Elementary Secondary Higher Ed Common Reads
0 0
Download high-resolution image Look inside

The Trembling Hand

Reflections of a Black Woman in the Romantic Archive

Author Mathelinda Nabugodi
Look inside
Hardcover
$32.00 US
Knopf
On sale Jul 29, 2025 | 432 Pages | 9780593536469
Add to cart Add to list Exam Copies

See Additional Formats
A provocative, revelatory history of British Romanticism that examines the impact of the transatlantic slave economy on the lives and times of some of our most beloved poets—with urgent lessons for today

A scrap of Coleridge’s handwriting. The sugar that Wordsworth stirred into his teacup. A bracelet made of Mary Shelley’s hair. Percy Shelley’s gilded baby rattle. The death mask preserving Keats’s calm face. Byron’s silk-lined leather boot. Who would have known there could be vast worlds contained in these items? In a completely new interpretation of the Romantics and their context, Whiting Award–winning scholar and literary sleuth Mathelinda Nabugodi uses these items to frame her interrogation of the poets, leading us on an expansive journey through time and memory, situating us in depth of their world, and her own.

“Freedom, liberty, autonomy are the period’s favorite words,” Nabugodi writes. Romantic poets sought truth in the depth of their souls and in the mind’s unbounded regions. Ideals of free speech and human rights were being forged. And yet the period was defined by a relentless commitment to the displacement and stolen labor of millions. Romanticism, she argues, can no longer be discussed without the racial violence with which it was complicit. Still, rather than using this idea to rehash Black pain and subjugation, she mines the archives for instances of resistance, beauty, and joy.

Nabugodi moves effortlessly between the past and present. She takes us into the physical archives, and, with startling clarity, unpacks her relationships with them: what they are and should be; who built them; how they are entwined with an industry that was the antithesis of freedom; and how she feels holding the materials needed to write this book, as a someone whose ancestry is largely absent from their ledgers.

The Trembling Hand presents a dazzling new way of reading the past. This transfixing, evocative book reframes not only the lives of the legendary Romantics, but also their poetry and the very era in which they lived. It is a reckoning with art, archives, and academia bound to echo through the conversation for a long time to come.
MATHELINDA NABUGODI is a Leverhulme Trust Early Career Fellow in the Faculty of English at the University of Cambridge, where she researches the literary archive of Percy Bysshe Shelley. She is one of the editors of The Poems of Shelley and has published articles on his poetry and translations as well as on the work of Walter Benjamin. She is the first person to be awarded a Ph.D. in Creative Critical Writing from University College London. View titles by Mathelinda Nabugodi

About

A provocative, revelatory history of British Romanticism that examines the impact of the transatlantic slave economy on the lives and times of some of our most beloved poets—with urgent lessons for today

A scrap of Coleridge’s handwriting. The sugar that Wordsworth stirred into his teacup. A bracelet made of Mary Shelley’s hair. Percy Shelley’s gilded baby rattle. The death mask preserving Keats’s calm face. Byron’s silk-lined leather boot. Who would have known there could be vast worlds contained in these items? In a completely new interpretation of the Romantics and their context, Whiting Award–winning scholar and literary sleuth Mathelinda Nabugodi uses these items to frame her interrogation of the poets, leading us on an expansive journey through time and memory, situating us in depth of their world, and her own.

“Freedom, liberty, autonomy are the period’s favorite words,” Nabugodi writes. Romantic poets sought truth in the depth of their souls and in the mind’s unbounded regions. Ideals of free speech and human rights were being forged. And yet the period was defined by a relentless commitment to the displacement and stolen labor of millions. Romanticism, she argues, can no longer be discussed without the racial violence with which it was complicit. Still, rather than using this idea to rehash Black pain and subjugation, she mines the archives for instances of resistance, beauty, and joy.

Nabugodi moves effortlessly between the past and present. She takes us into the physical archives, and, with startling clarity, unpacks her relationships with them: what they are and should be; who built them; how they are entwined with an industry that was the antithesis of freedom; and how she feels holding the materials needed to write this book, as a someone whose ancestry is largely absent from their ledgers.

The Trembling Hand presents a dazzling new way of reading the past. This transfixing, evocative book reframes not only the lives of the legendary Romantics, but also their poetry and the very era in which they lived. It is a reckoning with art, archives, and academia bound to echo through the conversation for a long time to come.

Author

MATHELINDA NABUGODI is a Leverhulme Trust Early Career Fellow in the Faculty of English at the University of Cambridge, where she researches the literary archive of Percy Bysshe Shelley. She is one of the editors of The Poems of Shelley and has published articles on his poetry and translations as well as on the work of Walter Benjamin. She is the first person to be awarded a Ph.D. in Creative Critical Writing from University College London. View titles by Mathelinda Nabugodi

Additional formats

Related Articles

Subscribe

Penguin Random House Higher Education

© 2025 Penguin Random House

Back to Top
0
    • 0
    Wish List (0)