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Sense and Sensibility

Part of Vintage Classics

Author Jane Austen
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Paperback
$6.95 US
Knopf | Vintage
On sale Sep 04, 2007 | 384 Pages | 978-0-307-38687-8
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  • English > Comparative Literature > 20th Century Film and Literature (1800s-1949)
  • English > Literature > British Literature – 19th Century
  • English > Literature > British Literature Survey – 1640 to Present
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Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise....Her mastery of the art she chose, or that chose her, is complete."

This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.
Sense and Sensibility, the first of those metaphorical bits of "ivory" on which Jane Austen said she worked with "so fine a brush," jackhammers away at the idea that to conjecture is a vain and hopeless reflex of the mind. But I'll venture this much: If she'd done nothing else, we'd still be in awe of her. Wuthering Heights alone put Emily Brontë in the pantheon, and her sister Charlotte and their older contemporary Mary Shelley might as well have saved themselves the trouble of writing anything but Jane Eyre and Frankenstein. Sense and Sensibility, published in 1811, is at least as mighty a work as any of these, and smarter than all three put together. And it would surely impress us even more without Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815) towering just up ahead. Austen wrote its ur-version, Elinor and Marianne, when she was nineteen, a year before First Impressions, which became Pride and Prejudice; she reconceived it as Sense and Sensibility when she was twenty-two, and she was thirty-six when it finally appeared. Like most first novels, it lays out what will be its author's lasting preoccupations: the "three or four families in a country village" (which Austen told her niece, in an often-quoted letter, was "the very thing to work on"). The interlocking anxieties over marriages, estates, and ecclesiastical "livings." The secrets, deceptions, and self-deceptions that take several hundred pages to straighten out-to the extent that they get straightened out. The radical skepticism about human knowledge, human communication, and human possibility that informs almost every scene right up to the sort-of-happy ending. And the distinctive characters-the negligent or overindulgent parents, the bifurcating siblings (smart sister, beautiful sister; serious brother, coxcomb brother), the charming, corrupted young libertines. Unlike most first novels, though, Sense and Sensibility doesn't need our indulgence. It's good to go.

In the novels to come, Elinor Dashwood will morph into Anne Elliott and Elizabeth Bennet (who will morph into Emma Woodhouse); Edward Ferrars into Edmund Bertram, Mr. Knightley, Henry Tilney, and Captain Wentworth; Willoughby into George Wickham and Henry Crawford. But the characters in Sense and Sensibility stand convincingly on their own, every bit as memorable as their later avatars. If Austen doesn't have quite the Caliban-to-Ariel range of a Shakespeare, she can still conjure up and sympathize with both Mrs. Jennings-the "rather vulgar" busybody with a borderline-unwholesome interest in young people's love lives, fits of refreshing horse sense, and a ruggedly good heart-and Marianne Dashwood, a wittily observed case study in Romanticism, a compassionately observed case study in sublimated adolescent sexuality, and a humorously observed case study in humorlessness. "I should hardly call her a lively girl," Elinor observes to Edward, "-she is very earnest, very eager in all she does-sometimes talks a great deal and always with animation-but she is not often really merry." Humorlessness, in fact, may be the one thing Marianne and her eventual lifemate, Colonel Brandon, have in common. (Sorry to give that plot point away; it won't be the last one, either. So, fair warning.) The minor characters have the sort of eidetic specificity you associate with Dickens: from the gruesomely mismatched Mr. and Mrs. Palmer to Robert Ferrars, splendidly impenetrable in his microcephalic self-complacency. The major characters, on the other hand, refuse to stay narrowly "in character"; they're always recognizably themselves, yet they seem as many-sided and changeable as people out in the nonfictional world.

Elinor makes as ambivalent a heroine as Mansfield Park's notoriously hard-to-warm-up-to Fanny Price. She's affectionately protective of her sister Marianne yet overfond of zinging her: "It is not every one who has your passion for dead leaves." She's bemused at Marianne's self-dramatizing, yet she's as smug about suffering in silence as Marianne (who "would have thought herself very inexcusable" if she were able to sleep after Willoughby leaves Devonshire) is proud of suffering in Surround Sound. She can be treacherously clever, as when Lucy Steele speculates (correctly) that she may have offended Elinor by staking her claim to Edward: " 'Offended me! How could you suppose so? Believe me,' and Elinor spoke it with the truest sincerity, 'nothing could be farther from my intention, than to give you such an idea.' " Yet she can also be ponderously preachy: "One observation may, I think, be fairly drawn from the whole of the story-that all Willoughby's difficulties, have arisen from the first offense against virtue, in his behaviour to Eliza Williams. That crime has been the origin of every lesser one, and of all his present discontents." (In the rest of Austen, only the intentionally preposterous Mary in Pride and Prejudice strikes just this note: "Unhappy as the event may be for Lydia, we may draw from it this useful lesson; that loss of virtue in a female is irretrievable . . ."). Is Elinor simply an intelligent young woman overtaxed by having to be the grown-up of the family? Or is she an unconsciously rivalrous sibling, sick of hearing that her younger, more beautiful sister will marry more advantageously? Or both? Or what? It's not that Austen doesn't have a clear conception of her-it's that she doesn't have a simple conception. Elinor is the character you know the most about, since Austen tells most of the story from her point of view, and consequently she's the one you're least able to nail with a couple of adjectives or a single defining moment.

Edward bothers us, too. He's a dreamboat only for a woman of Elinor's limited expectations: independent-minded yet passive and depressive, forthright and honorable yet engaged in a book-long cover-up. (It's a tour de force on Austen's part to present a character so burdened with a secret that we see his natural behavior only long after we've gotten used to him.) At his strongest and most appealing-to Elinor, at least-he's a clear-your-mind-of-cant kind of guy: "I am not fond of nettles, or thistles, or heath blossoms. . . . A troop of tidy, happy villagers please me better than the finest banditti in the world." But he can also be a Hamlet-like whiner, complaining about his own idleness and vowing that his sons will be brought up "to be as unlike myself as possible. In feeling, in action, in condition, in every thing." For my money, Edward is the least likable of Austen's heroes, while his opposite number, Willoughby, is the most sympathetic of her libertines: smarter than Pride and Prejudice's Wickham (a loser who gets stuck with the "noisy" and virtually portionless Lydia Bennet) and more warmhearted than Mansfield Park's textbook narcissist Henry Crawford. Willoughby may strike trendy Wordsworthian poses with his effusions on cottages ("I consider it as the only form of building in which happiness is attainable"), but at least he has enough sense to abhor his own callowness, and enough sexy boldness to discompose even the rational Elinor. "She felt that his influence over her mind was heightened by circumstances which ought not in reason to have weight; by that person of uncommon attraction, that open, affectionate, and lively manner which it was no merit to possess . . ." His opening line when he at last explains to her what he's been up to ("Tell me honestly, do you think me most a knave or a fool?") is one of those Byronic flourishes that make him the person in Sense and Sensibility you'd most want to dine with and least want to trust.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At 21, she began a novel called “The First Impressions,” an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear in print was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818. View titles by Jane Austen

About

Published in 1811, Sense and Sensibility has delighted generations of readers with its masterfully crafted portrait of two sisters, Elinor and Marianne Dashwood. Forced to leave their home after their father's death, Elinor and Marianne must rely on making good marriages as their means of support. But unscrupulous cads, meddlesome matriarchs, and various guileless and artful women impinge on their chances for love and happiness. The novelist Elizabeth Bowen wrote, "The technique of [Jane Austen's novels] is beyond praise....Her mastery of the art she chose, or that chose her, is complete."

This Modern Library Paperback Classics edition contains a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.

Excerpt

Sense and Sensibility, the first of those metaphorical bits of "ivory" on which Jane Austen said she worked with "so fine a brush," jackhammers away at the idea that to conjecture is a vain and hopeless reflex of the mind. But I'll venture this much: If she'd done nothing else, we'd still be in awe of her. Wuthering Heights alone put Emily Brontë in the pantheon, and her sister Charlotte and their older contemporary Mary Shelley might as well have saved themselves the trouble of writing anything but Jane Eyre and Frankenstein. Sense and Sensibility, published in 1811, is at least as mighty a work as any of these, and smarter than all three put together. And it would surely impress us even more without Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815) towering just up ahead. Austen wrote its ur-version, Elinor and Marianne, when she was nineteen, a year before First Impressions, which became Pride and Prejudice; she reconceived it as Sense and Sensibility when she was twenty-two, and she was thirty-six when it finally appeared. Like most first novels, it lays out what will be its author's lasting preoccupations: the "three or four families in a country village" (which Austen told her niece, in an often-quoted letter, was "the very thing to work on"). The interlocking anxieties over marriages, estates, and ecclesiastical "livings." The secrets, deceptions, and self-deceptions that take several hundred pages to straighten out-to the extent that they get straightened out. The radical skepticism about human knowledge, human communication, and human possibility that informs almost every scene right up to the sort-of-happy ending. And the distinctive characters-the negligent or overindulgent parents, the bifurcating siblings (smart sister, beautiful sister; serious brother, coxcomb brother), the charming, corrupted young libertines. Unlike most first novels, though, Sense and Sensibility doesn't need our indulgence. It's good to go.

In the novels to come, Elinor Dashwood will morph into Anne Elliott and Elizabeth Bennet (who will morph into Emma Woodhouse); Edward Ferrars into Edmund Bertram, Mr. Knightley, Henry Tilney, and Captain Wentworth; Willoughby into George Wickham and Henry Crawford. But the characters in Sense and Sensibility stand convincingly on their own, every bit as memorable as their later avatars. If Austen doesn't have quite the Caliban-to-Ariel range of a Shakespeare, she can still conjure up and sympathize with both Mrs. Jennings-the "rather vulgar" busybody with a borderline-unwholesome interest in young people's love lives, fits of refreshing horse sense, and a ruggedly good heart-and Marianne Dashwood, a wittily observed case study in Romanticism, a compassionately observed case study in sublimated adolescent sexuality, and a humorously observed case study in humorlessness. "I should hardly call her a lively girl," Elinor observes to Edward, "-she is very earnest, very eager in all she does-sometimes talks a great deal and always with animation-but she is not often really merry." Humorlessness, in fact, may be the one thing Marianne and her eventual lifemate, Colonel Brandon, have in common. (Sorry to give that plot point away; it won't be the last one, either. So, fair warning.) The minor characters have the sort of eidetic specificity you associate with Dickens: from the gruesomely mismatched Mr. and Mrs. Palmer to Robert Ferrars, splendidly impenetrable in his microcephalic self-complacency. The major characters, on the other hand, refuse to stay narrowly "in character"; they're always recognizably themselves, yet they seem as many-sided and changeable as people out in the nonfictional world.

Elinor makes as ambivalent a heroine as Mansfield Park's notoriously hard-to-warm-up-to Fanny Price. She's affectionately protective of her sister Marianne yet overfond of zinging her: "It is not every one who has your passion for dead leaves." She's bemused at Marianne's self-dramatizing, yet she's as smug about suffering in silence as Marianne (who "would have thought herself very inexcusable" if she were able to sleep after Willoughby leaves Devonshire) is proud of suffering in Surround Sound. She can be treacherously clever, as when Lucy Steele speculates (correctly) that she may have offended Elinor by staking her claim to Edward: " 'Offended me! How could you suppose so? Believe me,' and Elinor spoke it with the truest sincerity, 'nothing could be farther from my intention, than to give you such an idea.' " Yet she can also be ponderously preachy: "One observation may, I think, be fairly drawn from the whole of the story-that all Willoughby's difficulties, have arisen from the first offense against virtue, in his behaviour to Eliza Williams. That crime has been the origin of every lesser one, and of all his present discontents." (In the rest of Austen, only the intentionally preposterous Mary in Pride and Prejudice strikes just this note: "Unhappy as the event may be for Lydia, we may draw from it this useful lesson; that loss of virtue in a female is irretrievable . . ."). Is Elinor simply an intelligent young woman overtaxed by having to be the grown-up of the family? Or is she an unconsciously rivalrous sibling, sick of hearing that her younger, more beautiful sister will marry more advantageously? Or both? Or what? It's not that Austen doesn't have a clear conception of her-it's that she doesn't have a simple conception. Elinor is the character you know the most about, since Austen tells most of the story from her point of view, and consequently she's the one you're least able to nail with a couple of adjectives or a single defining moment.

Edward bothers us, too. He's a dreamboat only for a woman of Elinor's limited expectations: independent-minded yet passive and depressive, forthright and honorable yet engaged in a book-long cover-up. (It's a tour de force on Austen's part to present a character so burdened with a secret that we see his natural behavior only long after we've gotten used to him.) At his strongest and most appealing-to Elinor, at least-he's a clear-your-mind-of-cant kind of guy: "I am not fond of nettles, or thistles, or heath blossoms. . . . A troop of tidy, happy villagers please me better than the finest banditti in the world." But he can also be a Hamlet-like whiner, complaining about his own idleness and vowing that his sons will be brought up "to be as unlike myself as possible. In feeling, in action, in condition, in every thing." For my money, Edward is the least likable of Austen's heroes, while his opposite number, Willoughby, is the most sympathetic of her libertines: smarter than Pride and Prejudice's Wickham (a loser who gets stuck with the "noisy" and virtually portionless Lydia Bennet) and more warmhearted than Mansfield Park's textbook narcissist Henry Crawford. Willoughby may strike trendy Wordsworthian poses with his effusions on cottages ("I consider it as the only form of building in which happiness is attainable"), but at least he has enough sense to abhor his own callowness, and enough sexy boldness to discompose even the rational Elinor. "She felt that his influence over her mind was heightened by circumstances which ought not in reason to have weight; by that person of uncommon attraction, that open, affectionate, and lively manner which it was no merit to possess . . ." His opening line when he at last explains to her what he's been up to ("Tell me honestly, do you think me most a knave or a fool?") is one of those Byronic flourishes that make him the person in Sense and Sensibility you'd most want to dine with and least want to trust.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At 21, she began a novel called “The First Impressions,” an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear in print was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818. View titles by Jane Austen

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  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-553-90244-0
    $4.99 US
    Ebook
    Bantam Classics
    Mar 28, 2006
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-375-75673-3
    $8.00 US
    Paperback
    Modern Library
    Jan 09, 2001
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-679-64113-1
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  • Sense and Sensibility
    Sense and Sensibility
    Introduction by Peter Conrad
    Jane Austen
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    Everyman's Library
    Mar 10, 1992
  • Sense and Sensibility
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    Jane Austen
    978-0-553-21334-8
    $5.95 US
    Mass Market Paperback
    Bantam Classics
    Dec 01, 1982
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-553-90244-0
    $4.99 US
    Ebook
    Bantam Classics
    Mar 28, 2006
  • Sense and Sensibility
    Sense and Sensibility
    Jane Austen
    978-0-375-75673-3
    $8.00 US
    Paperback
    Modern Library
    Jan 09, 2001
  • Sense and Sensibility
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    Jane Austen
    978-0-679-64113-1
    $2.99 US
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    Introduction by Peter Conrad
    Jane Austen
    978-0-679-40987-8
    $28.00 US
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  • Sense and Sensibility
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    Jane Austen
    978-0-553-21334-8
    $5.95 US
    Mass Market Paperback
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    Dec 01, 1982

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    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Complete Short Stories of Mark Twain
    The Complete Short Stories of Mark Twain
    Introduction by Adam Gopnik
    Mark Twain
    978-0-307-95937-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 05, 2012
  • Agnes Grey, The Tenant of Wildfell Hall
    Agnes Grey, The Tenant of Wildfell Hall
    Introduction by Lucy Hughes-Hallett
    Anne Bronte
    978-0-307-95780-1
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 03, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Everyman Chesterton
    The Everyman Chesterton
    Edited and Introduced by Ian Ker
    G. K. Chesterton
    978-0-307-59497-6
    $32.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2011
  • The Three Musketeers
    The Three Musketeers
    Introduction by Allan Massie
    Alexandre Dumas
    978-0-307-59499-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 15, 2011
  • Shirley and The Professor
    Shirley and The Professor
    Introduction by Rebecca Fraser
    Charlotte Bronte
    978-0-307-77362-3
    $8.99 US
    Ebook
    Everyman's Library
    Nov 24, 2010
  • The Time Machine, The Invisible Man, The War of the Worlds
    The Time Machine, The Invisible Man, The War of the Worlds
    Introduction by Margaret Drabble
    H. G. Wells
    978-0-307-59384-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 03, 2010
  • Dracula
    Dracula
    Introduction by Joan Acocella
    Bram Stoker
    978-0-307-59385-6
    $25.00 US
    Hardcover
    Everyman's Library
    May 04, 2010
  • The Autobiography of Benvenuto Cellini
    The Autobiography of Benvenuto Cellini
    Introduction by James Fenton
    Benvenuto Cellini
    978-0-307-59274-3
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2010
  • A Christmas Carol and Other Christmas Books
    A Christmas Carol and Other Christmas Books
    Introduction by Margaret Atwood
    Charles Dickens
    978-0-307-27175-4
    $22.00 US
    Hardcover
    Everyman's Library
    Nov 10, 2009
  • Annals and Histories
    Annals and Histories
    Introduction by Robin Lane Fox
    Tacitus
    978-0-307-26750-4
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Introduction by Umberto Eco
    Alexandre Dumas
    978-0-307-27112-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 02, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $17.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • The Collected Tales of Nikolai Gogol
    The Collected Tales of Nikolai Gogol
    Introduction by Richard Pevear
    Nikolai Gogol
    978-0-307-26969-0
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 07, 2008
  • Ethan Frome, Summer, Bunner Sisters
    Ethan Frome, Summer, Bunner Sisters
    Introduction by Hermione Lee
    Edith Wharton
    978-0-307-26825-9
    $22.00 US
    Hardcover
    Everyman's Library
    Feb 05, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $14.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • History of My Life
    History of My Life
    Introduction by John Julius Norwich
    Giacomo Casanova
    978-0-307-26557-9
    $40.00 US
    Hardcover
    Everyman's Library
    Feb 06, 2007
  • The Double and The Gambler
    The Double and The Gambler
    Fyodor Dostoevsky
    978-0-375-71901-1
    $16.95 US
    Paperback
    Vintage
    Jan 16, 2007
  • The Audubon Reader
    The Audubon Reader
    Edited and Introduced by Richard Rhodes
    John James Audubon
    978-1-4000-4369-9
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 11, 2006
  • The Cossacks
    The Cossacks
    Leo Tolstoy
    978-0-8129-7504-8
    $15.00 US
    Paperback
    Modern Library
    Feb 14, 2006
  • Barnaby Rudge
    Barnaby Rudge
    Introduction by Peter Ackroyd
    Charles Dickens
    978-0-307-26290-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 08, 2005
  • The Complete Short Novels
    The Complete Short Novels
    Anton Chekhov
    978-1-4000-3292-1
    $20.00 US
    Paperback
    Vintage
    Aug 30, 2005
  • The Secret Agent
    The Secret Agent
    A Simple Tale
    Joseph Conrad
    978-0-8129-7305-1
    $11.00 US
    Paperback
    Modern Library
    Dec 14, 2004
  • The Adolescent
    The Adolescent
    Fyodor Dostoevsky
    978-0-375-71900-4
    $19.00 US
    Paperback
    Vintage
    Dec 07, 2004
  • Kim
    Kim
    Rudyard Kipling
    978-0-8129-7134-7
    $8.00 US
    Paperback
    Modern Library
    Feb 10, 2004
  • The Oresteia
    The Oresteia
    Agamemnon, Choephoroe, Eumenides; Introduction by Richard Seaford
    Aeschylus
    978-1-4000-4192-3
    $22.00 US
    Hardcover
    Everyman's Library
    Jan 20, 2004
  • The Bostonians
    The Bostonians
    Henry James
    978-0-8129-6996-2
    $11.00 US
    Paperback
    Modern Library
    Dec 09, 2003
  • The Origin of Species and The Voyage of the 'Beagle'
    The Origin of Species and The Voyage of the 'Beagle'
    Introduction by Richard Dawkins
    Charles Darwin
    978-1-4000-4127-5
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 14, 2003
  • The Pickwick Papers
    The Pickwick Papers
    Charles Dickens
    978-0-8129-6727-2
    $14.00 US
    Paperback
    Modern Library
    Aug 12, 2003
  • The Idiot
    The Idiot
    Fyodor Dostoevsky
    978-0-375-70224-2
    $19.00 US
    Paperback
    Vintage
    Jul 08, 2003
  • Victory
    Victory
    An Island Tale
    Joseph Conrad
    978-0-375-75908-6
    $16.00 US
    Paperback
    Modern Library
    Jul 08, 2003
  • The Complete Works of Michel de Montaigne
    The Complete Works of Michel de Montaigne
    Introduction by Stuart Hampshire
    Michel de Montaigne
    978-1-4000-4021-6
    $40.00 US
    Hardcover
    Everyman's Library
    Apr 29, 2003
  • The Wings of the Dove
    The Wings of the Dove
    Henry James
    978-0-8129-6719-7
    $11.00 US
    Paperback
    Modern Library
    Apr 08, 2003
  • Washington Square
    Washington Square
    Henry James
    978-0-375-76122-5
    $7.95 US
    Paperback
    Modern Library
    Oct 08, 2002
  • The Hunchback of Notre-Dame
    The Hunchback of Notre-Dame
    Victor Hugo
    978-0-679-64257-2
    $15.00 US
    Paperback
    Modern Library
    Oct 08, 2002
  • Our Mutual Friend
    Our Mutual Friend
    Charles Dickens
    978-0-375-76114-0
    $13.00 US
    Paperback
    Modern Library
    Sep 10, 2002
  • Daniel Deronda
    Daniel Deronda
    George Eliot
    978-0-375-76013-6
    $11.00 US
    Paperback
    Modern Library
    Jul 09, 2002
  • Moll Flanders
    Moll Flanders
    Daniel Defoe
    978-0-375-76010-5
    $14.00 US
    Paperback
    Modern Library
    Jun 11, 2002
  • A Journey to the Western Islands of Scotland
    A Journey to the Western Islands of Scotland
    with The Journal of a Tour to the Hebrides; Introduction by Allan Massie
    James Boswell, Samuel Johnson
    978-0-375-41418-3
    $30.00 US
    Hardcover
    Everyman's Library
    Mar 26, 2002
  • The Memoirs of Hector Berlioz
    The Memoirs of Hector Berlioz
    Introduced by David Cairns
    Hector Berlioz
    978-0-375-41391-9
    $35.00 US
    Hardcover
    Everyman's Library
    Mar 19, 2002
  • Little Dorrit
    Little Dorrit
    Charles Dickens, H. K. Browne
    978-0-375-75914-7
    $13.00 US
    Paperback
    Modern Library
    Mar 12, 2002
  • The Portrait of a Lady
    The Portrait of a Lady
    Henry James
    978-0-375-75919-2
    $13.00 US
    Paperback
    Modern Library
    Feb 12, 2002
  • The Woman in White
    The Woman in White
    Wilkie Collins
    978-0-375-75906-2
    $12.00 US
    Paperback
    Modern Library
    Jan 08, 2002
  • Far from the Madding Crowd
    Far from the Madding Crowd
    Thomas Hardy
    978-0-375-75797-6
    $11.00 US
    Paperback
    Modern Library
    Dec 11, 2001
  • The Travels of Marco Polo
    The Travels of Marco Polo
    Marco Polo
    978-0-375-75818-8
    $16.00 US
    Paperback
    Modern Library
    Dec 04, 2001
  • Oliver Twist
    Oliver Twist
    Charles Dickens, George Cruikshank
    978-0-375-75784-6
    $8.00 US
    Paperback
    Modern Library
    Oct 09, 2001
  • The Moonstone
    The Moonstone
    Wilkie Collins
    978-0-375-75785-3
    $11.00 US
    Paperback
    Modern Library
    Sep 11, 2001
  • Jude the Obscure
    Jude the Obscure
    Thomas Hardy
    978-0-375-75741-9
    $12.00 US
    Paperback
    Modern Library
    Aug 14, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume I
    Collected Shorter Fiction of Leo Tolstoy, Volume I
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41172-4
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Collected Shorter Fiction of Leo Tolstoy, Volume II
    Collected Shorter Fiction of Leo Tolstoy, Volume II
    Introduction by John Bayley
    Leo Tolstoy
    978-0-375-41287-5
    $30.00 US
    Hardcover
    Everyman's Library
    Aug 07, 2001
  • Hard Times
    Hard Times
    Charles Dickens
    978-0-679-64217-6
    $10.00 US
    Paperback
    Modern Library
    Jul 10, 2001
  • Silas Marner
    Silas Marner
    The Weaver of Raveloe
    George Eliot
    978-0-375-75749-5
    $9.00 US
    Paperback
    Modern Library
    May 08, 2001
  • The Confessions
    The Confessions
    Introduction by Robin Lane Fox
    Augustine
    978-0-375-41173-1
    $25.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • The Analects
    The Analects
    Introduction by Sarah Allan
    Confucius
    978-0-375-41204-2
    $22.00 US
    Hardcover
    Everyman's Library
    May 01, 2001
  • Symposium and Phaedrus
    Symposium and Phaedrus
    Introduction by Richard Rutherford
    Plato
    978-0-375-41174-8
    $21.00 US
    Hardcover
    Everyman's Library
    Mar 06, 2001
  • Tess of the d'Urbervilles
    Tess of the d'Urbervilles
    A Pure Woman
    Thomas Hardy
    978-0-375-75679-5
    $10.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • Great Expectations
    Great Expectations
    Charles Dickens
    978-0-375-75701-3
    $11.00 US
    Paperback
    Modern Library
    Feb 13, 2001
  • The Best of Tagore
    The Best of Tagore
    Rabindranath Tagore
    978-1-101-90838-9
    $32.00 US
    Hardcover
    Everyman's Library
    Oct 17, 2023
  • Wuthering Heights
    Wuthering Heights
    Emily Bronte
    978-0-593-24403-6
    $8.00 US
    Paperback
    Modern Library
    Dec 07, 2021
  • Selected Stories of Guy de Maupassant
    Selected Stories of Guy de Maupassant
    Introduction by Catriona Seth
    Guy de Maupassant
    978-0-593-32021-1
    $22.00 US
    Hardcover
    Everyman's Library
    Oct 05, 2021
  • The Babur Nama
    The Babur Nama
    Introduction by William Dalrymple
    Babur
    978-1-101-90823-5
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2020
  • Independent People
    Independent People
    Introduction by John Freeman
    Halldor Laxness
    978-1-101-90827-3
    $26.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2020
  • Selected Writings of Alexander von Humboldt
    Selected Writings of Alexander von Humboldt
    Edited and Introduced by Andrea Wulf
    Alexander von Humboldt
    978-1-101-90807-5
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 06, 2018
  • The Diary of Samuel Pepys
    The Diary of Samuel Pepys
    Selected and Introduced by Kate Loveman
    Samuel Pepys
    978-1-101-90792-4
    $30.00 US
    Hardcover
    Everyman's Library
    Oct 02, 2018
  • The Art of War
    The Art of War
    Translated and Introduced by Peter Harris
    Sun Tzu
    978-1-101-90800-6
    $24.00 US
    Hardcover
    Everyman's Library
    Mar 13, 2018
  • Selected Letters of Horace Walpole
    Selected Letters of Horace Walpole
    Edited and Introduced by Stephen Clarke
    Horace Walpole
    978-1-101-90789-4
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 27, 2017
  • Selected Writings of John Muir
    Selected Writings of John Muir
    Introduction by Terry Tempest Williams
    John Muir
    978-1-101-90762-7
    $35.00 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • The Duke's Children
    The Duke's Children
    The Only Complete Edition; Introduction by Max Egremont
    Anthony Trollope
    978-1-101-90781-8
    $27.50 US
    Hardcover
    Everyman's Library
    Apr 04, 2017
  • Collected Nonfiction of Mark Twain, Volume 1
    Collected Nonfiction of Mark Twain, Volume 1
    Selections from the Autobiography, Letters, Essays, and Speeches; Introduction by Adam Hochschild
    Mark Twain
    978-1-101-90770-2
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • Collected Nonfiction of Mark Twain, Volume 2
    Collected Nonfiction of Mark Twain, Volume 2
    Selections from the Memoirs and Travel Writings; Introduction by Richard Russo
    Mark Twain
    978-1-101-90772-6
    $30.00 US
    Hardcover
    Everyman's Library
    Nov 15, 2016
  • The Mayor of Casterbridge
    The Mayor of Casterbridge
    Thomas Hardy
    978-0-345-80401-3
    $11.00 US
    Paperback
    Vintage
    Nov 08, 2016
  • Notes from a Dead House
    Notes from a Dead House
    Fyodor Dostoevsky
    978-0-307-94987-5
    $16.95 US
    Paperback
    Vintage
    Mar 22, 2016
  • Reflections on the Revolution in France and Other Writings
    Reflections on the Revolution in France and Other Writings
    Edited and Introduced by Jesse Norman
    Edmund Burke
    978-0-375-71253-1
    $32.00 US
    Hardcover
    Everyman's Library
    Nov 03, 2015
  • The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    The Hound of the Baskervilles, A Study in Scarlet, The Sign of Four
    Introduction by Andrew Lycett
    Sir Arthur Conan Doyle
    978-0-375-71267-8
    $28.00 US
    Hardcover
    Everyman's Library
    Dec 02, 2014
  • Walden & Civil Disobedience
    Walden & Civil Disobedience
    Henry David Thoreau
    978-0-8041-7156-4
    $11.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Scarlet Letter
    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    978-0-8041-7157-1
    $8.00 US
    Paperback
    Vintage
    Aug 26, 2014
  • The Arabian Nights
    The Arabian Nights
    Introduction by Wen-chin Ouyang
    978-0-375-71241-8
    $32.00 US
    Hardcover
    Everyman's Library
    Jun 10, 2014
  • Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, Round the World in Eighty Days
    Introduction by Tim Farrant
    Jules Verne
    978-0-307-96148-8
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 01, 2013
  • The Betrothed
    The Betrothed
    Introduction by Jonathan Keates
    Alessandro Manzoni
    978-0-375-71234-0
    $30.00 US
    Hardcover
    Everyman's Library
    Sep 17, 2013
  • The Metamorphoses
    The Metamorphoses
    Introduction by J. C. McKeown
    Ovid
    978-0-375-71231-9
    $28.00 US
    Hardcover
    Everyman's Library
    Sep 10, 2013
  • The Age of Innocence
    The Age of Innocence
    Edith Wharton
    978-0-307-94951-6
    $11.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Custom of the Country
    The Custom of the Country
    Edith Wharton
    978-0-307-94954-7
    $12.00 US
    Paperback
    Vintage
    Jun 05, 2012
  • The Complete Short Stories of Mark Twain
    The Complete Short Stories of Mark Twain
    Introduction by Adam Gopnik
    Mark Twain
    978-0-307-95937-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 05, 2012
  • Agnes Grey, The Tenant of Wildfell Hall
    Agnes Grey, The Tenant of Wildfell Hall
    Introduction by Lucy Hughes-Hallett
    Anne Bronte
    978-0-307-95780-1
    $30.00 US
    Hardcover
    Everyman's Library
    Apr 03, 2012
  • Decameron
    Decameron
    Giovanni Boccaccio
    978-0-307-47217-5
    $14.00 US
    Paperback
    Vintage
    Feb 14, 2012
  • The Ambassadors
    The Ambassadors
    Henry James
    978-0-8129-8270-1
    $11.00 US
    Paperback
    Modern Library
    Jan 10, 2012
  • The Physiology of Taste
    The Physiology of Taste
    Or Meditations on Transcendental Gastronomy
    Jean Anthelme Brillat-Savarin
    978-0-307-39037-0
    $18.00 US
    Paperback
    Vintage
    Oct 04, 2011
  • The Everyman Chesterton
    The Everyman Chesterton
    Edited and Introduced by Ian Ker
    G. K. Chesterton
    978-0-307-59497-6
    $32.00 US
    Hardcover
    Everyman's Library
    Apr 05, 2011
  • The Three Musketeers
    The Three Musketeers
    Introduction by Allan Massie
    Alexandre Dumas
    978-0-307-59499-0
    $28.00 US
    Hardcover
    Everyman's Library
    Feb 15, 2011
  • Shirley and The Professor
    Shirley and The Professor
    Introduction by Rebecca Fraser
    Charlotte Bronte
    978-0-307-77362-3
    $8.99 US
    Ebook
    Everyman's Library
    Nov 24, 2010
  • The Time Machine, The Invisible Man, The War of the Worlds
    The Time Machine, The Invisible Man, The War of the Worlds
    Introduction by Margaret Drabble
    H. G. Wells
    978-0-307-59384-9
    $28.00 US
    Hardcover
    Everyman's Library
    Aug 03, 2010
  • Dracula
    Dracula
    Introduction by Joan Acocella
    Bram Stoker
    978-0-307-59385-6
    $25.00 US
    Hardcover
    Everyman's Library
    May 04, 2010
  • The Autobiography of Benvenuto Cellini
    The Autobiography of Benvenuto Cellini
    Introduction by James Fenton
    Benvenuto Cellini
    978-0-307-59274-3
    $28.00 US
    Hardcover
    Everyman's Library
    Apr 06, 2010
  • A Christmas Carol and Other Christmas Books
    A Christmas Carol and Other Christmas Books
    Introduction by Margaret Atwood
    Charles Dickens
    978-0-307-27175-4
    $22.00 US
    Hardcover
    Everyman's Library
    Nov 10, 2009
  • Annals and Histories
    Annals and Histories
    Introduction by Robin Lane Fox
    Tacitus
    978-0-307-26750-4
    $35.00 US
    Hardcover
    Everyman's Library
    Oct 06, 2009
  • The Mystery of Edwin Drood
    The Mystery of Edwin Drood
    Charles Dickens
    978-0-8129-8045-5
    $12.00 US
    Paperback
    Modern Library
    Oct 06, 2009
  • The Count of Monte Cristo
    The Count of Monte Cristo
    Introduction by Umberto Eco
    Alexandre Dumas
    978-0-307-27112-9
    $30.00 US
    Hardcover
    Everyman's Library
    Jun 02, 2009
  • Jane Eyre
    Jane Eyre
    Charlotte Bronte
    978-0-307-45519-2
    $9.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • Villette
    Villette
    Charlotte Bronte
    978-0-307-45556-7
    $17.00 US
    Paperback
    Vintage
    Apr 07, 2009
  • The Collected Tales of Nikolai Gogol
    The Collected Tales of Nikolai Gogol
    Introduction by Richard Pevear
    Nikolai Gogol
    978-0-307-26969-0
    $28.00 US
    Hardcover
    Everyman's Library
    Oct 07, 2008
  • Ethan Frome, Summer, Bunner Sisters
    Ethan Frome, Summer, Bunner Sisters
    Introduction by Hermione Lee
    Edith Wharton
    978-0-307-26825-9
    $22.00 US
    Hardcover
    Everyman's Library
    Feb 05, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    978-0-8129-7805-6
    $14.00 US
    Paperback
    Modern Library
    Feb 05, 2008
  • Northanger Abbey
    Northanger Abbey
    Jane Austen
    978-0-307-38683-0
    $8.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Emma
    Emma
    Jane Austen
    978-0-307-38684-7
    $9.95 US
    Paperback
    Vintage
    Sep 04, 2007
  • Persuasion
    Persuasion
    Jane Austen
    978-0-307-38685-4
    $7.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • Mansfield Park
    Mansfield Park
    Jane Austen
    978-0-307-38688-5
    $13.00 US
    Paperback
    Vintage
    Sep 04, 2007
  • History of My Life
    History of My Life
    Introduction by John Julius Norwich
    Giacomo Casanova
    978-0-307-26557-9
    $40.00 US
    Hardcover
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