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Musical Tables

Poems

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From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 135 small poems, eleven of them new to this edition, and each a thought or observation compressed to its emotional essence

“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’  back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it’s a start.
Musical Tables

No one knew what to do
when the music stopped,
plus, the big tables were always in the way.

But soon it became the new game
in spite of its pointlessness,
or was that the reason for its popular appeal? 



Highway


Hitchhiking alone,
I notice an ant
walking in the opposite direction.



Aa

At school,
always seen together,
capital and small,
parent and child

holding hands,
about to cross
the street
in Alphabet City.



The Naked Eye

There was no eye lid
to cover the naked eye

so she covered herself
with some scenery,

a meadow she liked to look at
when the other eye wasn’t looking.



Argument from Design

Six petals on each iris,
every other one
with a small yellow streak,

which resembles a tiny vase,
holding a few flowers of its own.



New Calendar

The poem of next year—
every week a line,
every month a stanza,

and a tiny sun
rising and setting
in every numbered square.
© Laura Wilson
Billy Collins is the author of fifteen collections of poetry, including Sailing Alone Around the Room, Aimless Love and, most recently, Water, Water. He served two terms as United State Poet Laureate and is a former Distinguished Professor of English at Lehman College and New York State Poet. He is a New York Public Library Literary Lion and a member of the American Academy of Arts and Letters. He is currently “between dogs,” his most recent an Australian Shepherd mix named Jeannine. He lives in Winter Park, Florida, with his wife Suzannah. View titles by Billy Collins

About

From the former United States Poet Laureate and New York Times bestselling author of Aimless Love, a collection of more than 135 small poems, eleven of them new to this edition, and each a thought or observation compressed to its emotional essence

“Whenever I pick up a new book of poems, I flip through the pages looking for small ones. Just as I might have trust in an abstract painter more if I knew he or she could draw a credible chicken, I have faith in poets who can go short.”—Billy Collins

You can spot a Billy Collins poem immediately. The amiable voice, the light touch, the sudden turn at the end. He "puts the ‘fun’  back in profundity,” says poet Alice Fulton. In his own words, his poems tend to “begin in Kansas and end in Oz.”

Now “America’s favorite poet” (The Wall Street Journal) has found a new form for his unique poetic style: the small poem. Here Collins writes about his trademark themes of nature, animals, poetry, mortality, absurdity, and love—all in a handful of lines. Neither haiku nor limerick, the small poem pushes to an extreme poetry’s famed power to condense emotional and conceptual meaning. Inspired by the small poetry of writers as diverse as William Carlos Williams, W.S. Merwin, Kay Ryan, and Charles Simic, and written with Collins’s recognizable wit and wisdom, the poems of Musical Tables show one of our greatest poets channeling his unique voice into a new phase of his exceptional career.

3:00 AM

Only my hand
is asleep,
but it’s a start.

Excerpt

Musical Tables

No one knew what to do
when the music stopped,
plus, the big tables were always in the way.

But soon it became the new game
in spite of its pointlessness,
or was that the reason for its popular appeal? 



Highway


Hitchhiking alone,
I notice an ant
walking in the opposite direction.



Aa

At school,
always seen together,
capital and small,
parent and child

holding hands,
about to cross
the street
in Alphabet City.



The Naked Eye

There was no eye lid
to cover the naked eye

so she covered herself
with some scenery,

a meadow she liked to look at
when the other eye wasn’t looking.



Argument from Design

Six petals on each iris,
every other one
with a small yellow streak,

which resembles a tiny vase,
holding a few flowers of its own.



New Calendar

The poem of next year—
every week a line,
every month a stanza,

and a tiny sun
rising and setting
in every numbered square.

Author

© Laura Wilson
Billy Collins is the author of fifteen collections of poetry, including Sailing Alone Around the Room, Aimless Love and, most recently, Water, Water. He served two terms as United State Poet Laureate and is a former Distinguished Professor of English at Lehman College and New York State Poet. He is a New York Public Library Literary Lion and a member of the American Academy of Arts and Letters. He is currently “between dogs,” his most recent an Australian Shepherd mix named Jeannine. He lives in Winter Park, Florida, with his wife Suzannah. View titles by Billy Collins

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