The Elements of Journalism, Revised and Updated 4th Edition

What Newspeople Should Know and the Public Should Expect

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Paperback
$18.00 US
On sale Aug 10, 2021 | 432 Pages | 978-0-593-23935-3
A timely new edition of the classic journalism text, now featuring updated material on the importance of reporting in the age of media mistrust and fake news—and how journalists can use technology to navigate its challenges

More than two decades ago, the Committee of Concerned Journalists gathered some of America’s most influential newspeople and asked them, “What is journalism for?” Through exhaustive research, surveys, interviews, and public forums, the committee identified the essential elements that define journalism and its role in our society. The result is one of the most important books on media ever written—winner of the Goldsmith Book Prize from Harvard, a Society of Professional Journalists Award, and the Bart Richards Award for Media Criticism from Penn State University.

Updated with new material covering the ways journalists can leverage technology to their advantage, especially given the shifting revenue architecture of news—and with the future of news, facts, and democracy never more in question—this fourth edition of The Elements of Journalism is the authoritative guide for journalists, students, and anyone hoping to stay informed in contentious times.
Preface to the Fourth Edition


Bill Kovach often says that every generation creates its own journalism. That change doesn’t happen gradually. It occurs in fits and starts, as momentous events or dramatic cultural shifts force news- rooms to reexamine themselves.

Look back at the twentieth century and you can see these moments. The notion of applying a more scientific or objective method to gathering news, for instance, came in response to World War I and the Russian Revolution, as thoughtful journalists tried to reckon with failures of their profession at a time when democracy around the world was in doubt. The Hutchins Commission, which developed modern notions of press responsibility, came about after World War II, with the rise of electronic media and attempts by fascist regimes to make an evil science of propaganda. The first edition of this book, twenty years ago, was in response to the fragmentation of media caused by the emerging new technologies of cable and the internet and a new wave of sensationalism that resulted in the face of the financial pressures those technologies created.

Today, in 2021, a new reexamination of journalism is under way. That reckoning is the result of the convergence of disparate but powerful forces. Journalism is threatened by the collapse of its advertising model. It is threatened by a culture at the all-powerful platform companies such as Facebook, Twitter, and YouTube, which is built around what separates people—so they can be targeted for advertising—rather than what unites them. It is threatened by the rise of despotic leaders around the world who want to denigrate a free press and the fact-based approach to civic life that it represents. And it is driven by a reckoning in newsrooms over the failure of usually white- and male-dominated staffs to understand, care about, and cover people of color and the systemic racial injustice in the country. At the same time, those same newsrooms have managed to almost entirely alienate people in the United States who call themselves conservative.

The first step for a field in crisis is to recall the fundamentals that informed the field in the first place. It is critical, next, to be able to distinguish which fundamentals are enduring from the everyday routines or practices employed to put those principles into practice. For example, the need to verify accounts to get to a more accurate understanding of civic life is a fundamental principle. The tools we use to do that verification change with new technology, with algorithms that can match pictures to place and history, check identification, even search for quotes. Yet it is astonishing how wedded professions become to their habits and how easy it is to mistake cherished routines for something more fundamental.

The second step for a field in crisis, then, is to identify and abandon worn-out practices, to rethink how best to fulfill its fundamental principles, and to recognize new ways to perform the services that society requires of it.

The elements of journalism that we describe in this book are nothing more than a description of what society requires of those who produce the news—whether they do so in a large professional setting or for a one-person newsletter they produce in their spare time and distribute on a platform designed for sole producers like Substack.

When we produced the first edition of this book in 2001, we set out to identify the fundamental principles society required of a free press. Those principles were not as widely understood or shared among those in the news as most people thought. We were being asked in effect: What makes journalism different from all the other forms of publishing we call media?

When we produced the second and third editions of this book in 2006 and 2014, we were increasingly asked a different question: To what extent do the principles that guided journalism in the nineteenth and twentieth centuries still apply? Indeed, are there any principles at all?

Our answer then was that the aspirations of journalism had not changed. For example, people still needed journalism to be as accurate as possible. Journalism is still essentially a discipline of verification. But the methods we use to make the news accurate, the disciplines by which we verify accounts, have changed substantially with the advent of supercomputing at our fingertips, with live tweeting and video cameras in every cellphone—and that is the case whether someone is a professional journalist working in a large newsroom or an accidental eyewitness who video-records a shooting.

Today for this fourth edition we are asked a different question. People are not asking if the elements are still relevant. They seem to be asking if we can articulate them again, updated for newer times, because we are in a moment of change, which always calls for a reminder of first principles.

The question, in turn, is not whether technology has rendered the old principles obsolete. It is whether it is still possible for a common public square to exist; whether people who disagree are capable of finding consensus on basic facts; and whether a journalism of open-minded passionate inquiry is still possible, or whether people in newsrooms will abandon inquiry in favor of argument, because facts seem not to matter.

Journalism is facing a crisis of survival. And lack of clarity about the purpose of journalism lies at the center of that crisis. If those who practice journalism and those who consume it do not understand journalism’s purpose in society and cannot differentiate journalism from political advocacy and propaganda, or opinion mongering from reporting, if they do not understand the discipline of verification or the requirements of passionate, open-minded inquiry, it is not journalism that is threatened. It is democracy. For a decade, democracy has been in retreat around the globe. It is not an accident that journalism has been hobbled—financially and by its own mistakes—at the same time. Democracy and the press, as Joseph Pulitzer warned a century ago, really do rise and fall together.


Journalism has no claim on the public’s attention other than in the name of democracy. It grew out of the Enlightenment in the early seventeenth century to make information about civic life once held by the few—usually in royal courts or in secret parliaments—available to the many, to create that public square. Today our public square is breaking apart. The pool of common facts is shrinking. That is a failure of journalism practice, a reflection of technology, and a threat to democracy everywhere.

At the same time journalism is often stronger than ever before. Rulers who believe that they can lie and alter perception by repeating their lies have questioned the integrity of journalists by demonizing the press with epithets like “enemy of the people” and “fake news.” Journalists in response have raised the level of proof in their reporting. They have become more transparent. They have involved the public more in their reporting. Journalism has been hobbled, but it isn’t dying. It is becoming more of a collaboration. And journalists are not being replaced. Their role has become more complex and more critical.

As the contours of the digital revolution have grown clearer, we have become even more confident that not only do the elements of journalism endure—but in an age when anyone may produce and distribute news, they matter more.
Bill Kovach was editor of The Atlanta Journal-Constitution, the Washington bureau chief for The New York Times, and curator of the Nieman Foundation for Journalism fellowship program at Harvard. He was founding chairman of the Committee of Concerned Journalists. View titles by Bill Kovach
Tom Rosenstiel is executive director of the American Press Institute, founder of the Project for Excellence in Journalism, a former media critic for the Los Angeles Times, and chief congressional correspondent for Newsweek. He and Bill Kovach have written two other books together, Warp Speed and Blur. View titles by Tom Rosenstiel

About

A timely new edition of the classic journalism text, now featuring updated material on the importance of reporting in the age of media mistrust and fake news—and how journalists can use technology to navigate its challenges

More than two decades ago, the Committee of Concerned Journalists gathered some of America’s most influential newspeople and asked them, “What is journalism for?” Through exhaustive research, surveys, interviews, and public forums, the committee identified the essential elements that define journalism and its role in our society. The result is one of the most important books on media ever written—winner of the Goldsmith Book Prize from Harvard, a Society of Professional Journalists Award, and the Bart Richards Award for Media Criticism from Penn State University.

Updated with new material covering the ways journalists can leverage technology to their advantage, especially given the shifting revenue architecture of news—and with the future of news, facts, and democracy never more in question—this fourth edition of The Elements of Journalism is the authoritative guide for journalists, students, and anyone hoping to stay informed in contentious times.

Excerpt

Preface to the Fourth Edition


Bill Kovach often says that every generation creates its own journalism. That change doesn’t happen gradually. It occurs in fits and starts, as momentous events or dramatic cultural shifts force news- rooms to reexamine themselves.

Look back at the twentieth century and you can see these moments. The notion of applying a more scientific or objective method to gathering news, for instance, came in response to World War I and the Russian Revolution, as thoughtful journalists tried to reckon with failures of their profession at a time when democracy around the world was in doubt. The Hutchins Commission, which developed modern notions of press responsibility, came about after World War II, with the rise of electronic media and attempts by fascist regimes to make an evil science of propaganda. The first edition of this book, twenty years ago, was in response to the fragmentation of media caused by the emerging new technologies of cable and the internet and a new wave of sensationalism that resulted in the face of the financial pressures those technologies created.

Today, in 2021, a new reexamination of journalism is under way. That reckoning is the result of the convergence of disparate but powerful forces. Journalism is threatened by the collapse of its advertising model. It is threatened by a culture at the all-powerful platform companies such as Facebook, Twitter, and YouTube, which is built around what separates people—so they can be targeted for advertising—rather than what unites them. It is threatened by the rise of despotic leaders around the world who want to denigrate a free press and the fact-based approach to civic life that it represents. And it is driven by a reckoning in newsrooms over the failure of usually white- and male-dominated staffs to understand, care about, and cover people of color and the systemic racial injustice in the country. At the same time, those same newsrooms have managed to almost entirely alienate people in the United States who call themselves conservative.

The first step for a field in crisis is to recall the fundamentals that informed the field in the first place. It is critical, next, to be able to distinguish which fundamentals are enduring from the everyday routines or practices employed to put those principles into practice. For example, the need to verify accounts to get to a more accurate understanding of civic life is a fundamental principle. The tools we use to do that verification change with new technology, with algorithms that can match pictures to place and history, check identification, even search for quotes. Yet it is astonishing how wedded professions become to their habits and how easy it is to mistake cherished routines for something more fundamental.

The second step for a field in crisis, then, is to identify and abandon worn-out practices, to rethink how best to fulfill its fundamental principles, and to recognize new ways to perform the services that society requires of it.

The elements of journalism that we describe in this book are nothing more than a description of what society requires of those who produce the news—whether they do so in a large professional setting or for a one-person newsletter they produce in their spare time and distribute on a platform designed for sole producers like Substack.

When we produced the first edition of this book in 2001, we set out to identify the fundamental principles society required of a free press. Those principles were not as widely understood or shared among those in the news as most people thought. We were being asked in effect: What makes journalism different from all the other forms of publishing we call media?

When we produced the second and third editions of this book in 2006 and 2014, we were increasingly asked a different question: To what extent do the principles that guided journalism in the nineteenth and twentieth centuries still apply? Indeed, are there any principles at all?

Our answer then was that the aspirations of journalism had not changed. For example, people still needed journalism to be as accurate as possible. Journalism is still essentially a discipline of verification. But the methods we use to make the news accurate, the disciplines by which we verify accounts, have changed substantially with the advent of supercomputing at our fingertips, with live tweeting and video cameras in every cellphone—and that is the case whether someone is a professional journalist working in a large newsroom or an accidental eyewitness who video-records a shooting.

Today for this fourth edition we are asked a different question. People are not asking if the elements are still relevant. They seem to be asking if we can articulate them again, updated for newer times, because we are in a moment of change, which always calls for a reminder of first principles.

The question, in turn, is not whether technology has rendered the old principles obsolete. It is whether it is still possible for a common public square to exist; whether people who disagree are capable of finding consensus on basic facts; and whether a journalism of open-minded passionate inquiry is still possible, or whether people in newsrooms will abandon inquiry in favor of argument, because facts seem not to matter.

Journalism is facing a crisis of survival. And lack of clarity about the purpose of journalism lies at the center of that crisis. If those who practice journalism and those who consume it do not understand journalism’s purpose in society and cannot differentiate journalism from political advocacy and propaganda, or opinion mongering from reporting, if they do not understand the discipline of verification or the requirements of passionate, open-minded inquiry, it is not journalism that is threatened. It is democracy. For a decade, democracy has been in retreat around the globe. It is not an accident that journalism has been hobbled—financially and by its own mistakes—at the same time. Democracy and the press, as Joseph Pulitzer warned a century ago, really do rise and fall together.


Journalism has no claim on the public’s attention other than in the name of democracy. It grew out of the Enlightenment in the early seventeenth century to make information about civic life once held by the few—usually in royal courts or in secret parliaments—available to the many, to create that public square. Today our public square is breaking apart. The pool of common facts is shrinking. That is a failure of journalism practice, a reflection of technology, and a threat to democracy everywhere.

At the same time journalism is often stronger than ever before. Rulers who believe that they can lie and alter perception by repeating their lies have questioned the integrity of journalists by demonizing the press with epithets like “enemy of the people” and “fake news.” Journalists in response have raised the level of proof in their reporting. They have become more transparent. They have involved the public more in their reporting. Journalism has been hobbled, but it isn’t dying. It is becoming more of a collaboration. And journalists are not being replaced. Their role has become more complex and more critical.

As the contours of the digital revolution have grown clearer, we have become even more confident that not only do the elements of journalism endure—but in an age when anyone may produce and distribute news, they matter more.

Author

Bill Kovach was editor of The Atlanta Journal-Constitution, the Washington bureau chief for The New York Times, and curator of the Nieman Foundation for Journalism fellowship program at Harvard. He was founding chairman of the Committee of Concerned Journalists. View titles by Bill Kovach
Tom Rosenstiel is executive director of the American Press Institute, founder of the Project for Excellence in Journalism, a former media critic for the Los Angeles Times, and chief congressional correspondent for Newsweek. He and Bill Kovach have written two other books together, Warp Speed and Blur. View titles by Tom Rosenstiel

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