THE NEW NOVEL FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
 
“[Han Kang’s] intense poetic prose . . . confronts historical traumas and exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
 
“Unforgettable.”—Hernan Diaz
 
Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama.

A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house.

Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.
© Paik Dahuim
Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, winner of the International Booker Prize, as well as Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she was awarded the Nobel Prize in Literature. View titles by Han Kang

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THE NEW NOVEL FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE
 
“[Han Kang’s] intense poetic prose . . . confronts historical traumas and exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize
 
“Unforgettable.”—Hernan Diaz
 
Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama.

A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house.

Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.

Author

© Paik Dahuim
Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, winner of the International Booker Prize, as well as Human Acts, The White Book, Greek Lessons, and We Do Not Part. In 2024, she was awarded the Nobel Prize in Literature. View titles by Han Kang

Han Kang Awarded the 2024 Nobel Prize in Literature

We are delighted to share the news that Penguin Random House author Han Kang has been awarded the 2024 Nobel Prize in Literature “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life.” The Nobel Foundation writes, “In her oeuvre, Han Kang confronts historical traumas and invisible sets of

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