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Early Warning

A novel

Read by Lorelei King
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From the Pulitzer Prize-winner: the second installment, following Some Luck, of her widely acclaimed, best-selling American trilogy, which brings the journey of a remarkable family with roots in the Iowa heartland into mid-century America

Early Warning opens in 1953 with the Langdon family at a crossroads. Their stalwart patriarch, Walter, who with his wife, Rosanna, sustained their farm for three decades, has suddenly died, leaving their five children, now adults, looking to the future. Only one will remain in Iowa to work the land, while the others scatter to Washington, D.C., California, and everywhere in between.

As the country moves out of post–World War II optimism through the darker landscape of the Cold War and the social and sexual revolutions of the 1960s and ’70s, and then into the unprecedented wealth—for some—of the early 1980s, the Langdon children each follow a different path in a rapidly changing world. And they now have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam—leaving behind a secret legacy that will send shock waves through the Langdon family into the next generation. 

Capturing a transformative period through richly drawn characters we come to know and care deeply for, Early Warning continues Smiley’s extraordinary epic trilogy, a gorgeously told saga that began with Some Luck and will span a century in America. But it also stands entirely on its own as an engrossing story of the challenges—and rewards—of family and home, even in the most turbulent of times, all while showcasing a beloved writer at the height of her considerable powers.
Frank did not haunt Front Street and Maiden Lane; he circled it, wending here and there, his eye always peeled. He had the time—he’d given up the whoring and the flying and practically everything else. He told Andy that he had taken up golf, and was planning to join a country club but hadn’t decided which one, so he was visiting all of them. He even bought a set of clubs and kept them in the trunk of his Chrysler. But he didn’t drive the Chrysler anywhere near the Knickerbocker. He zipped over the GW Bridge, down the West Side Highway, then left on Canal Street. Then he parked in a lot near China-town, and started walking. Sometimes he walked first toward the river and then south (southwest—his inner compass was still accurate). Other times, he walked down Pearl Street or Gold Street, scanning the passing women.

He saw her twice in the first week in March. Both times, she was wearing the black coat. He followed her at a distance, taking note not only of where she went and which buildings she frequented, but also of whom she spoke to, whether any men walked along with her or picked her up (they did not), and whom she greeted. The first afternoon, he followed her for an hour and never got closer than half a block. The second time, she went into that same brick building after thirty–seven minutes. He needed a plan.

Events at the office interfered for a while. Friskie got drunk and slapped the Sulzberger cousin in the street outside the Waldorf after a dance—it got into the papers; the girl broke the engagement; Dave Courtland said high time, she was a Jew; and Frank had to fly down to Galveston and talk not only to Dave, but to the wife, Anna. It took seventeen days to work out a reconciliation, and the Sulzberger parents were not happy, but, on the other hand, they had not heard the “Jew” comment, and Friskie was a very, very handsome young man. Then the head of the Venezuela office, Jesús De La Garza, came for a visit, and he was in New York for seven days and out in Southampton for a long weekend. After he left, Jim Upjohn told Frank, he tacked a note to the door of the room Jesús stayed in that read, “Mine eyes have seen the glory of the going of the Lord.”

The gift was that Frank was sitting at a table in the White Horse Tavern, and he saw her through the window. She passed the outside tables, came in, sat down nearby, and pulled out a copy of The Atlantic Monthly. Her coat was a slender trench, two years out of style. When she pushed her scarf back, he saw she had short, thick hair now, dark with scattered gray streaks, but neatly cut. She was fuller in the bust than she’d been during the war, and had just the beginnings of a belly, though she was neatly girdled. As she read, two wrinkles formed between her eyebrows, and her mouth thinned a bit, though her lips were still fuller than most women’s. She ordered a sherry and kept reading. He squinted: it was an article entitled “Anyone Can Play the Harmonica.” This was true, in Frank’s experience, so he was surprised that there would be an article about it.

She must have sensed him looking over her shoulder, because she glanced in his direction and gave him one of those little smiles. He said, “Do I know you?”

“I don’t think so.” Her accent was very good, just an underlying melody of the Mediterranean.

Then he said, “May I know you?”

This time she laughed, and it was the same laugh he remembered, merry and deep, the laugh of a woman with plenty of experience.

“I come from a long line of harmonica players.”

“Is that possible?” said the woman.

Right then, Frank knew that his fate depended upon pretending that he had never met her before, to collude in the idea that he believed she was from Queens or Rome or wherever she wanted to be from. What people had done to survive the war was their own business, was it not? He smiled, knowing that his smile was still hypnotic if he really meant it. “My brother is a farmer in Iowa who makes harmonicas by hand, from roots and branches.”

She did laugh. She did.

They chatted for an hour, exchanging only names—hers was Lydia Forêt—but nothing about occupations or background. Button by button, she removed her coat. He took it from her and hung it on the coat rack. She was wearing a navy-blue sheath with a slender red belt. Frank took off his own jacket and loosened his tie. They discussed whether the humidity had gotten worse and the likelihood of a storm. Others were talking about Carol Burnett, who had won an Emmy the night before, so they did, too. “She’s funny,” said Frank. The woman said, “She’ll do anything. I like that.” Then she reddened a little and said, “For a laugh, I mean. I saw her do a show a few years ago somewhere around here, I think.” Frank said that he had seen Nichols and May on Broadway the previous year. The woman said that she had a ticket for My Fair Lady, and she was looking forward to seeing it. Frank said that he knew some people who had gone to the opening night of that. There was a pause in the conversation, and Frank said, “So—can anyone play the harmonica?”

“I guess this gentleman did.” She glanced at the page. “Herbert Kupferberg. In between watching Tannhäuser and Mozart, he taught himself to play ‘Taps.’ ” She glanced at her wristwatch and moved her feet. Frank stood up and fetched her coat. Then she stood, and he held it for her. He said, “I would like to talk with you again.”

She smiled. It was that same smile from eighteen years ago, sunny, retreating. She said, “Perhaps we shall run into each other.” She shook his hand, then turned and walked briskly through the White Horse Tavern door and click–click down Hudson Street. When she turned her head to look at something, Frank felt ravished and limp.


Excerpted from Early Warning by Jane Smiley. Copyright © 2015 by Jane Smiley. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
© Derek Shapton
JANE SMILEY is the author of numerous novels, including A Thousand Acres, which was awarded the Pulitzer Prize, and the Last Hundred Years Trilogy: Some LuckEarly Warning, and Golden Age. She is the author as well of several works of nonfiction and books for young adults. A member of the American Academy of Arts and Letters, she has also received the PEN Center USA Lifetime Achievement Award for Literature. She lives in Northern California. View titles by Jane Smiley

About

From the Pulitzer Prize-winner: the second installment, following Some Luck, of her widely acclaimed, best-selling American trilogy, which brings the journey of a remarkable family with roots in the Iowa heartland into mid-century America

Early Warning opens in 1953 with the Langdon family at a crossroads. Their stalwart patriarch, Walter, who with his wife, Rosanna, sustained their farm for three decades, has suddenly died, leaving their five children, now adults, looking to the future. Only one will remain in Iowa to work the land, while the others scatter to Washington, D.C., California, and everywhere in between.

As the country moves out of post–World War II optimism through the darker landscape of the Cold War and the social and sexual revolutions of the 1960s and ’70s, and then into the unprecedented wealth—for some—of the early 1980s, the Langdon children each follow a different path in a rapidly changing world. And they now have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam—leaving behind a secret legacy that will send shock waves through the Langdon family into the next generation. 

Capturing a transformative period through richly drawn characters we come to know and care deeply for, Early Warning continues Smiley’s extraordinary epic trilogy, a gorgeously told saga that began with Some Luck and will span a century in America. But it also stands entirely on its own as an engrossing story of the challenges—and rewards—of family and home, even in the most turbulent of times, all while showcasing a beloved writer at the height of her considerable powers.

Excerpt

Frank did not haunt Front Street and Maiden Lane; he circled it, wending here and there, his eye always peeled. He had the time—he’d given up the whoring and the flying and practically everything else. He told Andy that he had taken up golf, and was planning to join a country club but hadn’t decided which one, so he was visiting all of them. He even bought a set of clubs and kept them in the trunk of his Chrysler. But he didn’t drive the Chrysler anywhere near the Knickerbocker. He zipped over the GW Bridge, down the West Side Highway, then left on Canal Street. Then he parked in a lot near China-town, and started walking. Sometimes he walked first toward the river and then south (southwest—his inner compass was still accurate). Other times, he walked down Pearl Street or Gold Street, scanning the passing women.

He saw her twice in the first week in March. Both times, she was wearing the black coat. He followed her at a distance, taking note not only of where she went and which buildings she frequented, but also of whom she spoke to, whether any men walked along with her or picked her up (they did not), and whom she greeted. The first afternoon, he followed her for an hour and never got closer than half a block. The second time, she went into that same brick building after thirty–seven minutes. He needed a plan.

Events at the office interfered for a while. Friskie got drunk and slapped the Sulzberger cousin in the street outside the Waldorf after a dance—it got into the papers; the girl broke the engagement; Dave Courtland said high time, she was a Jew; and Frank had to fly down to Galveston and talk not only to Dave, but to the wife, Anna. It took seventeen days to work out a reconciliation, and the Sulzberger parents were not happy, but, on the other hand, they had not heard the “Jew” comment, and Friskie was a very, very handsome young man. Then the head of the Venezuela office, Jesús De La Garza, came for a visit, and he was in New York for seven days and out in Southampton for a long weekend. After he left, Jim Upjohn told Frank, he tacked a note to the door of the room Jesús stayed in that read, “Mine eyes have seen the glory of the going of the Lord.”

The gift was that Frank was sitting at a table in the White Horse Tavern, and he saw her through the window. She passed the outside tables, came in, sat down nearby, and pulled out a copy of The Atlantic Monthly. Her coat was a slender trench, two years out of style. When she pushed her scarf back, he saw she had short, thick hair now, dark with scattered gray streaks, but neatly cut. She was fuller in the bust than she’d been during the war, and had just the beginnings of a belly, though she was neatly girdled. As she read, two wrinkles formed between her eyebrows, and her mouth thinned a bit, though her lips were still fuller than most women’s. She ordered a sherry and kept reading. He squinted: it was an article entitled “Anyone Can Play the Harmonica.” This was true, in Frank’s experience, so he was surprised that there would be an article about it.

She must have sensed him looking over her shoulder, because she glanced in his direction and gave him one of those little smiles. He said, “Do I know you?”

“I don’t think so.” Her accent was very good, just an underlying melody of the Mediterranean.

Then he said, “May I know you?”

This time she laughed, and it was the same laugh he remembered, merry and deep, the laugh of a woman with plenty of experience.

“I come from a long line of harmonica players.”

“Is that possible?” said the woman.

Right then, Frank knew that his fate depended upon pretending that he had never met her before, to collude in the idea that he believed she was from Queens or Rome or wherever she wanted to be from. What people had done to survive the war was their own business, was it not? He smiled, knowing that his smile was still hypnotic if he really meant it. “My brother is a farmer in Iowa who makes harmonicas by hand, from roots and branches.”

She did laugh. She did.

They chatted for an hour, exchanging only names—hers was Lydia Forêt—but nothing about occupations or background. Button by button, she removed her coat. He took it from her and hung it on the coat rack. She was wearing a navy-blue sheath with a slender red belt. Frank took off his own jacket and loosened his tie. They discussed whether the humidity had gotten worse and the likelihood of a storm. Others were talking about Carol Burnett, who had won an Emmy the night before, so they did, too. “She’s funny,” said Frank. The woman said, “She’ll do anything. I like that.” Then she reddened a little and said, “For a laugh, I mean. I saw her do a show a few years ago somewhere around here, I think.” Frank said that he had seen Nichols and May on Broadway the previous year. The woman said that she had a ticket for My Fair Lady, and she was looking forward to seeing it. Frank said that he knew some people who had gone to the opening night of that. There was a pause in the conversation, and Frank said, “So—can anyone play the harmonica?”

“I guess this gentleman did.” She glanced at the page. “Herbert Kupferberg. In between watching Tannhäuser and Mozart, he taught himself to play ‘Taps.’ ” She glanced at her wristwatch and moved her feet. Frank stood up and fetched her coat. Then she stood, and he held it for her. He said, “I would like to talk with you again.”

She smiled. It was that same smile from eighteen years ago, sunny, retreating. She said, “Perhaps we shall run into each other.” She shook his hand, then turned and walked briskly through the White Horse Tavern door and click–click down Hudson Street. When she turned her head to look at something, Frank felt ravished and limp.


Excerpted from Early Warning by Jane Smiley. Copyright © 2015 by Jane Smiley. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Author

© Derek Shapton
JANE SMILEY is the author of numerous novels, including A Thousand Acres, which was awarded the Pulitzer Prize, and the Last Hundred Years Trilogy: Some LuckEarly Warning, and Golden Age. She is the author as well of several works of nonfiction and books for young adults. A member of the American Academy of Arts and Letters, she has also received the PEN Center USA Lifetime Achievement Award for Literature. She lives in Northern California. View titles by Jane Smiley

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