Three Uses of the Knife

On the Nature and Purpose of Drama

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What makes good drama? And why does drama matter in an age that is awash in information and entertainment? With bracing directness and aphoristic grace, the Pulitzer Prize-winning playwright of Glengarry Glen Ross delivers a thrillingly original treatise on his art.

To David Mamet, human beings are drama-creating animals who impose narrative structures on everything from today's weather to next year's elections. Mamet distinguishes true drama from its false variants, unravels the infamous "Second-Act Problem," and considers the mysterious persistence of the soliloquy. Three Uses of the Knife is an inspired guide for any playwright or theatergoer that doubles as a trenchant work of moral and aesthetic philosophy.

PRAISE FOR THREE USES OF THE KNIFE

"[Mamet] brings his usual passion and provocation to his treatise on what makes good drama." --Vanity Fair

"No modern playwright has been bolder or more brilliant." --The New Yorker

"Pinter, Albee, Miller. They're all looking over Mamet's shoulder." --New York

"David Mamet adds yet another segment to a body of work that puts him among the great writers of this, or any other, time." --Joe Mantegna
DAVID MAMET is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominated The Verdict. His more than twenty plays include Oleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer Prizewinning Glengarry Glen Ross. Born in Chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and is a founding member of the Atlantic Theater Company. View titles by David Mamet

About

What makes good drama? And why does drama matter in an age that is awash in information and entertainment? With bracing directness and aphoristic grace, the Pulitzer Prize-winning playwright of Glengarry Glen Ross delivers a thrillingly original treatise on his art.

To David Mamet, human beings are drama-creating animals who impose narrative structures on everything from today's weather to next year's elections. Mamet distinguishes true drama from its false variants, unravels the infamous "Second-Act Problem," and considers the mysterious persistence of the soliloquy. Three Uses of the Knife is an inspired guide for any playwright or theatergoer that doubles as a trenchant work of moral and aesthetic philosophy.

PRAISE FOR THREE USES OF THE KNIFE

"[Mamet] brings his usual passion and provocation to his treatise on what makes good drama." --Vanity Fair

"No modern playwright has been bolder or more brilliant." --The New Yorker

"Pinter, Albee, Miller. They're all looking over Mamet's shoulder." --New York

"David Mamet adds yet another segment to a body of work that puts him among the great writers of this, or any other, time." --Joe Mantegna

Author

DAVID MAMET is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominated The Verdict. His more than twenty plays include Oleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer Prizewinning Glengarry Glen Ross. Born in Chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and is a founding member of the Atlantic Theater Company. View titles by David Mamet