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The Spanish Prisoner and The Winslow Boy

Two Screenplays

Author David Mamet
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Paperback
$20.00 US
Knopf | Vintage
On sale Sep 07, 1999 | 224 Pages | 9780375706646
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David Mamet’s dialogue—abrasive, rhythmic—illuminates a modern aesthetic evocative of Samuel Beckett, and his plots have inspired comparisons to such disperate masters as Alfred Hitchcock and Arthur Miller. The two screenplays included here demonstrate the range and depth of his talent. The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet’s revisitation of Terence Rattigan’s classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

Praise for The Spanish Prisoner:
“Elegant, entertaining. . . . Mamet’s craftiest and most satisfying cinematic puzzle.”
—The New York Times

Praise for The Winslow Boy:
“One of the most subtly compelling love stories of the year.”
—The New York Observer
DAVID MAMET is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominated The Verdict. His more than twenty plays include Oleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer Prizewinning Glengarry Glen Ross. Born in Chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and is a founding member of the Atlantic Theater Company. View titles by David Mamet

About

David Mamet’s dialogue—abrasive, rhythmic—illuminates a modern aesthetic evocative of Samuel Beckett, and his plots have inspired comparisons to such disperate masters as Alfred Hitchcock and Arthur Miller. The two screenplays included here demonstrate the range and depth of his talent. The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet’s revisitation of Terence Rattigan’s classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

Praise for The Spanish Prisoner:
“Elegant, entertaining. . . . Mamet’s craftiest and most satisfying cinematic puzzle.”
—The New York Times

Praise for The Winslow Boy:
“One of the most subtly compelling love stories of the year.”
—The New York Observer

Author

DAVID MAMET is a Pulitzer Prize-winning playwright and an Academy Award-nominated screenwriter, as well as a director, novelist, poet, and essayist. He has written the screenplays for more than twenty films, including Heist, Spartan, House of Games, The Spanish Prisoner, The Winslow Boy, Wag the Dog, and the Oscar-nominated The Verdict. His more than twenty plays include Oleanna, The Cryptogram, Speed-the-Plow, American Buffalo, Sexual Perversity in Chicago, and the Pulitzer Prizewinning Glengarry Glen Ross. Born in Chicago in 1947, Mamet has taught at the Yale School of Drama, New York University, and Goddard College, and is a founding member of the Atlantic Theater Company. View titles by David Mamet

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