Download high-resolution image Look inside
Listen to a clip from the audiobook
audio play button
0:00
0:00

We Should All Be Feminists

Look inside
Listen to a clip from the audiobook
audio play button
0:00
0:00
Paperback
$10.00 US
On sale Feb 03, 2015 | 64 Pages | 9781101911761
In this personal, eloquently-argued essay—adapted from her much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie, award-winning author of Americanah, offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.

“Nuanced and rousing.” —Vogue 
 
“Adichie is so smart about so many things.” —San Francisco Chronicle

“Adichie makes her arguments quietly but skillfully. A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and awareness.” Kirkus

“Adichie is angry. She admits this freely. But her feminism does not stop with anger, and neither does the essay. ‘In addition to being angry, I am also hopeful, because I believe deeply in the ability of human beings to remake themselves for the better,’ she writes. This is what is so wonderful about We Should All Be Feminists, and what makes it such a perfect introductory text for those who haven't been exposed to feminism and those who distrust it. She's angry, yes, but Adichie consistently chooses empathy over anger. With skill and infinite care, Adichie paints feminism as an issue that all of humanity should be concerned with, not just something that husband-less women yell about and brutish men ignore.”Bustle

“Sweden has distributed author Chimamanda Ngozi Adichie's feminist manifesto, We Should All Be Feminists, to every 16-year-old student in the country. The Swedish Women’s Lobby partnered with other groups to launch the initiative on Dec. 1, in the hopes of sparking dialogue about feminism in one of the most gender-equal countries in the world. ‘This is the book that I wish all of my male classmates would have read when I was 16,’ Clara Berglund, president of the Swedish Women's Lobby, told The Guardian. ‘It feels so important to contribute to this project. It is a gift to all second-grade high-school students, but it is also a gift to ourselves and future generations.’” —NPR
INTRODUCTION

 This is a modified version of a talk I delivered in December 2012 at TEDxEuston, a yearly conference focused on Africa. Speakers from diverse fields deliver concise talks aimed at challenging and inspiring Africans and friends of Africa. I had spoken at a different TED conference a few years before, giving a talk titled ‘The Danger of the Single Story’ about how stereotypes limit and shape our thinking, especially about Africa. It seems to me that the word feminist, and the idea of feminism itself, is also limited by stereotypes. When my brother Chuks and best friend Ike, both co-organizers of the TEDxEuston conference, insisted that I speak, I could not say no. I decided to speak about feminism because it is something I feel strongly about. I suspected that it might not be a very popular subject, but I hoped to start a necessary conversation. And so that evening as I stood onstage, I felt as though I was in the presence of family – a kind and attentive audience, but one that might resist the subject of my talk. At the end, their standing ovation gave me hope.


...


WE SHOULD ALL BE FEMINISTS 

Okoloma was one of my greatest childhood friends. He lived on my street and looked after me like a big brother: if I liked a boy, I would ask Okoloma’s opinion. Okoloma was funny and intelligent and wore cowboy boots that were pointy at the tips. In December 2005, in a plane crash in southern Nigeria, Okoloma died. It is still hard for me to put into words how I felt. Okoloma was a person I could argue with, laugh with and truly talk to. He was also the first person to call me a feminist.

I was about fourteen. We were in his house, arguing, both of us bristling with half- baked knowledge from the books we had read. I don’t remember what this particular argument was about. But I remember that as I argued and argued, Okoloma looked at me and said, ‘You know, you’re a feminist.’

It was not a compliment. I could tell from his tone – the same tone with which a person would say, ‘You’re a supporter of terrorism.’

I did not know exactly what this word feminist meant. And I did not want Okoloma to know that I didn’t know. So I brushed it aside and continued to argue. The first thing I planned to do when I got home was look up the word in the dictionary.

Now fast-forward to some years later. In 2003, I wrote a novel called Purple Hibiscus, about a man who, among other things, beats his wife, and whose story doesn’t end too well. While I was promoting the novel in Nigeria, a journalist, a nice, well-meaning man, told me he wanted to advise me. (Nigerians, as you might know, are very quick to give unsolicited advice.)

He told me that people were saying my novel was feminist, and his advice to me – he was shaking his head sadly as he spoke – was that I should never call myself a feminist, since feminists are women who are unhappy because they cannot find husbands.

So I decided to call myself a Happy Feminist.
© Manny Jefferson
About the Author
CHIMAMANDA NGOZI ADICHIE grew up in Nigeria. Her work has been translated into more than fifty-five languages. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers’ Prize; Half of a Yellow Sun, which was the recipient of the Women’s Prize for Fiction “Best of the Best” award; Americanah, which won the National Book Critics Circle Award; the story collection The Thing Around Your Neck and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. Her most recent work is an essay about losing her father, Notes on Grief, and Mama’s Sleeping Scarf, a children’s book written as Nwa Grace-James. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria. View titles by Chimamanda Ngozi Adichie

About

In this personal, eloquently-argued essay—adapted from her much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie, award-winning author of Americanah, offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.

“Nuanced and rousing.” —Vogue 
 
“Adichie is so smart about so many things.” —San Francisco Chronicle

“Adichie makes her arguments quietly but skillfully. A moving essay that should find its way into the hands of all students and teachers to provoke new conversation and awareness.” Kirkus

“Adichie is angry. She admits this freely. But her feminism does not stop with anger, and neither does the essay. ‘In addition to being angry, I am also hopeful, because I believe deeply in the ability of human beings to remake themselves for the better,’ she writes. This is what is so wonderful about We Should All Be Feminists, and what makes it such a perfect introductory text for those who haven't been exposed to feminism and those who distrust it. She's angry, yes, but Adichie consistently chooses empathy over anger. With skill and infinite care, Adichie paints feminism as an issue that all of humanity should be concerned with, not just something that husband-less women yell about and brutish men ignore.”Bustle

“Sweden has distributed author Chimamanda Ngozi Adichie's feminist manifesto, We Should All Be Feminists, to every 16-year-old student in the country. The Swedish Women’s Lobby partnered with other groups to launch the initiative on Dec. 1, in the hopes of sparking dialogue about feminism in one of the most gender-equal countries in the world. ‘This is the book that I wish all of my male classmates would have read when I was 16,’ Clara Berglund, president of the Swedish Women's Lobby, told The Guardian. ‘It feels so important to contribute to this project. It is a gift to all second-grade high-school students, but it is also a gift to ourselves and future generations.’” —NPR

Excerpt

INTRODUCTION

 This is a modified version of a talk I delivered in December 2012 at TEDxEuston, a yearly conference focused on Africa. Speakers from diverse fields deliver concise talks aimed at challenging and inspiring Africans and friends of Africa. I had spoken at a different TED conference a few years before, giving a talk titled ‘The Danger of the Single Story’ about how stereotypes limit and shape our thinking, especially about Africa. It seems to me that the word feminist, and the idea of feminism itself, is also limited by stereotypes. When my brother Chuks and best friend Ike, both co-organizers of the TEDxEuston conference, insisted that I speak, I could not say no. I decided to speak about feminism because it is something I feel strongly about. I suspected that it might not be a very popular subject, but I hoped to start a necessary conversation. And so that evening as I stood onstage, I felt as though I was in the presence of family – a kind and attentive audience, but one that might resist the subject of my talk. At the end, their standing ovation gave me hope.


...


WE SHOULD ALL BE FEMINISTS 

Okoloma was one of my greatest childhood friends. He lived on my street and looked after me like a big brother: if I liked a boy, I would ask Okoloma’s opinion. Okoloma was funny and intelligent and wore cowboy boots that were pointy at the tips. In December 2005, in a plane crash in southern Nigeria, Okoloma died. It is still hard for me to put into words how I felt. Okoloma was a person I could argue with, laugh with and truly talk to. He was also the first person to call me a feminist.

I was about fourteen. We were in his house, arguing, both of us bristling with half- baked knowledge from the books we had read. I don’t remember what this particular argument was about. But I remember that as I argued and argued, Okoloma looked at me and said, ‘You know, you’re a feminist.’

It was not a compliment. I could tell from his tone – the same tone with which a person would say, ‘You’re a supporter of terrorism.’

I did not know exactly what this word feminist meant. And I did not want Okoloma to know that I didn’t know. So I brushed it aside and continued to argue. The first thing I planned to do when I got home was look up the word in the dictionary.

Now fast-forward to some years later. In 2003, I wrote a novel called Purple Hibiscus, about a man who, among other things, beats his wife, and whose story doesn’t end too well. While I was promoting the novel in Nigeria, a journalist, a nice, well-meaning man, told me he wanted to advise me. (Nigerians, as you might know, are very quick to give unsolicited advice.)

He told me that people were saying my novel was feminist, and his advice to me – he was shaking his head sadly as he spoke – was that I should never call myself a feminist, since feminists are women who are unhappy because they cannot find husbands.

So I decided to call myself a Happy Feminist.

Author

© Manny Jefferson
About the Author
CHIMAMANDA NGOZI ADICHIE grew up in Nigeria. Her work has been translated into more than fifty-five languages. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers’ Prize; Half of a Yellow Sun, which was the recipient of the Women’s Prize for Fiction “Best of the Best” award; Americanah, which won the National Book Critics Circle Award; the story collection The Thing Around Your Neck and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. Her most recent work is an essay about losing her father, Notes on Grief, and Mama’s Sleeping Scarf, a children’s book written as Nwa Grace-James. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria. View titles by Chimamanda Ngozi Adichie

International Women’s Day

Today we are celebrating International Women’s Day by talking about books that center the social, economic, cultural and political achievements of women.   Becoming In her memoir, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her time spent at the

Read more