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On the Move

A Life

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When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humor, Sacks writes about the passions that have driven his life—from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—W. H. Auden, Gerald M. Edelman, Francis Crick—who have influenced his work. On the Move is the story of a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human.

“Intimate. . . . Brim[s] with life and affection.” —The New York Times

“[A] wonderful memoir, which richly demonstrates what an extraordinary life it has been. . . . A fascinating account—a sort of extended case study, really—of Sacks’ remarkably active, iconoclastic adulthood.” —Los Angeles Times

“A glorious memoir. . . . In this volume Sacks opens himself to recognition, much as he has opened the lives of others to being recognized in their fullness.” —The Atlantic

“Pulses with his distinctive energy and curiosity.” —The New York Review of Books

“A beautiful vision, one that embraces an infinite spectrum of wonder. . . . On the Move illustrates what an exceptional human being he is. . . . He is fascinated by seemingly everything, and, damn, the man can write.” —Salon

“Marvelous. . . . He studies himself as he has studied others: compassionately, unblinkingly, intelligently, acceptingly and honestly.” —The Wall Street Journal

“Sacks’ ability to enact and celebrate intuition in medicine and precision in art is singular.” —The New York Times Book Review

“[Sacks is] a wonderful storyteller. . . . It’s his keen attentiveness as a listener and observer, and his insatiable curiosity, that makes his work so powerful.” —San Francisco Chronicle

“Remarkably candid and deeply affecting. . . . Sacks’s empathy and intellectual curiosity, his delight in, as he calls it, ‘joining particulars with generalities’ and, especially, ‘narratives with neuroscience’—have never been more evident than in his beautifully conceived new book.” —The Boston Globe

“Intriguing. . . . When describing his patients and their problems, he is attentive and precise, straightforward and sympathetic, and he brings these worthy qualities to his descriptions of his younger self.” —The Washington Post 

“What a self this book reveals! A man animated by boundless curiosity, wide-ranging intelligence, gratitude for flawed humanity, perseverance despite setbacks. . . . We’re lucky to have all the books, including On the Move. It’s intensely, beautifully, incandescently alive.” —Newsday 

“An ebullient telling of a remarkable life.” —Paste 

“This remarkable man lifts us all. . . . [On the Move] is not only a record of his life-affirming characterological extravagance but also a meditation on what it is to be human in an age of medical arrogance and the numbing clout of technology.” —The Los Angeles Review of Books

“[A] beautifully constructed and moving memoir. . . . His life and work are a gift.” —The Times Literary Supplement (London) 

“Moving. . . . Written with exceptional grace and clarity.” —Richmond Times-Dispatch
Muscle Beach
 
When I finally made it to New York in June of 1961, I borrowed money from a cousin and bought a new bike, a BMW R60—the trustiest of all the BMW models. I wanted no more to do with used bikes, like the R69 which some idiot or criminal had fitted with the wrong pistons, the pistons that had seized up in Alabama.
 
I spent a few days in New York, and then the open road beckoned me. I covered thousands of miles in my slow, erratic return to California. The roads were wonderfully empty, and going across South Dakota and Wyoming, I would scarcely see another soul for hours. The silence of the bike, the effortlessness of riding, lent a magical, dreamlike quality to my motion.
 
There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.
 
I arrived back in San Francisco at the end of June, just in time to exchange my bike leathers for the white coat of an intern in Mount Zion Hospital.
 
During my long road trip, with snatched meals here and there, I had lost weight, but I had also worked out when possible at gyms, so I was in trim shape, under two hundred pounds, when I showed off my new bike and my new body in New York in June. But when I returned to San Francisco, I decided to “bulk up” (as weight lifters say) and have a go at a weight- lifting record, one which I thought might be just within my reach. Putting on weight was particularly easy to do at Mount Zion, because its coffee shop offered double cheeseburgers and huge milk shakes, and these were free to residents and interns. Rationing myself to five double cheeseburgers and half a dozen milkshakes per evening and training hard, I bulked up swiftly, moving from the mid-heavy category (up to 198 pounds) to the heavy (up to 240 pounds) to the superheavy (no limit). I told my parents about this—as I told them almost everything—and they were a bit disturbed, which surprised me, because my father was no lightweight and weighed around 250 himself.1
 
I had done some weight lifting as a medical student in London in the 1950s. I belonged to a Jewish sports club, the Maccabi, and we would have power-lifting contests with other sports clubs, the three competition lifts being the curl, the bench press, and the squat, or deep knee bend.
 
Very different from these were the three Olympic lifts— the press, the snatch, and the clean and jerk—and here we had world-class lifters in our little gym. One of them, Ben Helfgott, had captained the British weight-lifting team in the 1956 Olympic Games. He became a good friend (and even now, in his eighties, he is still extraordinarily strong and agile).2  I tried the Olympic lifts, but I was too clumsy. My snatches, in particular, were dangerous to those around me, and I was told in no uncertain terms to get off the Olympic lifting platform and go back to power lifting.
 
 
The Central YMCA in San Francisco had particularly good weight-lifting facilities. The first time I went there, my eye was caught by a bench-press bar loaded with nearly 400 pounds. No one at the Maccabi could bench-press anything like this, and when I looked around, I saw no one in the Y who looked up to such a weight. No one, at least, until a short but hugely broad and thick-chested man, a white-haired gorilla, hobbled into the gym—he was slightly bowlegged—lay down on the bench, and, by way of warmup, did a dozen easy reps with the bench-press bar. He added weights for subsequent sets, going to nearly 500 pounds. I had a Polaroid camera with me and took a picture as he rested between sets. I got talking to him later; he was very genial. He told me that his name was Karl Norberg, that he was Swedish, that he had worked all his life as a longshoreman, and that he was now seventy years old. His phenomenal strength had come to him naturally; his only exercise had been hefting boxes and barrels at the docks, often one on each shoulder, boxes and barrels which no “normal” person could even lift off the ground.
 
I felt inspired by Karl and determined to lift greater pound- ages myself, to work on the one lift I was already fairly good at—the squat. Training intensively, even obsessively, at a small gym in San Rafael, I worked up to doing five sets of five reps with 555 pounds every fifth day. The symmetry of this pleased me but caused amusement at the gym—“Sacks and his fives.” I didn’t realize how exceptional this was until another lifter encouraged me to have a go at the California squat record. I did so, diffidently, and to my delight was able to set a new record, a squat with a 600-pound bar on my shoulders. This was to serve as my introduction to the power-lifting world; a weight-lifting record is equivalent, in these circles, to publishing a scientific paper or a book in academia.
 
 
1. My father would eat continually in the presence of food but go all day without food if it was not available; it is similar with me. In the absence of internal controls, I have to have external ones. I have fixed routines for eating and dislike deviations from them.
2. Helfgott’s achievement was all the more extraordinary because he had survived the camps at Buchenwald and Theresienstadt.
© Adam Scourfield
OLIVER SACKS, referred by the New York Times as “the poet laureate of medicine,” spent more than fifty years working as a neurologist and writing books about the neurological predicaments and conditions of his patients, including The Man Who Mistook His Wife for a HatMusicophilia, and Awakenings. His work was frequently published in The New Yorker and The New York Review of Books, and over the years, he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and the Royal College of Physicians. View titles by Oliver Sacks

About

When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humor, Sacks writes about the passions that have driven his life—from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—W. H. Auden, Gerald M. Edelman, Francis Crick—who have influenced his work. On the Move is the story of a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human.

“Intimate. . . . Brim[s] with life and affection.” —The New York Times

“[A] wonderful memoir, which richly demonstrates what an extraordinary life it has been. . . . A fascinating account—a sort of extended case study, really—of Sacks’ remarkably active, iconoclastic adulthood.” —Los Angeles Times

“A glorious memoir. . . . In this volume Sacks opens himself to recognition, much as he has opened the lives of others to being recognized in their fullness.” —The Atlantic

“Pulses with his distinctive energy and curiosity.” —The New York Review of Books

“A beautiful vision, one that embraces an infinite spectrum of wonder. . . . On the Move illustrates what an exceptional human being he is. . . . He is fascinated by seemingly everything, and, damn, the man can write.” —Salon

“Marvelous. . . . He studies himself as he has studied others: compassionately, unblinkingly, intelligently, acceptingly and honestly.” —The Wall Street Journal

“Sacks’ ability to enact and celebrate intuition in medicine and precision in art is singular.” —The New York Times Book Review

“[Sacks is] a wonderful storyteller. . . . It’s his keen attentiveness as a listener and observer, and his insatiable curiosity, that makes his work so powerful.” —San Francisco Chronicle

“Remarkably candid and deeply affecting. . . . Sacks’s empathy and intellectual curiosity, his delight in, as he calls it, ‘joining particulars with generalities’ and, especially, ‘narratives with neuroscience’—have never been more evident than in his beautifully conceived new book.” —The Boston Globe

“Intriguing. . . . When describing his patients and their problems, he is attentive and precise, straightforward and sympathetic, and he brings these worthy qualities to his descriptions of his younger self.” —The Washington Post 

“What a self this book reveals! A man animated by boundless curiosity, wide-ranging intelligence, gratitude for flawed humanity, perseverance despite setbacks. . . . We’re lucky to have all the books, including On the Move. It’s intensely, beautifully, incandescently alive.” —Newsday 

“An ebullient telling of a remarkable life.” —Paste 

“This remarkable man lifts us all. . . . [On the Move] is not only a record of his life-affirming characterological extravagance but also a meditation on what it is to be human in an age of medical arrogance and the numbing clout of technology.” —The Los Angeles Review of Books

“[A] beautifully constructed and moving memoir. . . . His life and work are a gift.” —The Times Literary Supplement (London) 

“Moving. . . . Written with exceptional grace and clarity.” —Richmond Times-Dispatch

Excerpt

Muscle Beach
 
When I finally made it to New York in June of 1961, I borrowed money from a cousin and bought a new bike, a BMW R60—the trustiest of all the BMW models. I wanted no more to do with used bikes, like the R69 which some idiot or criminal had fitted with the wrong pistons, the pistons that had seized up in Alabama.
 
I spent a few days in New York, and then the open road beckoned me. I covered thousands of miles in my slow, erratic return to California. The roads were wonderfully empty, and going across South Dakota and Wyoming, I would scarcely see another soul for hours. The silence of the bike, the effortlessness of riding, lent a magical, dreamlike quality to my motion.
 
There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.
 
I arrived back in San Francisco at the end of June, just in time to exchange my bike leathers for the white coat of an intern in Mount Zion Hospital.
 
During my long road trip, with snatched meals here and there, I had lost weight, but I had also worked out when possible at gyms, so I was in trim shape, under two hundred pounds, when I showed off my new bike and my new body in New York in June. But when I returned to San Francisco, I decided to “bulk up” (as weight lifters say) and have a go at a weight- lifting record, one which I thought might be just within my reach. Putting on weight was particularly easy to do at Mount Zion, because its coffee shop offered double cheeseburgers and huge milk shakes, and these were free to residents and interns. Rationing myself to five double cheeseburgers and half a dozen milkshakes per evening and training hard, I bulked up swiftly, moving from the mid-heavy category (up to 198 pounds) to the heavy (up to 240 pounds) to the superheavy (no limit). I told my parents about this—as I told them almost everything—and they were a bit disturbed, which surprised me, because my father was no lightweight and weighed around 250 himself.1
 
I had done some weight lifting as a medical student in London in the 1950s. I belonged to a Jewish sports club, the Maccabi, and we would have power-lifting contests with other sports clubs, the three competition lifts being the curl, the bench press, and the squat, or deep knee bend.
 
Very different from these were the three Olympic lifts— the press, the snatch, and the clean and jerk—and here we had world-class lifters in our little gym. One of them, Ben Helfgott, had captained the British weight-lifting team in the 1956 Olympic Games. He became a good friend (and even now, in his eighties, he is still extraordinarily strong and agile).2  I tried the Olympic lifts, but I was too clumsy. My snatches, in particular, were dangerous to those around me, and I was told in no uncertain terms to get off the Olympic lifting platform and go back to power lifting.
 
 
The Central YMCA in San Francisco had particularly good weight-lifting facilities. The first time I went there, my eye was caught by a bench-press bar loaded with nearly 400 pounds. No one at the Maccabi could bench-press anything like this, and when I looked around, I saw no one in the Y who looked up to such a weight. No one, at least, until a short but hugely broad and thick-chested man, a white-haired gorilla, hobbled into the gym—he was slightly bowlegged—lay down on the bench, and, by way of warmup, did a dozen easy reps with the bench-press bar. He added weights for subsequent sets, going to nearly 500 pounds. I had a Polaroid camera with me and took a picture as he rested between sets. I got talking to him later; he was very genial. He told me that his name was Karl Norberg, that he was Swedish, that he had worked all his life as a longshoreman, and that he was now seventy years old. His phenomenal strength had come to him naturally; his only exercise had been hefting boxes and barrels at the docks, often one on each shoulder, boxes and barrels which no “normal” person could even lift off the ground.
 
I felt inspired by Karl and determined to lift greater pound- ages myself, to work on the one lift I was already fairly good at—the squat. Training intensively, even obsessively, at a small gym in San Rafael, I worked up to doing five sets of five reps with 555 pounds every fifth day. The symmetry of this pleased me but caused amusement at the gym—“Sacks and his fives.” I didn’t realize how exceptional this was until another lifter encouraged me to have a go at the California squat record. I did so, diffidently, and to my delight was able to set a new record, a squat with a 600-pound bar on my shoulders. This was to serve as my introduction to the power-lifting world; a weight-lifting record is equivalent, in these circles, to publishing a scientific paper or a book in academia.
 
 
1. My father would eat continually in the presence of food but go all day without food if it was not available; it is similar with me. In the absence of internal controls, I have to have external ones. I have fixed routines for eating and dislike deviations from them.
2. Helfgott’s achievement was all the more extraordinary because he had survived the camps at Buchenwald and Theresienstadt.

Author

© Adam Scourfield
OLIVER SACKS, referred by the New York Times as “the poet laureate of medicine,” spent more than fifty years working as a neurologist and writing books about the neurological predicaments and conditions of his patients, including The Man Who Mistook His Wife for a HatMusicophilia, and Awakenings. His work was frequently published in The New Yorker and The New York Review of Books, and over the years, he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and the Royal College of Physicians. View titles by Oliver Sacks