Download high-resolution image Look inside
Listen to a clip from the audiobook
audio play button
0:00
0:00
Chasing Bright Medusas should appeal to anyone — novice or expert — ready to explore Cather’s life and work in the company of a critic so alert to the shimmering subtlety of her style and the hard years of effort that went into crystallizing it.” —The Washington Post

A tender biography of one of the greatest authors of the twentieth century and an elegant exploration of artistic endurance, as told by a lifelong lover of Willa Cather’s work


The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.

Unlike Hemingway, Faulkner, and Fitzgerald, her idealism was unironic, and she stood alone among the great modern authors—at odds with the fashionable attitudes of her time. Combining intricate analysis with an empathetic, lyrical voice, Benjamin Taylor uncovers the reality of Cather’s artistic development, from modest beginnings to the triumphs of her mature years. His book is simultaneously an homage to her character, a warm consideration of her work, and a case being made to read Cather with renewed vigor.
Benjamin Taylor's memoir, The Hue and Cry at Our House won the 2017 Los Angeles Times/Christopher Isherwood Prize for Autobiography and was named a New York Times Editors' Choice; his Proust: The Search was named a Best Book of 2015 by Thomas Mallon in The New York Times Book Review and by Robert McCrum in The Observer (London); and his Naples Declared: A Walk Around the Bay was named a Best Book of 2012 by Judith Thurman in The New Yorker. He is also the author of two novels, Tales Out of School, winner of the 1996 Harold Ribalow Prize, and The Book of Getting Even, winner of a 2009 Barnes & Noble Discover Award, as well as a book-length essay, Into the Open. He edited Saul Bellow: Letters, named a Best Book of 2010 by Michiko Kakutani in The New York Times and Jonathan Yardley in The Washington Post, and Bellow's There Is Simply Too Much to Think About: Collected Nonfiction, also a New York Times Editors' Choice. His edition of the collected stories of Susan Sontag, Debriefing, was published by Farrar, Straus & Giroux in November 2017. He is currently under contract to Penguin for a sequel to The Hue and Cry at Our House. Taylor is a founding faculty member in the New School’s Graduate School of Writing and teaches also in the Columbia University School of the Arts. He is a past fellow and current trustee of the John Simon Guggenheim Memorial Foundation and serves as president of the Edward F. Albee Foundation. View titles by Benjamin Taylor

About

Chasing Bright Medusas should appeal to anyone — novice or expert — ready to explore Cather’s life and work in the company of a critic so alert to the shimmering subtlety of her style and the hard years of effort that went into crystallizing it.” —The Washington Post

A tender biography of one of the greatest authors of the twentieth century and an elegant exploration of artistic endurance, as told by a lifelong lover of Willa Cather’s work


The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.

Unlike Hemingway, Faulkner, and Fitzgerald, her idealism was unironic, and she stood alone among the great modern authors—at odds with the fashionable attitudes of her time. Combining intricate analysis with an empathetic, lyrical voice, Benjamin Taylor uncovers the reality of Cather’s artistic development, from modest beginnings to the triumphs of her mature years. His book is simultaneously an homage to her character, a warm consideration of her work, and a case being made to read Cather with renewed vigor.

Author

Benjamin Taylor's memoir, The Hue and Cry at Our House won the 2017 Los Angeles Times/Christopher Isherwood Prize for Autobiography and was named a New York Times Editors' Choice; his Proust: The Search was named a Best Book of 2015 by Thomas Mallon in The New York Times Book Review and by Robert McCrum in The Observer (London); and his Naples Declared: A Walk Around the Bay was named a Best Book of 2012 by Judith Thurman in The New Yorker. He is also the author of two novels, Tales Out of School, winner of the 1996 Harold Ribalow Prize, and The Book of Getting Even, winner of a 2009 Barnes & Noble Discover Award, as well as a book-length essay, Into the Open. He edited Saul Bellow: Letters, named a Best Book of 2010 by Michiko Kakutani in The New York Times and Jonathan Yardley in The Washington Post, and Bellow's There Is Simply Too Much to Think About: Collected Nonfiction, also a New York Times Editors' Choice. His edition of the collected stories of Susan Sontag, Debriefing, was published by Farrar, Straus & Giroux in November 2017. He is currently under contract to Penguin for a sequel to The Hue and Cry at Our House. Taylor is a founding faculty member in the New School’s Graduate School of Writing and teaches also in the Columbia University School of the Arts. He is a past fellow and current trustee of the John Simon Guggenheim Memorial Foundation and serves as president of the Edward F. Albee Foundation. View titles by Benjamin Taylor