericles
    Pericles
    William Shakespeare
    978-0-8129-6943-6
    $9.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • The Adventures of Amir Hamza
    The Adventures of Amir Hamza
    Special abridged edition
    Ghalib Lakhnavi, Abdullah Bilgrami
    978-0-8129-7744-8
    $18.00 US
    Paperback
    Modern Library
    Feb 14, 2012
  • The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    Remembrance of Things Past, Volumes I-VI
    Marcel Proust
    978-0-679-64568-9
    $49.99 US
    Ebook
    Modern Library
    Feb 06, 2012
  • Panorama
    Panorama
    A Novel
    H. G. Adler
    978-0-8129-8060-8
    $17.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Eternal Husband and Other Stories
    The Eternal Husband and Other Stories
    Fyodor Dostoevsky
    978-0-8129-8337-1
    $15.00 US
    Paperback
    Modern Library
    Jan 03, 2012
  • Titus Andronicus & Timon of Athens
    Titus Andronicus & Timon of Athens
    William Shakespeare
    978-0-8129-6935-1
    $10.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • All's Well That Ends Well
    All's Well That Ends Well
    William Shakespeare
    978-0-8129-6937-5
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Two Gentlemen of Verona
    The Two Gentlemen of Verona
    William Shakespeare
    978-0-8129-6938-2
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • Cymbeline
    Cymbeline
    William Shakespeare
    978-0-8129-6942-9
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Merry Wives of Windsor
    The Merry Wives of Windsor
    William Shakespeare
    978-0-8129-6932-0
    $9.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • The Comedy of Errors
    The Comedy of Errors
    William Shakespeare
    978-0-8129-6933-7
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Coriolanus
    Coriolanus
    William Shakespeare
    978-0-8129-6934-4
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Julius Caesar
    Julius Caesar
    William Shakespeare
    978-0-8129-6936-8
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Dusk and Other Stories
    Dusk and Other Stories
    James Salter
    978-0-8129-8113-1
    $17.00 US
    Paperback
    Modern Library
    May 10, 2011
  • Measure for Measure
    Measure for Measure
    William Shakespeare
    978-0-8129-6928-3
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Taming of the Shrew
    The Taming of the Shrew
    William Shakespeare
    978-0-8129-6929-0
    $9.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Richard II
    Richard II
    William Shakespeare
    978-0-8129-6930-6
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • Troilus and Cressida
    Troilus and Cressida
    William Shakespeare
    978-0-8129-6931-3
    $8.00 US
    Paperback
    Modern Library
    Sep 14, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $14.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Ethics
    Ethics
    The Essential Writings
    978-0-8129-7778-3
    $20.00 US
    Paperback
    Modern Library
    Aug 10, 2010
  • As You Like It
    As You Like It
    William Shakespeare
    978-0-8129-6922-1
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Twelfth Night
    Twelfth Night
    William Shakespeare
    978-0-8129-6923-8
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • Henry V
    Henry V
    William Shakespeare
    978-0-8129-6926-9
    $8.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Merchant of Venice
    The Merchant of Venice
    William Shakespeare
    978-0-8129-6927-6
    $9.00 US
    Paperback
    Modern Library
    May 04, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • The Journey
    The Journey
    A Novel
    H. G. Adler
    978-0-8129-7831-5
    $17.00 US
    Paperback
    Modern Library
    Sep 08, 2009
  • Othello
    Othello
    William Shakespeare
    978-0-8129-6915-3
    $10.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Much Ado About Nothing
    Much Ado About Nothing
    William Shakespeare
    978-0-8129-6917-7
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Romeo and Juliet
    Romeo and Juliet
    William Shakespeare
    978-0-8129-6921-4
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 1
    Henry IV, Part 1
    William Shakespeare
    978-0-8129-6924-5
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Henry IV, Part 2
    Henry IV, Part 2
    William Shakespeare
    978-0-8129-6925-2
    $8.00 US
    Paperback
    Modern Library
    Aug 25, 2009
  • Les Misérables
    Les Misérables
    Victor Hugo
    978-0-8129-7426-3
    $20.00 US
    Paperback
    Modern Library
    Jul 14, 2009
  • The Belly of Paris
    The Belly of Paris
    Emile Zola
    978-0-8129-7422-5
    $16.00 US
    Paperback
    Modern Library
    May 12, 2009
  • King Lear
    King Lear
    William Shakespeare
    978-0-8129-6911-5
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Macbeth
    Macbeth
    William Shakespeare
    978-0-8129-6916-0
    $10.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Antony and Cleopatra
    Antony and Cleopatra
    William Shakespeare
    978-0-8129-6918-4
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • The Winter's Tale
    The Winter's Tale
    William Shakespeare
    978-0-8129-6919-1
    $8.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • The Sonnets and Other Poems
    The Sonnets and Other Poems
    William Shakespeare
    978-0-8129-6920-7
    $10.00 US
    Paperback
    Modern Library
    Apr 14, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Mr. Beluncle
    Mr. Beluncle
    A Novel
    V. S. Pritchett
    978-0-307-53865-9
    $2.99 US
    Ebook
    Modern Library
    Feb 19, 2009
  • The Essential Writings of James Weldon Johnson
    The Essential Writings of James Weldon Johnson
    James Weldon Johnson
    978-0-8129-7532-1
    $16.00 US
    Paperback
    Modern Library
    Oct 21, 2008
  • Paradise Lost
    Paradise Lost
    John Milton
    978-0-375-75796-9
    $12.00 US
    Paperback
    Modern Library
    Sep 09, 2008
  • Hamlet
    Hamlet
    William Shakespeare
    978-0-8129-6909-2
    $10.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • The Tempest
    The Tempest
    William Shakespeare
    978-0-8129-6910-8
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • A Midsummer Night's Dream
    A Midsummer Night's Dream
    William Shakespeare
    978-0-8129-6912-2
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Richard III
    Richard III
    William Shakespeare
    978-0-8129-6913-9
    $8.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Love's Labour's Lost
    Love's Labour's Lost
    William Shakespeare
    978-0-8129-6914-6
    $9.00 US
    Paperback
    Modern Library
    Aug 12, 2008
  • Georges
    Georges
    Alexandre Dumas
    978-0-8129-7589-5
    $18.00 US
    Paperback
    Modern Library
    Jun 10, 2008
  • Anne of Green Gables
    Anne of Green Gables
    L. M. Montgomery
    978-0-8129-7903-9
    $10.00 US
    Paperback
    Modern Library
    Jun 10, 2008
  • Nada: Una novela
    Nada: Una novela
    Carmen Laforet
    978-0-8129-7771-4
    $18.00 US
    Paperback
    Modern Library
    Feb 12, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $14.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Jacques Futrelle's "The Thinking Machine"
    Jacques Futrelle's "The Thinking Machine"
    The Enigmatic Problems of Prof. Augustus S. F. X. Van Dusen, Ph. D., LL. D., F. R. S., M. D., M. D. S.
    Jacques Futrelle
    978-0-307-43133-2
    $8.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Pure Pagan
    Pure Pagan
    Seven Centuries of Greek Poems and Fragments
    978-0-307-43164-6
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Representative Men
    Representative Men
    Seven Lectures
    Ralph Waldo Emerson
    978-0-307-43169-1
    $7.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Tono-Bungay
    Tono-Bungay
    H. G. Wells
    978-0-307-43282-7
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • When the Sleeper Wakes
    When the Sleeper Wakes
    H. G. Wells
    978-0-307-43287-2
    $2.99 US
    Ebook
    Modern Library
    Dec 18, 2007
  • Siddhartha
    Siddhartha
    Hermann Hesse
    978-0-8129-7478-2
    $15.00 US
    Paperback
    Modern Library
    Dec 04, 2007
  • The Essential Feminist Reader
    The Essential Feminist Reader
    978-0-8129-7460-7
    $20.00 US
    Paperback
    Modern Library
    Sep 18, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • The Essential Words and Writings of Clarence Darrow
    The Essential Words and Writings of Clarence Darrow
    Clarence Darrow
    978-0-8129-6677-0
    $17.00 US
    Paperback
    Modern Library
    Jun 12, 2007
  • Life on the Mississippi
    Life on the Mississippi
    Mark Twain
    978-0-375-75937-6
    $13.00 US
    Paperback
    Modern Library
    May 29, 2007
  • The Essential Writings of Machiavelli
    The Essential Writings of Machiavelli
    Niccolo Machiavelli
    978-0-8129-7423-2
    $20.00 US
    Paperback
    Modern Library
    Apr 03, 2007
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • The Voyage Out
    The Voyage Out
    Virginia Woolf
    978-0-593-24262-9
    $15.00 US
    Paperback
    Modern Library
    Jul 06, 2021
  • The Southern Woman
    The Southern Woman
    Selected Fiction
    Elizabeth Spencer
    978-0-593-24118-9
    $18.00 US
    Paperback
    Modern Library
    May 11, 2021
  • The Squatter and the Don
    The Squatter and the Don
    Maria Amparo Ruiz de Burton
    978-0-593-23123-4
    $17.00 US
    Paperback
    Modern Library
    Mar 02, 2021
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • The Mysterious Affair at Styles
    The Mysterious Affair at Styles
    The First Hercule Poirot Mystery
    Agatha Christie
    978-0-525-56510-9
    $10.00 US
    Paperback
    Vintage
    Apr 30, 2019
  • The War of the Worlds
    The War of the Worlds
    H. G. Wells
    978-0-525-56416-4
    $9.00 US
    Paperback
    Vintage
    Nov 06, 2018
  • The Dark Interval
    The Dark Interval
    Letters on Loss, Grief, and Transformation
    Rainer Maria Rilke
    978-0-525-50984-4
    $22.00 US
    Hardcover
    Modern Library
    Aug 14, 2018
  • The Greek Plays
    The Greek Plays
    Sixteen Plays by Aeschylus, Sophocles, and Euripides
    Aeschylus, Sophocles, Euripides
    978-0-8129-8309-8
    $25.00 US
    Paperback
    Modern Library
    Sep 05, 2017
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • A Place in the Country
    A Place in the Country
    W.G. Sebald
    978-0-8129-9503-9
    $8.99 US
    Ebook
    Random House
    Feb 18, 2014
  • The Metamorphosis
    The Metamorphosis
    Franz Kafka
    978-0-8129-8514-6
    $15.00 US
    Paperback
    Modern Library
    Nov 26, 2013
  • Madame Bovary
    Madame Bovary
    Gustave Flaubert
    978-0-8129-8520-7
    $14.00 US
    Paperback
    Modern Library
    Aug 13, 2013
  • The Essential Writings of Rousseau
    The Essential Writings of Rousseau
    Jean-Jacques Rousseau
    978-0-8129-8038-7
    $20.00 US
    Paperback
    Modern Library
    Mar 26, 2013
  • The Essential Prose of John Milton
    The Essential Prose of John Milton
    John Milton
    978-0-8129-8372-2
    $18.00 US
    Paperback
    Modern Library
    Mar 12, 2013
  • Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    John Milton
    978-0-8129-8371-5
    $18.00 US
    Paperback
    Modern Library
    Dec 04, 2012
  • The Complete Novels of Jane Austen, Volume 2
    The Complete Novels of Jane Austen, Volume 2
    Emma, Northanger Abbey, Persuasion
    Jane Austen
    978-0-307-82276-5
    $2.99 US
    Ebook
    Modern Library
    Jun 20, 2012
  • The Life and Writings of Abraham Lincoln
    The Life and Writings of Abraham Lincoln
    Abraham Lincoln
    978-0-307-81681-8
    $10.99 US
    Ebook
    Modern Library
    Jun 13, 2012
  • King John & Henry VIII
    King John & Henry VIII
    William Shakespeare
    978-0-8129-6939-9
    $12.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Henry VI
    Henry VI
    Parts I, II, and III
    William Shakespeare
    978-0-8129-6940-5
    $14.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • Pericles
    Pericles
    William Shakespeare
    978-0-8129-6943-6
    $9.00 US
    Paperback
    Modern Library
    Apr 10, 2012
  • The Adventures of Amir Hamza
    The Adventures of Amir Hamza
    Special abridged edition
    Ghalib Lakhnavi, Abdullah Bilgrami
    978-0-8129-7744-8
    $18.00 US
    Paperback
    Modern Library
    Feb 14, 2012
  • The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    The Modern Library In Search of Lost Time, Complete and Unabridged 6-Book Bundle
    Remembrance of Things Past, Volumes I-VI
    Marcel Proust
    978-0-679-64568-9
    $49.99 US
    Ebook
    Modern Library
    Feb 06, 2012
  • Panorama
    Panorama
    A Novel
    H. G. Adler
    978-0-8129-8060-8
    $17.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Eternal Husband and Other Stories
    The Eternal Husband and Other Stories
    Fyodor Dostoevsky
    978-0-8129-8337-1
    $15.00 US
    Paperback
    Modern Library
    Jan 03, 2012
  • Titus Andronicus & Timon of Athens
    Titus Andronicus & Timon of Athens
    William Shakespeare
    978-0-8129-6935-1
    $10.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • All's Well That Ends Well
    All's Well That Ends Well
    William Shakespeare
    978-0-8129-6937-5
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Two Gentlemen of Verona
    The Two Gentlemen of Verona
    William Shakespeare
    978-0-8129-6938-2
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • Cymbeline
    Cymbeline
    William Shakespeare
    978-0-8129-6942-9
    $8.00 US
    Paperback
    Modern Library
    Sep 13, 2011
  • The Merry Wives of Windsor
    The Merry Wives of Windsor
    William Shakespeare
    978-0-8129-6932-0
    $9.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • The Comedy of Errors
    The Comedy of Errors
    William Shakespeare
    978-0-8129-6933-7
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Coriolanus
    Coriolanus
    William Shakespeare
    978-0-8129-6934-4
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Julius Caesar
    Julius Caesar
    William Shakespeare
    978-0-8129-6936-8
    $8.00 US
    Paperback
    Modern Library
    Jun 14, 2011
  • Dusk and Other Stories
    Dusk and Other Stories
    James Salter
    978-0-8129-8113-1
    $17.00 US
    Paperback
    Modern Library
    May 10, 2011
  • Measure for Measure
    Measure for Measure
    William Shakespeare
    978-0-8129-6928-3
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    978-0-8129-6923-8
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    $9.00 US
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    $2.99 US
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    $8.00 US
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    978-0-8129-6913-9
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    $9.00 US
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    Jane Austen
    978-0-307-38684-7
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