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James (Pulitzer Prize Winner)

A Novel

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Hardcover
$28.00 US
On sale Mar 19, 2024 | 320 Pages | 9780385550369

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Winner, National Book Award for Fiction
Winner, The Andrew Carnegie Medal for Excellence in Fiction
Winner, ALA Notable Books in Fiction
Winner, ALA Listen List


A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin. . .), Jim’s agency, intelligence and compassion are shown in a radically new light.

James is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country.” —Ann Patchett
Chapter 2

That evening I sat down with Lizzie and six other children in our cabin and gave a language lesson. These were indispensable. Safe movement through the world depended on mastery of language, fluency. The young ones sat on the packed-dirt floor and I was on one of our two homemade stools. The hole in the roof pulled the smoke from the fire that burned in the middle of the shack.

“Papa, why do we have to learn this?”

“White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” I said. “The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’ So, let’s pause to review some of the basics.”

“Don’t make eye contact,” a boy said.

“Right, Virgil.”

“Never speak first,” a girl said.

“That’s correct, February,” I said.

Lizzie looked at the other children and then back to me. “Never address any subject directly when talking to another slave,” she said.

“What do we call that?” I asked.

Together they said, “Signifying.”

“Excellent.” They were happy with themselves, and I let that feeling linger. “Let’s try some situational translations. Something extreme first. You’re walking down the street and you see that Mrs. Holiday’s kitchen is on fire. She’s standing in her yard, her back to her house, unaware. How do you tell her?”

“Fire, fire,” January said.

“Direct. And that’s almost correct,” I said.

The youngest of them, lean and tall five-year-old Rachel, said, “Lawdy, missum! Looky dere.”

“Perfect,” I said. “Why is that correct?”

Lizzie raised her hand. “Because we must let the whites be the ones who name the trouble.”

“And why is that?” I asked.

February said, “Because they need to know everything before us. Because they need to name everything.”

“Good, good. You all are really sharp today. Okay, let’s imagine now that it’s a grease fire. She’s left bacon unattended on the stove. Mrs. Holiday is about to throw water on it. What do you say? Rachel?”

Rachel paused. “Missums, that water gone make it wurs!”

“Of course, that’s true, but what’s the problem with that?”

Virgil said, “You’re telling her she’s doing the wrong thing.”

I nodded. “So, what should you say?”

Lizzie looked at the ceiling and spoke while thinking it through. “Would you like for me to get some sand?”

“Correct approach, but you didn’t translate it.”

She nodded. “Oh, Lawd, missums ma’am, you wan fo me to gets some sand?”

“Good.”

“‘Gets some’ is hard to say.” This from Glory, the oldest child. “The s’s.”

“That’s true,” I said. “And it’s okay to trip over it. In fact, it’s good. You wan fo me to ge-gets s-s-some s-sand, Missum Holiday?”

“What if they don’t understand?” Lizzie asked.

“That’s okay. Let them work to understand you. Mumble sometimes so they can have the satisfaction of telling you not to mumble. They enjoy the correction and thinking you’re stupid. Remember, the more they choose to not want to listen, the more we can say to one another around them.”

“Why did God set it up like this?” Rachel asked. “With them as masters and us as slaves?”

“There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.”

“There must be something,” Virgil said.

“I’m sorry, Virgil. You might be right. There might be some higher power, children, but it’s not their white God. However, the more you talk about God and Jesus and heaven and hell, the better they feel.”

The children said together, “And the better they feel, the safer we are.”

“February, translate that.”

“Da mo’ betta dey feels, da mo’ safer we be.”

“Nice.”
  • WINNER | 2025
    Audie Awards
  • WINNER | 2025
    National Book Award
  • WINNER | 2025
    Pulitzer Prize (Fiction)
  • WINNER | 2024
    L.A. Times Book Prize (Fiction)
  • FINALIST | 2025
    Dayton Literary Peace Prize for Fiction
  • AWARD | 2025
    British Book Award - Fiction Book of the Year
  • LONGLIST | 2025
    PEN/Jean Stein Book Award
© Michael Avedon
PERCIVAL EVERETT is a Distinguished Professor of English at USC. His most recent books include Dr. No (finalist for the NBCC Award for Fiction and winner of the PEN/ Jean Stein Book Award), The Trees (finalist for the Booker Prize and the PEN/Faulkner Award for Fiction), Telephone (finalist for the Pulitzer Prize), So Much Blue, Erasure, and I Am Not Sidney Poitier. He has received the NBCC Ivan Sandrof Life Achievement Award, The Windham Campbell Prize from Yale University, and the Stowe Prize for Literary Activism. American Fiction, the feature film based on his novel Erasure, was released in 2023 and was awarded the Academy Award for Best Adapted Screenplay. He lives in Los Angeles with his wife, the writer Danzy Senna, and their children. View titles by Percival Everett

Educator Guide for James (Pulitzer Prize Winner)

Classroom-based guides appropriate for schools and colleges provide pre-reading and classroom activities, discussion questions connected to the curriculum, further reading, and resources.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Discussion Guide for James (Pulitzer Prize Winner)

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

About

Winner, National Book Award for Fiction
Winner, The Andrew Carnegie Medal for Excellence in Fiction
Winner, ALA Notable Books in Fiction
Winner, ALA Listen List


A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin. . .), Jim’s agency, intelligence and compassion are shown in a radically new light.

James is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country.” —Ann Patchett

Excerpt

Chapter 2

That evening I sat down with Lizzie and six other children in our cabin and gave a language lesson. These were indispensable. Safe movement through the world depended on mastery of language, fluency. The young ones sat on the packed-dirt floor and I was on one of our two homemade stools. The hole in the roof pulled the smoke from the fire that burned in the middle of the shack.

“Papa, why do we have to learn this?”

“White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” I said. “The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’ So, let’s pause to review some of the basics.”

“Don’t make eye contact,” a boy said.

“Right, Virgil.”

“Never speak first,” a girl said.

“That’s correct, February,” I said.

Lizzie looked at the other children and then back to me. “Never address any subject directly when talking to another slave,” she said.

“What do we call that?” I asked.

Together they said, “Signifying.”

“Excellent.” They were happy with themselves, and I let that feeling linger. “Let’s try some situational translations. Something extreme first. You’re walking down the street and you see that Mrs. Holiday’s kitchen is on fire. She’s standing in her yard, her back to her house, unaware. How do you tell her?”

“Fire, fire,” January said.

“Direct. And that’s almost correct,” I said.

The youngest of them, lean and tall five-year-old Rachel, said, “Lawdy, missum! Looky dere.”

“Perfect,” I said. “Why is that correct?”

Lizzie raised her hand. “Because we must let the whites be the ones who name the trouble.”

“And why is that?” I asked.

February said, “Because they need to know everything before us. Because they need to name everything.”

“Good, good. You all are really sharp today. Okay, let’s imagine now that it’s a grease fire. She’s left bacon unattended on the stove. Mrs. Holiday is about to throw water on it. What do you say? Rachel?”

Rachel paused. “Missums, that water gone make it wurs!”

“Of course, that’s true, but what’s the problem with that?”

Virgil said, “You’re telling her she’s doing the wrong thing.”

I nodded. “So, what should you say?”

Lizzie looked at the ceiling and spoke while thinking it through. “Would you like for me to get some sand?”

“Correct approach, but you didn’t translate it.”

She nodded. “Oh, Lawd, missums ma’am, you wan fo me to gets some sand?”

“Good.”

“‘Gets some’ is hard to say.” This from Glory, the oldest child. “The s’s.”

“That’s true,” I said. “And it’s okay to trip over it. In fact, it’s good. You wan fo me to ge-gets s-s-some s-sand, Missum Holiday?”

“What if they don’t understand?” Lizzie asked.

“That’s okay. Let them work to understand you. Mumble sometimes so they can have the satisfaction of telling you not to mumble. They enjoy the correction and thinking you’re stupid. Remember, the more they choose to not want to listen, the more we can say to one another around them.”

“Why did God set it up like this?” Rachel asked. “With them as masters and us as slaves?”

“There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.”

“There must be something,” Virgil said.

“I’m sorry, Virgil. You might be right. There might be some higher power, children, but it’s not their white God. However, the more you talk about God and Jesus and heaven and hell, the better they feel.”

The children said together, “And the better they feel, the safer we are.”

“February, translate that.”

“Da mo’ betta dey feels, da mo’ safer we be.”

“Nice.”

Awards

  • WINNER | 2025
    Audie Awards
  • WINNER | 2025
    National Book Award
  • WINNER | 2025
    Pulitzer Prize (Fiction)
  • WINNER | 2024
    L.A. Times Book Prize (Fiction)
  • FINALIST | 2025
    Dayton Literary Peace Prize for Fiction
  • AWARD | 2025
    British Book Award - Fiction Book of the Year
  • LONGLIST | 2025
    PEN/Jean Stein Book Award

Author

© Michael Avedon
PERCIVAL EVERETT is a Distinguished Professor of English at USC. His most recent books include Dr. No (finalist for the NBCC Award for Fiction and winner of the PEN/ Jean Stein Book Award), The Trees (finalist for the Booker Prize and the PEN/Faulkner Award for Fiction), Telephone (finalist for the Pulitzer Prize), So Much Blue, Erasure, and I Am Not Sidney Poitier. He has received the NBCC Ivan Sandrof Life Achievement Award, The Windham Campbell Prize from Yale University, and the Stowe Prize for Literary Activism. American Fiction, the feature film based on his novel Erasure, was released in 2023 and was awarded the Academy Award for Best Adapted Screenplay. He lives in Los Angeles with his wife, the writer Danzy Senna, and their children. View titles by Percival Everett

Guides

Educator Guide for James (Pulitzer Prize Winner)

Classroom-based guides appropriate for schools and colleges provide pre-reading and classroom activities, discussion questions connected to the curriculum, further reading, and resources.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Discussion Guide for James (Pulitzer Prize Winner)

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

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Three Penguin Random House Authors Win Pulitzer Prizes

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Penguin Random House 2024 National Book Award Winners

Here are the Penguin Random House books that have been chosen as winners for the National Book Award, one of the most celebrated prizes since 1950. Read more about the winners from the National Book Foundation here.   Winner, National Book Award for Fiction James by Percival Everett (Doubleday) Winner, National Book Award for Nonfiction Soldiers

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