Introduction:Las Posadas, an old Spanish custom which celebrates Mary and Joseph seeking shelter in Bethlehem on Christmas Eve, stems from the word posada, meaning "inn." It began in Spain and came to the New Wold, first to Mexico and then to the American Southwest. In Santa Fe, New Mexico, where I have imagined my story, luminarios or
faralitos, as they are called in New Mexico, line the edges of the plaza in the historical district of the city. These candles placed in paper bags light the way for Mary and Joseph, the procession of candle bearers and others singing in traditional Spanish songs.Along the way, the couple representing Mary and Joseph knock on doors, five in all. Each time a "devil" appears and tries to keep them out of the "inn." Everyone gathered in the Plaza books the "devil," and the procession moves around the plaza until they reach the Palace of Governors. There the gates are thrown open to a courtyard where everyone gathers and celebrates to coming of the baby Jesus.
A Note From the Author:In Spain , as in Mexico, Las Posadas is celebrated for nine days. Families walk in processions, knocking at doors, but only on Christmas Eve does a door open, everyone enters and has hot chocolate and cookies to commemorate the expected birth of the Holy Child. In San Antonio, Texas, a procession of boats, with the couple representing Mary and Joseph sitting in the first boat followed by boats filled with people singing, winds down the river that runs through the center of the city.In Santa Fe, the procession is usually made up of people from Santa Cruz, a small village north of the city. It is a great honor to be chosen to play Mary and Joseph. When they knock on the doors, a song is sung each time asking for Mary and Joseph to be let in. But the "devil" appears with an answering song to keep them out. It is very dramatic and even amusing as the crowd filling the square boo and hiss at the "devil."Finally when everyone has gathered in the courtyard, as in Spain and Mexico, hot chocolate and cookies are served.
Copyright © 1999 by Tomie dePaola. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
