Prelude to a Black Gaze 1
Verse One
The Intimacy of Strangers 27
Verse Two
Black (Counter)gravity 43
Verse Three
The Visual Frequency of Black Life 77
Verse Four 
The Slow Lives of Still-Moving-Images 109
Verse Five
Sounding a Black Feminist Chorus 145
Verse Six
Adjacency and the Poethics of Care 167
Reprise 
The Haptic Frequencies of Radical Black Joy 193
Acknowledgments 203
Notes 207
Index 215

Table of Contents

Prelude to a Black Gaze 1
Verse One
The Intimacy of Strangers 27
Verse Two
Black (Counter)gravity 43
Verse Three
The Visual Frequency of Black Life 77
Verse Four 
The Slow Lives of Still-Moving-Images 109
Verse Five
Sounding a Black Feminist Chorus 145
Verse Six
Adjacency and the Poethics of Care 167
Reprise 
The Haptic Frequencies of Radical Black Joy 193
Acknowledgments 203
Notes 207
Index 215

A Conversation Between Gabriela Bueno Gibbs and Victoria Hindley of the MIT Press Acquisitions Team on Tina Campt’s Newest book, A Black Gaze

Last week, the MIT Press published A Black Gaze: Artists Changing How We See by Tina Campt, examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see—and see Blackness in particular—anew. Campt shows that this new way of seeing shifts viewers from the passive optics of “looking at”

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