By the winner of The Journey Prize, and inspired by a real incident, The Boat People is a gripping and morally complex novel about a group of refugees who survive a perilous ocean voyage to reach Canada – only to face the threat of deportation and accusations of terrorism in their new land.
 
When the rusty cargo ship carrying Mahindan and five hundred fellow refugees reaches the shores of British Columbia, the young father is overcome with relief: he and his six-year-old son can finally put Sri Lanka’s bloody civil war behind them and begin new lives. Instead, the group is thrown into prison, with government officials and news headlines speculating that hidden among the “boat people” are members of a terrorist militia. As suspicion swirls and interrogation mounts, Mahindan fears the desperate actions he took to survive and escape Sri Lanka now jeopardize his and his son’s chances for asylum.
            Told through the alternating perspectives of Mahindan; his lawyer Priya, who reluctantly represents the migrants; and Grace, a third-generation Japanese-Canadian adjudicator who must decide Mahindan’s fate, The Boat People is a high-stakes novel that offers a deeply compassionate lens through which to view the current refugee crisis. Inspired by real events, with vivid scenes that move between the eerie beauty of northern Sri Lanka and combative refugee hearings in Vancouver, where life and death decisions are made, Sharon Bala’s stunning debut is an unforgettable and necessary story for our times.
 
Beginning
July 2009
 
Mahindan was flat on his back when the screaming began, one arm right-angled over his eyes. He heard the whistle and thud of falling artillery, the cries of the dying. Mortar shells and rockets, the whole world on fire.
     Then another sound. It cut through the clamour so that for a drawn-out second there was nothing else, only him and his son and the bomb that arched through the sky with a shrill banshee scream, spinning nose aimed straight for them. Mahindan fought to open his eyes. His limbs were pinned down and heavy. He struggled to move, to call out in terror, to clamber and run. The ground rumbled. The shell exploded, shards of hot metal spitting in its wake. The tent was rent in half. Mahindan jolted awake.
     Heart like a sledgehammer, he sat up frantic, blinking into the darkness. He heard someone panting and long seconds later realized it was him. The echoing whine of flying shrapnel faded and he returned to the present, to the coir mat under him, back to the hold of the ship.
     There were snores and snuffles, the small nocturnal noises of five hundred slumbering bodies. Beneath him, the engine’s monotonous whir. He reached out, instinctive, felt his son Sellian curled up beside him, then lay down again. The back of his neck was damp.
     His pulse still raced. He smelled the sourness of his skin, the raw animal stink of the bodies all around. The man on the next mat slept with his mouth open. His snore was a revving motorcycle, so close Mahindan could almost feel the warm exhales.
     He put his hand against Sellian’s back, felt it move up and down. Gradually, his own breathing slowed to the same rhythm. He ran a hand through his son’s hair, fine and silky, the soft strands of a child, then stroked his arm, felt the roughness of his skin, the long, thin scratches, the scabbed-over insect bites. Sellian was slight. Six years old and barely three feet tall. How little space the child occupied, coiled into himself, his thumb in his mouth. How precarious his existence, how miraculous his survival.
     Mahindan’s vision adjusted and shapes emerged out of the gloom. The thin rails on either side of the ladder. Lamps strung up along an electrical cord. Outside the porthole window, it was still pitch-black.
     Careful not to wake Sellian, he stood and gingerly made his way across the width of the ship toward the ladder, stepping between bodies huddled on thin mats and ducking under sleepers swaying overhead, cocooned in rope hammocks. It was hot and close, the atmosphere suffocating.
     Hema’s thick plait trailed out on the dirty floor. Mahindan stooped to pick it up and laid it gently on her back as he passed by. Her two daughters shared the mat beside her; they lay on their sides facing each other, knees and foreheads touching. A few feet on, he passed the man with the amputated leg and averted his gaze.
     During the day the ship was rowdy with voices, but now he heard only the slap of the electrical cord against the wall, everyone breathing in and out, recycling the same stale, diesel-scented air.
     A boy cried out in his sleep, caught in a nightmare, and when Mahindan turned toward the sound, he saw Kumuran’s wife comfort her son. With both hands grasping the banisters, Mahindan hoisted himself up the ladder. Emerging onto the deck, inhaling the fresh scent of salt and sea, he felt immediately lighter. From overhead, the mast creaked and he gazed up to see the stars, the half-appam moon glowing alive in the sky. At the thought of appam – doughy, hot off the fire – his stomach gave a plaintive, hollow grumble.
     It was dark, but he knew his way around the ship. A dozen plastic buckets were lined up along the stern. He squatted in front of one and formed his hands into a bowl. The water was tepid, murky with twigs and bits of seaweed. He splashed water on his face and the back of his neck, feeling the grit scratch his skin.
     The boat – a sixty-metre freighter, past its prime and jerry-rigged for five hundred passengers – was cruising through calm waters, groaning under the weight of too much human cargo. Mahindan held on to the railing, rubbing a thumb against the blistered rust.
     A few others were out, shadowy figures keeping silent vigil on both levels of the deck. They had been at sea for weeks or months, sunrises blurring into sunsets. Days spent on deck, tarps draped overhead to block out the sun, and the floor burning beneath them. Stormy nights when the ship would lurch and reel, Sellian cradled in Mahindan’s lap, their stomachs tumbling with the pitch and yaw of the angry ocean.
     But the captain had said they were close and for days they had been expecting land, a man posted at all times in the crow’s nest.
     Mahindan turned his back to the railing and slid down to sit on the deck. Exhaustion whenever he thought of the future; terror when he remembered the past. He yawned and pressed a cheek to raised knees, then tucked his arms in for warmth. At least here on the boat they were safe from attack. Ruksala, Prem, Chithra’s mother and father. The roll call of the dead lulled him to sleep.
——
He awoke to commotion and gull shrieks. A boy ran down the length of the ship calling for his father. Appa! Appa! There were more people on the deck now, all of them speaking in loud, excited voices.
     The man they called Ranga stood at the railing beside him, staring out. Mahindan was dismayed to see him.
     Land is close, Ranga said.
     Mahindan scanned the straight line of the ocean, trying not to blink. Nearby, a young man stood on the rail and levered his body half out of the boat. An older woman called out: Take care!
     After all this time, finally we have arrived, Ranga said. He grinned at Mahindan and added: Because of you only, I am here.
     Nothing to do with me, Mahindan said. We all took our own chance.
     Mahindan kept his gaze fixed on the horizon. At first he saw the head of a pin, far in the distance, but as he kept watching, the vision emerged. Purple-brown land and blue mountains like ghosts rising in the background. The newspaperman came to join them as the slope of a forest appeared. Mahindan had spoken to him a few times but could not recall his name. Someone said he had been working for a paper in Colombo before he fled.
     We will be intercepted, the newspaperman said. Americans or Canadians, who will catch us first?
     Catch us? Ranga repeated, his voice rising to a squeak.
     But now there were people streaming onto the deck, squeezing in for a view at the railing, and the newspaperman was jostled away. Mahindan edged aside too, relieved to put distance between himself and Ranga.
     There were voices and bodies everywhere. Women plaited their hair over one shoulder. Men pulled their arms through their T-shirts. Most were barefoot. People pressed up around him. The boat creaked and Mahindan felt it list, as everyone crowded in. They stood shoulder to shoulder, people on both levels of the deck, hushing one another, children holding their breath. The trees, the mountains, the strip of beach they could now make out up ahead, it all seemed impossibly big, unreal after days and nights of nothing but sea and sky and the rumbling of the ship. Nightmares of rusted steel finally giving way, belching them all into the ocean.
     Sellian appeared, squeezing himself between legs, one fist against his eyes. Appa, you left me!
     How to leave? Mahindan said. Did you think I jumped in the ocean? He picked his son up in the crook of one arm and pointed. Look! We’re here.
     The clouds burned orange. Mahindan squinted. People shouted and pointed. Look!
     There was a tugboat in the water and a larger ship, its long nose turned up, speeding toward them, sleek and fast, with a tall white flagpole. The wind unfurled the flag, red and white, majestic in the flaming sky. They saw the leaf and a great resounding cheer shook the boat.
     The captain cut the engine and they floated placid. Overhead, there was a chopping sound. Mahindan saw a helicopter, its blades slicing the sky, a red leaf painted on its belly. There were three boats now, all of them circling the ship, a welcome party. On the deck, people waved with both hands. The red-and-white flag snapped definitive.
     Mahindan gripped his son. Sellian shivered in his arms, from fear, from exhilaration, he couldn’t tell. Soon Mahindan was shaking too, armpits dampening. His teeth clattered.
     Their new life. It was just beginning.
  • LONGLIST | 2018
    Aspen Words Literary Prize
© Nadra Ginting
Sharon Bala’s bestselling debut novel, The Boat People, won the 2020 Newfoundland & Labrador Book Award and the 2019 Harper Lee Prize for Legal Fiction. It was a finalist for Canada Reads 2018, the 2018 Amazon Canada First Novel Award, the Margaret and John Savage First Book Award, the Thomas Raddall Atlantic Fiction Award, and was longlisted for the International Dublin Literary Award and the Aspen Words Literary Prize. The Boat People is on sale worldwide with translations in French, German, Arabic, and Turkish. The unpublished manuscript won the Percy Janes First Novel Award and was shortlisted for the NLCU Fresh Fish Award for Emerging Writers.
 
In 2017 Sharon won the Writers’ Trust/ McClelland & Stewart Journey Prize for her short story “Butter Tea at Starbucks” and had a second story on the long-list. Her short fiction has also won three Newfoundland and Labrador Arts & Letters Awards and been published in: The Journey Prize 29, Hazlitt, Grain, PRISM international, The Dalhousie Review, The New Quarterly, Maisonneuve, The Newfoundland Quarterly Online, Room, and Riddle Fence.
 
Sharon was given the 2017 CBC Emerging Artist Award. She is a member of The Port Authority, a St. John’s writing group. In 2015, they published a short story collection called Racket with Breakwater Books. Visit her online at: sharonbala.com. View titles by Sharon Bala

About

By the winner of The Journey Prize, and inspired by a real incident, The Boat People is a gripping and morally complex novel about a group of refugees who survive a perilous ocean voyage to reach Canada – only to face the threat of deportation and accusations of terrorism in their new land.
 
When the rusty cargo ship carrying Mahindan and five hundred fellow refugees reaches the shores of British Columbia, the young father is overcome with relief: he and his six-year-old son can finally put Sri Lanka’s bloody civil war behind them and begin new lives. Instead, the group is thrown into prison, with government officials and news headlines speculating that hidden among the “boat people” are members of a terrorist militia. As suspicion swirls and interrogation mounts, Mahindan fears the desperate actions he took to survive and escape Sri Lanka now jeopardize his and his son’s chances for asylum.
            Told through the alternating perspectives of Mahindan; his lawyer Priya, who reluctantly represents the migrants; and Grace, a third-generation Japanese-Canadian adjudicator who must decide Mahindan’s fate, The Boat People is a high-stakes novel that offers a deeply compassionate lens through which to view the current refugee crisis. Inspired by real events, with vivid scenes that move between the eerie beauty of northern Sri Lanka and combative refugee hearings in Vancouver, where life and death decisions are made, Sharon Bala’s stunning debut is an unforgettable and necessary story for our times.

Excerpt

 
Beginning
July 2009
 
Mahindan was flat on his back when the screaming began, one arm right-angled over his eyes. He heard the whistle and thud of falling artillery, the cries of the dying. Mortar shells and rockets, the whole world on fire.
     Then another sound. It cut through the clamour so that for a drawn-out second there was nothing else, only him and his son and the bomb that arched through the sky with a shrill banshee scream, spinning nose aimed straight for them. Mahindan fought to open his eyes. His limbs were pinned down and heavy. He struggled to move, to call out in terror, to clamber and run. The ground rumbled. The shell exploded, shards of hot metal spitting in its wake. The tent was rent in half. Mahindan jolted awake.
     Heart like a sledgehammer, he sat up frantic, blinking into the darkness. He heard someone panting and long seconds later realized it was him. The echoing whine of flying shrapnel faded and he returned to the present, to the coir mat under him, back to the hold of the ship.
     There were snores and snuffles, the small nocturnal noises of five hundred slumbering bodies. Beneath him, the engine’s monotonous whir. He reached out, instinctive, felt his son Sellian curled up beside him, then lay down again. The back of his neck was damp.
     His pulse still raced. He smelled the sourness of his skin, the raw animal stink of the bodies all around. The man on the next mat slept with his mouth open. His snore was a revving motorcycle, so close Mahindan could almost feel the warm exhales.
     He put his hand against Sellian’s back, felt it move up and down. Gradually, his own breathing slowed to the same rhythm. He ran a hand through his son’s hair, fine and silky, the soft strands of a child, then stroked his arm, felt the roughness of his skin, the long, thin scratches, the scabbed-over insect bites. Sellian was slight. Six years old and barely three feet tall. How little space the child occupied, coiled into himself, his thumb in his mouth. How precarious his existence, how miraculous his survival.
     Mahindan’s vision adjusted and shapes emerged out of the gloom. The thin rails on either side of the ladder. Lamps strung up along an electrical cord. Outside the porthole window, it was still pitch-black.
     Careful not to wake Sellian, he stood and gingerly made his way across the width of the ship toward the ladder, stepping between bodies huddled on thin mats and ducking under sleepers swaying overhead, cocooned in rope hammocks. It was hot and close, the atmosphere suffocating.
     Hema’s thick plait trailed out on the dirty floor. Mahindan stooped to pick it up and laid it gently on her back as he passed by. Her two daughters shared the mat beside her; they lay on their sides facing each other, knees and foreheads touching. A few feet on, he passed the man with the amputated leg and averted his gaze.
     During the day the ship was rowdy with voices, but now he heard only the slap of the electrical cord against the wall, everyone breathing in and out, recycling the same stale, diesel-scented air.
     A boy cried out in his sleep, caught in a nightmare, and when Mahindan turned toward the sound, he saw Kumuran’s wife comfort her son. With both hands grasping the banisters, Mahindan hoisted himself up the ladder. Emerging onto the deck, inhaling the fresh scent of salt and sea, he felt immediately lighter. From overhead, the mast creaked and he gazed up to see the stars, the half-appam moon glowing alive in the sky. At the thought of appam – doughy, hot off the fire – his stomach gave a plaintive, hollow grumble.
     It was dark, but he knew his way around the ship. A dozen plastic buckets were lined up along the stern. He squatted in front of one and formed his hands into a bowl. The water was tepid, murky with twigs and bits of seaweed. He splashed water on his face and the back of his neck, feeling the grit scratch his skin.
     The boat – a sixty-metre freighter, past its prime and jerry-rigged for five hundred passengers – was cruising through calm waters, groaning under the weight of too much human cargo. Mahindan held on to the railing, rubbing a thumb against the blistered rust.
     A few others were out, shadowy figures keeping silent vigil on both levels of the deck. They had been at sea for weeks or months, sunrises blurring into sunsets. Days spent on deck, tarps draped overhead to block out the sun, and the floor burning beneath them. Stormy nights when the ship would lurch and reel, Sellian cradled in Mahindan’s lap, their stomachs tumbling with the pitch and yaw of the angry ocean.
     But the captain had said they were close and for days they had been expecting land, a man posted at all times in the crow’s nest.
     Mahindan turned his back to the railing and slid down to sit on the deck. Exhaustion whenever he thought of the future; terror when he remembered the past. He yawned and pressed a cheek to raised knees, then tucked his arms in for warmth. At least here on the boat they were safe from attack. Ruksala, Prem, Chithra’s mother and father. The roll call of the dead lulled him to sleep.
——
He awoke to commotion and gull shrieks. A boy ran down the length of the ship calling for his father. Appa! Appa! There were more people on the deck now, all of them speaking in loud, excited voices.
     The man they called Ranga stood at the railing beside him, staring out. Mahindan was dismayed to see him.
     Land is close, Ranga said.
     Mahindan scanned the straight line of the ocean, trying not to blink. Nearby, a young man stood on the rail and levered his body half out of the boat. An older woman called out: Take care!
     After all this time, finally we have arrived, Ranga said. He grinned at Mahindan and added: Because of you only, I am here.
     Nothing to do with me, Mahindan said. We all took our own chance.
     Mahindan kept his gaze fixed on the horizon. At first he saw the head of a pin, far in the distance, but as he kept watching, the vision emerged. Purple-brown land and blue mountains like ghosts rising in the background. The newspaperman came to join them as the slope of a forest appeared. Mahindan had spoken to him a few times but could not recall his name. Someone said he had been working for a paper in Colombo before he fled.
     We will be intercepted, the newspaperman said. Americans or Canadians, who will catch us first?
     Catch us? Ranga repeated, his voice rising to a squeak.
     But now there were people streaming onto the deck, squeezing in for a view at the railing, and the newspaperman was jostled away. Mahindan edged aside too, relieved to put distance between himself and Ranga.
     There were voices and bodies everywhere. Women plaited their hair over one shoulder. Men pulled their arms through their T-shirts. Most were barefoot. People pressed up around him. The boat creaked and Mahindan felt it list, as everyone crowded in. They stood shoulder to shoulder, people on both levels of the deck, hushing one another, children holding their breath. The trees, the mountains, the strip of beach they could now make out up ahead, it all seemed impossibly big, unreal after days and nights of nothing but sea and sky and the rumbling of the ship. Nightmares of rusted steel finally giving way, belching them all into the ocean.
     Sellian appeared, squeezing himself between legs, one fist against his eyes. Appa, you left me!
     How to leave? Mahindan said. Did you think I jumped in the ocean? He picked his son up in the crook of one arm and pointed. Look! We’re here.
     The clouds burned orange. Mahindan squinted. People shouted and pointed. Look!
     There was a tugboat in the water and a larger ship, its long nose turned up, speeding toward them, sleek and fast, with a tall white flagpole. The wind unfurled the flag, red and white, majestic in the flaming sky. They saw the leaf and a great resounding cheer shook the boat.
     The captain cut the engine and they floated placid. Overhead, there was a chopping sound. Mahindan saw a helicopter, its blades slicing the sky, a red leaf painted on its belly. There were three boats now, all of them circling the ship, a welcome party. On the deck, people waved with both hands. The red-and-white flag snapped definitive.
     Mahindan gripped his son. Sellian shivered in his arms, from fear, from exhilaration, he couldn’t tell. Soon Mahindan was shaking too, armpits dampening. His teeth clattered.
     Their new life. It was just beginning.

Awards

  • LONGLIST | 2018
    Aspen Words Literary Prize

Author

© Nadra Ginting
Sharon Bala’s bestselling debut novel, The Boat People, won the 2020 Newfoundland & Labrador Book Award and the 2019 Harper Lee Prize for Legal Fiction. It was a finalist for Canada Reads 2018, the 2018 Amazon Canada First Novel Award, the Margaret and John Savage First Book Award, the Thomas Raddall Atlantic Fiction Award, and was longlisted for the International Dublin Literary Award and the Aspen Words Literary Prize. The Boat People is on sale worldwide with translations in French, German, Arabic, and Turkish. The unpublished manuscript won the Percy Janes First Novel Award and was shortlisted for the NLCU Fresh Fish Award for Emerging Writers.
 
In 2017 Sharon won the Writers’ Trust/ McClelland & Stewart Journey Prize for her short story “Butter Tea at Starbucks” and had a second story on the long-list. Her short fiction has also won three Newfoundland and Labrador Arts & Letters Awards and been published in: The Journey Prize 29, Hazlitt, Grain, PRISM international, The Dalhousie Review, The New Quarterly, Maisonneuve, The Newfoundland Quarterly Online, Room, and Riddle Fence.
 
Sharon was given the 2017 CBC Emerging Artist Award. She is a member of The Port Authority, a St. John’s writing group. In 2015, they published a short story collection called Racket with Breakwater Books. Visit her online at: sharonbala.com. View titles by Sharon Bala