Gothic Tales

Introduction by Daniel Cook
Edited by Daniel Cook
Paperback
$18.00 US
On sale Oct 13, 2026 | 288 Pages | 9780143139041

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Ten of Mary Shelley’s best short stories that push the boundaries of Gothic literature

Mary Shelley is most known for Frankenstein, but in the years following the release of her magnum opus, which were beset by the loss of several children and her husband, she produced novels, poems, short stories, and other forms of writing to sustain herself and her only surviving child. Collected here from this tumultuous period of Shelley’s life are ten of her finest tales that, like Frankenstein, subvert the classist and misogynistic standards of patriarchal Victorian society and offer deep meditations on the nature of life and humanity. Shelley’s stories defy genre, ranging from romance and melodrama to fairy tale and satire to speculative and the Gothic, all mixed with biographical allusions to Shelley’s personal life. Faustian bargains, doppelgängers, time travel, and hints of vampirism and witchcraft loom through these stories but are infused with Shelley’s tender emotionalism and conscious eye for the inequalities of her day. Shelley grounds the Gothic in the humane, leveraging hallmarks of the genre — anachronisms, false heroes, foreboding moods, and shadowy terrains — to show that the darkest monsters may be those already among us.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Mary Shelley was born in London in 1797, daughter of William Godwin and Mary Wollstonecraft, famous radical writers of the day. Mary’s mother died tragically ten days after the birth. Under Godwin’s conscientious and expert tuition, Mary’s was an intellectually stimulating childhood, though she often felt misunderstood by her stepmother and neglected by her father. In 1814 she met and soon fell in love with the then unknown Percy Bysshe Shelley, and in July they eloped to the Continent. In December 1816, after Shelley’s first wife, Harriet, committed suicide, Mary and Percy married. Of the four children she bore Shelley, only Percy Florence survived. They lived in Italy from 1818 until 1822, when Shelley drowned following the sinking of his boat Ariel in a storm. Mary returned with Percy Florence to London, where she continued to live as a professional writer until her death in 1851.
The idea for Frankenstein came to Mary Godwin during a summer sojourn in 1816 with Percy Shelley on the shores of Lake Geneva, where Lord Byron was also staying. She was inspired to begin her unique tale after Byron suggested a ghost story competition. Byron himself produced “A Fragment,” which later inspired his physician John Polidori to write The Vampyre. Mary completed her short story back in England, and it was published as Frankenstein; or, The Modern Prometheus in 1818. Among her other novels are The Last Man (1826), a dystopian story set in the twenty-first century, The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). As well as contributing many stories and essays to publications such as the Keepsake and the Westminster Review, she wrote numerous biographical essays for Lardner’s Cabinet Cyclopaedia (1835, 1838–39). Her other books include the first collected edition of Percy Bysshe Shelley’s Poetical Works (4 vols., 1839) and a book based on the Continental travels she undertook with her son Percy Florence and his friends, Rambles in Germany and Italy (1844). Mary Shelley died in London on February 1, 1851. View titles by Mary Shelley

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Ten of Mary Shelley’s best short stories that push the boundaries of Gothic literature

Mary Shelley is most known for Frankenstein, but in the years following the release of her magnum opus, which were beset by the loss of several children and her husband, she produced novels, poems, short stories, and other forms of writing to sustain herself and her only surviving child. Collected here from this tumultuous period of Shelley’s life are ten of her finest tales that, like Frankenstein, subvert the classist and misogynistic standards of patriarchal Victorian society and offer deep meditations on the nature of life and humanity. Shelley’s stories defy genre, ranging from romance and melodrama to fairy tale and satire to speculative and the Gothic, all mixed with biographical allusions to Shelley’s personal life. Faustian bargains, doppelgängers, time travel, and hints of vampirism and witchcraft loom through these stories but are infused with Shelley’s tender emotionalism and conscious eye for the inequalities of her day. Shelley grounds the Gothic in the humane, leveraging hallmarks of the genre — anachronisms, false heroes, foreboding moods, and shadowy terrains — to show that the darkest monsters may be those already among us.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

Mary Shelley was born in London in 1797, daughter of William Godwin and Mary Wollstonecraft, famous radical writers of the day. Mary’s mother died tragically ten days after the birth. Under Godwin’s conscientious and expert tuition, Mary’s was an intellectually stimulating childhood, though she often felt misunderstood by her stepmother and neglected by her father. In 1814 she met and soon fell in love with the then unknown Percy Bysshe Shelley, and in July they eloped to the Continent. In December 1816, after Shelley’s first wife, Harriet, committed suicide, Mary and Percy married. Of the four children she bore Shelley, only Percy Florence survived. They lived in Italy from 1818 until 1822, when Shelley drowned following the sinking of his boat Ariel in a storm. Mary returned with Percy Florence to London, where she continued to live as a professional writer until her death in 1851.
The idea for Frankenstein came to Mary Godwin during a summer sojourn in 1816 with Percy Shelley on the shores of Lake Geneva, where Lord Byron was also staying. She was inspired to begin her unique tale after Byron suggested a ghost story competition. Byron himself produced “A Fragment,” which later inspired his physician John Polidori to write The Vampyre. Mary completed her short story back in England, and it was published as Frankenstein; or, The Modern Prometheus in 1818. Among her other novels are The Last Man (1826), a dystopian story set in the twenty-first century, The Fortunes of Perkin Warbeck (1830), Lodore (1835), and Falkner (1837). As well as contributing many stories and essays to publications such as the Keepsake and the Westminster Review, she wrote numerous biographical essays for Lardner’s Cabinet Cyclopaedia (1835, 1838–39). Her other books include the first collected edition of Percy Bysshe Shelley’s Poetical Works (4 vols., 1839) and a book based on the Continental travels she undertook with her son Percy Florence and his friends, Rambles in Germany and Italy (1844). Mary Shelley died in London on February 1, 1851. View titles by Mary Shelley