The Hanging Hill

A Haunted Mystery

Perfect for Halloween! From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out.

How serious is stage fright? At the Hanging Hill Playhouse, it can kill you.

After narrowly escaping a malevolent spirit in The Crossroads, Zack and Judy are hoping to relax during the rehearsals for a show based on Judy’s bestselling children’s books. Little do they know that the director is planning to raise a horde of evil specters from the dead, and to accomplish this, he needs a human sacrifice . . . and Zack fits the bill perfectly.

This second book featuring the intrepid Zack and his stepmother, Judy, is full of the same humorous and spine-tingling storytelling that has made Chris Grabenstein a fast favorite with young and old alike.
CHAPTER 1

There's this thing about ghosts: Once you've seen one, you can basically see them all.

At least the ones that want to be seen.

At the age of eleven, Zack Jennings was learning the rules of the spirit world pretty quickly. He'd only seen his first real-live (make that "real-dead") spook maybe a month or two ago. Now they seemed to be everywhere. When he went to summer camp in the middle of July, he met the boy who'd drowned in the lake.
Back in 1973.

When he hung out at the library, he occasionally saw this pudgy woman reading over people's shoulders because she couldn't flip the pages herself anymore, what with being dead and all.

His mother had always claimed that Zack had a hyperactive imagination, but even he couldn't make this stuff up. The ghosts he saw were as real as electricity, wind, and gravity--things nobody could see but everybody knew were there.

Some called being a Ghost Seer a gift. Well, if it was, Zack figured it was like getting a paisley-and-plaid sweater for Christmas when what you really wanted was an iPod. Seven weeks after learning he could see spirits, Zack was already tired of being special.

Being special could wear a guy out.

On the first Saturday of August, as he stepped into the brightly lit breakfast room of the Marriott extended-stay hotel near North Chester, Connecticut, it happened once again: He saw an apparition lurking near a small table in the far corner of the room.
Zack could tell: This one was a demon.

Zack and his family--his dad, his new stepmom, and his dog--were currently residing at the hotel because their house had burned down when Zack had battled the evil spirit haunting the crossroads nearby. The fire had been Zack's fault, and his allowance would be docked for the damages until he turned twenty-one. After that, Zack's dad would probably do payroll deductions. And now, here Zack was, less than twenty feet away from yet another fiend, who probably wanted to destroy some other part of Zack's life when all Zack wanted to do was grab a bowl of cereal and maybe a banana from the breakfast buffet.

Zack had come down to the lobby on his own.

His dad, who didn't believe in ghosts anyway, had gone into New York City for weekend work at his office.

His stepmom, Judy, an author, was upstairs, busily working on last-minute rewrites to Curiosity Cat, a new musical, based on her children's books, that was about to have its world premiere at a theater called the Hanging Hill Playhouse.

His trusty dog, Zipper, was also upstairs--snoozing between the cushions of a very comfy hotel couch.

There were other people in the breakfast room, the same ones Zack saw most mornings: Divorced Guy, Moving Family, Vacationing Family, Businessman, Other Divorced Guy.

The ghost was new.

Zack could tell that the man sitting at the table in the far corner of the breakfast room was a ghost because he was wearing old-fashioned clothes--the kind convicts in chain gangs sometimes wore in the movies. Old movies.

The ghost was, or had been, a hulking giant with a serious scowl carved into his watermelon-sized head. He wore a denim prison jumpsuit, loosely laced work boots, and a tin hat that looked like an upside-down spaghetti strainer with electrical cables clamped to battery posts where its legs should have been.

He'd shown up sitting in his own chair: a colossal throne made out of thick planks of rough-hewn lumber. Wide, double-holed leather belts were buckled tight across his chest, arms, and legs.

Zack suddenly realized the guy was strapped into an electric chair, the thing they used fifty years ago to execute hard-core criminals on death row in the state penitentiary.

The giant caught Zack staring.

"Pssst! Hey, kid!"

Zack pretended not to see or hear the man.

"I know you can see and hear me, kid."

So much for pretending.

"Come here. Undo these belt buckles!"

Slowly, very slowly, Zack turned his back on the ghost so he could face the breakfast buffet and make like he was picking out a banana. Behind him, he heard the sizzling sputter of sparks. He smelled ozone, like when an electrical outlet short-circuits and scorches the toaster plug. Zack whipped around just in time to see the last zig of a lightning bolt zap and zizz off the big guy's metal cap. Smoke wafted up from his razored scalp.

"Where's the bank?" the man in the chair demanded.

Zack didn't answer.

"Used to be a bank right here. Connecticut Building and Loan. Biggest heist of my career." Watermelon Head grinned. His teeth were the color of coffee beans.

"Happiest day of my life, kid. Good times."

Zack glanced guardedly around the room. Nobody else could see or hear the ghost reminiscing about his bygone days of glory.

"Come on! Undo these straps!"

Now one of the kids in the Moving Family, a girl about six, was gawking at Zack like he was nuts. He didn't blame her. He probably looked pretty crazy: frozen in place, staring across the room at an empty table, mouth hanging open.

"Be a pal, kid! I've been stuck in this chair since 1959."

Zack didn't budge.

"You deaf? I said turn me loose!"

Zack stayed where he was.

"Oh, I get it," the trapped beast snarled. "Some kind of tough guy, hunh?"

Zack shook his head and slid his black-rimmed glasses up the bridge of his nose. He was sort of short and kind of skinny and really didn't look all that tough, even when he took off the glasses.

"Do you know who I am, kid?"

Again, Zack shook his head while the girl, the normal kid, kept gawking at him.
"Folks called me Mad Dog Murphy on account of the fact that I went bonkers here at the bank. Killed six people. Two of 'em kids! So shake a leg and unbuckle these straps! You think I want to spend eternity sitting on my keester on top of Old Sparky?"

Now a second ghost materialized directly across the table from the angry giant lashed into his sizzle seat. A woman. Zack couldn't see her face, just the back of her curly hair.

"Doll face!" Mad Dog Murphy said with a sinister smile. "What're you doin' here?"

The woman didn't say a word.

"What? Forget it, sister! I ain't leaving the kid alone!"

The woman raised both arms and the two ghosts began to disappear slowly. As they faded away, Zack heard Mad Dog Murphy's voice echoing off the walls in some kind of tunnel: "I'll be back, kid! You'll see! I'm comin' back to get you, Zack Jennings!"

All of a sudden, Zack didn't feel so hungry. How did this ghost know his name? None of the others ever did.

He decided maybe he'd skip breakfast, go back to the room, pack his suitcase.
"Are you okay?" asked the girl who had been staring at him.

"Yeah."

Now her mother was staring at him, too. "Are you sure?" the mother asked. "You look like you just saw a ghost."
  • NOMINEE
    Missouri Mark Twain Award
© Elena Seibert

When I talk to kids about my new book THE ISLAND OF DR. LIBRIS, I torture them with a tale of electronics deprivation.
     "My main character, Billy Gillfoyle," I say, "is spending the summer in a cabin on a lake.  There is no cable, no TV, no DVR, no X-Box, no PlayStation 3.  There isn't even an old-fashioned VCR."
     By this point, the kids' gasps become audible.
     "On his first day at the cabin," I continue, "Billy drops his iPhone and it shatters.  The nearest Apple store is several hundred miles away."
     Jaws drop.  The kids are practically weeping – just like my hero, Billy Gillfoyle.  He mopes around the cabin after the demise of his iPhone and ends up in this scene with his mother:
    
  "Billy, what do you think kids did back before video games or TV or even electricity?"
  "I don't know.  Cried a lot?"  He plopped down dramatically on the couch.
  "No, Billy. They read books.  They made up stories and games.  They took nothing and turned it into something."
 
     And that's what happens to Billy in this book:  He learns to start using and trusting his own imagination.
     Characters from books that he reads in Dr. Libris' study start coming to life out on the island in the middle of the lake.   In no time, Hercules, the monster Antaeus, Robin Hood, Maid Marian, The Three Musketeers, D'Artagnan, Pollyanna, and Tom Sawyer are all bumping into each other's stories.  It's up to Billy, with the help of his new friend Walter, and a bookcase filled with classic literature, to "imagine" a scenario that will bring all the conflicts to a tidy resolution. 
     Yep.  In THE ISLAND OF DR. LIBRIS, Billy Gillfoyle is learning how to become a writer.  He puts his characters into situations and conflicts that will, ultimately, take him to the happy ending he, and everybody else, is looking for.
     When all seems lost, he is on the island with his new friends Robin Hood, Maid Marian, and Hercules, despairing that he's not heroic enough to rescue his asthmatic friend Walter from the clutches of the evil Space Lizard (yes, hideous creatures from video games and fairy tales eventually come to life on the island, too.) 
 
  "Ho, lads and lassie!" said Robin Hood.  "All is not lost!  Look you, Sir William – I remember a time when Sir Guy of Gisbourne held me captive in his tower.  Did my band of merry followers let a moat or castle walls stand in their way?"
  "Nay!" said Marian.  "Little John and I didst lead the charge.  Oh, how the arrows did fly that day!"
  "I'm not Little John," Billy said quietly.  "Or you, Maid Marian.  I'm not a hero."  He looked down at Walter's inhaler.  "I'm just a kid who can't even save his own family."
  "Nonsense," said Maid Marian. "Each of us can choose who or what we shall be.  We write our own stories, Sir William.  We write them each and every day."
  "And," added Hercules, "if you write it boldly enough, others will write about you, too."
 
     In my book ESCAPE FROM MR. LEMONCELLO'S LIBRARY, I wanted to make young readers excited about reading and doing research.  I tried to turn a trip to the library into an incredibly fun scavenger hunt, filled with puzzles and surprises.  (In my perpetually twelve-years-old mind, that's what doing research actually is.)
     With THE ISLAND OF DR. LIBRIS, I am hoping to excite young readers about the power and awesomeness of their own imaginations. I want them to take nothing and turn it into something.  To take two old ideas, toss them together, and create something new.
     And, when they write their own stories, maybe some of them will decide they want to become authors, writing stories for the rest of us, too!
     
     
 

View titles by Chris Grabenstein

About

Perfect for Halloween! From the New York Times bestselling author of Escape From Mr. Lemoncello's Library and coauthor of I Funny and Treasure Hunters, comes a series of spine-tingling mysteries to keep you up long after the lights go out.

How serious is stage fright? At the Hanging Hill Playhouse, it can kill you.

After narrowly escaping a malevolent spirit in The Crossroads, Zack and Judy are hoping to relax during the rehearsals for a show based on Judy’s bestselling children’s books. Little do they know that the director is planning to raise a horde of evil specters from the dead, and to accomplish this, he needs a human sacrifice . . . and Zack fits the bill perfectly.

This second book featuring the intrepid Zack and his stepmother, Judy, is full of the same humorous and spine-tingling storytelling that has made Chris Grabenstein a fast favorite with young and old alike.

Excerpt

CHAPTER 1

There's this thing about ghosts: Once you've seen one, you can basically see them all.

At least the ones that want to be seen.

At the age of eleven, Zack Jennings was learning the rules of the spirit world pretty quickly. He'd only seen his first real-live (make that "real-dead") spook maybe a month or two ago. Now they seemed to be everywhere. When he went to summer camp in the middle of July, he met the boy who'd drowned in the lake.
Back in 1973.

When he hung out at the library, he occasionally saw this pudgy woman reading over people's shoulders because she couldn't flip the pages herself anymore, what with being dead and all.

His mother had always claimed that Zack had a hyperactive imagination, but even he couldn't make this stuff up. The ghosts he saw were as real as electricity, wind, and gravity--things nobody could see but everybody knew were there.

Some called being a Ghost Seer a gift. Well, if it was, Zack figured it was like getting a paisley-and-plaid sweater for Christmas when what you really wanted was an iPod. Seven weeks after learning he could see spirits, Zack was already tired of being special.

Being special could wear a guy out.

On the first Saturday of August, as he stepped into the brightly lit breakfast room of the Marriott extended-stay hotel near North Chester, Connecticut, it happened once again: He saw an apparition lurking near a small table in the far corner of the room.
Zack could tell: This one was a demon.

Zack and his family--his dad, his new stepmom, and his dog--were currently residing at the hotel because their house had burned down when Zack had battled the evil spirit haunting the crossroads nearby. The fire had been Zack's fault, and his allowance would be docked for the damages until he turned twenty-one. After that, Zack's dad would probably do payroll deductions. And now, here Zack was, less than twenty feet away from yet another fiend, who probably wanted to destroy some other part of Zack's life when all Zack wanted to do was grab a bowl of cereal and maybe a banana from the breakfast buffet.

Zack had come down to the lobby on his own.

His dad, who didn't believe in ghosts anyway, had gone into New York City for weekend work at his office.

His stepmom, Judy, an author, was upstairs, busily working on last-minute rewrites to Curiosity Cat, a new musical, based on her children's books, that was about to have its world premiere at a theater called the Hanging Hill Playhouse.

His trusty dog, Zipper, was also upstairs--snoozing between the cushions of a very comfy hotel couch.

There were other people in the breakfast room, the same ones Zack saw most mornings: Divorced Guy, Moving Family, Vacationing Family, Businessman, Other Divorced Guy.

The ghost was new.

Zack could tell that the man sitting at the table in the far corner of the breakfast room was a ghost because he was wearing old-fashioned clothes--the kind convicts in chain gangs sometimes wore in the movies. Old movies.

The ghost was, or had been, a hulking giant with a serious scowl carved into his watermelon-sized head. He wore a denim prison jumpsuit, loosely laced work boots, and a tin hat that looked like an upside-down spaghetti strainer with electrical cables clamped to battery posts where its legs should have been.

He'd shown up sitting in his own chair: a colossal throne made out of thick planks of rough-hewn lumber. Wide, double-holed leather belts were buckled tight across his chest, arms, and legs.

Zack suddenly realized the guy was strapped into an electric chair, the thing they used fifty years ago to execute hard-core criminals on death row in the state penitentiary.

The giant caught Zack staring.

"Pssst! Hey, kid!"

Zack pretended not to see or hear the man.

"I know you can see and hear me, kid."

So much for pretending.

"Come here. Undo these belt buckles!"

Slowly, very slowly, Zack turned his back on the ghost so he could face the breakfast buffet and make like he was picking out a banana. Behind him, he heard the sizzling sputter of sparks. He smelled ozone, like when an electrical outlet short-circuits and scorches the toaster plug. Zack whipped around just in time to see the last zig of a lightning bolt zap and zizz off the big guy's metal cap. Smoke wafted up from his razored scalp.

"Where's the bank?" the man in the chair demanded.

Zack didn't answer.

"Used to be a bank right here. Connecticut Building and Loan. Biggest heist of my career." Watermelon Head grinned. His teeth were the color of coffee beans.

"Happiest day of my life, kid. Good times."

Zack glanced guardedly around the room. Nobody else could see or hear the ghost reminiscing about his bygone days of glory.

"Come on! Undo these straps!"

Now one of the kids in the Moving Family, a girl about six, was gawking at Zack like he was nuts. He didn't blame her. He probably looked pretty crazy: frozen in place, staring across the room at an empty table, mouth hanging open.

"Be a pal, kid! I've been stuck in this chair since 1959."

Zack didn't budge.

"You deaf? I said turn me loose!"

Zack stayed where he was.

"Oh, I get it," the trapped beast snarled. "Some kind of tough guy, hunh?"

Zack shook his head and slid his black-rimmed glasses up the bridge of his nose. He was sort of short and kind of skinny and really didn't look all that tough, even when he took off the glasses.

"Do you know who I am, kid?"

Again, Zack shook his head while the girl, the normal kid, kept gawking at him.
"Folks called me Mad Dog Murphy on account of the fact that I went bonkers here at the bank. Killed six people. Two of 'em kids! So shake a leg and unbuckle these straps! You think I want to spend eternity sitting on my keester on top of Old Sparky?"

Now a second ghost materialized directly across the table from the angry giant lashed into his sizzle seat. A woman. Zack couldn't see her face, just the back of her curly hair.

"Doll face!" Mad Dog Murphy said with a sinister smile. "What're you doin' here?"

The woman didn't say a word.

"What? Forget it, sister! I ain't leaving the kid alone!"

The woman raised both arms and the two ghosts began to disappear slowly. As they faded away, Zack heard Mad Dog Murphy's voice echoing off the walls in some kind of tunnel: "I'll be back, kid! You'll see! I'm comin' back to get you, Zack Jennings!"

All of a sudden, Zack didn't feel so hungry. How did this ghost know his name? None of the others ever did.

He decided maybe he'd skip breakfast, go back to the room, pack his suitcase.
"Are you okay?" asked the girl who had been staring at him.

"Yeah."

Now her mother was staring at him, too. "Are you sure?" the mother asked. "You look like you just saw a ghost."

Awards

  • NOMINEE
    Missouri Mark Twain Award

Author

© Elena Seibert

When I talk to kids about my new book THE ISLAND OF DR. LIBRIS, I torture them with a tale of electronics deprivation.
     "My main character, Billy Gillfoyle," I say, "is spending the summer in a cabin on a lake.  There is no cable, no TV, no DVR, no X-Box, no PlayStation 3.  There isn't even an old-fashioned VCR."
     By this point, the kids' gasps become audible.
     "On his first day at the cabin," I continue, "Billy drops his iPhone and it shatters.  The nearest Apple store is several hundred miles away."
     Jaws drop.  The kids are practically weeping – just like my hero, Billy Gillfoyle.  He mopes around the cabin after the demise of his iPhone and ends up in this scene with his mother:
    
  "Billy, what do you think kids did back before video games or TV or even electricity?"
  "I don't know.  Cried a lot?"  He plopped down dramatically on the couch.
  "No, Billy. They read books.  They made up stories and games.  They took nothing and turned it into something."
 
     And that's what happens to Billy in this book:  He learns to start using and trusting his own imagination.
     Characters from books that he reads in Dr. Libris' study start coming to life out on the island in the middle of the lake.   In no time, Hercules, the monster Antaeus, Robin Hood, Maid Marian, The Three Musketeers, D'Artagnan, Pollyanna, and Tom Sawyer are all bumping into each other's stories.  It's up to Billy, with the help of his new friend Walter, and a bookcase filled with classic literature, to "imagine" a scenario that will bring all the conflicts to a tidy resolution. 
     Yep.  In THE ISLAND OF DR. LIBRIS, Billy Gillfoyle is learning how to become a writer.  He puts his characters into situations and conflicts that will, ultimately, take him to the happy ending he, and everybody else, is looking for.
     When all seems lost, he is on the island with his new friends Robin Hood, Maid Marian, and Hercules, despairing that he's not heroic enough to rescue his asthmatic friend Walter from the clutches of the evil Space Lizard (yes, hideous creatures from video games and fairy tales eventually come to life on the island, too.) 
 
  "Ho, lads and lassie!" said Robin Hood.  "All is not lost!  Look you, Sir William – I remember a time when Sir Guy of Gisbourne held me captive in his tower.  Did my band of merry followers let a moat or castle walls stand in their way?"
  "Nay!" said Marian.  "Little John and I didst lead the charge.  Oh, how the arrows did fly that day!"
  "I'm not Little John," Billy said quietly.  "Or you, Maid Marian.  I'm not a hero."  He looked down at Walter's inhaler.  "I'm just a kid who can't even save his own family."
  "Nonsense," said Maid Marian. "Each of us can choose who or what we shall be.  We write our own stories, Sir William.  We write them each and every day."
  "And," added Hercules, "if you write it boldly enough, others will write about you, too."
 
     In my book ESCAPE FROM MR. LEMONCELLO'S LIBRARY, I wanted to make young readers excited about reading and doing research.  I tried to turn a trip to the library into an incredibly fun scavenger hunt, filled with puzzles and surprises.  (In my perpetually twelve-years-old mind, that's what doing research actually is.)
     With THE ISLAND OF DR. LIBRIS, I am hoping to excite young readers about the power and awesomeness of their own imaginations. I want them to take nothing and turn it into something.  To take two old ideas, toss them together, and create something new.
     And, when they write their own stories, maybe some of them will decide they want to become authors, writing stories for the rest of us, too!
     
     
 

View titles by Chris Grabenstein