JPod

Read by Marc Cashman
Audiobook Download
On sale May 16, 2006 | 10 Hours and 35 Minutes | 9780739340288

Very evil…very funny
A lethal joyride into today’s new breed of technogeeks, Douglas Coupland’s new novel updates Microserfs for the age of Google.

Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes, and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life. JPOD is Douglas Coupland at the top of his game.
"Oh God. I feel like a refugee from a Douglas Coupland novel.”

“That asshole.”

“Who does he think he is?”

“Come on, guys, focus. We’ve got a major problem on our hands.”

The six of us were silent, but for our footsteps. The main corridor’s muted plasma TVs blipped out the news and sports, while ­co-­workers in ­long-­sleeved blue and black ­T-­shirts ­oompah-­loompahed in and out of ­laminate-­access doors, elevated walkways, staircases and elevators, their missions inscrutable and squirrelly. It was a rare sunny day. Freakishly articulated sunbeams highlighted specks of mica in the hallway’s designer granite. They looked like randomized particle ­events.

Mark said, “I can’t even think about what just happened in there.”

John Doe said, “I’d like to do whatever it is people statistically do when confronted by a jolt of large and bad news.”

I suggested he ingest five milligrams of Valium and three shots of hard liquor or four glasses of domestic ­wine.

“Really?”

“Don’t ask me, John. Google it.”

“And so I shall.”

Cowboy had a jones for cough syrup, while Bree fished through one of her many pink vinyl Japanese handbags for lip gloss – phase one of her ­well-­established pattern of pursuing sexual conquest to silence her inner ­pain.

The only quiet member of our group of six was Kaitlin, new to our work area as of the day before. She was walking with us mostly because she didn’t yet know how to get from the meeting room to our cubicles. We’re not sure if Kaitlin is boring or if she’s resistant to bonding, but then again none of us have really cranked up our ­charm.

We passed Warren from the motion capture studio. “Yo! jPodsters! A turtle! All right!” He flashed a thumbs-­up.

“Thank you, Warren. We can all feel the love in the room.”

Clearly, via the gift of text messaging, Warren and pretty much everyone in the company now knew of our plight, which is this: during today’s marketing meeting we learned we now have to retroactively insert a charismatic cuddly turtle character into our skateboard game, which is already nearly ­one-­third of the way through its production cycle. Yes, you read that correctly, a turtle character–in a skateboard ­game.

The ­three-­hour meeting had taken place in a two-­hundred-­seat room nicknamed the ­air-­conditioned rectum. I tried to make the event go faster by pretending to have superpower vision: I could see the carbon dioxide pumping in and out of everyone’s nose and mouth – it was purple. It made me think of that urban legend about the chemical they put in swimming pools that reveals when somebody pees. Then I wondered if Leonardo da Vinci had ever inhaled any of the oxygen molecules I was breathing, or if he ever had to sit through a marketing meeting. What would that have been like? “Leo, thanks for your input, but our studies indicate that when they see Lisa smile, they want a sexy, flirty smile, not that grim little slit she has now. Also, I don’t know what that closet case Michelangelo is thinking with that naked David guy, but Jesus, clamp a diaper onto him pronto. Next item on the agenda: Perspective – Passing Fad or Opportunity to Win? But first, Katie here is going to tell us about this Friday’s Jeans Day, to be followed by a ­ten-­minute muffin break.”

But the word “turtle” pulled me out of my reverie, uttered by Fearless Leader–our new head of marketing, Steve. I put up my hand and quite reasonably asked, “Sorry, Steve, did you say a turtle?”

Christine, a senior development director, said, “No need to be sarcastic, Ethan. Steve here took Toblerone chocolate and turned it around inside of two years.”

“No,” Steve protested. “I appreciate an open dialogue. All I’m really saying is that, at home, my son, Carter, plays SimQuest4 and can’t get enough of its turtle character, and if my Carter likes turtle characters, then a turtle character is a winner, and thus, this skateboard game needs a turtle.”

John Doe BlackBerried me: I CAN’T FEEL MY LEGS

And so the order was issued to make our new turtle character “accessible” and “fun” and the buzzword is so horrible I have to spell it out in ASCII: “{101, 100, 103, 121}”

• • •

Back in our cubicle pod, the six of us fizzled away from each other like ginger ale bubbles. I had eighteen new emails and one phone message, my mother: “Dear, could you give me a call? I really need to speak with you–it’s an emergency.”

An emergency? I phoned her cell right away. “Mom, what’s up? What’s wrong?”

“Ethan, are you at work right now?”

“Where else would I be?”

“I’m at SuperValu. Let me call you back from a pay phone.”

The line went dead. I picked it up when it ­rang.

“Mom, you said this was an emergency.”

“It is, dear. Ethan, honey, I need you to help me.”

“I just got out of the Worst Meeting Ever. What’s going on?”

“I suppose I’d better just tell you flat out.”

“Tell me what?”

“Ethan, I killed a biker.”

“You killed a biker?”

“Well, I didn’t mean to.”

“Mom, how the hell did you manage to kill a biker?”

“Ethan, just come home right now. I’ll be there in twenty minutes.”

“Why doesn’t Dad help?”

“He’s on a shoot today. He might get a speaking part.”

She hung ­up.

• • •


On my way out of the office, I passed a ­world-­building team, standing in a semicircle, staring at a large ­German-­made knife on a ­desktop.

“What’s up?” I ­asked.

“It’s the knife we’re using to cut Aidan’s birthday cake,” a friend, Josh, ­replied.

I looked more closely at the knife: it was clownishly big. “Okay, it’s ­hard-­core Itchy & Scratchy – but so what?”

“We’re having a contest – we’re trying to see if there’s any way to hold a knife and walk across a room and not look psycho."
DOUGLAS COUPLAND is a Canadian writer, visual artist and designer. His first novel is the 1991 international bestseller Generation X: Tales for an Accelerated Culture, still celebrated for its biting humour and cultural relevancy thirty years since initial publication. He has published fourteen novels, two collections of short stories, eight nonfiction books. He has written and performed for England's Royal Shakespeare Company, is a columnist for The Financial Times of London and a frequent contributor to The New York Times. In 2000 Coupland amplified his visual art production and has recently had two separate museum retrospectives, Everything is Anything is Anywhere is Everywhere at the Vancouver Art Gallery, The Royal Ontario Museum and the Museum of Contemporary Canadian Art, and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art, and Munich's Villa Stücke. In 2015 and 2016 Coupland was artist in residence in the Paris Google Cultural Institute. In May 2018, his exhibition on ecology, Vortex, opened at the Vancouver Aquarium. Coupland is a member of the Royal Canadian Academy, an Officer of the Order of Canada, an Officer of the Order of British Columbia, a Chevalier de l'Ordre des Arts et des Lettres and a recipient of the Lieutenant Governor's Award for Literary Excellence. View titles by Douglas Coupland
“Coupland is an accomplished and talented writer whose books are perennial bestsellers.” —Quill and Quire

“[JPod] is a work in which [Coupland's] familiar misgivings about life on the technological cusp are again invoked, but also one in which the skills he’s been developing as a novelist pay off, where his satirical streak and his social consciousness finally stop fooling around with each other and settle down together. . . . JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away.” —The New York Times Book Review

JPod is a seriously funny book, . . . a rolling thunder of sustained comedy, first page to last, as it ends up, and skewers the shamelessness and amorality that define our era. . . . Coupland’s timing is impeccable: JPod is the right book at the right time.” —The Globe and Mail

“Imagine a cocktail of The Office, Weeds and Wired magazine, shaken not stirred . . . The master ironist just might redefine E.M. Forster’s famous dictate ‘Only Connect’ for the Google age.” —USA Today

“Coupland once again nails the zeitgeist of the age. . . . The best thing about JPod is its characteristic good writing . . . and its dark, unflagging wit.” —Calgary Sun

“Coupland is possibly the most gifted exegete of North American mass culture writing today. . . . JPod is without a doubt his strongest, best-observed novel since Microserfs.” —The Guardian

Praise for Hey Nostradamus!:

“A leap sideways from the acid irony which has shaded some of Coupland’s earlier novels. Instead, from the pen of one of the coolest authors on the planet has come a work of suffusing humanity.”
Sunday Herald (UK)

“The leading literary voice of the most cynical generation lets it all out in a blaze of spirituality, terror, high comedy and soul-searching, and does it all in a way that is caring and clever, heartbreaking and hilarious, tough and tender. . .not only Coupland’s best novel, but also one of the best of the year.”
The Hamilton Spectator

About

Very evil…very funny
A lethal joyride into today’s new breed of technogeeks, Douglas Coupland’s new novel updates Microserfs for the age of Google.

Ethan Jarlewski and five co-workers are bureaucratically marooned in JPod, a no-escape architectural limbo on the fringes of a massive Vancouver video game design company.
The six jPodders wage daily battle against the demands of a bone-headed marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan’s personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod’s universe is amoral and shameless–and dizzyingly fast-paced. The characters are products of their era even as they’re creating it. Everybody in Ethan’s life inhabits a moral gray zone. Nobody is exempt, not even his seemingly straitlaced parents or Coupland himself. Full of word games, visual jokes, and sideways jabs, this book throws a sharp, pointed lawn dart into the heart of contemporary life. JPOD is Douglas Coupland at the top of his game.

Excerpt

"Oh God. I feel like a refugee from a Douglas Coupland novel.”

“That asshole.”

“Who does he think he is?”

“Come on, guys, focus. We’ve got a major problem on our hands.”

The six of us were silent, but for our footsteps. The main corridor’s muted plasma TVs blipped out the news and sports, while ­co-­workers in ­long-­sleeved blue and black ­T-­shirts ­oompah-­loompahed in and out of ­laminate-­access doors, elevated walkways, staircases and elevators, their missions inscrutable and squirrelly. It was a rare sunny day. Freakishly articulated sunbeams highlighted specks of mica in the hallway’s designer granite. They looked like randomized particle ­events.

Mark said, “I can’t even think about what just happened in there.”

John Doe said, “I’d like to do whatever it is people statistically do when confronted by a jolt of large and bad news.”

I suggested he ingest five milligrams of Valium and three shots of hard liquor or four glasses of domestic ­wine.

“Really?”

“Don’t ask me, John. Google it.”

“And so I shall.”

Cowboy had a jones for cough syrup, while Bree fished through one of her many pink vinyl Japanese handbags for lip gloss – phase one of her ­well-­established pattern of pursuing sexual conquest to silence her inner ­pain.

The only quiet member of our group of six was Kaitlin, new to our work area as of the day before. She was walking with us mostly because she didn’t yet know how to get from the meeting room to our cubicles. We’re not sure if Kaitlin is boring or if she’s resistant to bonding, but then again none of us have really cranked up our ­charm.

We passed Warren from the motion capture studio. “Yo! jPodsters! A turtle! All right!” He flashed a thumbs-­up.

“Thank you, Warren. We can all feel the love in the room.”

Clearly, via the gift of text messaging, Warren and pretty much everyone in the company now knew of our plight, which is this: during today’s marketing meeting we learned we now have to retroactively insert a charismatic cuddly turtle character into our skateboard game, which is already nearly ­one-­third of the way through its production cycle. Yes, you read that correctly, a turtle character–in a skateboard ­game.

The ­three-­hour meeting had taken place in a two-­hundred-­seat room nicknamed the ­air-­conditioned rectum. I tried to make the event go faster by pretending to have superpower vision: I could see the carbon dioxide pumping in and out of everyone’s nose and mouth – it was purple. It made me think of that urban legend about the chemical they put in swimming pools that reveals when somebody pees. Then I wondered if Leonardo da Vinci had ever inhaled any of the oxygen molecules I was breathing, or if he ever had to sit through a marketing meeting. What would that have been like? “Leo, thanks for your input, but our studies indicate that when they see Lisa smile, they want a sexy, flirty smile, not that grim little slit she has now. Also, I don’t know what that closet case Michelangelo is thinking with that naked David guy, but Jesus, clamp a diaper onto him pronto. Next item on the agenda: Perspective – Passing Fad or Opportunity to Win? But first, Katie here is going to tell us about this Friday’s Jeans Day, to be followed by a ­ten-­minute muffin break.”

But the word “turtle” pulled me out of my reverie, uttered by Fearless Leader–our new head of marketing, Steve. I put up my hand and quite reasonably asked, “Sorry, Steve, did you say a turtle?”

Christine, a senior development director, said, “No need to be sarcastic, Ethan. Steve here took Toblerone chocolate and turned it around inside of two years.”

“No,” Steve protested. “I appreciate an open dialogue. All I’m really saying is that, at home, my son, Carter, plays SimQuest4 and can’t get enough of its turtle character, and if my Carter likes turtle characters, then a turtle character is a winner, and thus, this skateboard game needs a turtle.”

John Doe BlackBerried me: I CAN’T FEEL MY LEGS

And so the order was issued to make our new turtle character “accessible” and “fun” and the buzzword is so horrible I have to spell it out in ASCII: “{101, 100, 103, 121}”

• • •

Back in our cubicle pod, the six of us fizzled away from each other like ginger ale bubbles. I had eighteen new emails and one phone message, my mother: “Dear, could you give me a call? I really need to speak with you–it’s an emergency.”

An emergency? I phoned her cell right away. “Mom, what’s up? What’s wrong?”

“Ethan, are you at work right now?”

“Where else would I be?”

“I’m at SuperValu. Let me call you back from a pay phone.”

The line went dead. I picked it up when it ­rang.

“Mom, you said this was an emergency.”

“It is, dear. Ethan, honey, I need you to help me.”

“I just got out of the Worst Meeting Ever. What’s going on?”

“I suppose I’d better just tell you flat out.”

“Tell me what?”

“Ethan, I killed a biker.”

“You killed a biker?”

“Well, I didn’t mean to.”

“Mom, how the hell did you manage to kill a biker?”

“Ethan, just come home right now. I’ll be there in twenty minutes.”

“Why doesn’t Dad help?”

“He’s on a shoot today. He might get a speaking part.”

She hung ­up.

• • •


On my way out of the office, I passed a ­world-­building team, standing in a semicircle, staring at a large ­German-­made knife on a ­desktop.

“What’s up?” I ­asked.

“It’s the knife we’re using to cut Aidan’s birthday cake,” a friend, Josh, ­replied.

I looked more closely at the knife: it was clownishly big. “Okay, it’s ­hard-­core Itchy & Scratchy – but so what?”

“We’re having a contest – we’re trying to see if there’s any way to hold a knife and walk across a room and not look psycho."

Author

DOUGLAS COUPLAND is a Canadian writer, visual artist and designer. His first novel is the 1991 international bestseller Generation X: Tales for an Accelerated Culture, still celebrated for its biting humour and cultural relevancy thirty years since initial publication. He has published fourteen novels, two collections of short stories, eight nonfiction books. He has written and performed for England's Royal Shakespeare Company, is a columnist for The Financial Times of London and a frequent contributor to The New York Times. In 2000 Coupland amplified his visual art production and has recently had two separate museum retrospectives, Everything is Anything is Anywhere is Everywhere at the Vancouver Art Gallery, The Royal Ontario Museum and the Museum of Contemporary Canadian Art, and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art, and Munich's Villa Stücke. In 2015 and 2016 Coupland was artist in residence in the Paris Google Cultural Institute. In May 2018, his exhibition on ecology, Vortex, opened at the Vancouver Aquarium. Coupland is a member of the Royal Canadian Academy, an Officer of the Order of Canada, an Officer of the Order of British Columbia, a Chevalier de l'Ordre des Arts et des Lettres and a recipient of the Lieutenant Governor's Award for Literary Excellence. View titles by Douglas Coupland

Praise

“Coupland is an accomplished and talented writer whose books are perennial bestsellers.” —Quill and Quire

“[JPod] is a work in which [Coupland's] familiar misgivings about life on the technological cusp are again invoked, but also one in which the skills he’s been developing as a novelist pay off, where his satirical streak and his social consciousness finally stop fooling around with each other and settle down together. . . . JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away.” —The New York Times Book Review

JPod is a seriously funny book, . . . a rolling thunder of sustained comedy, first page to last, as it ends up, and skewers the shamelessness and amorality that define our era. . . . Coupland’s timing is impeccable: JPod is the right book at the right time.” —The Globe and Mail

“Imagine a cocktail of The Office, Weeds and Wired magazine, shaken not stirred . . . The master ironist just might redefine E.M. Forster’s famous dictate ‘Only Connect’ for the Google age.” —USA Today

“Coupland once again nails the zeitgeist of the age. . . . The best thing about JPod is its characteristic good writing . . . and its dark, unflagging wit.” —Calgary Sun

“Coupland is possibly the most gifted exegete of North American mass culture writing today. . . . JPod is without a doubt his strongest, best-observed novel since Microserfs.” —The Guardian

Praise for Hey Nostradamus!:

“A leap sideways from the acid irony which has shaded some of Coupland’s earlier novels. Instead, from the pen of one of the coolest authors on the planet has come a work of suffusing humanity.”
Sunday Herald (UK)

“The leading literary voice of the most cynical generation lets it all out in a blaze of spirituality, terror, high comedy and soul-searching, and does it all in a way that is caring and clever, heartbreaking and hilarious, tough and tender. . .not only Coupland’s best novel, but also one of the best of the year.”
The Hamilton Spectator