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The Goshawk

Author T.H. White
Introduction by Marie Winn
Paperback
$18.95 US
New York Review Books | NYRB Classics
On sale Oct 02, 2007 | 240 Pages | 9781590172490
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This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry.

The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.

White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
T. H. White (1906—1964) was born in Bombay, India, and educated at Queen’s College, Cambridge. His childhood was unhappy—“my parents loathed each other,” he later wrote—and he grew up to become a solitary person with a deep fund of strange lore and a tremendous enthusiasm for fishing, hunting, and flying (which he took up to overcome his fear of heights). White taught for some years at the Stowe School until the success in 1936 of England Have My Bones, a book about outdoor adventure, allowed him to quit teaching and become a full-time writer. Along with The Goshawk, White was the author of twenty-six published works, including his famed sequence of Arthurian novels, The Once and Future King; the fantasy Mistress Masham’s Repose (published in The New York Review of Books Children’s Collection); a collection of essays on the eighteenth century, The Age of Scandal; and a translation of a medieval Latin bestiary, A Book of Beasts. He died at sea on his way home from an American lecture tour and is buried in Piraeus, Greece.

Marie Winn’s recent book, Red-Tails in Love: Pale Male’s Story, featured a now-famous red-tailed hawk. Her column on nature and bird-watching appeared for twelve years in The Wall Street Journal, and she has written on diverse subjects for The New York Times Magazine and Smithsonian. Her forthcoming book, Central Park in the Dark, will be published in the spring of 2008.
T.H. White View titles by T.H. White

About

This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry.

The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.

White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.

Author

T. H. White (1906—1964) was born in Bombay, India, and educated at Queen’s College, Cambridge. His childhood was unhappy—“my parents loathed each other,” he later wrote—and he grew up to become a solitary person with a deep fund of strange lore and a tremendous enthusiasm for fishing, hunting, and flying (which he took up to overcome his fear of heights). White taught for some years at the Stowe School until the success in 1936 of England Have My Bones, a book about outdoor adventure, allowed him to quit teaching and become a full-time writer. Along with The Goshawk, White was the author of twenty-six published works, including his famed sequence of Arthurian novels, The Once and Future King; the fantasy Mistress Masham’s Repose (published in The New York Review of Books Children’s Collection); a collection of essays on the eighteenth century, The Age of Scandal; and a translation of a medieval Latin bestiary, A Book of Beasts. He died at sea on his way home from an American lecture tour and is buried in Piraeus, Greece.

Marie Winn’s recent book, Red-Tails in Love: Pale Male’s Story, featured a now-famous red-tailed hawk. Her column on nature and bird-watching appeared for twelve years in The Wall Street Journal, and she has written on diverse subjects for The New York Times Magazine and Smithsonian. Her forthcoming book, Central Park in the Dark, will be published in the spring of 2008.
T.H. White View titles by T.H. White

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