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Beloved

Part of Vintage International

Author Toni Morrison
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Knopf | Vintage
On sale Jun 08, 2004 | 352 Pages | 978-1-4000-3341-6
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  • English > Comparative Literature > Major Themes: Society
  • English > Comparative Literature: American > African American Fiction
  • English > Literature > American Literature – 20th Century
  • English > Literature > American Literature – African American
  • English > Literature > American Literature – American: Novel
  • English > Literature > American Literature – Southern Literature
  • English > Literature > American Literature Survey – 1870 to Present
  • English > Literature > American Literature Survey – Colonial to 1870
  • English > Literature > American Literature Survey – Colonial to Modern
  • English > Literature > Women and Literature
  • English > Literature > World Literature Survey – 17th Century to Present
  • Interdisciplinary Studies > Race and Ethnic Studies > African American History
  • Interdisciplinary Studies > Race and Ethnic Studies > African American Literature
  • Interdisciplinary Studies > Race and Ethnic Studies > African American Studies
  • Interdisciplinary Studies > Social Science > American Literature and Drama
  • About
  • Excerpt
  • Awards
  • Author
Winner of the Pulitzer Prize
Winner of the Nobel Prize
Winner of the Anisfield-Wolf Book Award for Fiction


Toni Morrison's magnificent Pulitzer Prize-winning novel—first published in 1987—brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.

Sethe works at “beating back the past,” but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present—and to throw off the long-dark legacy of her past—is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.

Upon the original publication of Beloved, John Leonard wrote in the Los Angeles Times: “I can't imagine American literature without it.” In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.
I



124 WAS SPITEFUL. Full of a baby's venom. The women in the house knew it and so did the children. For years each put up with the spite in his own way, but by 1873 Sethe and her daughter Denver were its only victims. The grandmother, Baby Suggs, was dead, and the sons, Howard and Buglar, had run away by the time they were thirteen years old--as soon as merely looking in a mirror shattered it (that was the signal for Buglar); as soon as two tiny band prints appeared in the cake (that was it for Howard). Neither boy waited to see more; another kettleful of chickpeas smoking in a heap on the floor; soda crackers crumbled and strewn in a line next to the doorsill. Nor did they wait for one of the relief periods: the weeks, months even, when nothing was disturbed. No. Each one fled at once--the moment the house committed what was for him the one insult not to be borne or witnessed a second time. Within two months, in the dead of winter, leaving their grandmother, Baby Suggs; Sethe, their mother; and their little sister, Denver, all by themselves in the gray and white house on Bluestone Road. It didn't have a number then, because Cincinnati didn't stretch that far. In fact, Ohio had been calling itself a state only seventy years when first one brother and then the next stuffed quilt packing into his hat, snatched up his shoes, and crept away from the lively spite the house felt for them.

Baby Suggs didn't even raise her head. From her sickbed she heard them go but that wasn't the reason she lay still. It was a wonder to her that her grandsons had taken so long to realize that every house wasn't like the one on Bluestone Road. Suspended between the nastiness of life and the meanness of the dead, she couldn't get interested in leaving life or living it, let alone the fright of two creeping-off boys. Her past had been like her present--intolerable--and since she knew death was anything but forgetfulness, she used the little energy left her for pondering color.

"Bring a little lavender in, if you got any. Pink, if you don't."

And Sethe would oblige her with anything from fabric to her own tongue. Winter in Ohio was especially rough if you had an appetite for color. Sky provided the only drama, and counting on a Cincinnati horizon for life's principal joy was reckless indeed. So Sethe and the girl Denver did what they could, and what the house permitted, for her. Together they waged a perfunctory battle against the outrageous behavior of that place; against turned-over slop jars, smacks on the behind, and gusts of sour air. For they understood the source of the outrage as well as they knew the source of light.

Baby Suggs died shortly after the brothers left, with no interest whatsoever in their leave-taking or hers, and right afterward Sethe and Denver decided to end the persecution by calling forth the ghost that tried them so. Perhaps a conversation, they thought, an exchange of views or something would help. So they held hands and said, "Come on. Come on. You may as well just come on."

The sideboard took a step forward but nothing else did.

"Grandma Baby must be stopping it," said Denver. She was ten and still mad at Baby Suggs for dying.

Sethe opened her eyes. "I doubt that," she said.

"Then why don't it come?"

"You forgetting how little it is," said her mother. "She wasn't even two years old when she died. Too little to understand. Too little to talk much even."

"Maybe she don't want to understand," said Denver.

"Maybe. But if she'd only come, I could make it clear to her." Sethe released her daughter's hand and together they pushed the sideboard back against the wall. Outside a driver whipped his horse into the gallop local people felt necessary when they passed 124.

"For a baby she throws a powerful spell," said Denver.

"No more powerful than the way I loved her," Sethe answered and there it was again. The welcoming cool of unchiseled headstones; the one she selected to lean against on tiptoe, her knees wide open as any grave. Pink as a fingernail it was, and sprinkled with glittering chips. Ten minutes, he said. You got ten minutes I'll do it for free.

Ten minutes for seven letters. With another ten could she have gotten "Dearly" too? She had not thought to ask him and it bothered her still that it might have been possible--that for twenty minutes, a half hour, say, she could have had the whole thing, every word she heard the preacher say at the funeral (and all there was to say, surely) engraved on her baby's headstone: Dearly Beloved. But what she got, settled for, was the one word that mattered. She thought it would be enough, rutting among the headstones with the engraver, his young son looking on, the anger in his face so old; the appetite in it quite new. That should certainly be enough. Enough to answer one more preacher, one more abolitionist and a town full of disgust.

Counting on the stillness of her own soul, she had forgotten the other one: the soul of her baby girl. Who would have thought that a little old baby could harbor so much rage? Rutting among the stones under the eyes of the engraver's son was not enough. Not only did she have to live out her years in a house palsied by the baby's fury at having its throat cut, but those ten minutes she spent pressed up against dawn-colored stone studded with star chips, her knees wide open as the grave, were longer than life, more alive, more pulsating than the baby blood that soaked her fingers like oil.

"We could move," she suggested once to her mother-in-law.

"What'd be the point?" asked Baby Suggs. "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby. My husband's spirit was to come back in here? or yours? Don't talk to me. You lucky. You got three left. Three pulling at your skirts and just one raising hell from the other side. Be thankful, why don't you? I had eight. Every one of them gone away from me. Four taken, four chased, and all, I expect, worrying somebody's house into evil." Baby Suggs rubbed her eyebrows. "My firstborn. All I can remember of her is how she loved the burned bottom of bread. Can you beat that? Eight children and that's all I remember."

"That's all you let yourself remember," Sethe had told her, but she was down to one herself--one alive, that is--the boys chased off by the dead one, and her memory of Buglar was fading fast. Howard at least had a head shape nobody could forget. As for the rest, she worked hard to remember as close to nothing as was safe. Unfortunately her brain was devious. She might be hurrying across a field, running practically, to get to the pump quickly and rinse the chamomile sap from her legs. Nothing else would be in her mind. The picture of the men coming to nurse her was as lifeless as the nerves in her back where the skin buckled like a washboard. Nor was there the faintest scent of ink or the cherry gum and oak bark from which it was made. Nothing. Just the breeze cooling her face as she rushed toward water. And then sopping the chamomile away with pump water and rags, her mind fixed on getting every last bit of sap off--on her carelessness in taking a shortcut across the field just to save a half mile, and not noticing how high the weeds had grown until the itching was all the way to her knees. Then something. The plash of water, the sight of her shoes and stockings awry on the path where she had flung them; or Here Boy lapping in the puddle near her feet, and suddenly there was Sweet Home rolling, rolling, rolling out before her eyes, and although there was not a leaf on that farm that did not make her want to scream, it rolled itself out before her in shameless beauty. It never looked as terrible as it was and it made her wonder if hell was a pretty place too. Fire and brimstone all right, but hidden in lacy groves. Boys hanging from the most beautiful sycamores in the world. It shamed her--remembering the wonderful soughing trees rather than the boys. Try as she might to make it otherwise, the sycamores beat out the children every time and she could not forgive her memory for that.

When the last of the chamomile was gone, she went around to the front of the house, collecting her shoes and stockings on the way. As if to punish her further for her terrible memory, sitting on the porch not forty feet away was Paul D, the last of the Sweet Home men. And although she could never mistake his face for another's, she said, "Is that you?"

"What's left." He stood up and smiled. "How you been, girl, besides barefoot?"

When she laughed it came out loose and young. "Messed up my legs back yonder. Chamomile."

He made a face as though tasting a teaspoon of something bitter. "I don't want to even hear 'bout it. Always did hate that stuff."

Sethe balled up her stockings and jammed them into her pocket. "Come on in."

"Porch is fine, Sethe. Cool out here." He sat back down and looked at the meadow on the other side of the road, knowing the eagerness he felt would be in his eyes.

"Eighteen years," she said softly.

"Eighteen," he repeated. "And I swear I been walking every one of em. Mind if I join you?" He nodded toward her feet and began unlacing his shoes.

"You want to soak them? Let me get you a basin of water." She moved closer to him to enter the house.

"No, uh uh. Can't baby feet. A whole lot more tramping they got to do yet."

"You can't leave right away, Paul D. You got to stay awhile."

"Well, long enough to see Baby Suggs, anyway. Where is she?"

''Dead.''

"Aw no. When?"

"Eight years now. Almost nine."

"Was it hard? I hope she didn't die hard."

Sethe shook her head. "Soft as cream. Being alive was the hard part. Sorry you missed her though. Is that what you came by for?"

"That's some of what I came for. The rest is you. But if all the truth be known, I go anywhere these days. Anywhere they let me sit down."

"You looking good."

"Devil's confusion. He lets me look good long as I feel bad." He looked at her and the word "bad" took on another meaning.

Sethe smiled. This is the way they were--had been. All of the Sweet Home men, before and after Halle, treated her to a mild brotherly flirtation, so subtle you had to scratch for it.

Except for a heap more hair and some waiting in his eyes, he looked the way he had in Kentucky. Peachstone skin; straight-backed. For a man with an immobile face it was amazing how ready it was to smile, or blaze or be sorry with you. As though all you had to do was get his attention and right away he produced the feeling you were feeling. With less than a blink, his face seemed to change--underneath it lay the activity.

"I wouldn't have to ask about him, would I? You'd tell me if there was anything to tell, wouldn't you?" Sethe looked down at her feet and saw again the sycamores.

"I'd tell you. Sure I'd tell you. I don't know any more now than I did then." Except for the churn, he thought, and you don't need to know that. "You must think he's still alive."

"No. I think he's dead. It's not being sure that keeps him alive."

"What did Baby Suggs think?"

"Same, but to listen to her, all her children is dead. Claimed she felt each one go the very day and hour."

"When she say Halle went?"

"Eighteen fifty-five. The day my baby was born."

"You had that baby, did you? Never thought you'd make it." He chuckled. "Running off pregnant."

"Had to. Couldn't be no waiting." She lowered her head and thought, as he did, how unlikely it was that she had made it. And if it hadn't been for that girl looking for velvet, she never would have.

"All by yourself too." He was proud of her and annoyed by her. Proud she had done it; annoyed that she had not needed Halle or him in the doing.

"Almost by myself. Not all by myself. A whitegirl helped me."

"Then she helped herself too, God bless her."

"You could stay the night, Paul D."

"You don't sound too steady in the offer."

Sethe glanced beyond his shoulder toward the closed door. "Oh it's truly meant. I just hope you'll pardon my house. Come on in. Talk to Denver while I cook you something."

Paul D tied his shoes together, hung them over his shoulder and followed her through the door straight into a pool of red and undulating light that locked him where he stood.

"You got company?" he whispered, frowning.

"Off and on," said Sethe.

"Good God." He backed out the door onto the porch. "What kind of evil you got in here?"

"It's not evil, just sad. Come on. Just step through."

He looked at her then, closely. Closer than he had when she first rounded the house on wet and shining legs, holding her shoes and stockings up in one hand, her skirts in the other. Halle's girl--the one with iron eyes and backbone to match. He had never seen her hair in Kentucky. And though her face was eighteen years older than when last he saw her, it was softer now. Because of the hair. A face too still for comfort; irises the same color as her skin, which, in that still face, used to make him think of a mask with mercifully punched-out eyes. Halle's woman. Pregnant every year including the year she sat by the fire telling him she was going to run. Her three children she had already packed into a wagonload of others in a caravan of Negroes crossing the river. They were to be left with Halle's mother near Cincinnati. Even in that tiny shack, leaning so close to the fire you could smell the heat in her dress, her eyes did not pick up a flicker of light. They were like two wells into which he had trouble gazing. Even punched out they needed to be covered, lidded, marked with some sign to warn folks of what that emptiness held. So he looked instead at the fire while she told him, because her husband was not there for the telling. Mr. Garner was dead and his wife had a lump in her neck the size of a sweet potato and unable to speak to anyone. She leaned as close to the fire as her pregnant belly allowed and told him, Paul D, the last of the Sweet Home men.
Copyright © 2004 by Toni Morrison. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
  • WINNER | 1993
    Nobel Prize
  • WINNER | 1993
    Nobel Prize
  • WINNER | 1988
    Anisfield-Wolf Book Award
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • AWARD | 1988
    Robert F. Kennedy Book Award
TONI MORRISON is the author of eleven novels and three essay collections. She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 the Nobel Prize in Literature. She died in 2019. View titles by Toni Morrison

About

Winner of the Pulitzer Prize
Winner of the Nobel Prize
Winner of the Anisfield-Wolf Book Award for Fiction


Toni Morrison's magnificent Pulitzer Prize-winning novel—first published in 1987—brought the unimaginable experience of slavery into the literature of our time and into our comprehension. Set in post-Civil War Ohio, it is the story of Sethe, an escaped slave who has risked her life in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad. Sethe, who now lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing apparition who calls herself Beloved.

Sethe works at “beating back the past,” but it makes itself heard and felt incessantly: in her memory; in Denver's fear of the world outside the house; in the sadness that consumes Baby Suggs; in the arrival of Paul D, a fellow former slave; and, most powerfully, in Beloved, whose childhood belongs to the hideous logic of slavery and who has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining possession of her present—and to throw off the long-dark legacy of her past—is at the center of this spellbinding novel. But it also moves beyond its particulars, combining imagination and the vision of legend with the unassailable truths of history.

Upon the original publication of Beloved, John Leonard wrote in the Los Angeles Times: “I can't imagine American literature without it.” In fact, more than a decade later, it remains a preeminent novel of our time, speaking with timeless clarity and power to our experience as a nation with a past of both abominable and ennobling circumstance.

Excerpt

I



124 WAS SPITEFUL. Full of a baby's venom. The women in the house knew it and so did the children. For years each put up with the spite in his own way, but by 1873 Sethe and her daughter Denver were its only victims. The grandmother, Baby Suggs, was dead, and the sons, Howard and Buglar, had run away by the time they were thirteen years old--as soon as merely looking in a mirror shattered it (that was the signal for Buglar); as soon as two tiny band prints appeared in the cake (that was it for Howard). Neither boy waited to see more; another kettleful of chickpeas smoking in a heap on the floor; soda crackers crumbled and strewn in a line next to the doorsill. Nor did they wait for one of the relief periods: the weeks, months even, when nothing was disturbed. No. Each one fled at once--the moment the house committed what was for him the one insult not to be borne or witnessed a second time. Within two months, in the dead of winter, leaving their grandmother, Baby Suggs; Sethe, their mother; and their little sister, Denver, all by themselves in the gray and white house on Bluestone Road. It didn't have a number then, because Cincinnati didn't stretch that far. In fact, Ohio had been calling itself a state only seventy years when first one brother and then the next stuffed quilt packing into his hat, snatched up his shoes, and crept away from the lively spite the house felt for them.

Baby Suggs didn't even raise her head. From her sickbed she heard them go but that wasn't the reason she lay still. It was a wonder to her that her grandsons had taken so long to realize that every house wasn't like the one on Bluestone Road. Suspended between the nastiness of life and the meanness of the dead, she couldn't get interested in leaving life or living it, let alone the fright of two creeping-off boys. Her past had been like her present--intolerable--and since she knew death was anything but forgetfulness, she used the little energy left her for pondering color.

"Bring a little lavender in, if you got any. Pink, if you don't."

And Sethe would oblige her with anything from fabric to her own tongue. Winter in Ohio was especially rough if you had an appetite for color. Sky provided the only drama, and counting on a Cincinnati horizon for life's principal joy was reckless indeed. So Sethe and the girl Denver did what they could, and what the house permitted, for her. Together they waged a perfunctory battle against the outrageous behavior of that place; against turned-over slop jars, smacks on the behind, and gusts of sour air. For they understood the source of the outrage as well as they knew the source of light.

Baby Suggs died shortly after the brothers left, with no interest whatsoever in their leave-taking or hers, and right afterward Sethe and Denver decided to end the persecution by calling forth the ghost that tried them so. Perhaps a conversation, they thought, an exchange of views or something would help. So they held hands and said, "Come on. Come on. You may as well just come on."

The sideboard took a step forward but nothing else did.

"Grandma Baby must be stopping it," said Denver. She was ten and still mad at Baby Suggs for dying.

Sethe opened her eyes. "I doubt that," she said.

"Then why don't it come?"

"You forgetting how little it is," said her mother. "She wasn't even two years old when she died. Too little to understand. Too little to talk much even."

"Maybe she don't want to understand," said Denver.

"Maybe. But if she'd only come, I could make it clear to her." Sethe released her daughter's hand and together they pushed the sideboard back against the wall. Outside a driver whipped his horse into the gallop local people felt necessary when they passed 124.

"For a baby she throws a powerful spell," said Denver.

"No more powerful than the way I loved her," Sethe answered and there it was again. The welcoming cool of unchiseled headstones; the one she selected to lean against on tiptoe, her knees wide open as any grave. Pink as a fingernail it was, and sprinkled with glittering chips. Ten minutes, he said. You got ten minutes I'll do it for free.

Ten minutes for seven letters. With another ten could she have gotten "Dearly" too? She had not thought to ask him and it bothered her still that it might have been possible--that for twenty minutes, a half hour, say, she could have had the whole thing, every word she heard the preacher say at the funeral (and all there was to say, surely) engraved on her baby's headstone: Dearly Beloved. But what she got, settled for, was the one word that mattered. She thought it would be enough, rutting among the headstones with the engraver, his young son looking on, the anger in his face so old; the appetite in it quite new. That should certainly be enough. Enough to answer one more preacher, one more abolitionist and a town full of disgust.

Counting on the stillness of her own soul, she had forgotten the other one: the soul of her baby girl. Who would have thought that a little old baby could harbor so much rage? Rutting among the stones under the eyes of the engraver's son was not enough. Not only did she have to live out her years in a house palsied by the baby's fury at having its throat cut, but those ten minutes she spent pressed up against dawn-colored stone studded with star chips, her knees wide open as the grave, were longer than life, more alive, more pulsating than the baby blood that soaked her fingers like oil.

"We could move," she suggested once to her mother-in-law.

"What'd be the point?" asked Baby Suggs. "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby. My husband's spirit was to come back in here? or yours? Don't talk to me. You lucky. You got three left. Three pulling at your skirts and just one raising hell from the other side. Be thankful, why don't you? I had eight. Every one of them gone away from me. Four taken, four chased, and all, I expect, worrying somebody's house into evil." Baby Suggs rubbed her eyebrows. "My firstborn. All I can remember of her is how she loved the burned bottom of bread. Can you beat that? Eight children and that's all I remember."

"That's all you let yourself remember," Sethe had told her, but she was down to one herself--one alive, that is--the boys chased off by the dead one, and her memory of Buglar was fading fast. Howard at least had a head shape nobody could forget. As for the rest, she worked hard to remember as close to nothing as was safe. Unfortunately her brain was devious. She might be hurrying across a field, running practically, to get to the pump quickly and rinse the chamomile sap from her legs. Nothing else would be in her mind. The picture of the men coming to nurse her was as lifeless as the nerves in her back where the skin buckled like a washboard. Nor was there the faintest scent of ink or the cherry gum and oak bark from which it was made. Nothing. Just the breeze cooling her face as she rushed toward water. And then sopping the chamomile away with pump water and rags, her mind fixed on getting every last bit of sap off--on her carelessness in taking a shortcut across the field just to save a half mile, and not noticing how high the weeds had grown until the itching was all the way to her knees. Then something. The plash of water, the sight of her shoes and stockings awry on the path where she had flung them; or Here Boy lapping in the puddle near her feet, and suddenly there was Sweet Home rolling, rolling, rolling out before her eyes, and although there was not a leaf on that farm that did not make her want to scream, it rolled itself out before her in shameless beauty. It never looked as terrible as it was and it made her wonder if hell was a pretty place too. Fire and brimstone all right, but hidden in lacy groves. Boys hanging from the most beautiful sycamores in the world. It shamed her--remembering the wonderful soughing trees rather than the boys. Try as she might to make it otherwise, the sycamores beat out the children every time and she could not forgive her memory for that.

When the last of the chamomile was gone, she went around to the front of the house, collecting her shoes and stockings on the way. As if to punish her further for her terrible memory, sitting on the porch not forty feet away was Paul D, the last of the Sweet Home men. And although she could never mistake his face for another's, she said, "Is that you?"

"What's left." He stood up and smiled. "How you been, girl, besides barefoot?"

When she laughed it came out loose and young. "Messed up my legs back yonder. Chamomile."

He made a face as though tasting a teaspoon of something bitter. "I don't want to even hear 'bout it. Always did hate that stuff."

Sethe balled up her stockings and jammed them into her pocket. "Come on in."

"Porch is fine, Sethe. Cool out here." He sat back down and looked at the meadow on the other side of the road, knowing the eagerness he felt would be in his eyes.

"Eighteen years," she said softly.

"Eighteen," he repeated. "And I swear I been walking every one of em. Mind if I join you?" He nodded toward her feet and began unlacing his shoes.

"You want to soak them? Let me get you a basin of water." She moved closer to him to enter the house.

"No, uh uh. Can't baby feet. A whole lot more tramping they got to do yet."

"You can't leave right away, Paul D. You got to stay awhile."

"Well, long enough to see Baby Suggs, anyway. Where is she?"

''Dead.''

"Aw no. When?"

"Eight years now. Almost nine."

"Was it hard? I hope she didn't die hard."

Sethe shook her head. "Soft as cream. Being alive was the hard part. Sorry you missed her though. Is that what you came by for?"

"That's some of what I came for. The rest is you. But if all the truth be known, I go anywhere these days. Anywhere they let me sit down."

"You looking good."

"Devil's confusion. He lets me look good long as I feel bad." He looked at her and the word "bad" took on another meaning.

Sethe smiled. This is the way they were--had been. All of the Sweet Home men, before and after Halle, treated her to a mild brotherly flirtation, so subtle you had to scratch for it.

Except for a heap more hair and some waiting in his eyes, he looked the way he had in Kentucky. Peachstone skin; straight-backed. For a man with an immobile face it was amazing how ready it was to smile, or blaze or be sorry with you. As though all you had to do was get his attention and right away he produced the feeling you were feeling. With less than a blink, his face seemed to change--underneath it lay the activity.

"I wouldn't have to ask about him, would I? You'd tell me if there was anything to tell, wouldn't you?" Sethe looked down at her feet and saw again the sycamores.

"I'd tell you. Sure I'd tell you. I don't know any more now than I did then." Except for the churn, he thought, and you don't need to know that. "You must think he's still alive."

"No. I think he's dead. It's not being sure that keeps him alive."

"What did Baby Suggs think?"

"Same, but to listen to her, all her children is dead. Claimed she felt each one go the very day and hour."

"When she say Halle went?"

"Eighteen fifty-five. The day my baby was born."

"You had that baby, did you? Never thought you'd make it." He chuckled. "Running off pregnant."

"Had to. Couldn't be no waiting." She lowered her head and thought, as he did, how unlikely it was that she had made it. And if it hadn't been for that girl looking for velvet, she never would have.

"All by yourself too." He was proud of her and annoyed by her. Proud she had done it; annoyed that she had not needed Halle or him in the doing.

"Almost by myself. Not all by myself. A whitegirl helped me."

"Then she helped herself too, God bless her."

"You could stay the night, Paul D."

"You don't sound too steady in the offer."

Sethe glanced beyond his shoulder toward the closed door. "Oh it's truly meant. I just hope you'll pardon my house. Come on in. Talk to Denver while I cook you something."

Paul D tied his shoes together, hung them over his shoulder and followed her through the door straight into a pool of red and undulating light that locked him where he stood.

"You got company?" he whispered, frowning.

"Off and on," said Sethe.

"Good God." He backed out the door onto the porch. "What kind of evil you got in here?"

"It's not evil, just sad. Come on. Just step through."

He looked at her then, closely. Closer than he had when she first rounded the house on wet and shining legs, holding her shoes and stockings up in one hand, her skirts in the other. Halle's girl--the one with iron eyes and backbone to match. He had never seen her hair in Kentucky. And though her face was eighteen years older than when last he saw her, it was softer now. Because of the hair. A face too still for comfort; irises the same color as her skin, which, in that still face, used to make him think of a mask with mercifully punched-out eyes. Halle's woman. Pregnant every year including the year she sat by the fire telling him she was going to run. Her three children she had already packed into a wagonload of others in a caravan of Negroes crossing the river. They were to be left with Halle's mother near Cincinnati. Even in that tiny shack, leaning so close to the fire you could smell the heat in her dress, her eyes did not pick up a flicker of light. They were like two wells into which he had trouble gazing. Even punched out they needed to be covered, lidded, marked with some sign to warn folks of what that emptiness held. So he looked instead at the fire while she told him, because her husband was not there for the telling. Mr. Garner was dead and his wife had a lump in her neck the size of a sweet potato and unable to speak to anyone. She leaned as close to the fire as her pregnant belly allowed and told him, Paul D, the last of the Sweet Home men.
Copyright © 2004 by Toni Morrison. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Awards

  • WINNER | 1993
    Nobel Prize
  • WINNER | 1993
    Nobel Prize
  • WINNER | 1988
    Anisfield-Wolf Book Award
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • WINNER | 1988
    Pulitzer Prize
  • AWARD | 1988
    Robert F. Kennedy Book Award

Author

TONI MORRISON is the author of eleven novels and three essay collections. She received the National Book Critics Circle Award, the Pulitzer Prize, and in 1993 the Nobel Prize in Literature. She died in 2019. View titles by Toni Morrison

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    D.H. Lawrence
    978-0-375-75965-9
    $12.00 US
    Paperback
    Modern Library
    Feb 12, 2002
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    Palace Walk, Palace of Desire, Sugar Street; Introduction by Sabry Hafez
    Naguib Mahfouz
    978-0-375-41331-5
    $40.00 US
    Hardcover
    Everyman's Library
    Oct 16, 2001
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    Introduction by Malcolm Bradbury
    John Updike
    978-0-375-41176-2
    $25.00 US
    Hardcover
    Everyman's Library
    Mar 27, 2001
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    A House for Mr. Biswas
    A Novel
    V. S. Naipaul
    978-0-375-70716-2
    $18.00 US
    Paperback
    Vintage
    Mar 13, 2001
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    W. Somerset Maugham
    978-0-375-75315-2
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    Paperback
    Modern Library
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    The Underworld U.S.A. Trilogy, Volume I
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    Everyman's Library
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    $25.00 US
    Hardcover
    Everyman's Library
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    $27.00 US
    Hardcover
    Everyman's Library
    Apr 10, 2018
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    Introduction by Rachel Kushner
    Marguerite Duras
    978-1-101-90793-1
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 14, 2017
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    Introduction by Lucy Hughes-Hallett
    Daphne du Maurier
    978-1-101-90787-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 07, 2017
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    Mavis Gallant
    978-1-101-90763-4
    $35.00 US
    Hardcover
    Everyman's Library
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    Introduction by Sarah Churchwell
    Iris Murdoch
    978-1-101-90766-5
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2016
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    Go Tell It on the Mountain
    Introduction by Edwidge Danticat
    James Baldwin
    978-1-101-90761-0
    $24.00 US
    Hardcover
    Everyman's Library
    Mar 01, 2016
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    Introduction by Colm Tóibín
    James Baldwin
    978-1-101-90774-0
    $22.00 US
    Hardcover
    Everyman's Library
    Mar 01, 2016
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    The Adventures of Augie March
    Introduction by Martin Amis
    Saul Bellow
    978-1-101-90771-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 04, 2015
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    The Book of Evidence, The Sea
    Introduction by Adam Phillips
    John Banville
    978-0-375-71272-2
    $25.95 US
    Hardcover
    Everyman's Library
    Apr 21, 2015
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    Hopscotch, Blow-Up, We Love Glenda So Much
    Introduction by Ilan Stavans
    Julio Cortazar
    978-0-375-71266-1
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 12, 2014
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    The Transylvanian Trilogy, Volume I
    They Were Counted; Introduction by Hugh Thomas
    Miklos Banffy
    978-0-375-71229-6
    $32.00 US
    Hardcover
    Everyman's Library
    Jul 02, 2013
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    The Transylvanian Trilogy, Volumes II & III
    They Were Found Wanting, They Were Divided; Introduction by Patrick Thursfield
    Miklos Banffy
    978-0-375-71230-2
    $32.00 US
    Hardcover
    Everyman's Library
    Jul 02, 2013
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    978-0-307-96143-3
    $28.95 US
    Hardcover
    Everyman's Library
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    Introduction by Nicholas Shakespeare
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    978-0-307-96149-5
    $24.95 US
    Hardcover
    Everyman's Library
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    Introduction by John Sutherland
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    $30.00 US
    Hardcover
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    Selected Travel Writing
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    Paperback
    Vintage
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    The Golden Compass, The Subtle Knife, The Amber Spyglass; Introduction by Lucy Hughes-Hallett
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    Paperback
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    Everyman's Library
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    978-0-307-59402-0
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    Hardcover
    Everyman's Library
    Apr 12, 2011
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    Burmese Days, Keep the Aspidistra Flying, Coming Up for Air
    Introduction by John Carey
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    Hardcover
    Everyman's Library
    Apr 05, 2011
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    Foundation, Foundation and Empire, Second Foundation
    Introduction by Michael Dirda
    Isaac Asimov
    978-0-307-59396-2
    $32.00 US
    Hardcover
    Everyman's Library
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  • The Stories of Ray Bradbury
    The Stories of Ray Bradbury
    Introduction by Christopher Buckley
    Ray Bradbury
    978-0-307-26905-8
    $35.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2010
  • Flashman, Flash for Freedom!, Flashman in the Great Game
    Flashman, Flash for Freedom!, Flashman in the Great Game
    Introduction by Michael Dirda
    George MacDonald Fraser
    978-0-307-59268-2
    $30.00 US
    Hardcover
    Everyman's Library
    Feb 02, 2010
  • The African Trilogy
    The African Trilogy
    Things Fall Apart, No Longer at Ease, and Arrow of God; Introduction by Chimamanda Ngozi Adichie
    Chinua Achebe
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    $30.00 US
    Hardcover
    Everyman's Library
    Jan 05, 2010
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • The Best of Frank O'Connor
    The Best of Frank O'Connor
    Introduction by Julian Barnes
    Frank O'Connor
    978-0-307-26904-1
    $27.00 US
    Hardcover
    Everyman's Library
    Jun 09, 2009
  • The Bascombe Novels
    The Bascombe Novels
    Written and Introduced by Richard Ford
    Richard Ford
    978-0-307-26903-4
    $35.00 US
    Hardcover
    Everyman's Library
    Apr 14, 2009
  • Revolutionary Road, The Easter Parade, Eleven Kinds of Loneliness
    Revolutionary Road, The Easter Parade, Eleven Kinds of Loneliness
    Introduction by Richard Price
    Richard Yates
    978-0-307-27089-4
    $27.00 US
    Hardcover
    Everyman's Library
    Jan 06, 2009
  • David Golder, The Ball, Snow in Autumn, The Courilof Affair
    David Golder, The Ball, Snow in Autumn, The Courilof Affair
    Introduction by Claire Messud
    Irene Nemirovsky
    978-0-307-26708-5
    $25.00 US
    Hardcover
    Everyman's Library
    Jan 15, 2008
  • The Complete Novels of Flann O'Brien
    The Complete Novels of Flann O'Brien
    Introduction by Keith Donohue
    Flann O'Brien
    978-0-307-26749-8
    $35.00 US
    Hardcover
    Everyman's Library
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  • The Collected Works of Kahlil Gibran
    The Collected Works of Kahlil Gibran
    Kahlil Gibran
    978-0-307-26707-8
    $30.00 US
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    Everyman's Library
    Oct 23, 2007
  • Love in the Time of Cholera
    Love in the Time of Cholera
    Gabriel García Márquez
    978-0-307-38973-2
    $16.95 US
    Paperback
    Vintage
    Oct 05, 2007
  • The Dain Curse, The Glass Key, and Selected Stories
    The Dain Curse, The Glass Key, and Selected Stories
    Introduction by James Ellroy
    Dashiell Hammett
    978-0-307-26669-9
    $24.00 US
    Hardcover
    Everyman's Library
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  • The Raj Quartet (1)
    The Raj Quartet (1)
    The Jewel in the Crown, The Day of the Scorpion; Introduction by Hilary Spurling
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    Everyman's Library
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  • The Raj Quartet (2)
    The Raj Quartet (2)
    The Towers of Silence, A Division of the Spoils; Introduction by Hilary Spurling
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    $35.00 US
    Hardcover
    Everyman's Library
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    The Best of Wodehouse
    An Anthology; Introduction by John Mortimer
    P.G. Wodehouse
    978-0-307-26661-3
    $35.00 US
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    Everyman's Library
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    Three Novels of Ancient Egypt: Khufu's Wisdom, Rhadopis of Nubia, Thebes at War
    Introduction by Nadine Gordimer
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    978-0-307-26624-8
    $30.00 US
    Hardcover
    Everyman's Library
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    The Handmaid's Tale
    Introduction by Valerie Martin
    Margaret Atwood
    978-0-307-26460-2
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 17, 2006
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    We Tell Ourselves Stories in Order to Live
    Collected Nonfiction; Introduction by John Leonard
    Joan Didion
    978-0-307-26487-9
    $35.00 US
    Hardcover
    Everyman's Library
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    Roald Dahl
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    $32.00 US
    Hardcover
    Everyman's Library
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    A Personal Selection of Stories; Introduction by Margaret Atwood
    Alice Munro
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    $27.00 US
    Hardcover
    Everyman's Library
    Sep 26, 2006
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    Introduction by David Lodge
    Umberto Eco
    978-0-307-26489-3
    $30.00 US
    Hardcover
    Everyman's Library
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    Salman Rushdie
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    Random House Trade Paperbacks
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    Everyman's Library
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    Mr. Sampath-The Printer of Malgudi, The Financial Expert, Waiting for the Mahatma
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    R. K. Narayan
    978-1-4000-4477-1
    $30.00 US
    Hardcover
    Everyman's Library
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    Orhan Pamuk
    978-0-375-70686-8
    $18.00 US
    Paperback
    Vintage
    Jul 19, 2005
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    The Garden of the Finzi-Continis
    Introduction by Tim Parks
    Giorgio Bassani
    978-1-4000-4422-1
    $23.00 US
    Hardcover
    Everyman's Library
    Jul 19, 2005
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    Joseph and His Brothers
    Translated and Introduced by John E. Woods
    Thomas Mann
    978-1-4000-4001-8
    $42.00 US
    Hardcover
    Everyman's Library
    May 10, 2005
  • The House of the Spirits
    The House of the Spirits
    Introduced by Christopher Hitchens
    Isabel Allende
    978-1-4000-4318-7
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 19, 2005
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    The Woman Warrior, China Men
    Introduction by Mary Gordon
    Maxine Hong Kingston
    978-1-4000-4384-2
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 12, 2005
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    The Plague, The Fall, Exile and the Kingdom, and Selected Essays
    Introduction by David Bellos
    Albert Camus
    978-1-4000-4255-5
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 17, 2004
  • Collected Stories of W. Somerset Maugham
    Collected Stories of W. Somerset Maugham
    Introduction by Nicholas Shakespeare
    W. Somerset Maugham
    978-1-4000-4253-1
    $28.00 US
    Hardcover
    Everyman's Library
    Jul 06, 2004
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    Song of Solomon
    Toni Morrison
    978-1-4000-3342-3
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
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    The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem
    Introduction by Frank Kermode
    Muriel Spark
    978-1-4000-4206-7
    $25.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2004
  • A Thousand Acres
    A Thousand Acres
    A Novel
    Jane Smiley
    978-1-4000-3383-6
    $16.95 US
    Paperback
    Anchor
    Dec 02, 2003
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    The General in His Labyrinth
    Gabriel García Márquez
    978-1-4000-3470-3
    $16.95 US
    Paperback
    Vintage
    Oct 07, 2003
  • Offshore, Human Voices, The Beginning of Spring
    Offshore, Human Voices, The Beginning of Spring
    Introduction by John Bayley
    Penelope Fitzgerald
    978-1-4000-4125-1
    $25.00 US
    Hardcover
    Everyman's Library
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    The Bookshop, The Gate of Angels, The Blue Flower
    Introduction by Frank Kermode
    Penelope Fitzgerald
    978-1-4000-4126-8
    $27.00 US
    Hardcover
    Everyman's Library
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    Introduction by Robert Polito
    James M. Cain
    978-0-375-41438-1
    $27.00 US
    Hardcover
    Everyman's Library
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    Atonement
    A Novel
    Ian McEwan
    978-0-385-72179-0
    $17.00 US
    Paperback
    Anchor
    Feb 25, 2003
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    Zeno's Conscience
    A Novel
    Italo Svevo
    978-0-375-72776-4
    $17.95 US
    Paperback
    Vintage
    Feb 04, 2003
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    Collected Stories of Raymond Chandler
    Introduction by John Bayley
    Raymond Chandler
    978-0-375-41500-5
    $35.00 US
    Hardcover
    Everyman's Library
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    Introduction by Diane Johnson
    Raymond Chandler
    978-0-375-41501-2
    $30.00 US
    Hardcover
    Everyman's Library
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    Introduction by Tom Hiney
    Raymond Chandler
    978-0-375-41502-9
    $32.00 US
    Hardcover
    Everyman's Library
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    Orwell: Essays
    Introduction by John Carey
    George Orwell
    978-0-375-41503-6
    $42.00 US
    Hardcover
    Everyman's Library
    Oct 15, 2002
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    My Name Is Red
    Orhan Pamuk
    978-0-375-70685-1
    $17.95 US
    Paperback
    Vintage
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    The Rainbow
    D.H. Lawrence
    978-0-375-75965-9
    $12.00 US
    Paperback
    Modern Library
    Feb 12, 2002
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    The Cairo Trilogy
    Palace Walk, Palace of Desire, Sugar Street; Introduction by Sabry Hafez
    Naguib Mahfouz
    978-0-375-41331-5
    $40.00 US
    Hardcover
    Everyman's Library
    Oct 16, 2001
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    The Complete Henry Bech
    Introduction by Malcolm Bradbury
    John Updike
    978-0-375-41176-2
    $25.00 US
    Hardcover
    Everyman's Library
    Mar 27, 2001
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    A House for Mr. Biswas
    A Novel
    V. S. Naipaul
    978-0-375-70716-2
    $18.00 US
    Paperback
    Vintage
    Mar 13, 2001
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    Of Human Bondage
    W. Somerset Maugham
    978-0-375-75315-2
    $14.00 US
    Paperback
    Modern Library
    Mar 02, 1999
  • The Diary of a Young Girl
    The Diary of a Young Girl
    The Definitive Edition
    Anne Frank
    978-0-553-57712-9
    $7.99 US
    Mass Market Paperback
    Bantam
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    Toni Morrison
    978-0-307-27676-6
    $16.00 US
    Paperback
    Vintage
    Aug 11, 2009
  • Paradise
    Paradise
    Toni Morrison
    978-0-307-57787-0
    $15.00 US
    Audiobook Download
    Random House Audio
    Mar 24, 2009
  • The Nobel Lecture In Literature, 1993
    The Nobel Lecture In Literature, 1993
    Toni Morrison
    978-0-307-53896-3
    $8.99 US
    Ebook
    Knopf
    Jan 16, 2009
  • The Dancing Mind
    The Dancing Mind
    Toni Morrison
    978-0-307-38809-4
    $9.99 US
    Ebook
    Vintage
    Jul 24, 2007
  • The Bluest Eye
    The Bluest Eye
    Toni Morrison
    978-0-307-27844-9
    $16.00 US
    Paperback
    Vintage
    May 08, 2007
  • Love
    Love
    A Novel
    Toni Morrison
    978-1-4000-7847-9
    $16.00 US
    Paperback
    Vintage
    Jan 04, 2005
  • Sula
    Sula
    Toni Morrison
    978-1-4000-3343-0
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Tar Baby
    Tar Baby
    Toni Morrison
    978-1-4000-3344-7
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Jazz
    Jazz
    Toni Morrison
    978-1-4000-7621-5
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Birth of a Nation'hood
    Birth of a Nation'hood
    Gaze, Script, and Spectacle in the O. J. Simpson Case
    Toni Morrison
    978-0-679-75893-8
    $19.00 US
    Paperback
    Pantheon
    Feb 04, 1997
  • Playing In The Dark
    Playing In The Dark
    Whiteness and the Literary Imagination
    Toni Morrison
    978-0-679-74542-6
    $15.00 US
    Paperback
    Vintage
    Jul 27, 1993
  • Race-ing Justice, En-gendering Power
    Race-ing Justice, En-gendering Power
    Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality
    Toni Morrison
    978-0-679-74145-9
    $20.00 US
    Paperback
    Pantheon
    Oct 06, 1992
  • Recitatif
    Recitatif
    A Story
    Toni Morrison
    978-0-593-55664-1
    $18.00 US
    Large Print
    Random House Large Print
    Mar 01, 2022
  • The Source of Self-Regard
    The Source of Self-Regard
    Selected Essays, Speeches, and Meditations
    Toni Morrison
    978-0-525-56279-5
    $16.95 US
    Paperback
    Vintage
    Jan 14, 2020
  • The Measure of Our Lives
    The Measure of Our Lives
    A Gathering of Wisdom
    Toni Morrison
    978-0-525-65929-7
    $18.00 US
    Hardcover
    Knopf
    Dec 03, 2019
  • The Writer Before the Page
    The Writer Before the Page
    From The Source of Self-Regard
    Toni Morrison
    978-0-593-08217-1
    $0.99 US
    Ebook
    Vintage
    Oct 29, 2019
  • Toni Morrison Box Set
    Toni Morrison Box Set
    The Bluest Eye, Song of Solomon, Beloved
    Toni Morrison
    978-0-593-08223-2
    $35.99 US
    Ebook
    Vintage
    Oct 29, 2019
  • God Help the Child
    God Help the Child
    Toni Morrison
    978-0-307-74092-2
    $14.95 US
    Paperback
    Vintage
    Jan 26, 2016
  • Paradise
    Paradise
    Toni Morrison
    978-0-8041-6988-2
    $17.00 US
    Paperback
    Vintage
    Mar 11, 2014
  • Home
    Home
    Toni Morrison
    978-0-307-74091-5
    $15.00 US
    Paperback
    Vintage
    Jan 01, 2013
  • A Mercy
    A Mercy
    Toni Morrison
    978-0-307-27676-6
    $16.00 US
    Paperback
    Vintage
    Aug 11, 2009
  • Paradise
    Paradise
    Toni Morrison
    978-0-307-57787-0
    $15.00 US
    Audiobook Download
    Random House Audio
    Mar 24, 2009
  • The Nobel Lecture In Literature, 1993
    The Nobel Lecture In Literature, 1993
    Toni Morrison
    978-0-307-53896-3
    $8.99 US
    Ebook
    Knopf
    Jan 16, 2009
  • The Dancing Mind
    The Dancing Mind
    Toni Morrison
    978-0-307-38809-4
    $9.99 US
    Ebook
    Vintage
    Jul 24, 2007
  • The Bluest Eye
    The Bluest Eye
    Toni Morrison
    978-0-307-27844-9
    $16.00 US
    Paperback
    Vintage
    May 08, 2007
  • Love
    Love
    A Novel
    Toni Morrison
    978-1-4000-7847-9
    $16.00 US
    Paperback
    Vintage
    Jan 04, 2005
  • Sula
    Sula
    Toni Morrison
    978-1-4000-3343-0
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Tar Baby
    Tar Baby
    Toni Morrison
    978-1-4000-3344-7
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Jazz
    Jazz
    Toni Morrison
    978-1-4000-7621-5
    $16.00 US
    Paperback
    Vintage
    Jun 08, 2004
  • Birth of a Nation'hood
    Birth of a Nation'hood
    Gaze, Script, and Spectacle in the O. J. Simpson Case
    Toni Morrison
    978-0-679-75893-8
    $19.00 US
    Paperback
    Pantheon
    Feb 04, 1997
  • Playing In The Dark
    Playing In The Dark
    Whiteness and the Literary Imagination
    Toni Morrison
    978-0-679-74542-6
    $15.00 US
    Paperback
    Vintage
    Jul 27, 1993
  • Race-ing Justice, En-gendering Power
    Race-ing Justice, En-gendering Power
    Essays on Anita Hill, Clarence Thomas, and the Construction of Social Reality
    Toni Morrison
    978-0-679-74145-9
    $20.00 US
    Paperback
    Pantheon
    Oct 06, 1992
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