A Black Gaze

Artists Changing How We See

Ebook
On sale Aug 24, 2021 | 232 Pages | 9780262365673

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This contemporary art coffee table book celebrates the work of 9 Black artists who are dismantling the white gaze—and demanding we see Blackness anew.

“Offers a license to be at home in one’s own skin . . . [and] issues an invitation to action, not of a performative sympathy but of rigorous reflection.” —Washington Post Book World

In this stunning art coffee table book, Tina Campt examines contemporary Black artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering—and joy—of Black life in the present. These 9 Black artists challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. They create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt celebrates Black art and describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.
Prelude to a Black Gaze 1
Verse One
The Intimacy of Strangers 27
Verse Two
Black (Counter)gravity 43
Verse Three
The Visual Frequency of Black Life 77
Verse Four 
The Slow Lives of Still-Moving-Images 109
Verse Five
Sounding a Black Feminist Chorus 145
Verse Six
Adjacency and the Poethics of Care 167
Reprise 
The Haptic Frequencies of Radical Black Joy 193
Acknowledgments 203
Notes 207
Index 215
Tina M. Campt, a Black feminist theorist of visual culture and contemporary art, is Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University and a Research Associate at the VIAD (Visual Identities in Art and Design Research Centre) at the University of Johannesburg. She is the author of Image Matters: Archive, Photography and the African Diaspora in Europe, Listening to Images, and other books.

About

This contemporary art coffee table book celebrates the work of 9 Black artists who are dismantling the white gaze—and demanding we see Blackness anew.

“Offers a license to be at home in one’s own skin . . . [and] issues an invitation to action, not of a performative sympathy but of rigorous reflection.” —Washington Post Book World

In this stunning art coffee table book, Tina Campt examines contemporary Black artists who are shifting the very nature of our interactions with the visual through their creation and curation of a distinctively Black gaze. Their work—from Deana Lawson’s disarmingly intimate portraits to Arthur Jafa’s videos of the everyday beauty and grit of the Black experience, from Kahlil Joseph’s films and Dawoud Bey’s photographs to the embodied and multimedia artistic practice of Okwui Okpokwasili, Simone Leigh, and Luke Willis Thompson—requires viewers to do more than simply look; it solicits visceral responses to the visualization of Black precarity.

Campt shows that this new way of seeing shifts viewers from the passive optics of looking at to the active struggle of looking with, through, and alongside the suffering—and joy—of Black life in the present. These 9 Black artists challenge the fundamental disparity that defines the dominant viewing practice: the notion that Blackness is the elsewhere (or nowhere) of whiteness. They create images that flow, that resuscitate and revalue the historical and contemporary archive of Black life in radical ways. Writing with rigor and passion, Campt celebrates Black art and describes the creativity, ingenuity, cunning, and courage that is the modus operandi of a Black gaze.

Table of Contents

Prelude to a Black Gaze 1
Verse One
The Intimacy of Strangers 27
Verse Two
Black (Counter)gravity 43
Verse Three
The Visual Frequency of Black Life 77
Verse Four 
The Slow Lives of Still-Moving-Images 109
Verse Five
Sounding a Black Feminist Chorus 145
Verse Six
Adjacency and the Poethics of Care 167
Reprise 
The Haptic Frequencies of Radical Black Joy 193
Acknowledgments 203
Notes 207
Index 215

Author

Tina M. Campt, a Black feminist theorist of visual culture and contemporary art, is Owen F. Walker Professor of Humanities and Modern Culture and Media at Brown University and a Research Associate at the VIAD (Visual Identities in Art and Design Research Centre) at the University of Johannesburg. She is the author of Image Matters: Archive, Photography and the African Diaspora in Europe, Listening to Images, and other books.

A Conversation Between Gabriela Bueno Gibbs and Victoria Hindley of the MIT Press Acquisitions Team on Tina Campt’s Newest book, A Black Gaze

Last week, the MIT Press published A Black Gaze: Artists Changing How We See by Tina Campt, examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see—and see Blackness in particular—anew. Campt shows that this new way of seeing shifts viewers from the passive optics of “looking at”

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