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The Original Frankenstein

Part of Vintage Classics

Author Mary Shelley
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$16.00 US
Knopf | Vintage
On sale Sep 08, 2009 | 464 Pages | 978-0-307-47442-1
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  • English > Comparative Literature > Horror
  • English > Comparative Literature > Science Fiction
  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature – Fiction
  • English > Literature > British Literature – Novel
  • English > Literature > British Literature – Romantic Period
  • About
  • Table of Contents
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Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions.

For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’ s greatest works.


“Charles Robinson, more finely tuned to the authorship of Frankenstein than any scholar living or dead, has produced two versions of Mary Shelley’s prepublication manuscript: as she first wrote it, then as it was marked with Percy’s additions and alterations. With as much certainty and in as much detail as superhumanly possible, Robinson reanimates the beginnings of this vibrant novel in an authoritative, smartly accomplished, reader- friendly edition that will delight its fans no less than it will stimulate its students. An original work of imagination itself, The Original Frankenstein, by illuminating the genesis of this novel, is now an invaluable part of its intriguing editorial history.” —Susan J. Wolfson, Professor of English, Princeton University and President, Association of Literary Scholars and Critics

“It is fair to say that every person who teaches this novel—which has been said to be the single most often-taught work of fiction in the English-speaking world—and not a few of its students as well will want to consult Robinson’s diplomatic renderings of these two separate texts. As addenda to the actual printed texts, they shed rare illumination on the creative process at work, and in the very particular circumstances of its time and culture.” —Stuart Curran, Women's Studies


“Mary Shelley’s Frankenstein was famously inspired by telling ghost stories with Percy Bysshe Shelley and Lord Byron during a cold, wet summer in the Swiss Alps. It continues to serve as shorthand for the dangers of reckless scientific advance, yet literary historians have never been able to agree on its origins. Could Mary Shelley, an unpublished 18-year-old, really have written the novel? Or was Frankenstein’s monster her future husband’s creation? . . . Charles E Robinson presents a convincing case for crediting the novel to ‘Mary (with Percy) Shelley’, revealing the major changes PBS made to Mary’s first draft. . . . The novel the Shelleys wrote together represents a remarkable act of literary homage and collaboration and Charles E Robinson’s revealing new edition allows modern readers to be there at its creation. .” —The Independent (London)

“The novel’s textual instability is explored in the impressive introduction to Charles Robinson’s new edition. His honourable aim is not to give us another text of the novel we know—or think we know—but to strip away nearly two centuries of revision and appropriation in order to return to what he describes as the ‘original’ Frankenstein. . . . The value of Charles Robinson’s edition lies in the confi rmation of Mary Shelley’ s assertion . . . that ‘Every thing must have a beginning—and that beginnings matter—and in its affirmation of community, cooperation and collaboration as fundamental to literary production.” —The Times Literary Supplement

“Thanks to the dogged textual work of Charles E. Robinson . . . readers will now be able to see for themselves what Mary wrote before she turned it over to Percy’s editorial ministrations. . . . [This] version of the novel . . . probably comes as close as it’s possible to get to the draft that Mary first handed Percy to read.” —The Chronicle of Higher Education
Acknowledgements
Abbreviations
Introduction

Frankenstein
Mary (with Percy) Shelley
Mary Shelley

APPENDIX A Title Page, Dedication and Preface to the 1818 Edition
APPENDIX B On “Frankenstein.” by the late Percy Bysshe Shelley
APPENDIX C Introduction to the 1831 Edition by Mary W. Shelley


Bibliography

Chapter 1


I am by birth a Genevese; and my family is one of the most distinguished of that republic. My ancestors had been for many years counsellors and syndics; and my father had filled several public situations with honour and reputation. He was respected by all who knew him for his integrity and indefatigable attention to public business. He passed his younger days perpetually occupied by the affairs of his country; and it was not until the decline of life that he thought of marrying, and bestowing on the state sons who might carry his virtues and his name down to posterity.


As the circumstances of his marriage illustrate his character, I cannot refrain from relating them. One of his most intimate friends was a merchant, who, from a flourishing state, fell, through numerous mischances, into poverty. This man, whose name was Beaufort, was of a proud and unbending disposition, and could not bear to live in poverty and oblivion in the same country where he had formerly been distinguished for his rank and magnificence. Having paid his debts, therefore, in the most honourable manner, he retreated with his daughter to the town of Lucerne, where he lived unknown and in wretchedness. My father loved Beaufort with the truest friendship, and was deeply grieved by his retreat in these unfortunate circumstances. He grieved also for the loss of his society, and resolved to seek him out and endeavour to persuade him to begin the world again through his credit and assistance.


Beaufort had taken effectual measures to conceal himself; and it was ten months before my father discovered his abode. Overjoyed at this discovery, he hastened to the house, which was situated in a mean street, near the Reuss. But when he entered, misery and despair alone welcomed him. Beaufort had saved but a very small sum of money from the wreck of his fortunes; but it was sufficient to provide him with sustenance for some months, and in the mean time he hoped to procure some respectable employment in a merchant's house. The interval was consequently spent in inaction; his grief only became more deep and rankling, when he had leisure for reflection; and at length it took so fast hold of his mind, that at the end of three months he lay on a bed of sickness, incapable of any exertion.


His daughter attended him with the greatest tenderness; but she saw with despair that their little fund was rapidly decreasing, and that there was no other prospect of support. But Caroline Beaufort possessed a mind of an uncommon mould; and her courage rose to support her in her adversity. She procured plain work; she plaited straw; and by various means contrived to earn a pittance scarcely sufficient to support life.


Several months passed in this manner. Her father grew worse; her time was more entirely occupied in attending him; her means of subsistence decreased; and in the tenth month her father died in her arms, leaving her an orphan and a beggar. This last blow overcame her; and she knelt by Beaufort's coffin, weeping bitterly, when my father entered the chamber. He came like a protecting spirit to the poor girl, who committed herself to his care, and after the interment of his friend he conducted her to Geneva, and placed her under the protection of a relation. Two years after this event Caroline became his wife.


When my father became a husband and a parent, he found his time so occupied by the duties of his new situation, that he relinquished many of his public employments, and devoted himself to the education of his children. Of these I was the eldest, and the destined successor to all his labours and utility. No creature could have more tender parents than mine. My improvement and health were their constant care, especially as I remained for several years their only child. But before I continue my narrative, I must record an incident which took place when I was four years of age.


My father had a sister, whom he tenderly loved, and who had married early in life an Italian gentleman. Soon after her marriage, she had accompanied her husband into his native country, and for some years my father had very little communication with her. About the time I mentioned she died; and a few months afterwards he received a letter from her husband, acquainting him with his intention of marrying an Italian lady, and requesting my father to take charge of the infant Elizabeth, the only child of his deceased sister. "It is my wish," he said, "that you should consider her as your own daughter, and educate her thus. Her mother's fortune is secured to her, the documents of which I will commit to your keeping. Reflect upon this proposition; and decide whether you would prefer educating your niece yourself to her being brought up by a stepmother."


My father did not hesitate, and immediately went to Italy, that he might accompany the little Elizabeth to her future home. I have often heard my mother say, that she was at that time the most beautiful child she had ever seen, and shewed signs even then of a gentle and affectionate disposition. These indications, and a desire to bind as closely as possible the ties of domestic love, determined my mother to consider Elizabeth as my future wife; a design which she never found reason to repent.

From this time Elizabeth Lavenza became my playfellow, and, as we grew older, my friend. She was docile and good tempered, yet gay and playful as a summer insect. Although she was lively and animated, her feelings were strong and deep, and her disposition uncommonly affectionate. No one could better enjoy liberty, yet no one could submit with more grace than she did to constraint and caprice. Her imagination was luxuriant, yet her capability of application was great. Her person was the image of her mind; her hazel eyes, although as lively as a bird's, possessed an attractive softness. Her figure was light and airy; and, though capable of enduring great fatigue, she appeared the most fragile creature in the world. While I admired her understanding and fancy, I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.

Every one adored Elizabeth. If the servants had any request to make, it was always through her intercession. We were strangers to any species of disunion or dispute. For, although there was a great dissimilitude in our characters, yet there was an harmony in that very dissimilitude. I was more calm and philosophical than my companion. Yet I was not so mild or yielding. My application was of longer endurance, but it was not so severe whilst it endured. I delighted in investigating the facts relating to the actual world–she busied herself in following the aerial creations of the poets. The world was to me a secret which I desired to discover–to her it was a vacancy which she sought to people with imaginations of her own.

My brothers were considerably younger than myself, but I had a friend in one of my schoolfellows who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember when he was only nine years old he wrote a fairy tale which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and, when very young, I can remember that we used to act plays composed by him out of these books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George. No youth could be more happy than mine. My parents were indulgent, and my companions amiable. Our studies were never forced, and by some means we always had an end placed in view which excited us to ardour in the prosecution of them. It was by this method, not by emulation, that we were urged. Elizabeth was not told to apply herself to drawing that her companions might not outstrip her, but by the desire of pleasing her aunt by the representation of some favourite scene done by her own hand. We learned Latin and English that we might read the writings in those languages; and, so far from study being rendered odious to us through punishment, we loved application, and our amusements would have been the labours of other children. Perhaps we did not read so many books or learn languages so quickly as those who are disciplined according to the ordinary method, but what we learned was impressed the more deeply on our memory. In the description of our domestic circle I include Henry Clerval, for he was constantly with us. He went to school with me and generally passed the afternoon at our house; for being an only child, and destitute of companions at home, his father was pleased that he should find associates at our house; and we were never completely happy when Clerval was absent.

Copyright © 2008 by Bodleian Library, University of Oxford. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
The daughter of Mary Wollestonecraft, the ardent feminist and author of A Vindication on the Right of Women, and William Godwin, the radical-anarchist philosopher and author of Lives of the Necromancers, Mary Goodwin was born into a freethinking, revolutionary household in London on August 30,1797. Educated mainly by her intellectual surroundings, she had little formal schooling and at 16 eloped with the young poet Percy Bysshe Shelley; they eventually married in 1816. Mary Shelley’s life had many tragic elements. Her mother died giving birth to Mary; her half-sister committed suicide; Harriet Shelley (Percy’s wife) drowned herself and her unborn child after he ran off with Mary. William Godwin disowned Mary and Shelley after their elopement, but—heavily in debt—recanted and came to them for money; Mary’s first child died soon after its birth; and in 1822 Percy Shelley drowned in the Gulf of La Spezia—when Mary was not quite 25. Mary Shelley recalled that her husband was “forever inciting” her to “obtain literary reputation.” But she did not begin to write seriously until the summer of 1816, when she and Shelley were in Switzerland, neighbor to Lord Byron. One night following a contest to compose ghost stories, Mary conceived her masterpiece, Frankenstein. After Shelley’s death she continued to write Valperga (1823), The Last Man (1826), Ladore (1835), and Faulkner (1837), in addition to editing her husband’s works. In 1838 she began to work on his biography, but owing to poor health she completed only a fragment. Although she received marriage proposals from Trelawney, John Howard Payne, and perhaps Washington Irving, Mary Shelley never remarried. “I want to be Mary Shelley on my tombstone,” she is reported to have said. She died on February 1, 1851, survived by her son, Percy Florence. View titles by Mary Shelley

About

Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel—as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley’s amendments and contributions.

For the first time we can hear Mary’s sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley’s contribution—some 5,000 words out of 72,000—and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary’s writing. Interesting, too, are Percy’s suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature’ s greatest works.


“Charles Robinson, more finely tuned to the authorship of Frankenstein than any scholar living or dead, has produced two versions of Mary Shelley’s prepublication manuscript: as she first wrote it, then as it was marked with Percy’s additions and alterations. With as much certainty and in as much detail as superhumanly possible, Robinson reanimates the beginnings of this vibrant novel in an authoritative, smartly accomplished, reader- friendly edition that will delight its fans no less than it will stimulate its students. An original work of imagination itself, The Original Frankenstein, by illuminating the genesis of this novel, is now an invaluable part of its intriguing editorial history.” —Susan J. Wolfson, Professor of English, Princeton University and President, Association of Literary Scholars and Critics

“It is fair to say that every person who teaches this novel—which has been said to be the single most often-taught work of fiction in the English-speaking world—and not a few of its students as well will want to consult Robinson’s diplomatic renderings of these two separate texts. As addenda to the actual printed texts, they shed rare illumination on the creative process at work, and in the very particular circumstances of its time and culture.” —Stuart Curran, Women's Studies


“Mary Shelley’s Frankenstein was famously inspired by telling ghost stories with Percy Bysshe Shelley and Lord Byron during a cold, wet summer in the Swiss Alps. It continues to serve as shorthand for the dangers of reckless scientific advance, yet literary historians have never been able to agree on its origins. Could Mary Shelley, an unpublished 18-year-old, really have written the novel? Or was Frankenstein’s monster her future husband’s creation? . . . Charles E Robinson presents a convincing case for crediting the novel to ‘Mary (with Percy) Shelley’, revealing the major changes PBS made to Mary’s first draft. . . . The novel the Shelleys wrote together represents a remarkable act of literary homage and collaboration and Charles E Robinson’s revealing new edition allows modern readers to be there at its creation. .” —The Independent (London)

“The novel’s textual instability is explored in the impressive introduction to Charles Robinson’s new edition. His honourable aim is not to give us another text of the novel we know—or think we know—but to strip away nearly two centuries of revision and appropriation in order to return to what he describes as the ‘original’ Frankenstein. . . . The value of Charles Robinson’s edition lies in the confi rmation of Mary Shelley’ s assertion . . . that ‘Every thing must have a beginning—and that beginnings matter—and in its affirmation of community, cooperation and collaboration as fundamental to literary production.” —The Times Literary Supplement

“Thanks to the dogged textual work of Charles E. Robinson . . . readers will now be able to see for themselves what Mary wrote before she turned it over to Percy’s editorial ministrations. . . . [This] version of the novel . . . probably comes as close as it’s possible to get to the draft that Mary first handed Percy to read.” —The Chronicle of Higher Education

Table of Contents

Acknowledgements
Abbreviations
Introduction

Frankenstein
Mary (with Percy) Shelley
Mary Shelley

APPENDIX A Title Page, Dedication and Preface to the 1818 Edition
APPENDIX B On “Frankenstein.” by the late Percy Bysshe Shelley
APPENDIX C Introduction to the 1831 Edition by Mary W. Shelley


Bibliography

Excerpt

Chapter 1


I am by birth a Genevese; and my family is one of the most distinguished of that republic. My ancestors had been for many years counsellors and syndics; and my father had filled several public situations with honour and reputation. He was respected by all who knew him for his integrity and indefatigable attention to public business. He passed his younger days perpetually occupied by the affairs of his country; and it was not until the decline of life that he thought of marrying, and bestowing on the state sons who might carry his virtues and his name down to posterity.


As the circumstances of his marriage illustrate his character, I cannot refrain from relating them. One of his most intimate friends was a merchant, who, from a flourishing state, fell, through numerous mischances, into poverty. This man, whose name was Beaufort, was of a proud and unbending disposition, and could not bear to live in poverty and oblivion in the same country where he had formerly been distinguished for his rank and magnificence. Having paid his debts, therefore, in the most honourable manner, he retreated with his daughter to the town of Lucerne, where he lived unknown and in wretchedness. My father loved Beaufort with the truest friendship, and was deeply grieved by his retreat in these unfortunate circumstances. He grieved also for the loss of his society, and resolved to seek him out and endeavour to persuade him to begin the world again through his credit and assistance.


Beaufort had taken effectual measures to conceal himself; and it was ten months before my father discovered his abode. Overjoyed at this discovery, he hastened to the house, which was situated in a mean street, near the Reuss. But when he entered, misery and despair alone welcomed him. Beaufort had saved but a very small sum of money from the wreck of his fortunes; but it was sufficient to provide him with sustenance for some months, and in the mean time he hoped to procure some respectable employment in a merchant's house. The interval was consequently spent in inaction; his grief only became more deep and rankling, when he had leisure for reflection; and at length it took so fast hold of his mind, that at the end of three months he lay on a bed of sickness, incapable of any exertion.


His daughter attended him with the greatest tenderness; but she saw with despair that their little fund was rapidly decreasing, and that there was no other prospect of support. But Caroline Beaufort possessed a mind of an uncommon mould; and her courage rose to support her in her adversity. She procured plain work; she plaited straw; and by various means contrived to earn a pittance scarcely sufficient to support life.


Several months passed in this manner. Her father grew worse; her time was more entirely occupied in attending him; her means of subsistence decreased; and in the tenth month her father died in her arms, leaving her an orphan and a beggar. This last blow overcame her; and she knelt by Beaufort's coffin, weeping bitterly, when my father entered the chamber. He came like a protecting spirit to the poor girl, who committed herself to his care, and after the interment of his friend he conducted her to Geneva, and placed her under the protection of a relation. Two years after this event Caroline became his wife.


When my father became a husband and a parent, he found his time so occupied by the duties of his new situation, that he relinquished many of his public employments, and devoted himself to the education of his children. Of these I was the eldest, and the destined successor to all his labours and utility. No creature could have more tender parents than mine. My improvement and health were their constant care, especially as I remained for several years their only child. But before I continue my narrative, I must record an incident which took place when I was four years of age.


My father had a sister, whom he tenderly loved, and who had married early in life an Italian gentleman. Soon after her marriage, she had accompanied her husband into his native country, and for some years my father had very little communication with her. About the time I mentioned she died; and a few months afterwards he received a letter from her husband, acquainting him with his intention of marrying an Italian lady, and requesting my father to take charge of the infant Elizabeth, the only child of his deceased sister. "It is my wish," he said, "that you should consider her as your own daughter, and educate her thus. Her mother's fortune is secured to her, the documents of which I will commit to your keeping. Reflect upon this proposition; and decide whether you would prefer educating your niece yourself to her being brought up by a stepmother."


My father did not hesitate, and immediately went to Italy, that he might accompany the little Elizabeth to her future home. I have often heard my mother say, that she was at that time the most beautiful child she had ever seen, and shewed signs even then of a gentle and affectionate disposition. These indications, and a desire to bind as closely as possible the ties of domestic love, determined my mother to consider Elizabeth as my future wife; a design which she never found reason to repent.

From this time Elizabeth Lavenza became my playfellow, and, as we grew older, my friend. She was docile and good tempered, yet gay and playful as a summer insect. Although she was lively and animated, her feelings were strong and deep, and her disposition uncommonly affectionate. No one could better enjoy liberty, yet no one could submit with more grace than she did to constraint and caprice. Her imagination was luxuriant, yet her capability of application was great. Her person was the image of her mind; her hazel eyes, although as lively as a bird's, possessed an attractive softness. Her figure was light and airy; and, though capable of enduring great fatigue, she appeared the most fragile creature in the world. While I admired her understanding and fancy, I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.

Every one adored Elizabeth. If the servants had any request to make, it was always through her intercession. We were strangers to any species of disunion or dispute. For, although there was a great dissimilitude in our characters, yet there was an harmony in that very dissimilitude. I was more calm and philosophical than my companion. Yet I was not so mild or yielding. My application was of longer endurance, but it was not so severe whilst it endured. I delighted in investigating the facts relating to the actual world–she busied herself in following the aerial creations of the poets. The world was to me a secret which I desired to discover–to her it was a vacancy which she sought to people with imaginations of her own.

My brothers were considerably younger than myself, but I had a friend in one of my schoolfellows who compensated for this deficiency. Henry Clerval was the son of a merchant of Geneva, an intimate friend of my father. He was a boy of singular talent and fancy. I remember when he was only nine years old he wrote a fairy tale which was the delight and amazement of all his companions. His favourite study consisted in books of chivalry and romance; and, when very young, I can remember that we used to act plays composed by him out of these books, the principal characters of which were Orlando, Robin Hood, Amadis, and St. George. No youth could be more happy than mine. My parents were indulgent, and my companions amiable. Our studies were never forced, and by some means we always had an end placed in view which excited us to ardour in the prosecution of them. It was by this method, not by emulation, that we were urged. Elizabeth was not told to apply herself to drawing that her companions might not outstrip her, but by the desire of pleasing her aunt by the representation of some favourite scene done by her own hand. We learned Latin and English that we might read the writings in those languages; and, so far from study being rendered odious to us through punishment, we loved application, and our amusements would have been the labours of other children. Perhaps we did not read so many books or learn languages so quickly as those who are disciplined according to the ordinary method, but what we learned was impressed the more deeply on our memory. In the description of our domestic circle I include Henry Clerval, for he was constantly with us. He went to school with me and generally passed the afternoon at our house; for being an only child, and destitute of companions at home, his father was pleased that he should find associates at our house; and we were never completely happy when Clerval was absent.

Copyright © 2008 by Bodleian Library, University of Oxford. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

The daughter of Mary Wollestonecraft, the ardent feminist and author of A Vindication on the Right of Women, and William Godwin, the radical-anarchist philosopher and author of Lives of the Necromancers, Mary Goodwin was born into a freethinking, revolutionary household in London on August 30,1797. Educated mainly by her intellectual surroundings, she had little formal schooling and at 16 eloped with the young poet Percy Bysshe Shelley; they eventually married in 1816. Mary Shelley’s life had many tragic elements. Her mother died giving birth to Mary; her half-sister committed suicide; Harriet Shelley (Percy’s wife) drowned herself and her unborn child after he ran off with Mary. William Godwin disowned Mary and Shelley after their elopement, but—heavily in debt—recanted and came to them for money; Mary’s first child died soon after its birth; and in 1822 Percy Shelley drowned in the Gulf of La Spezia—when Mary was not quite 25. Mary Shelley recalled that her husband was “forever inciting” her to “obtain literary reputation.” But she did not begin to write seriously until the summer of 1816, when she and Shelley were in Switzerland, neighbor to Lord Byron. One night following a contest to compose ghost stories, Mary conceived her masterpiece, Frankenstein. After Shelley’s death she continued to write Valperga (1823), The Last Man (1826), Ladore (1835), and Faulkner (1837), in addition to editing her husband’s works. In 1838 she began to work on his biography, but owing to poor health she completed only a fragment. Although she received marriage proposals from Trelawney, John Howard Payne, and perhaps Washington Irving, Mary Shelley never remarried. “I want to be Mary Shelley on my tombstone,” she is reported to have said. She died on February 1, 1851, survived by her son, Percy Florence. View titles by Mary Shelley

Additional formats

  • The Original Frankenstein
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  • The Original Frankenstein
    The Original Frankenstein
    Mary Shelley
    978-0-307-79377-5
    $11.99 US
    Ebook
    Vintage
    Oct 12, 2011

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    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $10.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $16.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
    $17.00 US
    Paperback
    Vintage
    May 14, 2013
  • The Captain's Daughter and Other Stories
    The Captain's Daughter and Other Stories
    Alexander Pushkin
    978-0-307-83197-2
    $11.99 US
    Ebook
    Vintage
    Feb 27, 2013
  • Anna Karenina (Movie Tie-in Edition)
    Anna Karenina (Movie Tie-in Edition)
    Official Tie-in Edition Including the screenplay by Tom Stoppard
    Leo Tolstoy
    978-0-345-80393-1
    $8.99 US
    Ebook
    Vintage
    Oct 16, 2012
  • The Death of Ivan Ilyich
    The Death of Ivan Ilyich
    Leo Tolstoy
    978-0-307-95133-5
    $9.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • Hadji Murat
    Hadji Murat
    Leo Tolstoy
    978-0-307-95134-2
    $12.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • The Captain's Daughter
    The Captain's Daughter
    And Other Stories
    Alexander Pushkin
    978-0-307-94965-3
    $14.00 US
    Paperback
    Vintage
    Aug 07, 2012
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The House of Mirth
    The House of Mirth
    Edith Wharton
    978-0-307-94952-3
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Ethan Frome
    Ethan Frome
    Edith Wharton
    978-0-307-94953-0
    $10.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-94716-1
    $7.95 US
    Paperback
    Vintage
    Jan 10, 2012
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-307-94717-8
    $12.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-307-94718-5
    $10.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-307-94720-8
    $9.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Parade's End
    Parade's End
    Ford Madox Ford
    978-0-307-74420-3
    $21.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-307-94719-2
    $13.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • A Christmas Carol
    A Christmas Carol
    And Other Christmas Books
    Charles Dickens
    978-0-307-94721-5
    $10.00 US
    Paperback
    Vintage
    Nov 29, 2011
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Fifth Queen
    The Fifth Queen
    Ford Madox Ford
    978-0-307-74491-3
    $15.95 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-0-307-74352-7
    $8.95 US
    Paperback
    Vintage
    Jul 26, 2011
  • The Canterbury Tales
    The Canterbury Tales
    A Prose Version in Modern English
    Geoffrey Chaucer
    978-0-307-74353-4
    $11.00 US
    Paperback
    Vintage
    Jul 12, 2011
  • Dracula
    Dracula
    Bram Stoker
    978-0-307-74330-5
    $11.00 US
    Paperback
    Vintage
    Jun 14, 2011
  • Hawthorne's Short Stories
    Hawthorne's Short Stories
    Nathaniel Hawthorne
    978-0-307-74121-9
    $16.95 US
    Paperback
    Vintage
    Jan 11, 2011
  • Sapphira and the Slave Girl
    Sapphira and the Slave Girl
    Willa Cather
    978-0-307-73965-0
    $15.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • Alexander's Bridge
    Alexander's Bridge
    Willa Cather
    978-0-307-73966-7
    $13.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • The Death of Ivan Ilyich and Other Stories
    The Death of Ivan Ilyich and Other Stories
    Leo Tolstoy
    978-0-307-38886-5
    $17.95 US
    Paperback
    Vintage
    Oct 05, 2010
  • Bel Ami
    Bel Ami
    Guy De Maupassant
    978-0-307-74088-5
    $14.00 US
    Paperback
    Vintage
    Oct 05, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $12.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Tales of the Jazz Age
    Tales of the Jazz Age
    Stories
    F. Scott Fitzgerald
    978-0-307-47637-1
    $11.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Flappers and Philosophers
    Flappers and Philosophers
    Stories
    F. Scott Fitzgerald
    978-0-307-47452-0
    $11.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Great Tales and Poems of Edgar Allan Poe
    Great Tales and Poems of Edgar Allan Poe
    Edgar Allan Poe
    978-0-307-47477-3
    $12.95 US
    Paperback
    Vintage
    Sep 01, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $11.95 US
    Paperback
    Vintage
    Apr 07, 2009
  • War and Peace
    War and Peace
    Leo Tolstoy
    978-1-4000-7998-8
    $21.00 US
    Paperback
    Vintage
    Dec 02, 2008
  • God's Trombones
    God's Trombones
    Seven Negro Sermons in Verse
    James Weldon Johnson
    978-0-14-310541-1
    $15.00 US
    Paperback
    Penguin Classics
    May 27, 2008
  • The Shadow-Line
    The Shadow-Line
    A Confession
    Joseph Conrad
    978-0-307-38653-3
    $10.00 US
    Paperback
    Vintage
    Oct 09, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Pride and Prejudice
    Pride and Prejudice
    Jane Austen
    978-0-307-38686-1
    $7.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Clouds of Witness
    Clouds of Witness
    Dorothy L. Sayers
    978-0-593-46637-7
    $10.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Boris Godunov, Little Tragedies, and Others
    Boris Godunov, Little Tragedies, and Others
    The Complete Plays
    Alexander Pushkin
    978-0-593-46756-5
    $17.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Men Without Women
    Men Without Women
    Ernest Hemingway
    978-0-593-46884-5
    $12.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • The Sun Also Rises
    The Sun Also Rises
    Ernest Hemingway
    978-0-593-46634-6
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $10.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $16.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
    $17.00 US
    Paperback
    Vintage
    May 14, 2013
  • The Captain's Daughter and Other Stories
    The Captain's Daughter and Other Stories
    Alexander Pushkin
    978-0-307-83197-2
    $11.99 US
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