Books for Arab American Heritage Month
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
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Haggard became a barrister next, but his heart was not in it, and he spent his evenings after work writing books. At the time, Robert Louis Stevenson’s Treasure Island was a massive bestseller; Haggard (with two mediocre novels for adults behind him), in the course of an argument with his brother, bet a shilling that he could write a book which would be just as good and just as successful. A year later, in 1885, King Solomon’s Mines was published – and Haggard won his bet! The sequel, Allan Quatermain, followed two years later, the same year as another of his particularly famous books, She. All three books are set in Africa, and the author’s familiarity with the country and people is what makes them stand out from the rest of his stories.
In public, Haggard claimed that his novel-writing was just to make money, while his real work was writing and advising the government about agriculture and the British colonies. But the fact that he wrote roughly a novel a year belies this public claim – as does the fact that he named his three daughters after heroines in his books.
Sir Henry Rider Haggard (he was knighted in 1913, and then again in 1919 for war services) was a tall, angular, rugged man, who could have appeared in one of his own novels, where the heroines are always beautiful, the heroes are good and strong, and there are adventures every minute of the day. Like the novels of Alexandre Dumas, these are books written for adults, which have been devoured ever since by teenagers.
In honor of Arab American Heritage Month in April, we are sharing books by Arab and Arab American authors that share their culture, history, and personal lives.
Read moreFor National Poetry Month in April, we are sharing poetry collections and books about poetry by authors who have their own stories to tell. These poets delve into history, reimagine the present, examine poetry itself—from traditional poems many know and love to poems and voices that are new and original.
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