DC Finest: Wonder Woman: Enter the Cheetah

Part of DC Finest

Illustrated by H. G. Peter, Shelly Moldoff
Paperback
$39.99 US
On sale Feb 03, 2026 | 536 Pages | 9781799507444

Wonder Woman faces one of her earliest and most dangerous enemies—the Cheetah. These classic stories show Diana battling jealousy, deception, and fierce foes with courage and compassion. It’s the beginning of a legendary rivalry that helped shape her heroic journey.

DC Finest: Wonder Woman – Enter the Cheetah collects Wonder Woman #5–9, Sensation Comics #19–34, Comic Cavalcade #3–7, and All-Star Comics #20, originally published between 1943 and 1944. These stories feature the debut and early battles between Wonder Woman and Priscilla Rich—the original Cheetah—alongside appearances by Steve Trevor, Etta Candy, and the Holliday Girls. With themes of justice, identity, and transformation, this collection showcases the mythic and psychological depth that has defined Wonder Woman since her earliest days.
A noted psychologist and the man who perfected the testing system for the lie detector, William Moulton Marston was hired in 1941 as an advisor to All-American Comics publisher Max C. Gaines after he wrote an article praising the educational potential of comic books in the magazine The Family Circle. But when Marston suggested a new character to his employer, he was met with skepticism.
         “America’s woman of tomorrow should be made the hero of a new type of comic strip,” Marston wrote. “By this I mean a character with all the allure of an attractive woman, but with the strength also of a powerful man.”
         In other words, Wonder Woman.
         Still doubtful that a female costumed hero would sell, Gaines finally decided to give the lady a chance. In December 1941, Wonder Woman’s first adventure appeared in All Star Comics #8, written by Marston under the pen name Charles Moulton. Five months later a poll asked readers to rank the Amazonian heroine against seven leading male heroes. “Wonder Woman came in first with 80 percent of the vote, beating her nearest male competitor by about 40 to 1,” recalled Marston.
         An early feminist, Marston believed that woman’s rightful place was as world leader, not servant or helpmate. “There isn’t enough love in the male organism to run this planet peacefully,” he explained. “What woman presently lacks is the dominance or self-assertive power to put over and enforce her love desires. I have given Wonder Woman this dominant force, but have kept her loving. It is my hope to make this strip as appealing to adults as it has proved to kids.”
         For four years Marston wrote nearly all his creation’s adventures, including both comic books and a syndicated newspaper strip. In 1945, suffering from the effects of a polio infection, he began to turn over the feature’s scripting duties to others, particularly his assistant Joye Murchison. Marston died of lung cancer in 1947, just a week shy of his 54th birthday.

Harry G. Peter was the original artist of Wonder Woman, known for his elegant, Art Nouveau-inspired style. His illustrations gave the early stories a unique visual identity that blended classical beauty with dynamic action.

Sheldon “Shelly” Moldoff was a versatile Golden and Silver Age artist who contributed to many DC titles, including Batman, Hawkman, and Wonder Woman. His clean, expressive linework helped define the visual tone of early superhero comics.
William Moulton Marston View titles by William Moulton Marston

About

Wonder Woman faces one of her earliest and most dangerous enemies—the Cheetah. These classic stories show Diana battling jealousy, deception, and fierce foes with courage and compassion. It’s the beginning of a legendary rivalry that helped shape her heroic journey.

DC Finest: Wonder Woman – Enter the Cheetah collects Wonder Woman #5–9, Sensation Comics #19–34, Comic Cavalcade #3–7, and All-Star Comics #20, originally published between 1943 and 1944. These stories feature the debut and early battles between Wonder Woman and Priscilla Rich—the original Cheetah—alongside appearances by Steve Trevor, Etta Candy, and the Holliday Girls. With themes of justice, identity, and transformation, this collection showcases the mythic and psychological depth that has defined Wonder Woman since her earliest days.

Author

A noted psychologist and the man who perfected the testing system for the lie detector, William Moulton Marston was hired in 1941 as an advisor to All-American Comics publisher Max C. Gaines after he wrote an article praising the educational potential of comic books in the magazine The Family Circle. But when Marston suggested a new character to his employer, he was met with skepticism.
         “America’s woman of tomorrow should be made the hero of a new type of comic strip,” Marston wrote. “By this I mean a character with all the allure of an attractive woman, but with the strength also of a powerful man.”
         In other words, Wonder Woman.
         Still doubtful that a female costumed hero would sell, Gaines finally decided to give the lady a chance. In December 1941, Wonder Woman’s first adventure appeared in All Star Comics #8, written by Marston under the pen name Charles Moulton. Five months later a poll asked readers to rank the Amazonian heroine against seven leading male heroes. “Wonder Woman came in first with 80 percent of the vote, beating her nearest male competitor by about 40 to 1,” recalled Marston.
         An early feminist, Marston believed that woman’s rightful place was as world leader, not servant or helpmate. “There isn’t enough love in the male organism to run this planet peacefully,” he explained. “What woman presently lacks is the dominance or self-assertive power to put over and enforce her love desires. I have given Wonder Woman this dominant force, but have kept her loving. It is my hope to make this strip as appealing to adults as it has proved to kids.”
         For four years Marston wrote nearly all his creation’s adventures, including both comic books and a syndicated newspaper strip. In 1945, suffering from the effects of a polio infection, he began to turn over the feature’s scripting duties to others, particularly his assistant Joye Murchison. Marston died of lung cancer in 1947, just a week shy of his 54th birthday.

Harry G. Peter was the original artist of Wonder Woman, known for his elegant, Art Nouveau-inspired style. His illustrations gave the early stories a unique visual identity that blended classical beauty with dynamic action.

Sheldon “Shelly” Moldoff was a versatile Golden and Silver Age artist who contributed to many DC titles, including Batman, Hawkman, and Wonder Woman. His clean, expressive linework helped define the visual tone of early superhero comics.
William Moulton Marston View titles by William Moulton Marston

Books for National Depression Education and Awareness Month

For National Depression Education and Awareness Month in October, we are sharing a collection of titles that educates and informs on depression, including personal stories from those who have experienced depression and topics that range from causes and symptoms of depression to how to develop coping mechanisms to battle depression.

Read more

Horror Titles for the Halloween Season

In celebration of the Halloween season, we are sharing horror books that are aligned with the themes of the holiday: the sometimes unknown and scary creatures and witches. From classic ghost stories and popular novels that are celebrated today, in literature courses and beyond, to contemporary stories about the monsters that hide in the dark, our list

Read more

Books for LGBTQIA+ History Month

For LGBTQIA+ History Month in October, we’re celebrating the shared history of individuals within the community and the importance of the activists who have fought for their rights and the rights of others. We acknowledge the varying and diverse experiences within the LGBTQIA+ community that have shaped history and have led the way for those

Read more