The Man in the Iron Mask

Introduction by Francine Du Plessix-Gray
Translated by Joachim Neugroschel
Look inside
In the Musketeers’ final adventure, D’Artagnan remains in the service of the corrupt King Louis XIV after the Three Musketeers have retired and gone their separate ways. Meanwhile, a mysterious prisoner in an iron mask wastes away deep inside the Bastille. When the destinies of king and prisoner converge, the Three Musketeers and D’Artagnan find themselves caught between conflicting loyalties.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature. View titles by Alexandre Dumas

About

In the Musketeers’ final adventure, D’Artagnan remains in the service of the corrupt King Louis XIV after the Three Musketeers have retired and gone their separate ways. Meanwhile, a mysterious prisoner in an iron mask wastes away deep inside the Bastille. When the destinies of king and prisoner converge, the Three Musketeers and D’Artagnan find themselves caught between conflicting loyalties.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature. View titles by Alexandre Dumas

The New York Times’s 100 Best Books of the 21st Century

The New York Times recently published their list “100 Best Books of the 21st Century.” We are pleased to announce that there are 49 titles published from Penguin Random House and its distribution clients included in this list. Browse our collection of Penguin Random House titles here. Browse the full list from The New York

Read more