Elementary Secondary Higher Ed Common Reads
0 0
Download high-resolution image

Last Words from Montmartre

Author Qiu Miaojin
Afterword by Ari Larissa Heinrich
Translated by Ari Larissa Heinrich
Ebook
New York Review Books | NYRB Classics
On sale Jun 03, 2014 | 176 Pages | 9781590177389
Add to cart Add to list Exam Copies

See Additional Formats
An NYRB Classics Original

When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.

The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.
Qiu Miaojin (1969–1995)—one of Taiwan’s most innovative literary modernists, and the country’s most renowned lesbian writer—was born in Chuanghua County in western Taiwan. She graduated with a degree in psychology from National Taiwan University and pursued graduate studies in clinical psychology at the University of Paris VIII . Her first published story, “Prisoner,” received the Central Daily News Short Story Prize, and her novella Lonely Crowds won the United Literature Association Award. While in Paris, she directed a thirty-minute film called Ghost Carnival, and not long after this, at the age of twenty-six, she committed suicide. The posthumous publications of her novels Last Words from Montmartre and Notes of a Crocodile (forthcoming from NYRB Classics) made her into one of the most revered countercultural icons in Chinese letters. After her death in 1995, she was given the China Times Honorary Prize for Literature. In 2007, a two-volume edition of her Diaries was published.

Ari Larissa Heinrich received a master’s in Chinese literature from Harvard and a PhD in Chinese studies from the University of California at Berkeley. Heinrich and Qiu—who would have been the same age if Qiu were still alive—crossed paths without knowing each other in Taipei and in Paris. He is the author of The Afterlife of Images: Translating the Pathological Body Between China and the West and the coeditor of Queer Sinophone Cultures. He teaches at the University of California at San Diego.
Qiu Miaojin View titles by Qiu Miaojin

About

An NYRB Classics Original

When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.

The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Author

Qiu Miaojin (1969–1995)—one of Taiwan’s most innovative literary modernists, and the country’s most renowned lesbian writer—was born in Chuanghua County in western Taiwan. She graduated with a degree in psychology from National Taiwan University and pursued graduate studies in clinical psychology at the University of Paris VIII . Her first published story, “Prisoner,” received the Central Daily News Short Story Prize, and her novella Lonely Crowds won the United Literature Association Award. While in Paris, she directed a thirty-minute film called Ghost Carnival, and not long after this, at the age of twenty-six, she committed suicide. The posthumous publications of her novels Last Words from Montmartre and Notes of a Crocodile (forthcoming from NYRB Classics) made her into one of the most revered countercultural icons in Chinese letters. After her death in 1995, she was given the China Times Honorary Prize for Literature. In 2007, a two-volume edition of her Diaries was published.

Ari Larissa Heinrich received a master’s in Chinese literature from Harvard and a PhD in Chinese studies from the University of California at Berkeley. Heinrich and Qiu—who would have been the same age if Qiu were still alive—crossed paths without knowing each other in Taipei and in Paris. He is the author of The Afterlife of Images: Translating the Pathological Body Between China and the West and the coeditor of Queer Sinophone Cultures. He teaches at the University of California at San Diego.
Qiu Miaojin View titles by Qiu Miaojin

Additional formats

Other Books by this Author

Related Articles

Books for National Depression Education and Awareness Month
Psychology

Books for National Depression Education and Awareness Month

For National Depression Education and Awareness Month in October, we are sharing a collection of titles that educates and informs on depression, including personal stories from those who have experienced depression and topics that range from causes and symptoms of depression to how to develop coping mechanisms to battle depression.

Read more

Books for National Depression Education and Awareness Month

Psychology
Literature

Horror Titles for the Halloween Season

In celebration of the Halloween season, we are sharing horror books that are aligned with the themes of the holiday: the sometimes unknown and scary creatures and witches. From classic ghost stories and popular novels that are celebrated today, in literature courses and beyond, to contemporary stories about the monsters that hide in the dark, our list

Read more

Horror Titles for the Halloween Season

Literature
Gender and Sexuality Studies History

Books for LGBTQIA+ History Month

For LGBTQIA+ History Month in October, we’re celebrating the shared history of individuals within the community and the importance of the activists who have fought for their rights and the rights of others. We acknowledge the varying and diverse experiences within the LGBTQIA+ community that have shaped history and have led the way for those

Read more

Books for LGBTQIA+ History Month

Gender and Sexuality Studies History
Subscribe

Penguin Random House Higher Education

© 2025 Penguin Random House

Back to Top
0
    • 0
    Wish List (0)