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A Constellation of Vital Phenomena

A Novel

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Winner of the National Book Critic Circle’s John Leonard Prize

A New York Times Book Review Notable Book of the Year
National Book Award Longlist Selection
A Washington Post Top 10 Book of the Year
An ALA Notable Book of the Year
A Publisher's Weekly Top 10 Books of the Year
A Kirkus Reviews Best Book of the Year
A Library Journal Top 10 Book of the Year

Named one of the Best Books of the Year by:
New York Magazine * Chicago Tribune *  Kansas City Star * GQ * NPR * Christian Science Monitor * San Francisco Chronicle * Cleveland Plain Dealer


In a small rural village in Chechnya, eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night and then set fire to her home. When their lifelong neighbor Akhmed finds Havaa hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded.

For Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. But over the course of five extraordinary days, Sonja’s world will shift on its axis and reveal the intricate pattern of connections that weaves together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance.

Now with Extra Libris material, including a reader’s guide and bonus content from the author.


“Mr. Marra is trying to capture some essence of the lives of men and women caught in the pincers of a brutal, decade-long war, and at this he succeeds beautifully….his storytelling impulses are fed by wellsprings of generosity…. [The] ending is almost certain to leave you choked up and, briefly at least, transformed by tenderness.”
Wall Street Journal

 “Remarkable….This is, from first to last, a novel about love as much as war….In the aftermath of Boston, in a world where all our lives are linked more closely than ever before, these are words to hold close.”
Cleveland Plain Dealer

 
“Marra is an author talented way beyond his years…Dazzling.”
Chicago Tribune

 
“Marra delicately weaves together several narratives against the backdrop of this bleak, war-ravaged country.… If you’re a fan of beautifully composed, internationally set fiction like The Tiger’s Wife or The Orphan Master’s SonA Constellation of Vital Phenomenais a worthy next pick. The Whiting Writers’ Award selection committee dubbed Marra’s ambitions “Tolstoyan,” and there could not be a better word to describe his all-too-real cast of characters. This is an exquisite debut.”
—Bookpage

“The most moving book I’ve read in years. By writing so beautifully about a tiny village in Chechnya, this 28-year-old Washington native has produced a timeless tragedy about the victims of war.”
The Washingtonian


“[An] extraordinary first novel…Marra collapses time, sliding between 1996 and 2004 while also detailing events in a future yet to arrive, giving his searing novel an eerie, prophetic aura.  All of the characters are closely tied together in ways that Marra takes his time revealing, even as he beautifully renders the way we long to connect and the lengths we will go to endure.” 
Booklist (starred review)

“Marra’s debut novel places readers in Chechnya during its decade-long conflict with Russia and offers up an authentic, heartbreaking tale of intertwining relationships during wartime….As he shifts in time through the years of the two Chechen wars, Marra confidently weaves those plots together, and several more besides, giving each character a rich backstory that intersects, often years down the line, with the others….[T]he novel’s tone remains optimistic, and its characters retain vast depths of humanity (and even humor) in spite of their bleak circumstances.”
Library Journal (starred review)

 “It’s hard to think of an American writer who has so convincingly transported readers into the lives of characters as geopolitically distant as the cast of Chechens whose stories Anthony Marra braids together in A Constellation of Vital Phenomena. Mr. Marra gives us no anchorage in a familiar point-of-view. Instead, he gives us the natives of a peripheral Chechen village, and makes us imagine the world that is their village so convincingly that we forget how remote it is. The novel is a wondrous machine of many moving parts, all whirring together like clockwork, gracefully guiding us backward and forward in time, events unfolding in an order that feels inevitable. His ambitions are Tolstoyan, and he brings stylistic virtuosity to the prose, giving us lyric passages saturated with intelligence and psychological insight. By the end of the novel, we love the characters and grieve with them, and rejoice with the ‘immense, spinning joy’that is the novel’s final note.”
—Whiting Writers’ Awards, Selection Committee

 “Powerful, convincing, beautifully realized—it’s hard to believe that A Constellation of Vital Phenomena is a first novel.  Anthony Marra is a writer to watch and savor.”
—T.C. Boyle, New York Times bestselling author of When the Killing’s Done and The Women

A Constellation of Vital Phenomena is simply spectacular. Not since Everything is Illuminated have I read a first novel so ambitious and fully realized. If this is where Anthony Marra begins his career, I can’t imagine how far he will go.”
—Ann Patchett, New York Times bestselling author of State of Wonder and Bel Canto
“Remarkable and breathtaking, Anthony Marra’s A Constellation of Vital Phenomena is a spellbinding elegy for an overlooked land engulfed by an oft forgotten war. Set in the all-too-real Chechen conflict, Marra conjures fragile and heartfelt characters whose fates interrogate the very underpinnings of love and sacrifice.”
—Adam Johnson, Pulitzer prize winning author of The Orphan Master’s Son

 “Anthony Marra’s fine debut novel reaches tenderly, unflinchingly, into the center of the Chechnyan conflict of the late 1990s. This tale has its roots in shocking brutality, and its beauty in the human redemption that can come from unaccountable human kindness. Whimsies of circumstance, fate, and the ties of family and faith serve to guide the reader and the characters through a richly layered and deeply beautiful journey.”
─Vincent Lam, author of The Headmaster’s Wager
Chapter 1

2004

On the morning after the Feds burned down her house and took her father, Havaa woke from dreams of sea anemones. While the girl dressed, Akhmed, who hadn't slept at all, paced outside the bedroom door, watching the sky brighten on the other side of the window glass; the rising sun had never before made him feel late. When she emerged from the bedroom, looking older than her eight years, he took her suitcase and she followed him out the front door. He had led the girl to the middle of the street before he raised his eyes to what had been her house. "Havaa, we should go," he said, but neither moved.

The snow softened around their boots as they stared across the street to the wide patch of flattened ash. A few orange embers hissed in pools of gray snow, but all else was char. Not seven years earlier, Akhmed had helped Dokka build an addition so the girl would have a room of her own. He had drawn the blueprints and chopped the hardwood and cut it into boards and turned them into a room; and when Dokka had promised to help him build an addition to his own house, should he ever have a child, Akhmed had thanked his friend and walked home, the knot in his throat unraveling into a sob when the door closed behind him. Carrying that lumber the forty meters from the forest had left his knuckles blistered, his underarms sopping, but now a few hours of flames had lifted what had taken him months to design, weeks to carry, days to build, all but the nails and rivets, all but the hinges and bolts, all into the sky. And too were carried the small treasures that had made Dokka's house his own. There was the hand-carved chess set on a round sidetable; when moved, the squat white king wobbled from side to side, like a man just sober enough to stand, and Dokka had named his majesty Boris Yeltsin. There was the porcelain vase adorned with Persian arabesques, and beside that a cassette deck-radio with an antenna long enough to scrape the ceiling when propped up on a telephone book, yet too short to reach anything but static. There was the eighty-five-year-old Qur'an, the purple cover writhing with calligraphy, that Dokka's grandfather had purchased in Mecca. There were these things and the flames ate these things, and since fire doesn't distinguish between the word of God and the word of the Soviet Communications Registry Bureau, both Qur'an and telephone directory returned to His mouth in the same inhalation of smoke.

The girl's fingers braceleted his wrist. He wanted to throw her over his shoulder and sprint northward until the forest swallowed the village, but standing before the blackened timbers, he couldn't summon the strength to bring a consoling word to his lips, to hold the girl's hand in his own, to move his feet in the direction he wanted them to go.

"That's my house." Her voice broke their silence and he heard it as he would the only sound in an empty corridor.

"Don't think of it like that," he said.

"Like what?"

"Like it's still yours."

He wound her bright orange scarf around her neck and frowned at the sooty fingerprint on her cheek. He had been awake in bed the previous night when the Feds came. First the murmur of a diesel engine, a low rumble he'd come to fear more than gunfire, then Russian voices. He had gone to the living room and pulled back the blackout curtain as far as he dared. Through the triangle of glass, headlights parted the night. Four soldiers, stocky, well fed, emerged from the truck. One drank from a vodka bottle and cursed the snow each time he stumbled. This soldier's grandfather had told him, the morning the soldier reported to the Vladivostok conscription center, that he would have perished in Stalingrad if not for the numbing grace of vodka; the soldier, whose cheeks were divoted from years of applying toothpaste to his adolescent acne, believed Chechnya to be a worse war than Stalingrad, and rationed his vodka accordingly. From his living room Akhmed wanted to shout, beat a drum, set off a flare. But across the street, they had already reached Dokka's door and he didn't even look to the phone that was without a pulse for ten years now. They knocked on the door once, twice, then kicked it down. Through the doorway, Akhmed watched torchlight move across the walls. So passed the longest two minutes of Akhmed's life until the soldiers reappeared in the doorway with Dokka. The duct tape strip across his mouth wrinkled with his muted screams. They pulled a black hood over his head. Where was Havaa? Sweat formed on Akhmed's forehead. His hands felt impossibly heavy. When the soldiers grabbed Dokka by the shoulders and belt, tumbling him into the back of the truck and slamming the door, the relief falling over Akhmed was quickly peeled back by self-loathing, because he was alive, safe in his living room, while in the truck across the street, not twenty meters away, Dokka was a dead man. The designation 02 was stenciled above the truck bumper in white paint, meaning it belonged to the Interior Ministry, meaning there would be no record of the arrest, meaning Dokka had never officially been taken, meaning he would never come back. "Where's the girl?" the soldiers asked one another. "She's not here." "What if she's hiding beneath the floorboards?" "She's not." "Take care of it just in case." The drunken soldier uncapped a petrol jug and stumbled into Dokka's house; when he returned to the threshold, he tossed a match behind him and closed the door. Flames clawed their way up the front curtains. The glass panes puddled on the sill. Where was Havaa? When the truck finally left, the fire had spread to the walls and roof. Akhmed waited until the taillights had shrunk to the size of cherries before crossing the street. Running a wide circle around the flames, he entered the forest behind the house. His boots broke the frigid undergrowth and he could have counted the rings of tree stumps by the firelight. Behind the house, hiding among the trees, the girl's face flickered. Streaks of pale skin began under her eyes, striping the ash on her cheeks. "Havaa," he called out. She sat on a suitcase and didn't respond to her name. He held her like a bundle of loose sticks in his arms, carried her to his house and with a damp towel wiped the ash from her forehead. He tucked her in bed beside his invalid wife and didn't know what to do next. He could have gone back outside and thrown snowballs at the burning house, or lain in bed so the girl would feel the warmth of two grown bodies, or performed his ablutions and prostrated himself, but he had completed the isha'a hours earlier and if five daily prayers hadn't spared Dokka's house, a sixth wouldn't put out the flames. Instead he went to the living room window, drew open the blackout curtains, and watched the house he had helped build disappear into light. And now, in the morning, as he tightened the orange scarf around her neck, he found a fingerprint on the girl's cheek, and, because it could have been Dokka's, he left it.

"Where are we going?" she asked. She stood in the frozen furrow of the previous night's tire tracks. The snow stretched on either side. Akhmed hadn't prepared for this. He couldn't imagine why the Feds would want Dokka, much less the girl. She stood no taller than his stomach and weighed no more than a basket of firewood, but to Akhmed she seemed an immense and overwhelming creature whom he was destined to fail.

"We're going to the city hospital," he said, with what he hoped was an assertive tone.

"Why?"

"Because the hospital is safe. It's where people go when they need help. And I know someone there, another doctor," he said, though all he knew of her was her name. "She'll help."

"How?"

"I'm going to ask if you can stay with her." What was he saying? Like most of his plans, this one seemed so robust in his mind but fell like a flightless bird when released to the air. The girl frowned.

"He's not coming back, is he?" she asked. She focused on the blue leather suitcase that sat on the street between them. Eight months earlier, her father had asked her to prepare the suitcase and leave it in the closet, where it had remained until the previous night, when he thrust it into her hands and pushed her out the back door as the Feds broke through the front.

"I don't think so."

"But you don't know?" It wasn't an accusation, but he took it as one. Was he so incompetent a physician that she hesitated to trust him with her father's life even in speculation? "We should be safe," he said. "It's safer to think he won't come back."

"But what if he does?"

The longing knotted into such a simple question was more than he could contemplate. What if she cried? It suddenly seemed like a terrifying possibility. How would he stop her? He had to keep her calm, keep himself calm; panic, he knew, could spread between two people more quickly than any virus. He fiddled with her scarf. Somehow it had survived the fire as orange as the day it was pulled from the dye. "How about this: if he comes back, I'll tell him where you are. Is that a good idea?"

"My father is a good idea."

"Yes, he is," Akhmed said, relieved they had this to agree on.

They plodded along the Eldar Forest Service Road, the village's main thoroughfare, and their footprints began where the tire tracks ended. On either side he saw houses by surname rather than address. A face appeared and vanished in an unboarded window.
  • WINNER | 2015
    Grand Prix des Lectrices de ELLE
  • WINNER | 2014
    Anisfield-Wolf Book Award
  • WINNER | 2014
    Northern California Independent Booksellers Association Award
  • WINNER | 2014
    National Book Critics Circle John Leonard Prize
  • WINNER | 2014
    Indies Choice Book Award
  • WINNER | 2014
    Indies Choice Award
  • WINNER | 2014
    Carla Furstenberg Cohen Fiction Award
  • WINNER | 2014
    Athens Prize for Literature
  • WINNER | 2013
    Commonwealth Club of California Book Award
  • AWARD
    Indies Choice Book Award
  • AWARD
    Athens Prize for Literature
  • FINALIST | 2014
    Northern California Book Reviewers Award (previously BABRA)
  • SHORTLIST | 2014
    Prix Medicis
  • FINALIST | 2014
    The Medici Book Club Prize
  • FINALIST | 2014
    PEN/Robert Bingham Fellowship for Writers Award
  • FINALIST | 2014
    New York Public Library's Young Lion Fiction Award
  • FINALIST | 2014
    Dayton Literary Peace Prize for Fiction
  • FINALIST | 2013
    National Book Awards
  • FINALIST | 2013
    Center for Fiction First Novel Prize
  • SELECTION | 2013
    ALA Notable Adult Books
© Paul Duda
Anthony Marra is the New York Times bestselling author of The Tsar of Love and Techno and A Constellation of Vital Phenomena, winner of the National Book Critics Circle’s John Leonard Prize and the Anisfield-Wolf Book Award, and longlisted for the National Book Award. View titles by Anthony Marra

About

Winner of the National Book Critic Circle’s John Leonard Prize

A New York Times Book Review Notable Book of the Year
National Book Award Longlist Selection
A Washington Post Top 10 Book of the Year
An ALA Notable Book of the Year
A Publisher's Weekly Top 10 Books of the Year
A Kirkus Reviews Best Book of the Year
A Library Journal Top 10 Book of the Year

Named one of the Best Books of the Year by:
New York Magazine * Chicago Tribune *  Kansas City Star * GQ * NPR * Christian Science Monitor * San Francisco Chronicle * Cleveland Plain Dealer


In a small rural village in Chechnya, eight-year-old Havaa watches from the woods as Russian soldiers abduct her father in the middle of the night and then set fire to her home. When their lifelong neighbor Akhmed finds Havaa hiding in the forest with a strange blue suitcase, he makes a decision that will forever change their lives. He will seek refuge at the abandoned hospital where the sole remaining doctor, Sonja Rabina, treats the wounded.

For Sonja, the arrival of Akhmed and Havaa is an unwelcome surprise. Weary and overburdened, she has no desire to take on additional risk and responsibility. But over the course of five extraordinary days, Sonja’s world will shift on its axis and reveal the intricate pattern of connections that weaves together the pasts of these three unlikely companions and unexpectedly decides their fate. A story of the transcendent power of love in wartime, A Constellation of Vital Phenomena is a work of sweeping breadth, profound compassion, and lasting significance.

Now with Extra Libris material, including a reader’s guide and bonus content from the author.


“Mr. Marra is trying to capture some essence of the lives of men and women caught in the pincers of a brutal, decade-long war, and at this he succeeds beautifully….his storytelling impulses are fed by wellsprings of generosity…. [The] ending is almost certain to leave you choked up and, briefly at least, transformed by tenderness.”
Wall Street Journal

 “Remarkable….This is, from first to last, a novel about love as much as war….In the aftermath of Boston, in a world where all our lives are linked more closely than ever before, these are words to hold close.”
Cleveland Plain Dealer

 
“Marra is an author talented way beyond his years…Dazzling.”
Chicago Tribune

 
“Marra delicately weaves together several narratives against the backdrop of this bleak, war-ravaged country.… If you’re a fan of beautifully composed, internationally set fiction like The Tiger’s Wife or The Orphan Master’s SonA Constellation of Vital Phenomenais a worthy next pick. The Whiting Writers’ Award selection committee dubbed Marra’s ambitions “Tolstoyan,” and there could not be a better word to describe his all-too-real cast of characters. This is an exquisite debut.”
—Bookpage

“The most moving book I’ve read in years. By writing so beautifully about a tiny village in Chechnya, this 28-year-old Washington native has produced a timeless tragedy about the victims of war.”
The Washingtonian


“[An] extraordinary first novel…Marra collapses time, sliding between 1996 and 2004 while also detailing events in a future yet to arrive, giving his searing novel an eerie, prophetic aura.  All of the characters are closely tied together in ways that Marra takes his time revealing, even as he beautifully renders the way we long to connect and the lengths we will go to endure.” 
Booklist (starred review)

“Marra’s debut novel places readers in Chechnya during its decade-long conflict with Russia and offers up an authentic, heartbreaking tale of intertwining relationships during wartime….As he shifts in time through the years of the two Chechen wars, Marra confidently weaves those plots together, and several more besides, giving each character a rich backstory that intersects, often years down the line, with the others….[T]he novel’s tone remains optimistic, and its characters retain vast depths of humanity (and even humor) in spite of their bleak circumstances.”
Library Journal (starred review)

 “It’s hard to think of an American writer who has so convincingly transported readers into the lives of characters as geopolitically distant as the cast of Chechens whose stories Anthony Marra braids together in A Constellation of Vital Phenomena. Mr. Marra gives us no anchorage in a familiar point-of-view. Instead, he gives us the natives of a peripheral Chechen village, and makes us imagine the world that is their village so convincingly that we forget how remote it is. The novel is a wondrous machine of many moving parts, all whirring together like clockwork, gracefully guiding us backward and forward in time, events unfolding in an order that feels inevitable. His ambitions are Tolstoyan, and he brings stylistic virtuosity to the prose, giving us lyric passages saturated with intelligence and psychological insight. By the end of the novel, we love the characters and grieve with them, and rejoice with the ‘immense, spinning joy’that is the novel’s final note.”
—Whiting Writers’ Awards, Selection Committee

 “Powerful, convincing, beautifully realized—it’s hard to believe that A Constellation of Vital Phenomena is a first novel.  Anthony Marra is a writer to watch and savor.”
—T.C. Boyle, New York Times bestselling author of When the Killing’s Done and The Women

A Constellation of Vital Phenomena is simply spectacular. Not since Everything is Illuminated have I read a first novel so ambitious and fully realized. If this is where Anthony Marra begins his career, I can’t imagine how far he will go.”
—Ann Patchett, New York Times bestselling author of State of Wonder and Bel Canto
“Remarkable and breathtaking, Anthony Marra’s A Constellation of Vital Phenomena is a spellbinding elegy for an overlooked land engulfed by an oft forgotten war. Set in the all-too-real Chechen conflict, Marra conjures fragile and heartfelt characters whose fates interrogate the very underpinnings of love and sacrifice.”
—Adam Johnson, Pulitzer prize winning author of The Orphan Master’s Son

 “Anthony Marra’s fine debut novel reaches tenderly, unflinchingly, into the center of the Chechnyan conflict of the late 1990s. This tale has its roots in shocking brutality, and its beauty in the human redemption that can come from unaccountable human kindness. Whimsies of circumstance, fate, and the ties of family and faith serve to guide the reader and the characters through a richly layered and deeply beautiful journey.”
─Vincent Lam, author of The Headmaster’s Wager

Excerpt

Chapter 1

2004

On the morning after the Feds burned down her house and took her father, Havaa woke from dreams of sea anemones. While the girl dressed, Akhmed, who hadn't slept at all, paced outside the bedroom door, watching the sky brighten on the other side of the window glass; the rising sun had never before made him feel late. When she emerged from the bedroom, looking older than her eight years, he took her suitcase and she followed him out the front door. He had led the girl to the middle of the street before he raised his eyes to what had been her house. "Havaa, we should go," he said, but neither moved.

The snow softened around their boots as they stared across the street to the wide patch of flattened ash. A few orange embers hissed in pools of gray snow, but all else was char. Not seven years earlier, Akhmed had helped Dokka build an addition so the girl would have a room of her own. He had drawn the blueprints and chopped the hardwood and cut it into boards and turned them into a room; and when Dokka had promised to help him build an addition to his own house, should he ever have a child, Akhmed had thanked his friend and walked home, the knot in his throat unraveling into a sob when the door closed behind him. Carrying that lumber the forty meters from the forest had left his knuckles blistered, his underarms sopping, but now a few hours of flames had lifted what had taken him months to design, weeks to carry, days to build, all but the nails and rivets, all but the hinges and bolts, all into the sky. And too were carried the small treasures that had made Dokka's house his own. There was the hand-carved chess set on a round sidetable; when moved, the squat white king wobbled from side to side, like a man just sober enough to stand, and Dokka had named his majesty Boris Yeltsin. There was the porcelain vase adorned with Persian arabesques, and beside that a cassette deck-radio with an antenna long enough to scrape the ceiling when propped up on a telephone book, yet too short to reach anything but static. There was the eighty-five-year-old Qur'an, the purple cover writhing with calligraphy, that Dokka's grandfather had purchased in Mecca. There were these things and the flames ate these things, and since fire doesn't distinguish between the word of God and the word of the Soviet Communications Registry Bureau, both Qur'an and telephone directory returned to His mouth in the same inhalation of smoke.

The girl's fingers braceleted his wrist. He wanted to throw her over his shoulder and sprint northward until the forest swallowed the village, but standing before the blackened timbers, he couldn't summon the strength to bring a consoling word to his lips, to hold the girl's hand in his own, to move his feet in the direction he wanted them to go.

"That's my house." Her voice broke their silence and he heard it as he would the only sound in an empty corridor.

"Don't think of it like that," he said.

"Like what?"

"Like it's still yours."

He wound her bright orange scarf around her neck and frowned at the sooty fingerprint on her cheek. He had been awake in bed the previous night when the Feds came. First the murmur of a diesel engine, a low rumble he'd come to fear more than gunfire, then Russian voices. He had gone to the living room and pulled back the blackout curtain as far as he dared. Through the triangle of glass, headlights parted the night. Four soldiers, stocky, well fed, emerged from the truck. One drank from a vodka bottle and cursed the snow each time he stumbled. This soldier's grandfather had told him, the morning the soldier reported to the Vladivostok conscription center, that he would have perished in Stalingrad if not for the numbing grace of vodka; the soldier, whose cheeks were divoted from years of applying toothpaste to his adolescent acne, believed Chechnya to be a worse war than Stalingrad, and rationed his vodka accordingly. From his living room Akhmed wanted to shout, beat a drum, set off a flare. But across the street, they had already reached Dokka's door and he didn't even look to the phone that was without a pulse for ten years now. They knocked on the door once, twice, then kicked it down. Through the doorway, Akhmed watched torchlight move across the walls. So passed the longest two minutes of Akhmed's life until the soldiers reappeared in the doorway with Dokka. The duct tape strip across his mouth wrinkled with his muted screams. They pulled a black hood over his head. Where was Havaa? Sweat formed on Akhmed's forehead. His hands felt impossibly heavy. When the soldiers grabbed Dokka by the shoulders and belt, tumbling him into the back of the truck and slamming the door, the relief falling over Akhmed was quickly peeled back by self-loathing, because he was alive, safe in his living room, while in the truck across the street, not twenty meters away, Dokka was a dead man. The designation 02 was stenciled above the truck bumper in white paint, meaning it belonged to the Interior Ministry, meaning there would be no record of the arrest, meaning Dokka had never officially been taken, meaning he would never come back. "Where's the girl?" the soldiers asked one another. "She's not here." "What if she's hiding beneath the floorboards?" "She's not." "Take care of it just in case." The drunken soldier uncapped a petrol jug and stumbled into Dokka's house; when he returned to the threshold, he tossed a match behind him and closed the door. Flames clawed their way up the front curtains. The glass panes puddled on the sill. Where was Havaa? When the truck finally left, the fire had spread to the walls and roof. Akhmed waited until the taillights had shrunk to the size of cherries before crossing the street. Running a wide circle around the flames, he entered the forest behind the house. His boots broke the frigid undergrowth and he could have counted the rings of tree stumps by the firelight. Behind the house, hiding among the trees, the girl's face flickered. Streaks of pale skin began under her eyes, striping the ash on her cheeks. "Havaa," he called out. She sat on a suitcase and didn't respond to her name. He held her like a bundle of loose sticks in his arms, carried her to his house and with a damp towel wiped the ash from her forehead. He tucked her in bed beside his invalid wife and didn't know what to do next. He could have gone back outside and thrown snowballs at the burning house, or lain in bed so the girl would feel the warmth of two grown bodies, or performed his ablutions and prostrated himself, but he had completed the isha'a hours earlier and if five daily prayers hadn't spared Dokka's house, a sixth wouldn't put out the flames. Instead he went to the living room window, drew open the blackout curtains, and watched the house he had helped build disappear into light. And now, in the morning, as he tightened the orange scarf around her neck, he found a fingerprint on the girl's cheek, and, because it could have been Dokka's, he left it.

"Where are we going?" she asked. She stood in the frozen furrow of the previous night's tire tracks. The snow stretched on either side. Akhmed hadn't prepared for this. He couldn't imagine why the Feds would want Dokka, much less the girl. She stood no taller than his stomach and weighed no more than a basket of firewood, but to Akhmed she seemed an immense and overwhelming creature whom he was destined to fail.

"We're going to the city hospital," he said, with what he hoped was an assertive tone.

"Why?"

"Because the hospital is safe. It's where people go when they need help. And I know someone there, another doctor," he said, though all he knew of her was her name. "She'll help."

"How?"

"I'm going to ask if you can stay with her." What was he saying? Like most of his plans, this one seemed so robust in his mind but fell like a flightless bird when released to the air. The girl frowned.

"He's not coming back, is he?" she asked. She focused on the blue leather suitcase that sat on the street between them. Eight months earlier, her father had asked her to prepare the suitcase and leave it in the closet, where it had remained until the previous night, when he thrust it into her hands and pushed her out the back door as the Feds broke through the front.

"I don't think so."

"But you don't know?" It wasn't an accusation, but he took it as one. Was he so incompetent a physician that she hesitated to trust him with her father's life even in speculation? "We should be safe," he said. "It's safer to think he won't come back."

"But what if he does?"

The longing knotted into such a simple question was more than he could contemplate. What if she cried? It suddenly seemed like a terrifying possibility. How would he stop her? He had to keep her calm, keep himself calm; panic, he knew, could spread between two people more quickly than any virus. He fiddled with her scarf. Somehow it had survived the fire as orange as the day it was pulled from the dye. "How about this: if he comes back, I'll tell him where you are. Is that a good idea?"

"My father is a good idea."

"Yes, he is," Akhmed said, relieved they had this to agree on.

They plodded along the Eldar Forest Service Road, the village's main thoroughfare, and their footprints began where the tire tracks ended. On either side he saw houses by surname rather than address. A face appeared and vanished in an unboarded window.

Awards

  • WINNER | 2015
    Grand Prix des Lectrices de ELLE
  • WINNER | 2014
    Anisfield-Wolf Book Award
  • WINNER | 2014
    Northern California Independent Booksellers Association Award
  • WINNER | 2014
    National Book Critics Circle John Leonard Prize
  • WINNER | 2014
    Indies Choice Book Award
  • WINNER | 2014
    Indies Choice Award
  • WINNER | 2014
    Carla Furstenberg Cohen Fiction Award
  • WINNER | 2014
    Athens Prize for Literature
  • WINNER | 2013
    Commonwealth Club of California Book Award
  • AWARD
    Indies Choice Book Award
  • AWARD
    Athens Prize for Literature
  • FINALIST | 2014
    Northern California Book Reviewers Award (previously BABRA)
  • SHORTLIST | 2014
    Prix Medicis
  • FINALIST | 2014
    The Medici Book Club Prize
  • FINALIST | 2014
    PEN/Robert Bingham Fellowship for Writers Award
  • FINALIST | 2014
    New York Public Library's Young Lion Fiction Award
  • FINALIST | 2014
    Dayton Literary Peace Prize for Fiction
  • FINALIST | 2013
    National Book Awards
  • FINALIST | 2013
    Center for Fiction First Novel Prize
  • SELECTION | 2013
    ALA Notable Adult Books

Author

© Paul Duda
Anthony Marra is the New York Times bestselling author of The Tsar of Love and Techno and A Constellation of Vital Phenomena, winner of the National Book Critics Circle’s John Leonard Prize and the Anisfield-Wolf Book Award, and longlisted for the National Book Award. View titles by Anthony Marra

Books for Asian American, Native Hawaiian, and Pacific Islander Heritage Month

Every May we celebrate the rich history and culture of Asian Americans, Native Hawaiians, and Pacific Islanders. Browse a curated selection of fiction and nonfiction books by AANHPI creators that we think your students will love. Find our full collection of titles for Higher Education here.

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