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The Moon and Sixpence

Part of Vintage International

Author W. Somerset Maugham
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Paperback
$16.00 US
Knopf | Vintage
On sale May 09, 2000 | 288 Pages | 978-0-375-72456-5
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  • English > Literature > British Literature – 20th Century
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Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham's ode to the powerful forces behind creative genius.

Charles Strickland is a staid banker, a man of wealth and privilege.  He is also a man possessed of an unquenchable desire to create art.  As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters.  Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.

"[A] witty, compelling roman à clef...that mock[s] the way the world makes saints of the sinners who are often its best artists."  -The Boston Globe

"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham.... He was always so entirely there."  -Gore Vidal

Chapter I

I confess that when I first made my acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary. Yet now few will be found to deny his greatness. I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a change of circumstances reduces it to very discreet proportions. The Prime Minister out of office is seen, too often, to have been but a pompous rhetorician, and the General without an army is but the tame hero of a market town. The greatness of Charles Strickland was authentic. It may be that you do not like his art, but at all events you can hardly refuse it the tribute of your interest. He dis­turbs and arrests. The time has passed when he was an object of ridicule, and it is no longer a mark of eccen­tricity to defend or of perversity to extol him. His faults are accepted as the necessary complement to his merits. It is still possible to discuss his place in art, and the adula­tion of his admirers is perhaps no less capricious than the disparagement of his detractors; but one thing can never be doubtful, and that is that he had genius. To my mind the most interesting thing in art is the personality of the artist; and if that is singular, I am willing to excuse a thousand faults. I suppose Velasquez was a better painter than El Greco, but custom stales one’s admiration for him: the Cretan, sensual and tragic, proffers the mystery of his soul like a standing sacrifice. The artist, painter, poet, or musician, by his decoration, sublime or beautiful, satisfies the aesthetic sense; but that is akin to the sexual instinct, and shares its barbarity: he lays before you also the greater gift of himself. To pursue his secret has some­thing of the fascination of a detective story. It is a riddle which shares with the universe the merit of having no answer. The most insignificant of Strickland’s works sug­gests a personality which is strange, tormented, and com­plex; and it is this surely which prevents even those who do not like his pictures from being indifferent to them; it is this which has excited so curious an interest in his life and character.
 
It was not till four years after Strickland’s death that Maurice Huret wrote that article in the Mercure de France which rescued the unknown painter from oblivion and blazed the trail which succeeding writers, with more or less docility, have followed. For a long time no critic has enjoyed in France a more incontestable authority, and it was impossible not to be impressed by the claims he made; they seemed extravagant; but later judgments have confirmed his estimate, and the reputation of Charles Strickland is now firmly established on the lines which he laid down. The rise of this reputation is one of the most romantic incidents in the history of art. But I do not propose to deal with Charles Strickland’s work ex­cept in so far as it touches upon his character. I cannot agree with the painters who claim superciliously that the layman can understand nothing of painting, and that he can best show his appreciation of their works by silence and a cheque-book. It is a grotesque misapprehension which sees in art no more than a craft comprehensible perfectly only to the craftsman: art is a manifestation of emotion, and emotion speaks a language that all may understand. But I will allow that the critic who has not a practical knowledge of technique is seldom able to say anything on the subject of real value, and my ignorance of painting is extreme. Fortunately, there is no need for me to risk the adventure, since my friend, Mr. Edward Leggatt, an able writer as well as an admirable painter, has exhaustively discussed Charles Strickland’s work in a little book* which is a charming example of a style, for the most part, less happily cultivated in England than in France.
 
Maurice Huret in his famous article gave an outline of Charles Strickland’s life which was well calculated to whet the appetites of the inquiring. With his disinterested passion for art, he had a real desire to call the attention of the wise to a talent which was in the highest degree original; but he was too good a journalist to be unaware that the “human interest” would enable him more easily to effect his purpose. And when such as had come in con­tact with Strickland in the past, writers who had known him in London, painters who had met him in the cafes of Montmartre, discovered to their amazement that where they had seen but an unsuccessful artist, like another, au­thentic genius had rubbed shoulders with them there be­gan to appear in the magazines of France and America a succession of articles, the reminiscences of one, the ap­preciation of another, which added to Strickland’s no­toriety, and fed without satisfying the curiosity of the public. The subject was grateful, and the industrious Weitbrecht-Rotholz in his imposing monograph** has been able to give a remarkable list of authorities. 

The faculty for myth is innate in the human race. It seizes with avidity upon any incidents, surprising or mysterious, in the career of those who have at all dis­tinguished themselves from their fellows, and invents a legend to which it then attaches a fanatical belief. It is the protest of romance against the commonplace of life. The incidents of the legend become the hero’s surest passport to immortality. The ironic philosopher re­flects with a smile that Sir Walter Raleigh is more safely inshrined in the memory of mankind because he set his cloak for the Virgin Queen to walk on than because he carried the English name to undiscovered countries. Charles Strickland lived obscurely. He made enemies rather than friends. It is not strange, then, that those who wrote of him should have eked out their scanty recollec­tions with a lively fancy, and it is evident that there was enough in the little that was known of him to give opportunity to the romantic scribe; there was much in his life which was strange and terrible, in his character something outrageous, and in his fate not a little that was pathetic. In due course a legend arose of such cir­cumstantiality that the wise historian would hesitate to attack it.
 
But a wise historian is precisely what the Rev. Robert Strickland is not. He wrote his biography*** avowedly to “remove certain misconceptions which had gained cur­rency” in regard to the later part of his father’s life, and which had “caused considerable pain to persons still living.” It is obvious that there was much in the com­monly received account of Strickland’s life to embarrass a respectable family. I have read this work with a good deal of amusement, and upon this I congratulate myself, since it is colourless and dull. Mr. Strickland has drawn the portrait of an excellent husband and father, a man of kindly temper, industrious habits, and moral disposi­tion. The modern clergyman has acquired in his study of the science which I believe is called exegesis an aston­ishing facility for explaining things away, but the subtlety with which the Rev. Robert Strickland has “interpreted” all the facts in his father’s life which a duti­ful son might find it inconvenient to remember must surely lead him in the fullness of time to the highest dignities of the Church. I see already his muscular calves encased in the gaiters episcopal. It was a hazardous, though maybe a gallant thing to do, since it is probable that the legend commonly received has had no small share in the growth of Strickland’s reputation; for there are many who have been attracted to his art by the de­testation in which they held his character or the com­passion with which they regarded his death; and the son’s well-meaning efforts threw a singular chill upon the father’s admirers. It is due to no accident that when one of his most important works, The Woman of Samaria,**** was sold at Christie’s shortly after the dis­cussion which followed the publication of Mr. Strickland’s biography, it fetched £235 less than it had done nine months before when it was bought by the distinguished collector whose sudden death had brought it once more under the hammer. Perhaps Charles Strickland’s power and originality would scarcely have sufficed to turn the scale if the remarkable mythopoeic faculty of mankind had not brushed aside with impatience a story which dis­appointed all its craving for the extraordinary. And presently Dr. Weitbrecht-Rotholz produced the work which finally set at rest the misgivings of all lovers of art.

Dr. Weitbrecht-Rotholz belongs to that school of historians which believes that human nature is not only about as bad as it can be, but a great deal worse; and certainly the reader is safer of entertainment in their hands than in those of the writers who take a malicious pleasure in representing the great figures of romance as patterns of the domestic virtues. For my part, I should be sorry to think that there was nothing between Anthony and Cleopatra but an economic situation; and it will require a great deal more evidence than is ever likely to be available, thank God, to persuade me that Tiberius was as blameless a monarch as King George V. Dr. Weitbrecht-Rotholz has dealt in such terms with the Rev. Robert Strickland’s innocent biography that it is difficult to avoid feeling a certain sympathy for the unlucky parson. His decent reticence is branded as hypocrisy, his circumlocutions are roundly called lies, and his silence is vilified as treachery. And on the strength of peccadillos, reprehensible in an author, but excusable in a son, the Anglo-Saxon race is accused of prudishness, humbug, pretentiousness, deceit, cunning, and bad cook­ing. Personally I think it was rash of Mr. Strickland, in refuting the account which had gained belief of a cer­tain “unpleasantness” between his father and mother, to state that Charles Strickland in a letter written from Paris had described her as “an excellent woman,” since Dr. Weitbrecht-Rotholz was able to print the letter in fac­simile, and it appears that the passage referred to ran in fact as follows: God damn my wife. She is an excellent woman. I wish she was in hell. It is not thus that the Church in its great days dealt with evidence that was unwelcome.
 
Dr. Weitbrecht-Rotholz was an enthusiastic admirer of Charles Strickland, and there was no danger that he would whitewash him. He had an unerring eye for the despicable motive in actions that had all the appear­ance of innocence. He was a psycho-pathologist, as well as a student of art, and the subconscious had few secrets from him. No mystic ever saw deeper meaning in com­mon things. The mystic sees the ineffable, and the psycho­pathologist the unspeakable. There is a singular fascina­tion in watching the eagerness with which the learned author ferrets out every circumstance which may throw discredit on his hero. His heart warms to him when he can bring forward some example of cruelty or meanness, and he exults like an inquisitor at the auto da fé of an heretic when with some forgotten story he can confound the filial piety of the Rev. Robert Strickland. His in­dustry has been amazing. Nothing has been too small to escape him, and you may be sure that if Charles Strickland left a laundry bill unpaid it will be given you in extenso, and if he forbore to return a borrowed half-crown no detail of the transaction will be omitted.
 
 
* “A Modern Artist: Notes on the Work of Charles Strickland,” by Edward Leggatt, A.R.H.A. Martin Seeker, 1917.
** “Karl Strickland: sein Leben und seine Kunst,” by Hugo Weitbrecht-Rotholz, Ph.D. Schwingel und Hanisch. Leipzig, 2914.
*** “Strickland: The Man and His Work,” by his son, Robert Strickland. Wm. Heinemano, 1913.
**** This was described in Christie’s catalogue as follows: “A nude woman, a native of the Society Islands, is lying on the ground beside a brook. Behind is a tropical landscape with palm-trees, bananas, etc. 60 in. χ 48 in.”

Copyright © 1919 by W. Somerset Maugham. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
W. Somerset Maugham was born in Paris in 1874. He trained as a doctor in London, where he started writing his first novels. In 1926 he bought a house in Cap Ferrat, France, which was to become a meeting place for a number of writers, artists, and politicians. He died in 1965. View titles by W. Somerset Maugham

About

Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham's ode to the powerful forces behind creative genius.

Charles Strickland is a staid banker, a man of wealth and privilege.  He is also a man possessed of an unquenchable desire to create art.  As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters.  Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.

"[A] witty, compelling roman à clef...that mock[s] the way the world makes saints of the sinners who are often its best artists."  -The Boston Globe

"It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham.... He was always so entirely there."  -Gore Vidal

Excerpt

Chapter I

I confess that when I first made my acquaintance with Charles Strickland I never for a moment discerned that there was in him anything out of the ordinary. Yet now few will be found to deny his greatness. I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a change of circumstances reduces it to very discreet proportions. The Prime Minister out of office is seen, too often, to have been but a pompous rhetorician, and the General without an army is but the tame hero of a market town. The greatness of Charles Strickland was authentic. It may be that you do not like his art, but at all events you can hardly refuse it the tribute of your interest. He dis­turbs and arrests. The time has passed when he was an object of ridicule, and it is no longer a mark of eccen­tricity to defend or of perversity to extol him. His faults are accepted as the necessary complement to his merits. It is still possible to discuss his place in art, and the adula­tion of his admirers is perhaps no less capricious than the disparagement of his detractors; but one thing can never be doubtful, and that is that he had genius. To my mind the most interesting thing in art is the personality of the artist; and if that is singular, I am willing to excuse a thousand faults. I suppose Velasquez was a better painter than El Greco, but custom stales one’s admiration for him: the Cretan, sensual and tragic, proffers the mystery of his soul like a standing sacrifice. The artist, painter, poet, or musician, by his decoration, sublime or beautiful, satisfies the aesthetic sense; but that is akin to the sexual instinct, and shares its barbarity: he lays before you also the greater gift of himself. To pursue his secret has some­thing of the fascination of a detective story. It is a riddle which shares with the universe the merit of having no answer. The most insignificant of Strickland’s works sug­gests a personality which is strange, tormented, and com­plex; and it is this surely which prevents even those who do not like his pictures from being indifferent to them; it is this which has excited so curious an interest in his life and character.
 
It was not till four years after Strickland’s death that Maurice Huret wrote that article in the Mercure de France which rescued the unknown painter from oblivion and blazed the trail which succeeding writers, with more or less docility, have followed. For a long time no critic has enjoyed in France a more incontestable authority, and it was impossible not to be impressed by the claims he made; they seemed extravagant; but later judgments have confirmed his estimate, and the reputation of Charles Strickland is now firmly established on the lines which he laid down. The rise of this reputation is one of the most romantic incidents in the history of art. But I do not propose to deal with Charles Strickland’s work ex­cept in so far as it touches upon his character. I cannot agree with the painters who claim superciliously that the layman can understand nothing of painting, and that he can best show his appreciation of their works by silence and a cheque-book. It is a grotesque misapprehension which sees in art no more than a craft comprehensible perfectly only to the craftsman: art is a manifestation of emotion, and emotion speaks a language that all may understand. But I will allow that the critic who has not a practical knowledge of technique is seldom able to say anything on the subject of real value, and my ignorance of painting is extreme. Fortunately, there is no need for me to risk the adventure, since my friend, Mr. Edward Leggatt, an able writer as well as an admirable painter, has exhaustively discussed Charles Strickland’s work in a little book* which is a charming example of a style, for the most part, less happily cultivated in England than in France.
 
Maurice Huret in his famous article gave an outline of Charles Strickland’s life which was well calculated to whet the appetites of the inquiring. With his disinterested passion for art, he had a real desire to call the attention of the wise to a talent which was in the highest degree original; but he was too good a journalist to be unaware that the “human interest” would enable him more easily to effect his purpose. And when such as had come in con­tact with Strickland in the past, writers who had known him in London, painters who had met him in the cafes of Montmartre, discovered to their amazement that where they had seen but an unsuccessful artist, like another, au­thentic genius had rubbed shoulders with them there be­gan to appear in the magazines of France and America a succession of articles, the reminiscences of one, the ap­preciation of another, which added to Strickland’s no­toriety, and fed without satisfying the curiosity of the public. The subject was grateful, and the industrious Weitbrecht-Rotholz in his imposing monograph** has been able to give a remarkable list of authorities. 

The faculty for myth is innate in the human race. It seizes with avidity upon any incidents, surprising or mysterious, in the career of those who have at all dis­tinguished themselves from their fellows, and invents a legend to which it then attaches a fanatical belief. It is the protest of romance against the commonplace of life. The incidents of the legend become the hero’s surest passport to immortality. The ironic philosopher re­flects with a smile that Sir Walter Raleigh is more safely inshrined in the memory of mankind because he set his cloak for the Virgin Queen to walk on than because he carried the English name to undiscovered countries. Charles Strickland lived obscurely. He made enemies rather than friends. It is not strange, then, that those who wrote of him should have eked out their scanty recollec­tions with a lively fancy, and it is evident that there was enough in the little that was known of him to give opportunity to the romantic scribe; there was much in his life which was strange and terrible, in his character something outrageous, and in his fate not a little that was pathetic. In due course a legend arose of such cir­cumstantiality that the wise historian would hesitate to attack it.
 
But a wise historian is precisely what the Rev. Robert Strickland is not. He wrote his biography*** avowedly to “remove certain misconceptions which had gained cur­rency” in regard to the later part of his father’s life, and which had “caused considerable pain to persons still living.” It is obvious that there was much in the com­monly received account of Strickland’s life to embarrass a respectable family. I have read this work with a good deal of amusement, and upon this I congratulate myself, since it is colourless and dull. Mr. Strickland has drawn the portrait of an excellent husband and father, a man of kindly temper, industrious habits, and moral disposi­tion. The modern clergyman has acquired in his study of the science which I believe is called exegesis an aston­ishing facility for explaining things away, but the subtlety with which the Rev. Robert Strickland has “interpreted” all the facts in his father’s life which a duti­ful son might find it inconvenient to remember must surely lead him in the fullness of time to the highest dignities of the Church. I see already his muscular calves encased in the gaiters episcopal. It was a hazardous, though maybe a gallant thing to do, since it is probable that the legend commonly received has had no small share in the growth of Strickland’s reputation; for there are many who have been attracted to his art by the de­testation in which they held his character or the com­passion with which they regarded his death; and the son’s well-meaning efforts threw a singular chill upon the father’s admirers. It is due to no accident that when one of his most important works, The Woman of Samaria,**** was sold at Christie’s shortly after the dis­cussion which followed the publication of Mr. Strickland’s biography, it fetched £235 less than it had done nine months before when it was bought by the distinguished collector whose sudden death had brought it once more under the hammer. Perhaps Charles Strickland’s power and originality would scarcely have sufficed to turn the scale if the remarkable mythopoeic faculty of mankind had not brushed aside with impatience a story which dis­appointed all its craving for the extraordinary. And presently Dr. Weitbrecht-Rotholz produced the work which finally set at rest the misgivings of all lovers of art.

Dr. Weitbrecht-Rotholz belongs to that school of historians which believes that human nature is not only about as bad as it can be, but a great deal worse; and certainly the reader is safer of entertainment in their hands than in those of the writers who take a malicious pleasure in representing the great figures of romance as patterns of the domestic virtues. For my part, I should be sorry to think that there was nothing between Anthony and Cleopatra but an economic situation; and it will require a great deal more evidence than is ever likely to be available, thank God, to persuade me that Tiberius was as blameless a monarch as King George V. Dr. Weitbrecht-Rotholz has dealt in such terms with the Rev. Robert Strickland’s innocent biography that it is difficult to avoid feeling a certain sympathy for the unlucky parson. His decent reticence is branded as hypocrisy, his circumlocutions are roundly called lies, and his silence is vilified as treachery. And on the strength of peccadillos, reprehensible in an author, but excusable in a son, the Anglo-Saxon race is accused of prudishness, humbug, pretentiousness, deceit, cunning, and bad cook­ing. Personally I think it was rash of Mr. Strickland, in refuting the account which had gained belief of a cer­tain “unpleasantness” between his father and mother, to state that Charles Strickland in a letter written from Paris had described her as “an excellent woman,” since Dr. Weitbrecht-Rotholz was able to print the letter in fac­simile, and it appears that the passage referred to ran in fact as follows: God damn my wife. She is an excellent woman. I wish she was in hell. It is not thus that the Church in its great days dealt with evidence that was unwelcome.
 
Dr. Weitbrecht-Rotholz was an enthusiastic admirer of Charles Strickland, and there was no danger that he would whitewash him. He had an unerring eye for the despicable motive in actions that had all the appear­ance of innocence. He was a psycho-pathologist, as well as a student of art, and the subconscious had few secrets from him. No mystic ever saw deeper meaning in com­mon things. The mystic sees the ineffable, and the psycho­pathologist the unspeakable. There is a singular fascina­tion in watching the eagerness with which the learned author ferrets out every circumstance which may throw discredit on his hero. His heart warms to him when he can bring forward some example of cruelty or meanness, and he exults like an inquisitor at the auto da fé of an heretic when with some forgotten story he can confound the filial piety of the Rev. Robert Strickland. His in­dustry has been amazing. Nothing has been too small to escape him, and you may be sure that if Charles Strickland left a laundry bill unpaid it will be given you in extenso, and if he forbore to return a borrowed half-crown no detail of the transaction will be omitted.
 
 
* “A Modern Artist: Notes on the Work of Charles Strickland,” by Edward Leggatt, A.R.H.A. Martin Seeker, 1917.
** “Karl Strickland: sein Leben und seine Kunst,” by Hugo Weitbrecht-Rotholz, Ph.D. Schwingel und Hanisch. Leipzig, 2914.
*** “Strickland: The Man and His Work,” by his son, Robert Strickland. Wm. Heinemano, 1913.
**** This was described in Christie’s catalogue as follows: “A nude woman, a native of the Society Islands, is lying on the ground beside a brook. Behind is a tropical landscape with palm-trees, bananas, etc. 60 in. χ 48 in.”

Copyright © 1919 by W. Somerset Maugham. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

W. Somerset Maugham was born in Paris in 1874. He trained as a doctor in London, where he started writing his first novels. In 1926 he bought a house in Cap Ferrat, France, which was to become a meeting place for a number of writers, artists, and politicians. He died in 1965. View titles by W. Somerset Maugham

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  • Personal Writings
    Personal Writings
    Albert Camus
    978-0-525-56721-9
    $16.00 US
    Paperback
    Vintage
    Aug 04, 2020
  • Berta Isla
    Berta Isla
    A novel
    Javier Marías
    978-0-525-56312-9
    $17.00 US
    Paperback
    Vintage
    Jul 07, 2020
  • Life for Sale
    Life for Sale
    Yukio Mishima
    978-0-525-56514-7
    $16.95 US
    Paperback
    Vintage
    Apr 07, 2020
  • The Source of Self-Regard
    The Source of Self-Regard
    Selected Essays, Speeches, and Meditations
    Toni Morrison
    978-0-525-56279-5
    $16.95 US
    Paperback
    Vintage
    Jan 14, 2020
  • Love Is Blind
    Love Is Blind
    A novel
    William Boyd
    978-0-525-56444-7
    $16.95 US
    Paperback
    Vintage
    Sep 24, 2019
  • So Much Life Left Over
    So Much Life Left Over
    A Novel
    Louis de Bernieres
    978-0-525-56441-6
    $16.95 US
    Paperback
    Vintage
    Jul 09, 2019
  • Myra Breckinridge
    Myra Breckinridge
    Gore Vidal
    978-0-525-56650-2
    $18.00 US
    Paperback
    Vintage
    May 21, 2019
  • Warlight
    Warlight
    Michael Ondaatje
    978-0-525-56296-2
    $16.95 US
    Paperback
    Vintage
    Apr 02, 2019
  • First Person
    First Person
    Richard Flanagan
    978-0-525-43577-8
    $17.00 US
    Paperback
    Vintage
    Mar 05, 2019
  • The Only Story
    The Only Story
    A novel
    Julian Barnes
    978-0-525-56306-8
    $16.00 US
    Paperback
    Vintage
    Mar 05, 2019
  • A Long Way from Home
    A Long Way from Home
    Peter Carey
    978-0-525-43599-0
    $16.95 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Rub of Time
    The Rub of Time
    Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017
    Martin Amis
    978-1-4000-9599-5
    $16.95 US
    Paperback
    Vintage
    Jan 22, 2019
  • I'm Not Here to Give a Speech
    I'm Not Here to Give a Speech
    Gabriel García Márquez
    978-1-101-91118-1
    $14.95 US
    Paperback
    Vintage
    Jan 08, 2019
  • The Frolic of the Beasts
    The Frolic of the Beasts
    Yukio Mishima
    978-0-525-43415-3
    $15.00 US
    Paperback
    Vintage
    Nov 27, 2018
  • The Myth of Sisyphus
    The Myth of Sisyphus
    Albert Camus
    978-0-525-56445-4
    $15.00 US
    Paperback
    Vintage
    Nov 06, 2018
  • Dinner at the Center of the Earth
    Dinner at the Center of the Earth
    Nathan Englander
    978-0-525-43404-7
    $16.95 US
    Paperback
    Vintage
    Sep 04, 2018
  • Between Eternities
    Between Eternities
    And Other Writings
    Javier Marías
    978-1-101-97211-3
    $15.95 US
    Paperback
    Vintage
    Aug 28, 2018
  • A Boy in Winter
    A Boy in Winter
    A Novel
    Rachel Seiffert
    978-0-8041-6880-9
    $16.00 US
    Paperback
    Vintage
    Jul 10, 2018
  • The Red-Haired Woman
    The Red-Haired Woman
    Orhan Pamuk
    978-1-101-97423-0
    $16.00 US
    Paperback
    Vintage
    Jul 10, 2018
  • Men Without Women
    Men Without Women
    Stories
    Haruki Murakami
    978-1-101-97452-0
    $16.95 US
    Paperback
    Vintage
    May 01, 2018
  • The Golden Legend
    The Golden Legend
    A novel
    Nadeem Aslam
    978-1-101-97338-7
    $17.00 US
    Paperback
    Vintage
    Apr 24, 2018
  • The Woman on the Stairs
    The Woman on the Stairs
    A Novel
    Bernhard Schlink
    978-1-101-91234-8
    $16.95 US
    Paperback
    Vintage
    Feb 20, 2018
  • A Horse Walks Into a Bar
    A Horse Walks Into a Bar
    A novel
    David Grossman
    978-1-101-97349-3
    $15.95 US
    Paperback
    Vintage
    Jan 16, 2018
  • South and West
    South and West
    From a Notebook
    Joan Didion
    978-0-525-43419-1
    $15.00 US
    Paperback
    Vintage
    Jan 02, 2018
  • Letters to Véra
    Letters to Véra
    Vladimir Nabokov
    978-0-307-47658-6
    $22.00 US
    Paperback
    Vintage
    Dec 12, 2017
  • House of the Sleeping Beauties and Other Stories
    House of the Sleeping Beauties and Other Stories
    Yasunari Kawabata
    978-0-525-43414-6
    $9.99 US
    Ebook
    Vintage
    Dec 12, 2017
  • The Boat Rocker
    The Boat Rocker
    A Novel
    Ha Jin
    978-0-8041-7037-6
    $16.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • Absolutely on Music
    Absolutely on Music
    Conversations
    Haruki Murakami, Seiji Ozawa
    978-0-8041-7372-8
    $17.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • The Spy
    The Spy
    A Novel of Mata Hari
    Paulo Coelho
    978-0-525-43279-1
    $16.95 US
    Paperback
    Vintage
    Jun 27, 2017
  • Keeping an Eye Open
    Keeping an Eye Open
    Essays on Art
    Julian Barnes
    978-1-101-87337-3
    $20.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Noise of Time
    The Noise of Time
    A Novel
    Julian Barnes
    978-1-101-97118-5
    $17.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • I Am Not Your Negro
    I Am Not Your Negro
    A Companion Edition to the Documentary Film Directed by Raoul Peck
    James Baldwin, Raoul Peck
    978-0-525-43469-6
    $16.00 US
    Paperback
    Vintage
    Feb 07, 2017
  • A Decent Ride
    A Decent Ride
    Irvine Welsh
    978-1-101-97084-3
    $16.95 US
    Paperback
    Vintage
    Jan 10, 2017
  • Mothering Sunday
    Mothering Sunday
    A Romance
    Graham Swift
    978-1-101-97172-7
    $15.00 US
    Paperback
    Vintage
    Jan 10, 2017
  • Julieta (Movie Tie-in Edition)
    Julieta (Movie Tie-in Edition)
    Three Stories That Inspired the Movie
    Alice Munro
    978-0-525-43426-9
    $9.99 US
    Ebook
    Vintage
    Dec 13, 2016
  • Notwithstanding
    Notwithstanding
    Louis de Bernieres
    978-1-101-96987-8
    $16.00 US
    Paperback
    Vintage
    Oct 18, 2016
  • A Strangeness in My Mind
    A Strangeness in My Mind
    A novel
    Orhan Pamuk
    978-0-307-74484-5
    $17.95 US
    Paperback
    Vintage
    Sep 20, 2016
  • The Blue Guitar
    The Blue Guitar
    John Banville
    978-0-8041-7361-2
    $17.00 US
    Paperback
    Vintage
    Aug 09, 2016
  • The Dust That Falls from Dreams
    The Dust That Falls from Dreams
    A Novel
    Louis de Bernieres
    978-1-101-97000-3
    $17.00 US
    Paperback
    Vintage
    Jul 26, 2016
  • Wind/Pinball
    Wind/Pinball
    Hear the Wind Sing and Pinball, 1973 (Two Novels)
    Haruki Murakami
    978-0-8041-7014-7
    $17.00 US
    Paperback
    Vintage
    May 03, 2016
  • England and Other Stories
    England and Other Stories
    Graham Swift
    978-1-101-87238-3
    $16.00 US
    Paperback
    Vintage
    Apr 19, 2016
  • Odysseus Abroad
    Odysseus Abroad
    A novel
    Amit Chaudhuri
    978-1-101-97145-1
    $16.00 US
    Paperback
    Vintage
    Feb 09, 2016
  • God Help the Child
    God Help the Child
    Toni Morrison
    978-0-307-74092-2
    $14.95 US
    Paperback
    Vintage
    Jan 26, 2016
  • The Sex Lives of Siamese Twins
    The Sex Lives of Siamese Twins
    Irvine Welsh
    978-0-8041-7321-6
    $16.00 US
    Paperback
    Vintage
    Jan 12, 2016
  • The Buried Giant
    The Buried Giant
    Kazuo Ishiguro
    978-0-307-45579-6
    $17.00 US
    Paperback
    Vintage
    Jan 05, 2016
  • Amnesia
    Amnesia
    Peter Carey
    978-0-8041-7132-8
    $15.95 US
    Paperback
    Vintage
    Dec 08, 2015
  • Family Furnishings
    Family Furnishings
    Selected Stories, 1995-2014
    Alice Munro
    978-1-101-87235-2
    $18.95 US
    Paperback
    Vintage
    Sep 15, 2015
  • A Wilderness Station
    A Wilderness Station
    Selected Stories, 1968-1994
    Alice Munro
    978-1-101-97036-2
    $16.95 US
    Paperback
    Vintage
    Sep 15, 2015
  • The Prophet
    The Prophet
    Kahlil Gibran
    978-1-101-97078-2
    $9.95 US
    Paperback
    Vintage
    Jul 21, 2015
  • A Map of Betrayal
    A Map of Betrayal
    A Novel
    Ha Jin
    978-0-8041-7036-9
    $15.95 US
    Paperback
    Vintage
    Jul 07, 2015
  • The Zone of Interest
    The Zone of Interest
    Martin Amis
    978-0-8041-7289-9
    $15.95 US
    Paperback
    Vintage
    Jul 07, 2015
  • The Walk Home
    The Walk Home
    A Novel
    Rachel Seiffert
    978-1-101-87343-4
    $16.95 US
    Paperback
    Vintage
    Jun 23, 2015
  • Adultery
    Adultery
    Paulo Coelho
    978-1-101-87224-6
    $16.00 US
    Paperback
    Vintage
    May 26, 2015
  • Colorless Tsukuru Tazaki and His Years of Pilgrimage
    Colorless Tsukuru Tazaki and His Years of Pilgrimage
    Haruki Murakami
    978-0-8041-7012-3
    $16.95 US
    Paperback
    Vintage
    May 05, 2015
  • The Narrow Road to the Deep North
    The Narrow Road to the Deep North
    Richard Flanagan
    978-0-8041-7147-2
    $16.95 US
    Paperback
    Vintage
    Apr 14, 2015
  • The Fires of Autumn
    The Fires of Autumn
    Irene Nemirovsky
    978-1-101-87227-7
    $15.00 US
    Paperback
    Vintage
    Mar 17, 2015
  • The News: A User's Manual
    The News: A User's Manual
    Alain De Botton
    978-0-307-47683-8
    $17.00 US
    Paperback
    Vintage
    Dec 02, 2014
  • Falling Out of Time
    Falling Out of Time
    David Grossman
    978-0-345-80585-0
    $16.00 US
    Paperback
    Vintage
    Dec 02, 2014
  • The Man of Feeling
    The Man of Feeling
    Javier Marías
    978-0-8041-7259-2
    $16.00 US
    Paperback
    Vintage
    Oct 07, 2014
  • Levels of Life
    Levels of Life
    Julian Barnes
    978-0-345-80658-1
    $15.95 US
    Paperback
    Vintage
    Jul 01, 2014
  • Beer in the Snooker Club
    Beer in the Snooker Club
    Waguih Ghali
    978-0-8041-7074-1
    $16.00 US
    Paperback
    Vintage
    Jun 10, 2014
  • Subtle Bodies
    Subtle Bodies
    Norman Rush
    978-1-4000-7713-7
    $15.00 US
    Paperback
    Vintage
    Jun 03, 2014
  • Going Home Again
    Going Home Again
    Dennis Bock
    978-1-4000-9610-7
    $15.95 US
    Paperback
    Vintage
    May 06, 2014
  • The Infatuations
    The Infatuations
    Javier Marías
    978-0-307-95073-4
    $15.95 US
    Paperback
    Vintage
    Apr 22, 2014
  • Vintage Munro
    Vintage Munro
    Nobel Prize Edition
    Alice Munro
    978-0-8041-7356-8
    $12.00 US
    Paperback
    Vintage
    Apr 22, 2014
  • Bombay Stories
    Bombay Stories
    Saadat Hasan Manto
    978-0-8041-7060-4
    $16.95 US
    Paperback
    Vintage
    Mar 25, 2014
  • Paradise
    Paradise
    Toni Morrison
    978-0-8041-6988-2
    $17.00 US
    Paperback
    Vintage
    Mar 11, 2014
  • The Blind Man's Garden
    The Blind Man's Garden
    Nadeem Aslam
    978-0-345-80285-9
    $16.95 US
    Paperback
    Vintage
    Jan 28, 2014
  • All That Is
    All That Is
    A Novel
    James Salter
    978-1-4000-7842-4
    $16.95 US
    Paperback
    Vintage
    Jan 28, 2014
  • The Tragedy of Mister Morn
    The Tragedy of Mister Morn
    Vladimir Nabokov
    978-0-307-95066-6
    $15.00 US
    Paperback
    Vintage
    Dec 03, 2013
  • Middle C
    Middle C
    William H. Gass
    978-0-8041-6878-6
    $16.95 US
    Paperback
    Vintage
    Dec 03, 2013
  • Inheritance
    Inheritance
    Indira Ganesan
    978-0-8041-6924-0
    $15.95 US
    Paperback
    Vintage
    Nov 05, 2013
  • More Than I Love My Life
    More Than I Love My Life
    A novel
    David Grossman
    978-0-593-31259-9
    $17.00 US
    Paperback
    Vintage
    Jul 12, 2022
  • The Living Sea of Waking Dreams
    The Living Sea of Waking Dreams
    A novel
    Richard Flanagan
    978-0-593-31370-1
    $17.00 US
    Paperback
    Vintage
    Apr 26, 2022
  • Trio
    Trio
    A novel
    William Boyd
    978-0-593-31146-2
    $17.00 US
    Paperback
    Vintage
    Mar 08, 2022
  • Klara and the Sun
    Klara and the Sun
    A novel
    Kazuo Ishiguro
    978-0-593-31129-5
    $16.95 US
    Paperback
    Vintage
    Mar 01, 2022
  • Antiquities and Other Stories
    Antiquities and Other Stories
    Cynthia Ozick
    978-0-593-31276-6
    $16.00 US
    Paperback
    Vintage
    Mar 01, 2022
  • Inside Story
    Inside Story
    A novel
    Martin Amis
    978-0-593-31171-4
    $18.00 US
    Paperback
    Vintage
    Feb 22, 2022
  • Let Me Tell You What I Mean
    Let Me Tell You What I Mean
    Joan Didion
    978-0-593-31219-3
    $16.00 US
    Paperback
    Vintage
    Jan 25, 2022
  • Medusa's Ankles
    Medusa's Ankles
    Selected Stories
    A. S. Byatt
    978-0-593-32158-4
    $28.00 US
    Hardcover
    Knopf
    Nov 23, 2021
  • Palimpsest
    Palimpsest
    A Memoir
    Gore Vidal
    978-0-593-31439-5
    $18.00 US
    Paperback
    Vintage
    Nov 16, 2021
  • Season of Anomy
    Season of Anomy
    Wole Soyinka
    978-0-593-46719-0
    $16.95 US
    Paperback
    Vintage
    Sep 14, 2021
  • The Interpreters
    The Interpreters
    Wole Soyinka
    978-0-593-46721-3
    $16.95 US
    Paperback
    Vintage
    Sep 14, 2021
  • Here We Are
    Here We Are
    A novel
    Graham Swift
    978-1-9848-9952-1
    $16.00 US
    Paperback
    Vintage
    Aug 10, 2021
  • Juneteenth (Revised)
    Juneteenth (Revised)
    Ralph Ellison
    978-0-593-31461-6
    $17.00 US
    Paperback
    Vintage
    May 18, 2021
  • Think, Write, Speak
    Think, Write, Speak
    Uncollected Essays, Reviews, Interviews, and Letters to the Editor
    Brian Boyd, Vladimir Nabokov Literary Trust
    978-1-101-87370-0
    $18.00 US
    Paperback
    Vintage
    Feb 09, 2021
  • The Wapshot Chronicle
    The Wapshot Chronicle
    John Cheever
    978-0-593-08177-8
    $16.95 US
    Paperback
    Vintage
    Feb 02, 2021
  • The Wapshot Scandal
    The Wapshot Scandal
    John Cheever
    978-0-593-31289-6
    $16.95 US
    Paperback
    Vintage
    Feb 02, 2021
  • Love in the Time of Cholera (Illustrated Edition)
    Love in the Time of Cholera (Illustrated Edition)
    Gabriel García Márquez
    978-0-593-31085-4
    $25.00 US
    Paperback
    Vintage
    Oct 27, 2020
  • The Scandal of the Century
    The Scandal of the Century
    And Other Writings
    Gabriel García Márquez
    978-0-525-56680-9
    $16.95 US
    Paperback
    Vintage
    Sep 15, 2020
  • Personal Writings
    Personal Writings
    Albert Camus
    978-0-525-56721-9
    $16.00 US
    Paperback
    Vintage
    Aug 04, 2020
  • Berta Isla
    Berta Isla
    A novel
    Javier Marías
    978-0-525-56312-9
    $17.00 US
    Paperback
    Vintage
    Jul 07, 2020
  • Life for Sale
    Life for Sale
    Yukio Mishima
    978-0-525-56514-7
    $16.95 US
    Paperback
    Vintage
    Apr 07, 2020
  • The Source of Self-Regard
    The Source of Self-Regard
    Selected Essays, Speeches, and Meditations
    Toni Morrison
    978-0-525-56279-5
    $16.95 US
    Paperback
    Vintage
    Jan 14, 2020
  • Love Is Blind
    Love Is Blind
    A novel
    William Boyd
    978-0-525-56444-7
    $16.95 US
    Paperback
    Vintage
    Sep 24, 2019
  • So Much Life Left Over
    So Much Life Left Over
    A Novel
    Louis de Bernieres
    978-0-525-56441-6
    $16.95 US
    Paperback
    Vintage
    Jul 09, 2019
  • Myra Breckinridge
    Myra Breckinridge
    Gore Vidal
    978-0-525-56650-2
    $18.00 US
    Paperback
    Vintage
    May 21, 2019
  • Warlight
    Warlight
    Michael Ondaatje
    978-0-525-56296-2
    $16.95 US
    Paperback
    Vintage
    Apr 02, 2019
  • First Person
    First Person
    Richard Flanagan
    978-0-525-43577-8
    $17.00 US
    Paperback
    Vintage
    Mar 05, 2019
  • The Only Story
    The Only Story
    A novel
    Julian Barnes
    978-0-525-56306-8
    $16.00 US
    Paperback
    Vintage
    Mar 05, 2019
  • A Long Way from Home
    A Long Way from Home
    Peter Carey
    978-0-525-43599-0
    $16.95 US
    Paperback
    Vintage
    Feb 05, 2019
  • The Rub of Time
    The Rub of Time
    Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017
    Martin Amis
    978-1-4000-9599-5
    $16.95 US
    Paperback
    Vintage
    Jan 22, 2019
  • I'm Not Here to Give a Speech
    I'm Not Here to Give a Speech
    Gabriel García Márquez
    978-1-101-91118-1
    $14.95 US
    Paperback
    Vintage
    Jan 08, 2019
  • The Frolic of the Beasts
    The Frolic of the Beasts
    Yukio Mishima
    978-0-525-43415-3
    $15.00 US
    Paperback
    Vintage
    Nov 27, 2018
  • The Myth of Sisyphus
    The Myth of Sisyphus
    Albert Camus
    978-0-525-56445-4
    $15.00 US
    Paperback
    Vintage
    Nov 06, 2018
  • Dinner at the Center of the Earth
    Dinner at the Center of the Earth
    Nathan Englander
    978-0-525-43404-7
    $16.95 US
    Paperback
    Vintage
    Sep 04, 2018
  • Between Eternities
    Between Eternities
    And Other Writings
    Javier Marías
    978-1-101-97211-3
    $15.95 US
    Paperback
    Vintage
    Aug 28, 2018
  • A Boy in Winter
    A Boy in Winter
    A Novel
    Rachel Seiffert
    978-0-8041-6880-9
    $16.00 US
    Paperback
    Vintage
    Jul 10, 2018
  • The Red-Haired Woman
    The Red-Haired Woman
    Orhan Pamuk
    978-1-101-97423-0
    $16.00 US
    Paperback
    Vintage
    Jul 10, 2018
  • Men Without Women
    Men Without Women
    Stories
    Haruki Murakami
    978-1-101-97452-0
    $16.95 US
    Paperback
    Vintage
    May 01, 2018
  • The Golden Legend
    The Golden Legend
    A novel
    Nadeem Aslam
    978-1-101-97338-7
    $17.00 US
    Paperback
    Vintage
    Apr 24, 2018
  • The Woman on the Stairs
    The Woman on the Stairs
    A Novel
    Bernhard Schlink
    978-1-101-91234-8
    $16.95 US
    Paperback
    Vintage
    Feb 20, 2018
  • A Horse Walks Into a Bar
    A Horse Walks Into a Bar
    A novel
    David Grossman
    978-1-101-97349-3
    $15.95 US
    Paperback
    Vintage
    Jan 16, 2018
  • South and West
    South and West
    From a Notebook
    Joan Didion
    978-0-525-43419-1
    $15.00 US
    Paperback
    Vintage
    Jan 02, 2018
  • Letters to Véra
    Letters to Véra
    Vladimir Nabokov
    978-0-307-47658-6
    $22.00 US
    Paperback
    Vintage
    Dec 12, 2017
  • House of the Sleeping Beauties and Other Stories
    House of the Sleeping Beauties and Other Stories
    Yasunari Kawabata
    978-0-525-43414-6
    $9.99 US
    Ebook
    Vintage
    Dec 12, 2017
  • The Boat Rocker
    The Boat Rocker
    A Novel
    Ha Jin
    978-0-8041-7037-6
    $16.00 US
    Paperback
    Vintage
    Oct 17, 2017
  • Absolutely on Music
    Absolutely on Music
    Conversations
    Haruki Murakami, Seiji Ozawa
    978-0-8041-7372-8
    $17.00 US
    Paperback
    Vintage
    Oct 03, 2017
  • The Spy
    The Spy
    A Novel of Mata Hari
    Paulo Coelho
    978-0-525-43279-1
    $16.95 US
    Paperback
    Vintage
    Jun 27, 2017
  • Keeping an Eye Open
    Keeping an Eye Open
    Essays on Art
    Julian Barnes
    978-1-101-87337-3
    $20.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • The Noise of Time
    The Noise of Time
    A Novel
    Julian Barnes
    978-1-101-97118-5
    $17.00 US
    Paperback
    Vintage
    Jun 13, 2017
  • I Am Not Your Negro
    I Am Not Your Negro
    A Companion Edition to the Documentary Film Directed by Raoul Peck
    James Baldwin, Raoul Peck
    978-0-525-43469-6
    $16.00 US
    Paperback
    Vintage
    Feb 07, 2017
  • A Decent Ride
    A Decent Ride
    Irvine Welsh
    978-1-101-97084-3
    $16.95 US
    Paperback
    Vintage
    Jan 10, 2017
  • Mothering Sunday
    Mothering Sunday
    A Romance
    Graham Swift
    978-1-101-97172-7
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    978-1-101-97036-2
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    978-1-101-87343-4
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    $15.00 US
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