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The Picture of Dorian Gray

Part of Vintage Classics

Author Oscar Wilde
Introduction by Jeffrey Eugenides
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Paperback
$8.95 US
Knopf | Vintage
On sale Jul 26, 2011 | 208 Pages | 978-0-307-74352-7
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  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature – Victorian Period
  • About
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The Picture of Dorian Gray is Oscar Wilde’s enduringly popular story of a beautiful and corrupt man and the portrait that reveals all his secrets.

Entranced by the perfection of his recently painted portrait, the youthful Dorian Gray expresses a wish that the figure on the canvas could age and change in his place. When his wish comes true, the portrait becomes his hideous secret as he follows a downward trajectory of decadence and cruelty that leaves its traces only in the portrait’s degraded image. Wilde’s unforgettable portrayal of a Faustian bargain and its consequences is narrated with his characteristic incisive wit and diamond-sharp prose. The result is a novel that is as flamboyant and controversial as its incomparable author.
CHAPTER I

The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.

From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters of Tokio who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.

In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.

As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.

"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."

"I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."

Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."

"I know you will laugh at me," he replied, "but I really can't exhibit it I have put too much of myself into it."

Lord Henry stretched himself out on the divan and laughed.

"Yes, I knew you would; but it is quite true, all the same."

"Too much of yourself in it!  Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you — well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.

"You don't understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are — my art, whatever it may be worth; Dorian Gray's good looks — we shall all suffer for what the gods have given us, suffer terribly."

"Dorian Gray? Is that his name?" asked Lord Henry, walking across the studio towards Basil Hallward.

"Yes, that is his name. I didn't intend to tell it to you."

"But why not?"

"Oh, I can't explain. When I like people immensely I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance to one's life. I suppose you think me awful foolish about it?"

"Not at all," answered Lord Henry, "not at all, my dear Basil. You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing. When we meet — we do meet occasionally, when we dine out together, or go down to the Duke's — we tell each other the most absurd stories with the most serious faces. My wife is very good at it, much better, in fact, than I am. She never gets confused over her dates, and I always do. But when she does find me out, she makes no row at all. I sometimes wish she would; but she merely laughs at me."

"I hate the way you talk about your married life, Harry," said Basil Hallward, strolling towards the door that led into the garden. "I believe that you are really a very good husband, but that you are thoroughly ashamed of your own virtues. You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."

"Being natural is simply a pose, and the most irritating pose I know," cried Lord Henry, laughing; and the two young men went out into the garden together, and ensconced themselves on a long bamboo seat that stood in the shade of a tall laurel bush. The sunlight slipped over the polished leaves. In the grass, white daisies were tremulous.

After a pause, Lord Henry pulled out his watch. "I am afraid I must be going, Basil," he murmured, "and before you go, I insist on your answering a question I put to you some time ago."

"What is that?" said the painter, keeping his eyes fixed on the ground.

"You know quite well."

"I do not, Harry."

"Well, I will tell you what it is. I want you to explain to me why you won't exhibit Dorian Gray's picture. I want the real reason."

"I told you the real reason."

"No you did not. You said it was because there was too much of yourself in it. Now, that is childish."

"Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit the picture is that I am afraid that I have shown in it the secret of my soul."

Lord Henry laughed. "And what is that?" he asked.

"I will tell you," said Hallward; but an expression of perplexity came over his face.

"I am all expectation, Basil," continued his companion, glancing at him.

"Oh, there is really very little to tell, Harry," answered the painter; "and I am afraid you will hardly understand it. Perhaps you will hardly believe it."

Lord Henry smiled, and, leaning down, plucked a pink-petalled daisy from the grass, and examined it. "I am quite sure I shall understand it," he replied, gazing intently at the little golden white-feathered disk, "and as for believing things, I can believe anything, provided that it is quite incredible."

The wind shook some blossoms from the trees, and the heavy lilac-blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirrup by the wall, and like a blue thread a long thing dragon-fly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.

"The story is simply this," and the painter after some time. "Two months ago I went to a crush at Lady Brandon's. You know we poor artists have to show ourselves in society from time to time, just to remind the public that we are not savages. With an evening coat and a white tie, as you told me once, anybody, even a stockbroker, can gain a reputation for being civilized. Well, after I had been in the room about ten minutes, talking to huge over-dressed dowagers and tedious Academicians, I suddenly became conscious that some one was looking at me. I turned half-way round, and saw Dorian Gray for the first time. When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my soul, my very art itself. I did not want any external influence in my life. You know I did not want any external influence in my life. I have always been my own master; had at least always been so, till I met Dorian Gray. Then— but I don't know how to explain it to you. Something seemed to tell me that I was on the verge of a terrible crisis in my life. I had a strange feeling that Fate had in store for me exquisite joys and exquisite sorrows. I grew afraid, and turned to quite the room. It was not conscience that made me do so; it was a sort of cowardice. I take no credit to myself for trying to escape."

"Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm. That is all."

"I don't believe that, Harry, and I don't believe you do either. However, whatever was my motive — and it may have been pride, for I used to be very proud — I certainly struggled to the door. There, of course, I stumbled against Lady Brandon. 'You are not going to run away so soon, Mr. Hallward?' she screamed out. You know her curiously shrill voice?"

"Yes; she is a peacock in everything but beauty," said Lord Henry, pulling the daisy to bits with his long, nervous fingers.

"I could not get rid of her. She brought me up to Royalties, and people with Stars and Garters, and elderly ladies with gigantic tiaras and parrot noses. She spoke of me as her dearest friend. I had only met her once before, but she took it into her head to lionize me. I believe some picture of mine had made a great success at the time, at least had been chattered about in the penny newspapers, which is the nineteenth-century standard of immortality. Suddenly I found myself face to face with the young man whose personality had so strangely stirred me. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. perhaps it was not so reckless, after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterwards. He, too, felt that we were destined to know each other."
Copyright © 2011 by Oscar Wilde. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Oscar Wilde (1854–1900) was an Irish writer, poet, and playwright. His novel, The Picture of Dorian Gray, brought him lasting recognition, and he became one of the most successful playwrights of the late Victorian era with a series of witty social satires, including his masterpiece, The Importance of Being Earnest. View titles by Oscar Wilde

About

The Picture of Dorian Gray is Oscar Wilde’s enduringly popular story of a beautiful and corrupt man and the portrait that reveals all his secrets.

Entranced by the perfection of his recently painted portrait, the youthful Dorian Gray expresses a wish that the figure on the canvas could age and change in his place. When his wish comes true, the portrait becomes his hideous secret as he follows a downward trajectory of decadence and cruelty that leaves its traces only in the portrait’s degraded image. Wilde’s unforgettable portrayal of a Faustian bargain and its consequences is narrated with his characteristic incisive wit and diamond-sharp prose. The result is a novel that is as flamboyant and controversial as its incomparable author.

Excerpt

CHAPTER I

The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.

From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters of Tokio who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.

In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.

As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.

"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."

"I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."

Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."

"I know you will laugh at me," he replied, "but I really can't exhibit it I have put too much of myself into it."

Lord Henry stretched himself out on the divan and laughed.

"Yes, I knew you would; but it is quite true, all the same."

"Too much of yourself in it!  Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you — well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.

"You don't understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are — my art, whatever it may be worth; Dorian Gray's good looks — we shall all suffer for what the gods have given us, suffer terribly."

"Dorian Gray? Is that his name?" asked Lord Henry, walking across the studio towards Basil Hallward.

"Yes, that is his name. I didn't intend to tell it to you."

"But why not?"

"Oh, I can't explain. When I like people immensely I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance to one's life. I suppose you think me awful foolish about it?"

"Not at all," answered Lord Henry, "not at all, my dear Basil. You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I never know where my wife is, and my wife never knows what I am doing. When we meet — we do meet occasionally, when we dine out together, or go down to the Duke's — we tell each other the most absurd stories with the most serious faces. My wife is very good at it, much better, in fact, than I am. She never gets confused over her dates, and I always do. But when she does find me out, she makes no row at all. I sometimes wish she would; but she merely laughs at me."

"I hate the way you talk about your married life, Harry," said Basil Hallward, strolling towards the door that led into the garden. "I believe that you are really a very good husband, but that you are thoroughly ashamed of your own virtues. You are an extraordinary fellow. You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."

"Being natural is simply a pose, and the most irritating pose I know," cried Lord Henry, laughing; and the two young men went out into the garden together, and ensconced themselves on a long bamboo seat that stood in the shade of a tall laurel bush. The sunlight slipped over the polished leaves. In the grass, white daisies were tremulous.

After a pause, Lord Henry pulled out his watch. "I am afraid I must be going, Basil," he murmured, "and before you go, I insist on your answering a question I put to you some time ago."

"What is that?" said the painter, keeping his eyes fixed on the ground.

"You know quite well."

"I do not, Harry."

"Well, I will tell you what it is. I want you to explain to me why you won't exhibit Dorian Gray's picture. I want the real reason."

"I told you the real reason."

"No you did not. You said it was because there was too much of yourself in it. Now, that is childish."

"Harry," said Basil Hallward, looking him straight in the face, "every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit the picture is that I am afraid that I have shown in it the secret of my soul."

Lord Henry laughed. "And what is that?" he asked.

"I will tell you," said Hallward; but an expression of perplexity came over his face.

"I am all expectation, Basil," continued his companion, glancing at him.

"Oh, there is really very little to tell, Harry," answered the painter; "and I am afraid you will hardly understand it. Perhaps you will hardly believe it."

Lord Henry smiled, and, leaning down, plucked a pink-petalled daisy from the grass, and examined it. "I am quite sure I shall understand it," he replied, gazing intently at the little golden white-feathered disk, "and as for believing things, I can believe anything, provided that it is quite incredible."

The wind shook some blossoms from the trees, and the heavy lilac-blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirrup by the wall, and like a blue thread a long thing dragon-fly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.

"The story is simply this," and the painter after some time. "Two months ago I went to a crush at Lady Brandon's. You know we poor artists have to show ourselves in society from time to time, just to remind the public that we are not savages. With an evening coat and a white tie, as you told me once, anybody, even a stockbroker, can gain a reputation for being civilized. Well, after I had been in the room about ten minutes, talking to huge over-dressed dowagers and tedious Academicians, I suddenly became conscious that some one was looking at me. I turned half-way round, and saw Dorian Gray for the first time. When our eyes met, I felt that I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my soul, my very art itself. I did not want any external influence in my life. You know I did not want any external influence in my life. I have always been my own master; had at least always been so, till I met Dorian Gray. Then— but I don't know how to explain it to you. Something seemed to tell me that I was on the verge of a terrible crisis in my life. I had a strange feeling that Fate had in store for me exquisite joys and exquisite sorrows. I grew afraid, and turned to quite the room. It was not conscience that made me do so; it was a sort of cowardice. I take no credit to myself for trying to escape."

"Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm. That is all."

"I don't believe that, Harry, and I don't believe you do either. However, whatever was my motive — and it may have been pride, for I used to be very proud — I certainly struggled to the door. There, of course, I stumbled against Lady Brandon. 'You are not going to run away so soon, Mr. Hallward?' she screamed out. You know her curiously shrill voice?"

"Yes; she is a peacock in everything but beauty," said Lord Henry, pulling the daisy to bits with his long, nervous fingers.

"I could not get rid of her. She brought me up to Royalties, and people with Stars and Garters, and elderly ladies with gigantic tiaras and parrot noses. She spoke of me as her dearest friend. I had only met her once before, but she took it into her head to lionize me. I believe some picture of mine had made a great success at the time, at least had been chattered about in the penny newspapers, which is the nineteenth-century standard of immortality. Suddenly I found myself face to face with the young man whose personality had so strangely stirred me. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. perhaps it was not so reckless, after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterwards. He, too, felt that we were destined to know each other."
Copyright © 2011 by Oscar Wilde. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Oscar Wilde (1854–1900) was an Irish writer, poet, and playwright. His novel, The Picture of Dorian Gray, brought him lasting recognition, and he became one of the most successful playwrights of the late Victorian era with a series of witty social satires, including his masterpiece, The Importance of Being Earnest. View titles by Oscar Wilde

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  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-1-55199-739-1
    $1.99 US
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    Aug 12, 2014
  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-1-55199-739-1
    $1.99 US
    Ebook
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    Aug 12, 2014

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  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $10.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $16.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
    $17.00 US
    Paperback
    Vintage
    May 14, 2013
  • The Captain's Daughter and Other Stories
    The Captain's Daughter and Other Stories
    Alexander Pushkin
    978-0-307-83197-2
    $11.99 US
    Ebook
    Vintage
    Feb 27, 2013
  • Anna Karenina (Movie Tie-in Edition)
    Anna Karenina (Movie Tie-in Edition)
    Official Tie-in Edition Including the screenplay by Tom Stoppard
    Leo Tolstoy
    978-0-345-80393-1
    $8.99 US
    Ebook
    Vintage
    Oct 16, 2012
  • The Death of Ivan Ilyich
    The Death of Ivan Ilyich
    Leo Tolstoy
    978-0-307-95133-5
    $9.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • Hadji Murat
    Hadji Murat
    Leo Tolstoy
    978-0-307-95134-2
    $12.00 US
    Paperback
    Vintage
    Oct 02, 2012
  • The Captain's Daughter
    The Captain's Daughter
    And Other Stories
    Alexander Pushkin
    978-0-307-94965-3
    $14.00 US
    Paperback
    Vintage
    Aug 07, 2012
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The House of Mirth
    The House of Mirth
    Edith Wharton
    978-0-307-94952-3
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Ethan Frome
    Ethan Frome
    Edith Wharton
    978-0-307-94953-0
    $10.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-307-94716-1
    $7.95 US
    Paperback
    Vintage
    Jan 10, 2012
  • David Copperfield
    David Copperfield
    Charles Dickens
    978-0-307-94717-8
    $12.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Oliver Twist
    Oliver Twist
    Charles Dickens
    978-0-307-94718-5
    $10.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-307-94720-8
    $9.00 US
    Paperback
    Vintage
    Jan 10, 2012
  • Parade's End
    Parade's End
    Ford Madox Ford
    978-0-307-74420-3
    $21.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • Bleak House
    Bleak House
    Charles Dickens
    978-0-307-94719-2
    $13.00 US
    Paperback
    Vintage
    Jan 03, 2012
  • A Christmas Carol
    A Christmas Carol
    And Other Christmas Books
    Charles Dickens
    978-0-307-94721-5
    $10.00 US
    Paperback
    Vintage
    Nov 29, 2011
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Fifth Queen
    The Fifth Queen
    Ford Madox Ford
    978-0-307-74491-3
    $15.95 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Canterbury Tales
    The Canterbury Tales
    A Prose Version in Modern English
    Geoffrey Chaucer
    978-0-307-74353-4
    $11.00 US
    Paperback
    Vintage
    Jul 12, 2011
  • Dracula
    Dracula
    Bram Stoker
    978-0-307-74330-5
    $11.00 US
    Paperback
    Vintage
    Jun 14, 2011
  • Hawthorne's Short Stories
    Hawthorne's Short Stories
    Nathaniel Hawthorne
    978-0-307-74121-9
    $16.95 US
    Paperback
    Vintage
    Jan 11, 2011
  • Sapphira and the Slave Girl
    Sapphira and the Slave Girl
    Willa Cather
    978-0-307-73965-0
    $15.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • Alexander's Bridge
    Alexander's Bridge
    Willa Cather
    978-0-307-73966-7
    $13.00 US
    Paperback
    Vintage
    Dec 07, 2010
  • The Death of Ivan Ilyich and Other Stories
    The Death of Ivan Ilyich and Other Stories
    Leo Tolstoy
    978-0-307-38886-5
    $17.95 US
    Paperback
    Vintage
    Oct 05, 2010
  • Bel Ami
    Bel Ami
    Guy De Maupassant
    978-0-307-74088-5
    $14.00 US
    Paperback
    Vintage
    Oct 05, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $12.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Tales of the Jazz Age
    Tales of the Jazz Age
    Stories
    F. Scott Fitzgerald
    978-0-307-47637-1
    $11.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
    Paperback
    Vintage
    Apr 06, 2010
  • The Original Frankenstein
    The Original Frankenstein
    Mary Shelley
    978-0-307-47442-1
    $16.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • This Side of Paradise
    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Flappers and Philosophers
    Flappers and Philosophers
    Stories
    F. Scott Fitzgerald
    978-0-307-47452-0
    $11.00 US
    Paperback
    Vintage
    Sep 08, 2009
  • Great Tales and Poems of Edgar Allan Poe
    Great Tales and Poems of Edgar Allan Poe
    Edgar Allan Poe
    978-0-307-47477-3
    $12.95 US
    Paperback
    Vintage
    Sep 01, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $11.95 US
    Paperback
    Vintage
    Apr 07, 2009
  • War and Peace
    War and Peace
    Leo Tolstoy
    978-1-4000-7998-8
    $21.00 US
    Paperback
    Vintage
    Dec 02, 2008
  • God's Trombones
    God's Trombones
    Seven Negro Sermons in Verse
    James Weldon Johnson
    978-0-14-310541-1
    $15.00 US
    Paperback
    Penguin Classics
    May 27, 2008
  • The Shadow-Line
    The Shadow-Line
    A Confession
    Joseph Conrad
    978-0-307-38653-3
    $10.00 US
    Paperback
    Vintage
    Oct 09, 2007
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Pride and Prejudice
    Pride and Prejudice
    Jane Austen
    978-0-307-38686-1
    $7.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-307-38687-8
    $6.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Clouds of Witness
    Clouds of Witness
    Dorothy L. Sayers
    978-0-593-46637-7
    $10.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Boris Godunov, Little Tragedies, and Others
    Boris Godunov, Little Tragedies, and Others
    The Complete Plays
    Alexander Pushkin
    978-0-593-46756-5
    $17.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • Men Without Women
    Men Without Women
    Ernest Hemingway
    978-0-593-46884-5
    $12.00 US
    Paperback
    Vintage
    Jan 03, 2023
  • The Sun Also Rises
    The Sun Also Rises
    Ernest Hemingway
    978-0-593-46634-6
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Enough Rope
    Enough Rope
    A Book of Light Verse
    Dorothy Parker
    978-0-593-46635-3
    $10.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Sister Carrie
    Sister Carrie
    Theodore Dreiser
    978-0-593-31488-3
    $9.95 US
    Paperback
    Vintage
    Dec 28, 2021
  • The Art of War
    The Art of War
    Sun Tzu
    978-0-593-31466-1
    $9.95 US
    Paperback
    Vintage
    Dec 21, 2021
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-0-593-24156-1
    $12.00 US
    Paperback
    Modern Library
    Aug 10, 2021
  • An American Tragedy
    An American Tragedy
    Theodore Dreiser
    978-0-593-31332-9
    $12.00 US
    Paperback
    Vintage
    May 25, 2021
  • The Waste Land and Other Poems
    The Waste Land and Other Poems
    T. S. Eliot
    978-0-593-31334-3
    $10.00 US
    Paperback
    Vintage
    May 11, 2021
  • Fifty-Two Stories
    Fifty-Two Stories
    Anton Chekhov
    978-0-525-56238-2
    $17.00 US
    Paperback
    Vintage
    Jan 19, 2021
  • Mrs. Dalloway
    Mrs. Dalloway
    Virginia Woolf
    978-0-593-31180-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • In Our Time
    In Our Time
    Ernest Hemingway
    978-0-593-31182-0
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Great Gatsby
    The Great Gatsby
    F. Scott Fitzgerald
    978-0-593-31184-4
    $16.00 US
    Paperback
    Vintage
    Jan 05, 2021
  • Manhattan Transfer
    Manhattan Transfer
    John Dos Passos
    978-0-593-31205-6
    $9.95 US
    Paperback
    Vintage
    Jan 05, 2021
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-593-31086-1
    $8.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Wealth of Nations
    The Wealth of Nations
    Adam Smith
    978-0-593-31087-8
    $16.00 US
    Paperback
    Vintage
    Oct 13, 2020
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Alexandre Dumas
    978-0-593-08150-1
    $12.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Twenty Thousand Leagues Under the Sea
    Twenty Thousand Leagues Under the Sea
    Jules Verne
    978-0-593-08151-8
    $10.00 US
    Paperback
    Vintage
    Jun 16, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume I
    Sherlock Holmes: The Complete Novels and Stories, Volume I
    Arthur Conan Doyle
    978-1-9848-9953-8
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • Sherlock Holmes: The Complete Novels and Stories, Volume II
    Sherlock Holmes: The Complete Novels and Stories, Volume II
    Arthur Conan Doyle
    978-1-9848-9954-5
    $14.95 US
    Paperback
    Vintage
    Apr 14, 2020
  • A Passage to India
    A Passage to India
    E. M. Forster
    978-1-9848-9946-0
    $10.00 US
    Paperback
    Vintage
    Jan 07, 2020
  • Little Women
    Little Women
    Louisa May Alcott
    978-1-9848-9885-2
    $10.00 US
    Paperback
    Vintage
    Nov 12, 2019
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    978-1-9848-9755-8
    $13.00 US
    Paperback
    Vintage
    May 28, 2019
  • Whose Body?
    Whose Body?
    The First Lord Peter Wimsey Mystery
    Dorothy L. Sayers
    978-0-525-56511-6
    $9.95 US
    Paperback
    Vintage
    Apr 30, 2019
  • New Hampshire
    New Hampshire
    Robert Frost
    978-0-525-56534-5
    $10.00 US
    Paperback
    Vintage
    Jan 22, 2019
  • My Antonia
    My Antonia
    Introduction by Jane Smiley
    Willa Cather
    978-0-525-56286-3
    $10.00 US
    Paperback
    Vintage
    Mar 06, 2018
  • Novels, Tales, Journeys
    Novels, Tales, Journeys
    The Complete Prose of Alexander Pushkin
    Alexander Pushkin
    978-0-307-94988-2
    $18.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • All Passion Spent
    All Passion Spent
    Vita Sackville-West
    978-0-525-43397-2
    $15.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Edwardians
    The Edwardians
    Vita Sackville-West
    978-0-525-43399-6
    $17.00 US
    Paperback
    Vintage
    Jul 11, 2017
  • The Rights of Man
    The Rights of Man
    H. G. Wells
    978-0-525-43234-0
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • The Time Machine
    The Time Machine
    H. G. Wells
    978-0-525-43235-7
    $10.00 US
    Paperback
    Vintage
    Mar 21, 2017
  • Poems
    Poems
    William Blake
    978-1-101-97314-1
    $16.00 US
    Paperback
    Vintage
    Dec 13, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • In the Land of Pain
    In the Land of Pain
    Alphonse Daudet
    978-1-101-97086-7
    $16.00 US
    Paperback
    Vintage
    Mar 22, 2016
  • Tess of the D'Urbervilles
    Tess of the D'Urbervilles
    Thomas Hardy
    978-0-345-80398-6
    $10.00 US
    Paperback
    Vintage
    Mar 03, 2015
  • The Prince and the Pauper
    The Prince and the Pauper
    Mark Twain
    978-1-101-87310-6
    $11.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Pudd'nhead Wilson
    Pudd'nhead Wilson
    Mark Twain
    978-1-101-87311-3
    $13.00 US
    Paperback
    Vintage
    Feb 03, 2015
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Red Badge of Courage
    The Red Badge of Courage
    Stephen Crane
    978-0-8041-6884-7
    $8.95 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Call of the Wild & White Fang
    The Call of the Wild & White Fang
    Jack London
    978-0-8041-6885-4
    $9.00 US
    Paperback
    Vintage
    Feb 25, 2014
  • The Enchanted Wanderer
    The Enchanted Wanderer
    And Other Stories
    Nikolai Leskov
    978-0-307-38887-2
    $19.00 US
    Paperback
    Vintage
    Jan 14, 2014
  • The Divine Comedy
    The Divine Comedy
    The Unabridged Classic
    Dante Alighieri
    978-0-8041-6912-7
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  • The Captain's Daughter and Other Stories
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  • Anna Karenina (Movie Tie-in Edition)
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    Charles Dickens
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  • A Christmas Carol
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    Ford Madox Ford
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    Oct 04, 2011
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    A Prose Version in Modern English
    Geoffrey Chaucer
    978-0-307-74353-4
    $11.00 US
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    Bram Stoker
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    Jun 14, 2011
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    Nathaniel Hawthorne
    978-0-307-74121-9
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    Jan 11, 2011
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    Sapphira and the Slave Girl
    Willa Cather
    978-0-307-73965-0
    $15.00 US
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    Vintage
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    Alexander's Bridge
    Willa Cather
    978-0-307-73966-7
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    Dec 07, 2010
  • The Death of Ivan Ilyich and Other Stories
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    Leo Tolstoy
    978-0-307-38886-5
    $17.95 US
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    Vintage
    Oct 05, 2010
  • Bel Ami
    Bel Ami
    Guy De Maupassant
    978-0-307-74088-5
    $14.00 US
    Paperback
    Vintage
    Oct 05, 2010
  • The Beautiful and Damned
    The Beautiful and Damned
    F. Scott Fitzgerald
    978-0-307-47635-7
    $12.00 US
    Paperback
    Vintage
    Aug 10, 2010
  • Tales of the Jazz Age
    Tales of the Jazz Age
    Stories
    F. Scott Fitzgerald
    978-0-307-47637-1
    $11.00 US
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    Vintage
    Aug 10, 2010
  • The Adventures of Tom Sawyer
    The Adventures of Tom Sawyer
    A Novel
    Mark Twain
    978-0-307-47555-8
    $9.00 US
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    Vintage
    Apr 06, 2010
  • The Adventures of Huckleberry Finn
    The Adventures of Huckleberry Finn
    Mark Twain
    978-0-307-47556-5
    $9.00 US
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    Apr 06, 2010
  • The Original Frankenstein
    The Original Frankenstein
    Mary Shelley
    978-0-307-47442-1
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    This Side of Paradise
    F. Scott Fitzgerald
    978-0-307-47451-3
    $12.00 US
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    Sep 08, 2009
  • Flappers and Philosophers
    Flappers and Philosophers
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    F. Scott Fitzgerald
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    $11.00 US
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    Great Tales and Poems of Edgar Allan Poe
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    Sep 01, 2009
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    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
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    Apr 07, 2009
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    Villette
    Charlotte Bronte
    978-0-307-45556-7
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    Apr 07, 2009
  • War and Peace
    War and Peace
    Leo Tolstoy
    978-1-4000-7998-8
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    James Weldon Johnson
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    Penguin Classics
    May 27, 2008
  • The Shadow-Line
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    Joseph Conrad
    978-0-307-38653-3
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    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
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    Jane Austen
    978-0-307-38684-7
    $9.95 US
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    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
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    Jane Austen
    978-0-307-38686-1
    $7.95 US
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    Jane Austen
    978-0-307-38687-8
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    978-0-14-132779-2
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  • The Soul of Man Under Socialism and Selected Critical Prose
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  • Importance of Being Earnest
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    978-0-14-043606-8
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    Penguin Classics
    Mar 01, 2001
  • De Profundis
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    978-0-679-78321-3
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    Sep 12, 2000
  • The Picture of Dorian Gray
    The Picture of Dorian Gray
    Oscar Wilde
    978-0-375-75151-6
    $9.00 US
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    Modern Library
    Jun 01, 1998
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    978-0-679-44473-2
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    Oscar Wilde
    978-0-679-40583-2
    $25.00 US
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    Everyman's Library
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  • The Picture of Dorian Gray and Other Writings
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