A new masterwork of satire, lore, and living memory from the leading voice of French-Rwandan literature
“Mukasonga breathes upon a vanished world and brings it to life in all its sparkling multifariousness” --J.M. Coetzee
In four beautifully woven parts, Mukasonga spins a marvelous recounting of the clash between ancient Rwandan beliefs and the missionaries determined to replace them with European Christianity.
When a rogue priest is defrocked for fusing the gospels with the martyrdom of Kibogo, a fierce clash of cults ensues. Swirling with the heady smell of wet earth and flashes of acerbic humor, Mukasonga brings to life the vital mythologies that imbue the Rwandan spirit. In doing so, she gives us a tale of disarming simplicity and profound universal truth.
Kibogo’s story is reserved for the evening’s end, when women sit around a fire drinking honeyed brew, when just a few are able to stave off sleep. With heads nodding, drifting into the mist of a dream, one faithful storyteller will weave the old legends of the hillside, stories which church missionaries have done everything in their power to expunge.
To some, Kibogo’s tale is founding myth, celestial marvel, magic incantation, bottomless source of hope. To white priests spritzing holy water on shriveled, drought-ridden trees, it looms like red fog over the village: forbidden, satanic, a witchdoctor’s hoax. All debate the twisted roots of this story, but deep down, all secretly wonder – can Kibogo really summon the rain?
Born in Rwanda in 1956, Scholastique Mukasonga experienced from childhood the violence and humiliation of the ethnic conflicts that shook her country. In 1960, her family was displaced to the polluted and under-developed Bugesera district of Rwanda. Mukasonga was later forced to flee to Burundi. She settled in France in 1992, only two years before the brutal genocide of the Tutsi swept through Rwanda. In the aftermath, Mukasonga learned that 37 of her family members had been massacred. Her first novel, Our Lady of the Nile, won the 2014 French Voices Award, was shortlisted for the 2016 International Dublin Literary award, and in 2019 was adapted into a film by Atiq Rahimi. In 2017, her memoir Cockroaches was a finalist for the LA Times Charles Isherwood Prize. In 2019, The Barefoot Woman was a finalist for the National Book Award for Translation.
View titles by Scholastique Mukasonga
A new masterwork of satire, lore, and living memory from the leading voice of French-Rwandan literature
“Mukasonga breathes upon a vanished world and brings it to life in all its sparkling multifariousness” --J.M. Coetzee
In four beautifully woven parts, Mukasonga spins a marvelous recounting of the clash between ancient Rwandan beliefs and the missionaries determined to replace them with European Christianity.
When a rogue priest is defrocked for fusing the gospels with the martyrdom of Kibogo, a fierce clash of cults ensues. Swirling with the heady smell of wet earth and flashes of acerbic humor, Mukasonga brings to life the vital mythologies that imbue the Rwandan spirit. In doing so, she gives us a tale of disarming simplicity and profound universal truth.
Kibogo’s story is reserved for the evening’s end, when women sit around a fire drinking honeyed brew, when just a few are able to stave off sleep. With heads nodding, drifting into the mist of a dream, one faithful storyteller will weave the old legends of the hillside, stories which church missionaries have done everything in their power to expunge.
To some, Kibogo’s tale is founding myth, celestial marvel, magic incantation, bottomless source of hope. To white priests spritzing holy water on shriveled, drought-ridden trees, it looms like red fog over the village: forbidden, satanic, a witchdoctor’s hoax. All debate the twisted roots of this story, but deep down, all secretly wonder – can Kibogo really summon the rain?
Born in Rwanda in 1956, Scholastique Mukasonga experienced from childhood the violence and humiliation of the ethnic conflicts that shook her country. In 1960, her family was displaced to the polluted and under-developed Bugesera district of Rwanda. Mukasonga was later forced to flee to Burundi. She settled in France in 1992, only two years before the brutal genocide of the Tutsi swept through Rwanda. In the aftermath, Mukasonga learned that 37 of her family members had been massacred. Her first novel, Our Lady of the Nile, won the 2014 French Voices Award, was shortlisted for the 2016 International Dublin Literary award, and in 2019 was adapted into a film by Atiq Rahimi. In 2017, her memoir Cockroaches was a finalist for the LA Times Charles Isherwood Prize. In 2019, The Barefoot Woman was a finalist for the National Book Award for Translation.
View titles by Scholastique Mukasonga
