Craft and Conscience

How to Write About Social Issues

Author Kavita Das
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Paperback
$19.95 US
On sale Oct 04, 2022 | 344 Pages | 9780807046494
The first major book for writers to more effectively engage with complex socio-political issues—a critical first step in creating social change

Writers are witnesses and scribes to society’s conscience but writing about social issues in the twenty-first century requires a new, sharper toolkit. Craft and Conscience helps writers weave together their narrative craft, analytical and research skills, and their conscience to create prose which makes us feel the individual and collective impact of crucial issues of our time. Kavita Das guides writers to take on nuanced perspectives and embrace intentionality through a social justice lens. She challenges writers to unpack their motivations for writing about an issue and to understand that “writing, irrespective of genre or outlet, is an act of political writing,” regardless of intention.

The book includes essays from a fascinating mix of authors, including James Baldwin, Alexander Chee, Kaitlyn Greenidge, George Orwell, Roxane Dunbar-Ortiz, Gaiutra Bahadur, Jaquira Díaz, and Imani Perry. By including Das’s own perspective and those of the featured writers about motivations and approaches to writing about fraught social issues, this book both demystifies the process of engaging social issues on the page, and underscores the intentionality and sensitivity that must go into the work.
Foreword, by Mira Jacob
Introduction

CHAPTER 1
Why We Write: Interrogating Our Motivations for Writing About Social Issues


· “Why I Write,” by George Orwell
· “Autobiographical Notes,” from Notes of a Native Son, by James Baldwin
· “Ellaji and Lakshmiji,” by Kavita Das

CHAPTER 2
How We Are All Connected: Understanding the Relationship Between the Writer, Reader, and Subject


· “Tramp,” by Kavita Das
· “Jyoti’s Rainbow,” by Kavita Das
· “Black and Blue,” by Garnette Cadogan
· “Football, Free on the Streets,” by Garnette Cadogan

CHAPTER 3
Diving In Deep or Casting Wide: Considering Context Versus Narrative to Shape Our Stories


· “Red Ink of Revisionist History,” by Kavita Das
· “Selective Perception of Disinformation,” by Kavita Das
· “Introduction: This Land,” from An Indigenous Peoples’ History of the United States, by Roxanne Dunbar-Ortiz
· From “Fear” in Breathe: A Letter to My Sons, by Imani Perry
· “How Could I Write About Women Whose Existence Is Barely Acknowledged?” by Gaiutra Bahadur

CHAPTER 4
Writing from Outside In or Inside Out: Reporting, Personal Narrative, or a Hybrid Approach


· “COVID-19 Vaccine: What White Conservatives Can Learn from Black Americans,” by Kavita Das
· “A Virulent Privilege,” by Kavita Das
· “La Otra,” adapted from Ordinary Girls, by Jaquira Díaz
· “The School-to-Prison Pipeline Is Getting Worse for Black and Brown Girls,” by Jaquira Díaz
· “99 Years After the Tulsa Race Massacre, an Artist Reflects,” by Crystal Z Campbell

CHAPTER 5
Staking a Claim: Writing Opinion Pieces (Op-Eds)


· “The Anti-Vaxxer Threat amid a Pandemic,” by Kavita Das
· “Tolerance Has a Fatal Flaw. This Is the Solution,” by Kavita Das
· “Stories of Transracial Adoptees Must Be Heard—Even Uncomfortable Ones,” by Nicole Chung
· “The Specter of Caste in Silicon Valley,” by Yashica Dutt

CHAPTER 6
Are You the Right Storyteller for This Story?: Understanding Cultural Sensitivity and Avoiding Cultural Appropriation


· Introduction and Conclusion from White Negroes: When Cornrows Were in Vogue . . . and Other Thoughts on Cultural Appropriation, by Lauren Michele Jackson
· “Who Gets to Write What?” by Kaitlyn Greenidge
· “How to Unlearn Everything: When It Comes to Writing the ‘Other,&rsrquo; What Questions Are We Not Asking?” by Alexander Chee
· “Who Gets to Write About Whom: Examining Authority, Authenticity, and Appropriation in Biography,” by Kavita Das

CHAPTER 7
Ripple Effects of Making Waves: Implications (Good and Bad) of Writing About Social Issues


· “Writers Shouldn’t Romanticize Rejection,” by Kavita Das
· “Recovering My Fifth Sense,” by Kavita Das
· “There Is No One Way,” by Alice Wong
· “Stepping on a Star,” from We Wear the Mask: 15 True Stories of Passing in America, by Gabrielle Bellot

Conclusion
Acknowledgments
Recommended Resources
About Kavita Das, Author
About Mira Jacob, Foreword Writer
About the Contributors
Notes
Permissions
Kavita Das has taught nonfiction writing at the New School and Catapult and has written about social issues for ten years. Previously, she worked in the social change sector for fifteen years, addressing issues ranging from community and housing inequities to public health disparities and racial injustice. Das is also the author of the biography Poignant Song: The Life and Music of Lakshmi Shankar. Find her online at kavitadas.com and on Twitter (@kavitamix).

About

The first major book for writers to more effectively engage with complex socio-political issues—a critical first step in creating social change

Writers are witnesses and scribes to society’s conscience but writing about social issues in the twenty-first century requires a new, sharper toolkit. Craft and Conscience helps writers weave together their narrative craft, analytical and research skills, and their conscience to create prose which makes us feel the individual and collective impact of crucial issues of our time. Kavita Das guides writers to take on nuanced perspectives and embrace intentionality through a social justice lens. She challenges writers to unpack their motivations for writing about an issue and to understand that “writing, irrespective of genre or outlet, is an act of political writing,” regardless of intention.

The book includes essays from a fascinating mix of authors, including James Baldwin, Alexander Chee, Kaitlyn Greenidge, George Orwell, Roxane Dunbar-Ortiz, Gaiutra Bahadur, Jaquira Díaz, and Imani Perry. By including Das’s own perspective and those of the featured writers about motivations and approaches to writing about fraught social issues, this book both demystifies the process of engaging social issues on the page, and underscores the intentionality and sensitivity that must go into the work.

Table of Contents

Foreword, by Mira Jacob
Introduction

CHAPTER 1
Why We Write: Interrogating Our Motivations for Writing About Social Issues


· “Why I Write,” by George Orwell
· “Autobiographical Notes,” from Notes of a Native Son, by James Baldwin
· “Ellaji and Lakshmiji,” by Kavita Das

CHAPTER 2
How We Are All Connected: Understanding the Relationship Between the Writer, Reader, and Subject


· “Tramp,” by Kavita Das
· “Jyoti’s Rainbow,” by Kavita Das
· “Black and Blue,” by Garnette Cadogan
· “Football, Free on the Streets,” by Garnette Cadogan

CHAPTER 3
Diving In Deep or Casting Wide: Considering Context Versus Narrative to Shape Our Stories


· “Red Ink of Revisionist History,” by Kavita Das
· “Selective Perception of Disinformation,” by Kavita Das
· “Introduction: This Land,” from An Indigenous Peoples’ History of the United States, by Roxanne Dunbar-Ortiz
· From “Fear” in Breathe: A Letter to My Sons, by Imani Perry
· “How Could I Write About Women Whose Existence Is Barely Acknowledged?” by Gaiutra Bahadur

CHAPTER 4
Writing from Outside In or Inside Out: Reporting, Personal Narrative, or a Hybrid Approach


· “COVID-19 Vaccine: What White Conservatives Can Learn from Black Americans,” by Kavita Das
· “A Virulent Privilege,” by Kavita Das
· “La Otra,” adapted from Ordinary Girls, by Jaquira Díaz
· “The School-to-Prison Pipeline Is Getting Worse for Black and Brown Girls,” by Jaquira Díaz
· “99 Years After the Tulsa Race Massacre, an Artist Reflects,” by Crystal Z Campbell

CHAPTER 5
Staking a Claim: Writing Opinion Pieces (Op-Eds)


· “The Anti-Vaxxer Threat amid a Pandemic,” by Kavita Das
· “Tolerance Has a Fatal Flaw. This Is the Solution,” by Kavita Das
· “Stories of Transracial Adoptees Must Be Heard—Even Uncomfortable Ones,” by Nicole Chung
· “The Specter of Caste in Silicon Valley,” by Yashica Dutt

CHAPTER 6
Are You the Right Storyteller for This Story?: Understanding Cultural Sensitivity and Avoiding Cultural Appropriation


· Introduction and Conclusion from White Negroes: When Cornrows Were in Vogue . . . and Other Thoughts on Cultural Appropriation, by Lauren Michele Jackson
· “Who Gets to Write What?” by Kaitlyn Greenidge
· “How to Unlearn Everything: When It Comes to Writing the ‘Other,&rsrquo; What Questions Are We Not Asking?” by Alexander Chee
· “Who Gets to Write About Whom: Examining Authority, Authenticity, and Appropriation in Biography,” by Kavita Das

CHAPTER 7
Ripple Effects of Making Waves: Implications (Good and Bad) of Writing About Social Issues


· “Writers Shouldn’t Romanticize Rejection,” by Kavita Das
· “Recovering My Fifth Sense,” by Kavita Das
· “There Is No One Way,” by Alice Wong
· “Stepping on a Star,” from We Wear the Mask: 15 True Stories of Passing in America, by Gabrielle Bellot

Conclusion
Acknowledgments
Recommended Resources
About Kavita Das, Author
About Mira Jacob, Foreword Writer
About the Contributors
Notes
Permissions

Author

Kavita Das has taught nonfiction writing at the New School and Catapult and has written about social issues for ten years. Previously, she worked in the social change sector for fifteen years, addressing issues ranging from community and housing inequities to public health disparities and racial injustice. Das is also the author of the biography Poignant Song: The Life and Music of Lakshmi Shankar. Find her online at kavitadas.com and on Twitter (@kavitamix).