Soul Culture

Black Poets, Books, and Questions that Grew Me Up

Paperback
$19.95 US
On sale Aug 15, 2023 | 256 Pages | 978-0-8070-1272-7
“A powerful celebration of poets...Lit lovers will be dazzled.”
Publishers Weekly

Examines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footsteps


Acclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these:

· “blk/wooomen revolution”
· “Girls Loving Beyoncé and Their Names”
· “The Terror of Being Destroyed”
· “Standing in the Shadows of Love”
· “Revision as Labyrinth”

Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies—Black studies, women’s studies, LGBTQIA+ studies, and so on—Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.

Examining cultural traditions, myths, and music from the Four Tops to Beyoncé, Bingham-Risher reflects on the enduring gifts of art and community. If you’ve ever felt alone on your journey into the writing world, the words of these poets are for you.
Introduction

Imagining Home

On Faith

Intimate Tending

Courting Paradise

blk/wooomen revolution

Girls Loving Beyoncé and Their Names

Who Raised You?

The Terror of Being Destroyed

Standing in the Shadows of Love

Revision as Labyrinth

Come Through

Acknowledgments
Sources
Credits
Index
Remica Bingham-Risher is a Cave Canem fellow and Affrilachian poet. Her work has been published in the New York Times, the Writer’s Chronicle, New Letters, Callaloo, and Essence, among other journals. She is the author of three volumes of her own poetry: Conversion, winner of the Naomi Long Madgett Poetry Award; What We Ask of Flesh, shortlisted for the Hurston/Wright Award; and Starlight & Error, winner of the Diode Editions Book Award. She lives in Norfolk, Virginia, with her husband and children.
Remica Bingham-Risher View titles by Remica Bingham-Risher

About

“A powerful celebration of poets...Lit lovers will be dazzled.”
Publishers Weekly

Examines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footsteps


Acclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these:

· “blk/wooomen revolution”
· “Girls Loving Beyoncé and Their Names”
· “The Terror of Being Destroyed”
· “Standing in the Shadows of Love”
· “Revision as Labyrinth”

Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies—Black studies, women’s studies, LGBTQIA+ studies, and so on—Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.

Examining cultural traditions, myths, and music from the Four Tops to Beyoncé, Bingham-Risher reflects on the enduring gifts of art and community. If you’ve ever felt alone on your journey into the writing world, the words of these poets are for you.

Table of Contents

Introduction

Imagining Home

On Faith

Intimate Tending

Courting Paradise

blk/wooomen revolution

Girls Loving Beyoncé and Their Names

Who Raised You?

The Terror of Being Destroyed

Standing in the Shadows of Love

Revision as Labyrinth

Come Through

Acknowledgments
Sources
Credits
Index

Author

Remica Bingham-Risher is a Cave Canem fellow and Affrilachian poet. Her work has been published in the New York Times, the Writer’s Chronicle, New Letters, Callaloo, and Essence, among other journals. She is the author of three volumes of her own poetry: Conversion, winner of the Naomi Long Madgett Poetry Award; What We Ask of Flesh, shortlisted for the Hurston/Wright Award; and Starlight & Error, winner of the Diode Editions Book Award. She lives in Norfolk, Virginia, with her husband and children.
Remica Bingham-Risher View titles by Remica Bingham-Risher