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The Canterbury Tales

Part of Modern Library Classics

Author Geoffrey Chaucer
Introduction by John Miles Foley
Translated by Burton Raffel
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$17.00 US
Random House Group | Modern Library
On sale Nov 10, 2009 | 672 Pages | 978-0-8129-7845-2
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  • English > Comparative Literature > Major Themes: Satire and Humor
  • English > Comparative Literature: European > English
  • English > Literature > British Literature – Chaucer
  • English > Literature > British Literature – Medieval Literature
  • English > Literature > British Literature – Poetry
  • English > Literature > British Literature Survey – Beowulf to 1640
  • English > Literature > British Literature Survey – Beowulf to Modern
  • English > Literature > World Literature Survey – Classic to 17th Century
  • About
  • Excerpt
  • Author
Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer’ s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel’s magnificent new unabridged translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction by the widely influential medievalist and author John Miles Foley that discusses Chaucer’ s work as well as his life and times.

“A delight . . . [Raffel’s translation] provides more opportunities to savor the counterpoint of Chaucer’s earthy humor against passages of piercingly beautiful lyric poetry.”—Kirkus Reviews

“Masterly . . . This new translation beckons us to make our own pilgrimage back to the very wellsprings of literature in our language.” —Billy Collins

“The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel’s translation makes the stories even more inviting.”—Wall Street Journal
The Knight’s Tale

1

Introduction

1 The Knight’s Tale, which mostly takes place in ancient Athens, is the conflicted love story of two royal Theban cousins who love the same woman. Because “The Knight’s Tale” is by far the longest and most complex of the Canterbury Tales presented in this volume, a quick summary of the action of the four parts of the tale may help readers encountering it for the first time:

Part I. On his way back to Athens with his bride, Hypolita, and his sister-in-law, Emily, Duke Theseus responds to the pleas of some grieving widows by defeating Creon, the tyrant of Thebes. Among the bodies of the defeated army, he finds near death the royal cousins Palamon and Arcite. Rather than kill them, Theseus takes them back to Athens and places them in prison. From their barred prison window, the two young men see the lovely Emily and both fall in love with her. Arcite after a time is released but banished from Athens on pain of death, while Palamon remains in prison. The two are envious of each other’s condition.

Part II. Arcite disguises himself as a common laborer and comes back to Athens, where he gets a job working in Emily’s household. Meanwhile, Palamon escapes from prison, and the rival cousins chance to meet in a grove near Athens. While Palamon and Arcite are fighting a bloody duel, Theseus, Hypolita, and Emily, out hunting, by chance come upon them in a grove. At first angry, Theseus soon relents, sets both of his enemies free, and invites them to return in a year, each with a hundred knights, to take part in a glorious tournament, with Emily’s hand going to the winner.

Part III. Theseus builds a splendid amphitheater in preparation for the tournament and places on its west, east, and north borders elaborately decorated temples to Mars, Venus, and Diana. When the two troops of warriors come back for the tournament, the three principals each pray to one of the planetary deities. Palamon prays to Venus, not for victory but for the hand of Emily. Emily prays to Diana to be spared marriage to either Palamon or Arcite, praying instead to remain a maiden always. Arcite prays to Mars for victory in the tournament.

Part IV. Just before the tournament begins Theseus declares that he wants no lives to be lost and restricts the kinds of weapons that may be used. He sets out the rules of the game, the primary one being that the winning side will be the one that takes the loser to a stake at the end of the field. After vigorous fighting, Arcite’s men drag the wounded Palamon to the stake. No sooner is Arcite declared the winner than Saturn commands Pluto, god of the underworld, to send a diabolical fury to frighten Arcite’s horse. Arcite is thrown and crushed by his own saddle bow. After an elaborate funeral and the passage of some years, Theseus tells Palamon and Emily to marry, and they happily do so.





Arching over the story of the warriors and lovers down on the earth below is a heavenly conflict among the gods or, more precisely, among the planetary or astrological influences that were thought to control the affairs of men. Indeed, a key feature of “The Knight’s Tale” is the prayers of the three principal characters to these influences. Closely tied up with the question of whether Palamon or Arcite will get the young woman they both love is the question of how the powerful Saturn will settle the conflicting demands on him of Mars, Venus, and Diana.

Chaucer’s main source for “The Knight’s Tale” is Giovanni Boccaccio’s several-hundred-page-long Teseida. Readers who are upset at having to read Chaucer’s long and leisurely story of Palamon, Arcite, and Emily should thank Chaucer for streamlining a story that is less than a quarter the length of Boccaccio’s Italian story of Palemone, Arcita, and Emilia. Chaucer reduced the story in lots of ways, particularly by staying focused on the love story. He cut out, for example, Boccaccio’s long opening description of Theseus’s journey to the land of the Amazons, his defeat of them, and his acquiring as his bride the Amazonian queen Hypolita. But Chaucer did more than reduce the Teseida, which focuses on Arcite as the main character, who in Boccaccio is almost a tragic figure who makes the mistake of praying to the wrong deity. For Chaucer, Palamon is raised to equal importance, if not more importance, than his rival. And Chaucer transforms the vain and coquettish Emilia of his source into a more innocent object of the love of rival cousins.

One of Chaucer’s most important changes was to give the story a philosophical overlay by introducing into it the ideas of the ancient philosopher Boethius. One of Boethius’s key ideas was that there is a great God who designs a far better plan for human beings than they could possibly design for themselves. That design sometimes involves what looks like adversity, but the adversity is always (for Boethius) part of a design that leads to happiness. We should then, according to Boethius, not resist or fight against the troubles that come our way, but cheerfully accept them, trusting that in the end things will work out for the best. The ending of “The Knight’s Tale,” then, reflects this reassuring philosophy by showing that although the three principal characters all seem at first not to get what they want most, in the end all of them do get what they want, or perhaps something even better.

For this and the other tales in this volume, readers should reread the portrait of the teller given by Chaucer in the General Prologue. The portrait of the Knight (lines 43–78) shows him to be the idealized Christian soldier who fought with valor and honor at most of the important late-fourteenth-century battles against heathens. We know less of his marital than of his martial life, but he does have a son who is with him on this pilgrimage. The Knight seems, all in all, an ideal teller for the long tale of war, romance, honor, and philosophy that Chaucer assigns to him.

Notes

Part I

Femenye (line 8). A race of warlike women, led by Hypolita, who decided that they could live and protect themselves without the help of men. They are sometimes called Amazons, their land Scithia.

Saturne, Juno (470–71). Two forces that Palamon blames for the setbacks that Thebes has suffered. Saturn is the powerful planet. Juno is the jealous wife of Jupiter, who had made love to two Theban women.

Part II

Hereos (516). Eros, a sickness associated with the intense emotion of falling in love.

manye (516). A kind of melancholy madness or mania brought on by the frustration of his love for an inaccessible woman.

Argus (532). In classical mythology, the jealous Juno had set the hundred-eyed Argus as guard to Io, who was a lover of her husband, Jupiter. Argus was killed by Mercury (see line 527), who first sang all of Argus’s hundred eyes to sleep.

Cadme and Amphioun (688). Cadmus and Amphion are the legendary founders of the city of Thebes, home to Palamon and Arcite.

regne of Trace (780). The reference in this and the next lines is to the Thracian kingdom in which a hunter prepares himself at a mountain pass to meet a charging lion or bear.

Part III

Citheroun (1078). Venus’s supposed mountainous island of Cytherea, though Chaucer may have confused the name with the name of a different location.

Ydelnesse, Salamon, Hercules, Medea, Circes, Turnus, Cresus (1082–88). Various literary, historical, and classical allusions, most of them demonstrating the follies and miseries associated with the snares of love.

qualm (1156). Probably a reference to the “pestilence” or bubonic plague that killed millions in Europe during Chaucer’s lifetime. See also line 1611 below, where Saturn claims to have the power to send the plague. The reference to the bubonic plague here is anachronistic, since “The Knight’s Tale” is set in the classical pre-Christian era.

Julius, Nero, Antonius (1173–74). Three famous rulers slaughtered in time of war—exemplary of the mayhem and death caused by mighty Mars. The last is Marcus Aurelius Antoninus Caracalla, a Roman emperor murdered in AD 217.

Puella, Rubeus (1187). Two astrological references to Mars as cast by a complicated process called geomancy, a pseudoscience involving dots and lines.

Calistopee, Dane, Attheon, Atthalante, Meleagre (1198– 1213). Various classical and legendary allusions to hunters or the hunted whose unfortunate tales are depicted on the walls of the temple of Diana, goddess of the hunt.

griffon (1275). A griffin was in Greek mythology a fearsome beast with the head and wings of an eagle on the body of a lion.

in hir houre (1359). Palamon picks his hour of prayer carefully. The various planets were supposed to have special powers on certain hours of the day, hours in which it was particularly propitious to make prayers for their astrological influence. Venus would have had special strength on the twenty-third hour of Sunday night (see line 1351), when it was not yet two hours before dawn on Monday morning (line 1352).

the thridde houre inequal (1413). The medieval astrological day was divided into twenty-four “inequal” or planetary hours. In this system the time between dawn and dusk was divided equally into twelve hours, the time between dusk and the following dawn into twelve more. Except at the two equinoxes, when the daylight hours would have been exactly equal in length to the nighttime hours (that is, sixty minutes), the daylight hours would have been longer or shorter than the hours of darkness, depending on the time of the year—thus the inequality. Emily prays to Diana on the third inequal hour after Palamon prayed to Venus. That would have been the first hour of Monday (“moon day”), or the dawn hour, the hour at which Diana’s power would have been the greatest. Like Palamon, Emily picks her prayer time very carefully.

Stace of Thebes (1436). The Thebaid of Statius, though Chaucer’s more direct source was actually Boccaccio’s Teseida, which he does not mention by name here or elsewhere. Chaucer was often eager to claim an ancient source, not a contemporary one.

Attheon (1445). While hunting, Acteon accidentally saw Diana while she was bathing. In her anger she changed him into a stag, which Acteon’s hunting dogs then killed, not realizing that they were killing their master. See lines 1207–10 above, where Acteon’s unhappy story is artistically summarized on the walls of Diana’s temple.

thre formes (1455). As suggested in lines 1439–42 above, the goddess was imagined to have appeared in various forms. The three referred to here are probably Luna, the moon (in the heavens), the chaste Diana, the huntress (on earth), and Proserpina, the reluctant wife of Pluto (in the underworld).

the nexte houre of Mars (1509). Mars’s next hour, the hour that Arcite would have selected for his prayer to Mars, would have been the fourth hour of that Monday.

Part IV

al that Monday (1628). Monday is given over to partying and celebrations so that the tournament itself takes place the next day, on a Tuesday, or Mars’s day (“Mardi” in French). Since Tuesday is the day when the influence of Mars is strongest, it would not have surprised a medieval audience that Arcite, who had prayed to Mars, wins the tournament.

Galgopheye (1768). Probably a valley in another part of Greece, perhaps Gargaphia.

Belmarye (1772). Probably Benmarin in Morocco but, like the previous name, perhaps just meant to be an exotic place where wild animals were rampant and dangerous.

furie infernal (1826). A fury was an avenging spirit usually confined to the underworld but released from time to time to influence the affairs of men, sometimes to see that justice was done.

vertu expulsif (1891). This “virtue” involved the ability to expel certain harmful poisons from the body. This complex account of the mechanics of Arcite’s dying, the technical details of which are not important here, shows Chaucer’s awareness of the medical terminology of his day.

Firste Moevere (2129). This First Mover who creates the links in the great “chain of love,” though later in the passage identified as Jupiter, may perhaps be read as an anachronistic stand-in for the Judeo-Christian godhead, the all- loving deity who stands above and beyond the planetary gods and goddesses that seem to control the fates of men. This prime mover determines the number of years indi- vidual men and women get to live on earth and arranges things better for them than they could arrange them for themselves.
Copyright © 2006 by Geoffrey Chaucer. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Geoffrey Chaucer (1343-1400), often referred to as “the grandfather of English literature,” is invariably ranked with Shakespeare and Milton as one of the three greatest poets of the English language. His masterpiece, The Canterbury Tales, has been a touchstone for English-language poetry for more than half a millennium and is one of the most widely read works in the Western canon. View titles by Geoffrey Chaucer

About

Beyond its importance as a literary work of unvarnished genius, Geoffrey Chaucer’ s unfinished epic poem is also one of the most beloved works in the English language–and for good reason: It is lively, absorbing, perceptive, and outrageously funny. But despite the brilliance of Chaucer’s work, the continual evolution of our language has rendered his words unfamiliar to many of us. Esteemed poet, translator, and scholar Burton Raffel’s magnificent new unabridged translation brings Chaucer’s poetry back to life, ensuring that none of the original’s wit, wisdom, or humanity is lost to the modern reader. This Modern Library edition also features an Introduction by the widely influential medievalist and author John Miles Foley that discusses Chaucer’ s work as well as his life and times.

“A delight . . . [Raffel’s translation] provides more opportunities to savor the counterpoint of Chaucer’s earthy humor against passages of piercingly beautiful lyric poetry.”—Kirkus Reviews

“Masterly . . . This new translation beckons us to make our own pilgrimage back to the very wellsprings of literature in our language.” —Billy Collins

“The Canterbury Tales has remained popular for seven centuries. It is the most approachable masterpiece of the medieval world, and Mr. Raffel’s translation makes the stories even more inviting.”—Wall Street Journal

Excerpt

The Knight’s Tale

1

Introduction

1 The Knight’s Tale, which mostly takes place in ancient Athens, is the conflicted love story of two royal Theban cousins who love the same woman. Because “The Knight’s Tale” is by far the longest and most complex of the Canterbury Tales presented in this volume, a quick summary of the action of the four parts of the tale may help readers encountering it for the first time:

Part I. On his way back to Athens with his bride, Hypolita, and his sister-in-law, Emily, Duke Theseus responds to the pleas of some grieving widows by defeating Creon, the tyrant of Thebes. Among the bodies of the defeated army, he finds near death the royal cousins Palamon and Arcite. Rather than kill them, Theseus takes them back to Athens and places them in prison. From their barred prison window, the two young men see the lovely Emily and both fall in love with her. Arcite after a time is released but banished from Athens on pain of death, while Palamon remains in prison. The two are envious of each other’s condition.

Part II. Arcite disguises himself as a common laborer and comes back to Athens, where he gets a job working in Emily’s household. Meanwhile, Palamon escapes from prison, and the rival cousins chance to meet in a grove near Athens. While Palamon and Arcite are fighting a bloody duel, Theseus, Hypolita, and Emily, out hunting, by chance come upon them in a grove. At first angry, Theseus soon relents, sets both of his enemies free, and invites them to return in a year, each with a hundred knights, to take part in a glorious tournament, with Emily’s hand going to the winner.

Part III. Theseus builds a splendid amphitheater in preparation for the tournament and places on its west, east, and north borders elaborately decorated temples to Mars, Venus, and Diana. When the two troops of warriors come back for the tournament, the three principals each pray to one of the planetary deities. Palamon prays to Venus, not for victory but for the hand of Emily. Emily prays to Diana to be spared marriage to either Palamon or Arcite, praying instead to remain a maiden always. Arcite prays to Mars for victory in the tournament.

Part IV. Just before the tournament begins Theseus declares that he wants no lives to be lost and restricts the kinds of weapons that may be used. He sets out the rules of the game, the primary one being that the winning side will be the one that takes the loser to a stake at the end of the field. After vigorous fighting, Arcite’s men drag the wounded Palamon to the stake. No sooner is Arcite declared the winner than Saturn commands Pluto, god of the underworld, to send a diabolical fury to frighten Arcite’s horse. Arcite is thrown and crushed by his own saddle bow. After an elaborate funeral and the passage of some years, Theseus tells Palamon and Emily to marry, and they happily do so.





Arching over the story of the warriors and lovers down on the earth below is a heavenly conflict among the gods or, more precisely, among the planetary or astrological influences that were thought to control the affairs of men. Indeed, a key feature of “The Knight’s Tale” is the prayers of the three principal characters to these influences. Closely tied up with the question of whether Palamon or Arcite will get the young woman they both love is the question of how the powerful Saturn will settle the conflicting demands on him of Mars, Venus, and Diana.

Chaucer’s main source for “The Knight’s Tale” is Giovanni Boccaccio’s several-hundred-page-long Teseida. Readers who are upset at having to read Chaucer’s long and leisurely story of Palamon, Arcite, and Emily should thank Chaucer for streamlining a story that is less than a quarter the length of Boccaccio’s Italian story of Palemone, Arcita, and Emilia. Chaucer reduced the story in lots of ways, particularly by staying focused on the love story. He cut out, for example, Boccaccio’s long opening description of Theseus’s journey to the land of the Amazons, his defeat of them, and his acquiring as his bride the Amazonian queen Hypolita. But Chaucer did more than reduce the Teseida, which focuses on Arcite as the main character, who in Boccaccio is almost a tragic figure who makes the mistake of praying to the wrong deity. For Chaucer, Palamon is raised to equal importance, if not more importance, than his rival. And Chaucer transforms the vain and coquettish Emilia of his source into a more innocent object of the love of rival cousins.

One of Chaucer’s most important changes was to give the story a philosophical overlay by introducing into it the ideas of the ancient philosopher Boethius. One of Boethius’s key ideas was that there is a great God who designs a far better plan for human beings than they could possibly design for themselves. That design sometimes involves what looks like adversity, but the adversity is always (for Boethius) part of a design that leads to happiness. We should then, according to Boethius, not resist or fight against the troubles that come our way, but cheerfully accept them, trusting that in the end things will work out for the best. The ending of “The Knight’s Tale,” then, reflects this reassuring philosophy by showing that although the three principal characters all seem at first not to get what they want most, in the end all of them do get what they want, or perhaps something even better.

For this and the other tales in this volume, readers should reread the portrait of the teller given by Chaucer in the General Prologue. The portrait of the Knight (lines 43–78) shows him to be the idealized Christian soldier who fought with valor and honor at most of the important late-fourteenth-century battles against heathens. We know less of his marital than of his martial life, but he does have a son who is with him on this pilgrimage. The Knight seems, all in all, an ideal teller for the long tale of war, romance, honor, and philosophy that Chaucer assigns to him.

Notes

Part I

Femenye (line 8). A race of warlike women, led by Hypolita, who decided that they could live and protect themselves without the help of men. They are sometimes called Amazons, their land Scithia.

Saturne, Juno (470–71). Two forces that Palamon blames for the setbacks that Thebes has suffered. Saturn is the powerful planet. Juno is the jealous wife of Jupiter, who had made love to two Theban women.

Part II

Hereos (516). Eros, a sickness associated with the intense emotion of falling in love.

manye (516). A kind of melancholy madness or mania brought on by the frustration of his love for an inaccessible woman.

Argus (532). In classical mythology, the jealous Juno had set the hundred-eyed Argus as guard to Io, who was a lover of her husband, Jupiter. Argus was killed by Mercury (see line 527), who first sang all of Argus’s hundred eyes to sleep.

Cadme and Amphioun (688). Cadmus and Amphion are the legendary founders of the city of Thebes, home to Palamon and Arcite.

regne of Trace (780). The reference in this and the next lines is to the Thracian kingdom in which a hunter prepares himself at a mountain pass to meet a charging lion or bear.

Part III

Citheroun (1078). Venus’s supposed mountainous island of Cytherea, though Chaucer may have confused the name with the name of a different location.

Ydelnesse, Salamon, Hercules, Medea, Circes, Turnus, Cresus (1082–88). Various literary, historical, and classical allusions, most of them demonstrating the follies and miseries associated with the snares of love.

qualm (1156). Probably a reference to the “pestilence” or bubonic plague that killed millions in Europe during Chaucer’s lifetime. See also line 1611 below, where Saturn claims to have the power to send the plague. The reference to the bubonic plague here is anachronistic, since “The Knight’s Tale” is set in the classical pre-Christian era.

Julius, Nero, Antonius (1173–74). Three famous rulers slaughtered in time of war—exemplary of the mayhem and death caused by mighty Mars. The last is Marcus Aurelius Antoninus Caracalla, a Roman emperor murdered in AD 217.

Puella, Rubeus (1187). Two astrological references to Mars as cast by a complicated process called geomancy, a pseudoscience involving dots and lines.

Calistopee, Dane, Attheon, Atthalante, Meleagre (1198– 1213). Various classical and legendary allusions to hunters or the hunted whose unfortunate tales are depicted on the walls of the temple of Diana, goddess of the hunt.

griffon (1275). A griffin was in Greek mythology a fearsome beast with the head and wings of an eagle on the body of a lion.

in hir houre (1359). Palamon picks his hour of prayer carefully. The various planets were supposed to have special powers on certain hours of the day, hours in which it was particularly propitious to make prayers for their astrological influence. Venus would have had special strength on the twenty-third hour of Sunday night (see line 1351), when it was not yet two hours before dawn on Monday morning (line 1352).

the thridde houre inequal (1413). The medieval astrological day was divided into twenty-four “inequal” or planetary hours. In this system the time between dawn and dusk was divided equally into twelve hours, the time between dusk and the following dawn into twelve more. Except at the two equinoxes, when the daylight hours would have been exactly equal in length to the nighttime hours (that is, sixty minutes), the daylight hours would have been longer or shorter than the hours of darkness, depending on the time of the year—thus the inequality. Emily prays to Diana on the third inequal hour after Palamon prayed to Venus. That would have been the first hour of Monday (“moon day”), or the dawn hour, the hour at which Diana’s power would have been the greatest. Like Palamon, Emily picks her prayer time very carefully.

Stace of Thebes (1436). The Thebaid of Statius, though Chaucer’s more direct source was actually Boccaccio’s Teseida, which he does not mention by name here or elsewhere. Chaucer was often eager to claim an ancient source, not a contemporary one.

Attheon (1445). While hunting, Acteon accidentally saw Diana while she was bathing. In her anger she changed him into a stag, which Acteon’s hunting dogs then killed, not realizing that they were killing their master. See lines 1207–10 above, where Acteon’s unhappy story is artistically summarized on the walls of Diana’s temple.

thre formes (1455). As suggested in lines 1439–42 above, the goddess was imagined to have appeared in various forms. The three referred to here are probably Luna, the moon (in the heavens), the chaste Diana, the huntress (on earth), and Proserpina, the reluctant wife of Pluto (in the underworld).

the nexte houre of Mars (1509). Mars’s next hour, the hour that Arcite would have selected for his prayer to Mars, would have been the fourth hour of that Monday.

Part IV

al that Monday (1628). Monday is given over to partying and celebrations so that the tournament itself takes place the next day, on a Tuesday, or Mars’s day (“Mardi” in French). Since Tuesday is the day when the influence of Mars is strongest, it would not have surprised a medieval audience that Arcite, who had prayed to Mars, wins the tournament.

Galgopheye (1768). Probably a valley in another part of Greece, perhaps Gargaphia.

Belmarye (1772). Probably Benmarin in Morocco but, like the previous name, perhaps just meant to be an exotic place where wild animals were rampant and dangerous.

furie infernal (1826). A fury was an avenging spirit usually confined to the underworld but released from time to time to influence the affairs of men, sometimes to see that justice was done.

vertu expulsif (1891). This “virtue” involved the ability to expel certain harmful poisons from the body. This complex account of the mechanics of Arcite’s dying, the technical details of which are not important here, shows Chaucer’s awareness of the medical terminology of his day.

Firste Moevere (2129). This First Mover who creates the links in the great “chain of love,” though later in the passage identified as Jupiter, may perhaps be read as an anachronistic stand-in for the Judeo-Christian godhead, the all- loving deity who stands above and beyond the planetary gods and goddesses that seem to control the fates of men. This prime mover determines the number of years indi- vidual men and women get to live on earth and arranges things better for them than they could arrange them for themselves.
Copyright © 2006 by Geoffrey Chaucer. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Geoffrey Chaucer (1343-1400), often referred to as “the grandfather of English literature,” is invariably ranked with Shakespeare and Milton as one of the three greatest poets of the English language. His masterpiece, The Canterbury Tales, has been a touchstone for English-language poetry for more than half a millennium and is one of the most widely read works in the Western canon. View titles by Geoffrey Chaucer

Additional formats

  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-1-58836-764-8
    $12.99 US
    Ebook
    Modern Library
    Nov 18, 2008
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-90252-5
    $5.99 US
    Ebook
    Bantam Classics
    May 30, 2006
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-21082-8
    $5.99 US
    Mass Market Paperback
    Bantam Classics
    Feb 01, 1982
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-1-58836-764-8
    $12.99 US
    Ebook
    Modern Library
    Nov 18, 2008
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-90252-5
    $5.99 US
    Ebook
    Bantam Classics
    May 30, 2006
  • The Canterbury Tales
    The Canterbury Tales
    Geoffrey Chaucer
    978-0-553-21082-8
    $5.99 US
    Mass Market Paperback
    Bantam Classics
    Feb 01, 1982

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    Vintage
    Jan 03, 2023
  • Boris Godunov, Little Tragedies, and Others
    Boris Godunov, Little Tragedies, and Others
    The Complete Plays
    Alexander Pushkin
    978-0-593-46756-5
    $17.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Men Without Women
    Men Without Women
    Ernest Hemingway
    978-0-593-46884-5
    $12.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • The Sun Also Rises
    The Sun Also Rises
    Ernest Hemingway
    978-0-593-46634-6
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $11.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $17.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
    $17.00 US
    Paperback
    Vintage
    May 14, 2013
  • The Captain's Daughter and Other Stories
    The Captain's Daughter and Other Stories
    Alexander Pushkin
    978-0-307-83197-2
    $10.99 US
    Ebook
    Vintage
    Feb 27, 2013
  • Anna Karenina (Movie Tie-in Edition)
    Anna Karenina (Movie Tie-in Edition)
    Official Tie-in Edition Including the screenplay by Tom Stoppard
    Leo Tolstoy
    978-0-345-80393-1
    $8.99 US
    Ebook
    Vintage
    Oct 16, 2012
  • The Death of Ivan Ilyich
    The Death of Ivan Ilyich
    Leo Tolstoy
    978-0-307-95133-5
    $9.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • Hadji Murat
    Hadji Murat
    Leo Tolstoy
    978-0-307-95134-2
    $12.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • The Captain's Daughter
    The Captain's Daughter
    And Other Stories
    Alexander Pushkin
    978-0-307-94965-3
    $14.00 US
    Paperback
    Vintage
    Aug 07, 2012
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The House of Mirth
    The House of Mirth
    Edith Wharton
    978-0-307-94952-3
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Ethan Frome
    Ethan Frome
    Edith Wharton
    978-0-307-94953-0
    $10.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-94716-1
    $7.95 US
    Paperback
    Vintage
    Jan 10, 2012
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-307-94717-8
    $12.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-307-94718-5
    $10.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-307-94720-8
    $9.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Parade's End
    Parade's End
    Ford Madox Ford
    978-0-307-74420-3
    $21.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-307-94719-2
    $13.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • A Christmas Carol
    A Christmas Carol
    And Other Christmas Books
    Charles Dickens
    978-0-307-94721-5
    $11.00 US
    Paperback
    Vintage
    Nov 29, 2011
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Fifth Queen
    The Fifth Queen
    Ford Madox Ford
    978-0-307-74491-3
    $15.95 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-0-307-74352-7
    $8.95 US
    Paperback
    Vintage
    Jul 26, 2011
  • The Canterbury Tales
    The Canterbury Tales
    A Prose Version in Modern English
    Geoffrey Chaucer
    978-0-307-74353-4
    $11.00 US
    Paperback
    Vintage
    Jul 12, 2011
  • Dracula
    Dracula
    Bram Stoker
    978-0-307-74330-5
    $11.00 US
    Paperback
    Vintage
    Jun 14, 2011
  • Hawthorne's Short Stories
    Hawthorne's Short Stories
    Nathaniel Hawthorne
    978-0-307-74121-9
    $16.95 US
    Paperback
    Vintage
    Jan 11, 2011
  • Sapphira and the Slave Girl
    Sapphira and the Slave Girl
    Willa Cather
    978-0-307-73965-0
    $15.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • Alexander's Bridge
    Alexander's Bridge
    Willa Cather
    978-0-307-73966-7
    $13.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • The Death of Ivan Ilyich and Other Stories
    The Death of Ivan Ilyich and Other Stories
    Leo Tolstoy
    978-0-307-38886-5
    $17.95 US
    Paperback
    Vintage
    Oct 05, 2010
  • Bel Ami
    Bel Ami
    Guy De Maupassant
    978-0-307-74088-5
    $14.00 US
    Paperback
    Vintage
    Oct 05, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $12.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Tales of the Jazz Age
    Tales of the Jazz Age
    Stories
    F. Scott Fitzgerald
    978-0-307-47637-1
    $11.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Original Frankenstein
    The Original Frankenstein
    Mary Shelley
    978-0-307-47442-1
    $16.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Flappers and Philosophers
    Flappers and Philosophers
    Stories
    F. Scott Fitzgerald
    978-0-307-47452-0
    $11.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Great Tales and Poems of Edgar Allan Poe
    Great Tales and Poems of Edgar Allan Poe
    Edgar Allan Poe
    978-0-307-47477-3
    $12.95 US
    Paperback
    Vintage
    Sep 01, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $11.95 US
    Paperback
    Vintage
    Apr 07, 2009
  • War and Peace
    War and Peace
    Leo Tolstoy
    978-1-4000-7998-8
    $21.00 US
    Paperback
    Vintage
    Dec 02, 2008
  • The Shadow-Line
    The Shadow-Line
    A Confession
    Joseph Conrad
    978-0-307-38653-3
    $10.00 US
    Paperback
    Vintage
    Oct 09, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Pride and Prejudice
    Pride and Prejudice
    Jane Austen
    978-0-307-38686-1
    $7.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • God's Trombones
    God's Trombones
    James Weldon Johnson
    978-0-593-46881-4
    $11.00 US
    Paperback
    Vintage
    Feb 07, 2023
  • Clouds of Witness
    Clouds of Witness
    Dorothy L. Sayers
    978-0-593-46637-7
    $10.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Boris Godunov, Little Tragedies, and Others
    Boris Godunov, Little Tragedies, and Others
    The Complete Plays
    Alexander Pushkin
    978-0-593-46756-5
    $17.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Men Without Women
    Men Without Women
    Ernest Hemingway
    978-0-593-46884-5
    $12.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • The Sun Also Rises
    The Sun Also Rises
    Ernest Hemingway
    978-0-593-46634-6
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $11.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $17.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
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