Books for Arab American Heritage Month
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
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That the nude painted by Manet (in a painting so conceptually new that it created a scandal in its day) achieves so much truth through such a minor detail, that ribbon that modernizes Olympia and, even more than a beauty mark or a patch of freckles would, renders her more precise and more immediately visible, making her a woman with ties to a particular milieu and era: that is what lends itself to reflection, if not divagation!
—from The Ribbon at Olympia's Throat
In The Ribbon at Olympia's Throat, Michel Leiris investigates what Lydia Davis has called the “expressive power of fetishism”: how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane.
Written in 1981, toward the end of Leiris's life, The Ribbon at Olympia's Throat serves as a coda to his autobiographical masterwork, The Rules of the Game, taking the form of both shorter fragments (poems, memory scraps, notes) that are as formally disarming as the fetishistic experiences they describe, and longer essays, more exhaustive critical meditations on writing, apprehension, and the nature of the modern. Rooted in remembrance, devoted to the kaleidoscopic intricacies of wordplay, Leiris draws from his own aesthetic experiences as writer and spectator to explore the fetish that “exposes and disarms the sinister passage of time,” conferring “an undeniable realness upon the whole by essentially causing it to crystallize in a reality it would never have possessed if that sturdy fragment hadn't acted as bait.”
That the nude painted by Manet (in a painting so conceptually new that it created a scandal in its day) achieves so much truth through such a minor detail, that ribbon that modernizes Olympia and, even more than a beauty mark or a patch of freckles would, renders her more precise and more immediately visible, making her a woman with ties to a particular milieu and era: that is what lends itself to reflection, if not divagation!
—from The Ribbon at Olympia's Throat
In The Ribbon at Olympia's Throat, Michel Leiris investigates what Lydia Davis has called the “expressive power of fetishism”: how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane.
Written in 1981, toward the end of Leiris's life, The Ribbon at Olympia's Throat serves as a coda to his autobiographical masterwork, The Rules of the Game, taking the form of both shorter fragments (poems, memory scraps, notes) that are as formally disarming as the fetishistic experiences they describe, and longer essays, more exhaustive critical meditations on writing, apprehension, and the nature of the modern. Rooted in remembrance, devoted to the kaleidoscopic intricacies of wordplay, Leiris draws from his own aesthetic experiences as writer and spectator to explore the fetish that “exposes and disarms the sinister passage of time,” conferring “an undeniable realness upon the whole by essentially causing it to crystallize in a reality it would never have possessed if that sturdy fragment hadn't acted as bait.”
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
For National Poetry Month in April, we are sharing poetry collections and books about poetry by authors who have their own stories to tell. These poets delve into history, reimagine the present, examine poetry itself—from traditional poems many know and love to poems and voices that are new and original. Find a full collection of
