Leaves of Grass and Selected Poems and Prose

Illustrated by Jessica Hische
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Hardcover
$27.00 US
On sale Aug 20, 2014 | 288 Pages | 9780143107439
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

W is for Whitman.  When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his life, Whitman continuously revised, expanded, and republished Leaves of Grass, but the 1855 original marked Whitman’s fresh and bold arrival, greeted by Ralph Waldo Emerson as “the beginning of a great career.”  This volume specially compiled for Penguin Drop Caps will also include a range of additional popular poems including selections from "Calamus," "Crossing Brooklyn Ferry," and "Drum-Taps," as well as Whitman’s 1855, 1856 and 1976 prefaces and “Democratic Vistas.”

Walt Whitman was born on May 31, 1819, near Huntington, Long Island, New York. His father--a farmer turned carpenter from whom Whitman acquired his freethinking intellectual and political attitudes--moved his wife and nine children to Brooklyn in 1823. The young Whitman attended public schools until the age of eleven, when he was apprenticed to a printer. In 1835 he became a journeyman printer and spent the next decade working as a compositor, freelance writer, editor, and itinerant schoolteacher. But Whitman's fortunes changed in 1846 when he was named editor of the Brooklyn Eagle. However his 'free soil' political beliefs cost him the editorship of the conservative paper two years later. Following his dismissal, Whitman traveled to New Orleans, where he was briefly editor of the New Orleans Crescent. Upon his return north in June 1848, he frequented the opera and museums, dabbled in politics, and immersed himself in the life of the streets. Although Whitman had earlier affected the mien of a dandy, he now dressed as a 'rough' and became prominent among the bohemian element of New York. But the poems and stories he published in these years showed no hint of his future greatness.

The next five years (1850-1855), while outwardly undramatic, proved to be the most important period--intellectually and spiritually--in the life of Walt Whitman the poet. During this time he read avidly and kept a series of notebooks. Two novels by Georges Sand helped fix the direction of Whitman's thinking. One was The Countess of Rudolstadt, which featured a wandering bard and prophet who expounded the new religion of Humanity. The other was The Journeyman Joiner, the story of a proletarian philosopher who works as a carpenter with his father but also devotes time to reading, giving advice on art, and freely sharing the affection of friends. But of course it was Ralph Waldo Emerson's summons (in 'The Poet') for a great American muse to step forward and celebrate the emerging nation that was pivotal to Whitman's future. On July 4, 1855, the first edition of Leaves of Grass, the volume of poems that for the next four decades would become his life's work, was placed on sale. Although some critics treated the volume as a joke and others were outraged by its unprecedented mixture of mysticism and earthiness, the book attracted the attention of some of the finest literary intelligences. 'I greet you at the beginning of a great career,' Emerson wrote to Whitman. 'I find incomparable things said incomparably well.'

The Civil War found Whitman working as an unofficial nurse to Northern and Southern soldiers in the army hospitals of Washington, D.C. His war poems appeared in Drum-Taps (1865) and were later incorporated into Leaves of Grass--as was 'When Lilacs Last in the Dooryard Bloom,' his elegy to the recently assassinated President Lincoln. After the war he became a clerk in the Indian Bureau of the Department of the Interior, from which he was shortly dismissed on the grounds that Leaves of Grass was an immoral book. (Whitman was soon reinstated in another government clerkship with the Department of Justice.) Despite such notoriety, his poetry slowly achieved a wide readership in America and in England, where he was praised by Swinburne and Tennyson. (D. H. Lawrence later referred to Whitman as the 'greatest modern poet,' and 'the greatest of Americans.'

Whitman suffered a stroke in 1873 and was forced to retire to Camden, New Jersey, where he would spend the last twenty years of his life. There he continued to write poetry, and in 1881 the seventh edition of Leaves of Grass was published to generally favorable reviews. However, the book was soon banned in Boston on the grounds that it was 'obscene literature.' Whitman was in a precarious financial way in his remaining years, and such writers as Mark Twain, Henry James, and Robert Louis Stevenson contributed to his support. Rich admirers kept him supplied with oysters and champagne (he was fond of both). Whitman even received a visitation from Oscar Wilde, who later reported that 'the good gray poet' made no effort to conceal his homosexuality from him. ('The kiss of Walt Whitman,' Wilde said, 'is still on my lips')

In January 1892 the final 'Death-bed Edition' of Leaves of Grass appeared on sale, and Whitman's life's work was complete. He died two months later on the evening of March 26, 1892, and was buried four days afterward at Harleigh Cemetery in Camden. 'Most of the great poets are impersonal,' Whitman once wrote of Leaves of Grass. 'I am personal. . . . In my poems, all revolves around, concentrates in, radiates from myself. I have but one central figure, the general human personality typified in myself. But my book compels, absolutely necessitates, every reader to transpose himself or herself into the central position, and become the living fountain, actor, experiencer himself or herself, of every page, every aspiration, every line.' View titles by Walt Whitman
Jessica Hische grew up in Pennsylvania. She currently lives in San Francisco, where she works as a letterer, illustrator, type designer, and relentless procrastiworker. Clients include Wes Anderson, Dave Eggers, The New York Times, Tiffany & Co., OXFAM America, McSweeney's, American Express, Target, Victoria's Secret, Chronicle Books, Nike, and Samsung. website: jessicahische.is | twitter: @jessicahische. View titles by Jessica Hische

About

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

W is for Whitman.  When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his life, Whitman continuously revised, expanded, and republished Leaves of Grass, but the 1855 original marked Whitman’s fresh and bold arrival, greeted by Ralph Waldo Emerson as “the beginning of a great career.”  This volume specially compiled for Penguin Drop Caps will also include a range of additional popular poems including selections from "Calamus," "Crossing Brooklyn Ferry," and "Drum-Taps," as well as Whitman’s 1855, 1856 and 1976 prefaces and “Democratic Vistas.”

Author


Walt Whitman was born on May 31, 1819, near Huntington, Long Island, New York. His father--a farmer turned carpenter from whom Whitman acquired his freethinking intellectual and political attitudes--moved his wife and nine children to Brooklyn in 1823. The young Whitman attended public schools until the age of eleven, when he was apprenticed to a printer. In 1835 he became a journeyman printer and spent the next decade working as a compositor, freelance writer, editor, and itinerant schoolteacher. But Whitman's fortunes changed in 1846 when he was named editor of the Brooklyn Eagle. However his 'free soil' political beliefs cost him the editorship of the conservative paper two years later. Following his dismissal, Whitman traveled to New Orleans, where he was briefly editor of the New Orleans Crescent. Upon his return north in June 1848, he frequented the opera and museums, dabbled in politics, and immersed himself in the life of the streets. Although Whitman had earlier affected the mien of a dandy, he now dressed as a 'rough' and became prominent among the bohemian element of New York. But the poems and stories he published in these years showed no hint of his future greatness.

The next five years (1850-1855), while outwardly undramatic, proved to be the most important period--intellectually and spiritually--in the life of Walt Whitman the poet. During this time he read avidly and kept a series of notebooks. Two novels by Georges Sand helped fix the direction of Whitman's thinking. One was The Countess of Rudolstadt, which featured a wandering bard and prophet who expounded the new religion of Humanity. The other was The Journeyman Joiner, the story of a proletarian philosopher who works as a carpenter with his father but also devotes time to reading, giving advice on art, and freely sharing the affection of friends. But of course it was Ralph Waldo Emerson's summons (in 'The Poet') for a great American muse to step forward and celebrate the emerging nation that was pivotal to Whitman's future. On July 4, 1855, the first edition of Leaves of Grass, the volume of poems that for the next four decades would become his life's work, was placed on sale. Although some critics treated the volume as a joke and others were outraged by its unprecedented mixture of mysticism and earthiness, the book attracted the attention of some of the finest literary intelligences. 'I greet you at the beginning of a great career,' Emerson wrote to Whitman. 'I find incomparable things said incomparably well.'

The Civil War found Whitman working as an unofficial nurse to Northern and Southern soldiers in the army hospitals of Washington, D.C. His war poems appeared in Drum-Taps (1865) and were later incorporated into Leaves of Grass--as was 'When Lilacs Last in the Dooryard Bloom,' his elegy to the recently assassinated President Lincoln. After the war he became a clerk in the Indian Bureau of the Department of the Interior, from which he was shortly dismissed on the grounds that Leaves of Grass was an immoral book. (Whitman was soon reinstated in another government clerkship with the Department of Justice.) Despite such notoriety, his poetry slowly achieved a wide readership in America and in England, where he was praised by Swinburne and Tennyson. (D. H. Lawrence later referred to Whitman as the 'greatest modern poet,' and 'the greatest of Americans.'

Whitman suffered a stroke in 1873 and was forced to retire to Camden, New Jersey, where he would spend the last twenty years of his life. There he continued to write poetry, and in 1881 the seventh edition of Leaves of Grass was published to generally favorable reviews. However, the book was soon banned in Boston on the grounds that it was 'obscene literature.' Whitman was in a precarious financial way in his remaining years, and such writers as Mark Twain, Henry James, and Robert Louis Stevenson contributed to his support. Rich admirers kept him supplied with oysters and champagne (he was fond of both). Whitman even received a visitation from Oscar Wilde, who later reported that 'the good gray poet' made no effort to conceal his homosexuality from him. ('The kiss of Walt Whitman,' Wilde said, 'is still on my lips')

In January 1892 the final 'Death-bed Edition' of Leaves of Grass appeared on sale, and Whitman's life's work was complete. He died two months later on the evening of March 26, 1892, and was buried four days afterward at Harleigh Cemetery in Camden. 'Most of the great poets are impersonal,' Whitman once wrote of Leaves of Grass. 'I am personal. . . . In my poems, all revolves around, concentrates in, radiates from myself. I have but one central figure, the general human personality typified in myself. But my book compels, absolutely necessitates, every reader to transpose himself or herself into the central position, and become the living fountain, actor, experiencer himself or herself, of every page, every aspiration, every line.' View titles by Walt Whitman
Jessica Hische grew up in Pennsylvania. She currently lives in San Francisco, where she works as a letterer, illustrator, type designer, and relentless procrastiworker. Clients include Wes Anderson, Dave Eggers, The New York Times, Tiffany & Co., OXFAM America, McSweeney's, American Express, Target, Victoria's Secret, Chronicle Books, Nike, and Samsung. website: jessicahische.is | twitter: @jessicahische. View titles by Jessica Hische

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