The Archbishop's Ceiling

Ebook
On sale Dec 01, 2015 | 96 Pages | 9781101991992
A masterful mix of art, sex, and politics behind the Iron Curtain, by America’s greatest dramatist

In an unnamed Eastern European capital, four writers gather in what was once an archbishop’s palace. There is Adrian, a successful American author struggling with questions about a novel he has set in the city, and Marcus, a once-imprisoned radical who has become a darling of the current regime. Finally, there is Sigmund, perhaps the country’s greatest living writer, who refuses to compromise his artistic integrity to appease the regime. Between them all is Maya, a poet and actress who has been a mistress and muse to each man.

The ornately decorated ceiling above them may or may not be bugged, and the group carefully watches their words as they discuss the play’s central dilemma – should Sigmund stay and resist the oppressive state, or should he defect and pursue his art in freedom? Their conversation poses crucial questions about mass surveillance, morality, and the authenticity of art, and remains as relevant today as it was during the height of the Cold War.
© Arthur Miller, 1995. © Inge Morath / Magnum Photos.
Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge, A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock (1980). He also wrote two novels, Focus (1945) and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. His later work included a memoir, Timebends (1987); the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peter's Connections (1999); Echoes Down the Corridor: Collected Essays, 1944–2000; and On Politics and the Art of Acting (2001). He twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Miller was the recipient of the National Book Foundation’s 2001 Medal for Distinguished Contribution to American Letters, the Prince of Asturias Award for Letters in 2002, and the Jerusalem Prize in 2003. View titles by Arthur Miller

About

A masterful mix of art, sex, and politics behind the Iron Curtain, by America’s greatest dramatist

In an unnamed Eastern European capital, four writers gather in what was once an archbishop’s palace. There is Adrian, a successful American author struggling with questions about a novel he has set in the city, and Marcus, a once-imprisoned radical who has become a darling of the current regime. Finally, there is Sigmund, perhaps the country’s greatest living writer, who refuses to compromise his artistic integrity to appease the regime. Between them all is Maya, a poet and actress who has been a mistress and muse to each man.

The ornately decorated ceiling above them may or may not be bugged, and the group carefully watches their words as they discuss the play’s central dilemma – should Sigmund stay and resist the oppressive state, or should he defect and pursue his art in freedom? Their conversation poses crucial questions about mass surveillance, morality, and the authenticity of art, and remains as relevant today as it was during the height of the Cold War.

Author

© Arthur Miller, 1995. © Inge Morath / Magnum Photos.
Arthur Miller (1915–2005) was born in New York City and studied at the University of Michigan. His plays include All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), A View from the Bridge, A Memory of Two Mondays (1955), After the Fall (1963), Incident at Vichy (1964), The Price (1968), The Creation of the World and Other Business (1972) and The American Clock (1980). He also wrote two novels, Focus (1945) and The Misfits, which was filmed in 1960, and the text for In Russia (1969), Chinese Encounters (1979), and In the Country (1977), three books of photographs by his wife, Inge Morath. His later work included a memoir, Timebends (1987); the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), Broken Glass (1994), and Mr. Peter's Connections (1999); Echoes Down the Corridor: Collected Essays, 1944–2000; and On Politics and the Art of Acting (2001). He twice won the New York Drama Critics Circle Award, and in 1949 he was awarded the Pulitzer Prize. Miller was the recipient of the National Book Foundation’s 2001 Medal for Distinguished Contribution to American Letters, the Prince of Asturias Award for Letters in 2002, and the Jerusalem Prize in 2003. View titles by Arthur Miller

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