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Please Ignore Vera Dietz

Author A.S. King
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Paperback
$10.99 US
On sale Apr 10, 2012 | 336 Pages | 9780375865640

Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.
 
So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to?
 
Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.

THE FUNERAL    
The pastor is saying something about how Charlie was a free spirit. He was and he wasn't. He was free because on the inside he was tied up in knots. He lived hard because inside he was dying. Charlie made inner conflict look delicious.   The pastor is saying something about Charlie's vivacious and intense personality. I picture Charlie inside the white coffin, McDonald's napkin in one hand, felt-tipped pen in the other, scribbling, "Tell that guy to kiss my white vivacious ass. He nevermet me." I picture him crumpling the note and eating it. I picture him reaching for his Zippo lighter and setting it alight, right there in the box. I see the congregation, teary-eyed, suddenly distracted by the rising smoke seeping through the seams.   Is it okay to hate a dead kid? Even if I loved him once? Even if he was my best friend? Is it okay to hate him for being dead?     Dad doesn't want me to see the burying part, but I make him walk to the cemetery with me, and he holds my hand for the first time since I was twelve. The pastor says something about how we return to the earth the way we came from the earth and I feel thegrass under my feet grab my ankles and pull me down. I picture Charlie in his coffin, nodding, certain that the Great Hunter meant for everything to unfold as it has. I picture him laughing in there as the winch lowers him into the hole. I hear him saying,"Hey, Veer--it's not every day you get lowered into a hole by a guy with a wart on his nose, right?" I look at the guy manning the winch. I look at the grass gripping my feet. I hear a handful of dirt hit the hollow-sounding coffin, and I bury my face in Dad'sside and cry quietly. I still can't really believe Charlie is dead.     The reception is divided into four factions. First, you have Charlie's family. Mr. and Mrs. Kahn and their parents (Charlie's grandparents), and Charlie's aunts and uncles and seven cousins. Old friends of the family and close neighbors are included here,too, so that's where Dad and I end up. Dad, still awkward at social events without Mom, asks me forty-seven times between the church and the banquet hall if I'm okay. But really, he's worse off than I am. Especially when talking to the Kahns. They know we knowtheir secrets because we live next door. And they know we know they know.   "I'm so sorry," Dad says.   "Thanks, Ken," Mrs. Kahn answers. It's hot outside--first day of September--and Mrs. Kahn is wearing long sleeves.   They both look at me and I open my mouth to say something, but nothing comes out. I am so mixed up about what I should be feeling, I throw myself into Mrs. Kahn's arms and sob for a few seconds. Then I compose myself and wipe my wet cheeks with the backof my hands. Dad gives me a tissue from his blazer pocket.   "Sorry," I say.   "It's fine, Vera. You were his best friend. This must be awful hard on you," Mrs. Kahn says.   She has no idea how hard. I haven't been Charlie's best friend since April, when he totally screwed me over and started hanging out full-time with Jenny Flick and the Detentionhead losers. Let me tell you--if you think your best friend dying is a bitch,try your best friend dying after he screws you over. It's a bitch like no other.     To the right of the family corner, there's the community corner. A mix of neighbors, teachers, and kids that had a study hall or two with him. A few kids from his fifth-grade Little League baseball team. Our childhood babysitter, who Charlie had an endlesscrush on, is here with her new husband.   Beyond the community corner is the official-people area. Everyone there is in a black suit of some sort. The pastor is talking with the school principal, Charlie's family doctor, and two guys I never saw before. After the initial reception stuff is over,one of the pastor's helpers asks Mrs. Kahn if she needs anything. Mr. Kahn steps in and answers for her, sternly, and the helper then informs people that the buffet is open. It's a slow process, but eventually, people find their way to the food.   "You want anything?" Dad asks.   I shake my head.   "You sure?"   I nod yes. He gets a plate and slops on some salad and cottage cheese.     Across the room is the Detentionhead crowd--Charlie's new best friends. They stay close to the door and go out in groups to smoke. The stoop is littered with butts, even though there's one of those hourglass-shaped smokeless ashtrays there. For a whilethey were blocking the door, until the banquet hall manager asked them to move. So they did, and now they're circled around Jenny Flick as if she's Charlie's hopeless widow rather than the reason he's dead.     An hour later, Dad and I are driving home and he asks, "Do you know anything about what happened Sunday night?"   "Nope." A lie. I do.   "Because if you do, you need to say something."   "Yeah. I would if I did, but I don't." A lie. I do. I wouldn't if I could. I haven't. I won't. I can't yet.     I take a shower when I get home because I can't think of anything else to do. I put on my pajamas, even though it's only seven-thirty, and I sit down in the den with Dad, who is reading the newspaper. But I can't sit still, so I walk to the kitchen andslide the glass door open and close it behind me once I'm on the deck. There are a bunch of catbirds in the yard, squawking the way they do at dusk. I look into the woods, toward Charlie's house, and walk back inside again.   "You going to be okay with school tomorrow?" Dad asks.   "No," I say. "But I guess it's the best thing to do, you know?"   "Probably true," he says. But he wasn't there last Monday, in the parking lot, when Jenny and the Detentionheads, all dressed in black, gathered around her car and smoked. He wasn't there when she wailed. She wailed so loud, I hated her more than I alreadyhated her. Charlie's own mother wasn't wailing that much.   "Yeah. It's the first week. It's all review anyway."   "You know, you could pick up a few more hours at work. That would probably keep your mind off things."   I think the number one thing to remember about my dad is that no matter the ailment, he will suggest working as a possible cure.    

THREE AND A HALF MONTHS LATER-- A THURSDAY IN DECEMBER    
I turned eighteen in October and I went from pizza maker to pizza deliverer. I also went from twenty hours a week to forty, on top of my schoolwork. Though the only classes worth studying for are Modern Social Thought and Vocabulary. MST is easy homework--everyday we discuss a different newspaper article. Vocab is ten words a week (with bonus points for additional words students find in their everyday reading), using each in a sentence.   Here's me using parsimonious in a sentence.   My parsimonious father doesn't understand that a senior in high school shouldn't have a full-time job. He doesn't listen when I explain that working as a pizza delivery girl from four until midnight every school night isn't very good for my grades. Instead,my parsimonious father launches into a ten-minute-long lecture about how working for a living is hard and kids today don't get it because they're given allowances they don't earn.   Seemingly, this is character building.   Apparently, most kids would be thankful.   Allegedly, I'm the only kid in my school who isn't "spoiled by our culture of entitlement."   This was supposed to keep my mind off Charlie dying--which hasn't worked so far. It's only made it worse. The more I work, the more he follows me. The more he follows me, the more he nags me to clear his name. The more he nags me, the more I hate him forleaving me with this mess. Or for leaving me, period.   I'm at the traffic light outside school and I slip the red Pagoda Pizza shirt over my head. I don't care if it messes up my hair, because I need to look a mix of crazy, disheveled, and apathetic to maintain the balancing act of getting good tips and notgetting robbed. I reach under my seat and feel around for the cold glass, and when I find it, I slide it between my legs and twist the metal cap off. Two gulps of vodka later, my eyes are watering and my throat automatically grumbles "Ahhhhh" to get rid ofthe burning. Don't judge. I'm not getting drunk. I'm coping.   I pop three pieces of Winterfresh gum into my mouth, slip the bottle back under my seat, and turn left into the Pagoda Pizza Delivery parking lot.   My boss at Pagoda is a really cool biker lady with crooked yellow teeth called Marie. We have two other managers. Nathan (Nate) is a six-foot-five black guy with square 1980s glasses, and Steve is in his forties, drives a Porsche, and lives with his mom.One of the other drivers told me that he's loaded and he only works here for fun, but I don't believe what the other drivers say. Most of the time, they're stoned. They tell me, when we're mopping the floor or washing the dishes after closing, that when they'rehigh, they can't look at Marie because her teeth freak them out.   Marie is running the store tonight, and when I get in, she smiles at me, like a bagful of broken, sun-aged piano keys, and hands me my change envelope and my Pagoda Phone for the night. Nate is cashing out his day-shift receipts on the computer behindthe stainless-steel toppings island. "Yo, Vera! What's shakin'?"   "Hey, Nate."   "Anyone ever tell you that you look fine in that uniform?" he asks. He asks this at least twice a week. It's his idea of endearing small talk.   "Only you," I say.   "It's like you were destined to be a pizza delivery technician," he adds, then slams the cash drawer shut and struts into the back room with me, where he slaps a deposit bag onto the old desk in the office and removes his hokey MC Hammer leather coat fromthe hook on the back of the door.   "Destiny's bullshit," I answer. I should know. I've spent my whole life avoiding mine.    

YOU'RE WONDERING WHERE MY MOTHER IS    
My mother left us when I was twelve. She found a man who was not as parsimonious as my father and they moved to Las Vegas, Nevada, which is two thousand five hundred miles away. She doesn't visit. She doesn't call. She sends me a card on my birthday withfifty dollars in it, which my father nags me about until I finally go to the bank and deposit it. And so, for all six years she's been gone, I have $337 to show for having a mother.   Dad says that thirty-seven bucks is good interest. He doesn't see the irony in that. He doesn't see the word interest as anything not connected to money because he's an accountant and to him, everything is a number.   I think $37 and no mother and no visits or phone calls is shitty interest.   She had me when she was seventeen. I guess I should feel lucky that she stuck around the twelve lousy years she did. I guess I should feel lucky she didn't give me up for adoption or abort me at the clinic behind the bowling alley that no one thinks weknow about.   She and Dad grew up together, next-door neighbors. Just like Charlie and me. "I followed my heart," he claims. Some good that did him. Now he's stuck with me and three bookcases full of self-help Zen bullshit, has no friends, and maintains an amazing abilityto blow off anything that's remotely important.     When I turned thirteen, Dad told me the truth about Mom.   "I'm sure this will never come up, but in case it does, I want you to know the truth."   Make a note. When a conversation starts out like this, brace yourself.   "When you were just a little baby, your mother took a job over at Joe's."   Of course, this meant nothing to me. I was thirteen. I had no clue that Joe's was a bring-your-own-beer strip joint where women danced around half naked getting dollar bills stuffed into their panties.   "What's Joe's?"   With no shame or recognition of how badly I could take this, my father said, "A strip club."   I knew what that was.   "Mom was a--a stripper?"   He nodded.   "And people know this?"   "Just people who were around back then--whoever knew her." He struggled a bit then, seeing how disgusted I was. "It was only for a few months, Vera. She wanted her freedom back after dropping out of school, getting kicked out of her house, and having--uh--ababy so young. I was still drinking then. She wanted something that she never got back," he said. The words came out garbled and stuttery. "She--she--uh--wanted something she never found until she ran off with Marty, I guess."   Marty had been Mom and Dad's podiatrist.   Dad and I used to sit in the waiting room and play twenty questions during Mom's longer-than-normal appointments for verrucas.   Dad still hits an AA meeting when he needs to. He says it's a curse--alcoholism. Says I should never even try the stuff because the curse runs in our family. "My father was a drunk, and so was his father."   Well, if it's as easy as catching my future from a blood relative, then I guess I'm due to be a drunk, pregnant, dropout stripper any day now.
  • WINNER
    ALA Best Books for Young Adults
  • WINNER
    Young Adult Services Division, School Library Journal Author Award
  • WINNER
    Cooperative Children's Book Center Choices
  • WINNER
    Michael L. Printz Honor Book
  • WINNER
    Pennsylvania Young Readers Choice Award
  • WINNER | 2011
    Printz Awards
  • WINNER | 2010
    Printz Honors
  • WINNER | 2010
    Kirkus Reviews Best Young Adult Books
  • NOMINEE
    South Carolina Children's Book Award
  • FINALIST
    Bank Street Child Study Children's Book Award
  • NOMINEE
    Texas TAYSHAS High School Reading List
  • NOMINEE
    ALA Quick Pick for Young Adult Reluctant Readers
  • NOMINEE
    New Jersey Garden State Teen Book Award
  • NOMINEE
    Bank Street Child Study Children's Book Award
  • FINALIST | 2011
    Edgar Allan Poe Award for Best Young Adult Novel
© A.S. King
Hailed by the New York Times as “one of the best YA writers working today,” A.S. King is the author of over a dozen books for young readers. She is the only two-time winner of the Michael L. Printz Award. She is the winner of the Los Angeles Times Book Prize. She is the recipient of both the Margaret A. Edwards Award and the ALAN Award for her lifetime contributions to young adult literature. King lives with her family in Pennsylvania, where she returned after living on a farm and teaching adult literacy in Ireland for more than a decade. View titles by A.S. King

About

Vera’s spent her whole life secretly in love with her best friend, Charlie Kahn. And over the years she’s kept a lot of his secrets. Even after he betrayed her. Even after he ruined everything.
 
So when Charlie dies in dark circumstances, Vera knows a lot more than anyone—the kids at school, his family, even the police. But will she emerge to clear his name? Does she even want to?
 
Edgy and gripping, Please Ignore Vera Dietz is an unforgettable novel: smart, funny, dramatic, and always surprising.

Excerpt

THE FUNERAL    
The pastor is saying something about how Charlie was a free spirit. He was and he wasn't. He was free because on the inside he was tied up in knots. He lived hard because inside he was dying. Charlie made inner conflict look delicious.   The pastor is saying something about Charlie's vivacious and intense personality. I picture Charlie inside the white coffin, McDonald's napkin in one hand, felt-tipped pen in the other, scribbling, "Tell that guy to kiss my white vivacious ass. He nevermet me." I picture him crumpling the note and eating it. I picture him reaching for his Zippo lighter and setting it alight, right there in the box. I see the congregation, teary-eyed, suddenly distracted by the rising smoke seeping through the seams.   Is it okay to hate a dead kid? Even if I loved him once? Even if he was my best friend? Is it okay to hate him for being dead?     Dad doesn't want me to see the burying part, but I make him walk to the cemetery with me, and he holds my hand for the first time since I was twelve. The pastor says something about how we return to the earth the way we came from the earth and I feel thegrass under my feet grab my ankles and pull me down. I picture Charlie in his coffin, nodding, certain that the Great Hunter meant for everything to unfold as it has. I picture him laughing in there as the winch lowers him into the hole. I hear him saying,"Hey, Veer--it's not every day you get lowered into a hole by a guy with a wart on his nose, right?" I look at the guy manning the winch. I look at the grass gripping my feet. I hear a handful of dirt hit the hollow-sounding coffin, and I bury my face in Dad'sside and cry quietly. I still can't really believe Charlie is dead.     The reception is divided into four factions. First, you have Charlie's family. Mr. and Mrs. Kahn and their parents (Charlie's grandparents), and Charlie's aunts and uncles and seven cousins. Old friends of the family and close neighbors are included here,too, so that's where Dad and I end up. Dad, still awkward at social events without Mom, asks me forty-seven times between the church and the banquet hall if I'm okay. But really, he's worse off than I am. Especially when talking to the Kahns. They know we knowtheir secrets because we live next door. And they know we know they know.   "I'm so sorry," Dad says.   "Thanks, Ken," Mrs. Kahn answers. It's hot outside--first day of September--and Mrs. Kahn is wearing long sleeves.   They both look at me and I open my mouth to say something, but nothing comes out. I am so mixed up about what I should be feeling, I throw myself into Mrs. Kahn's arms and sob for a few seconds. Then I compose myself and wipe my wet cheeks with the backof my hands. Dad gives me a tissue from his blazer pocket.   "Sorry," I say.   "It's fine, Vera. You were his best friend. This must be awful hard on you," Mrs. Kahn says.   She has no idea how hard. I haven't been Charlie's best friend since April, when he totally screwed me over and started hanging out full-time with Jenny Flick and the Detentionhead losers. Let me tell you--if you think your best friend dying is a bitch,try your best friend dying after he screws you over. It's a bitch like no other.     To the right of the family corner, there's the community corner. A mix of neighbors, teachers, and kids that had a study hall or two with him. A few kids from his fifth-grade Little League baseball team. Our childhood babysitter, who Charlie had an endlesscrush on, is here with her new husband.   Beyond the community corner is the official-people area. Everyone there is in a black suit of some sort. The pastor is talking with the school principal, Charlie's family doctor, and two guys I never saw before. After the initial reception stuff is over,one of the pastor's helpers asks Mrs. Kahn if she needs anything. Mr. Kahn steps in and answers for her, sternly, and the helper then informs people that the buffet is open. It's a slow process, but eventually, people find their way to the food.   "You want anything?" Dad asks.   I shake my head.   "You sure?"   I nod yes. He gets a plate and slops on some salad and cottage cheese.     Across the room is the Detentionhead crowd--Charlie's new best friends. They stay close to the door and go out in groups to smoke. The stoop is littered with butts, even though there's one of those hourglass-shaped smokeless ashtrays there. For a whilethey were blocking the door, until the banquet hall manager asked them to move. So they did, and now they're circled around Jenny Flick as if she's Charlie's hopeless widow rather than the reason he's dead.     An hour later, Dad and I are driving home and he asks, "Do you know anything about what happened Sunday night?"   "Nope." A lie. I do.   "Because if you do, you need to say something."   "Yeah. I would if I did, but I don't." A lie. I do. I wouldn't if I could. I haven't. I won't. I can't yet.     I take a shower when I get home because I can't think of anything else to do. I put on my pajamas, even though it's only seven-thirty, and I sit down in the den with Dad, who is reading the newspaper. But I can't sit still, so I walk to the kitchen andslide the glass door open and close it behind me once I'm on the deck. There are a bunch of catbirds in the yard, squawking the way they do at dusk. I look into the woods, toward Charlie's house, and walk back inside again.   "You going to be okay with school tomorrow?" Dad asks.   "No," I say. "But I guess it's the best thing to do, you know?"   "Probably true," he says. But he wasn't there last Monday, in the parking lot, when Jenny and the Detentionheads, all dressed in black, gathered around her car and smoked. He wasn't there when she wailed. She wailed so loud, I hated her more than I alreadyhated her. Charlie's own mother wasn't wailing that much.   "Yeah. It's the first week. It's all review anyway."   "You know, you could pick up a few more hours at work. That would probably keep your mind off things."   I think the number one thing to remember about my dad is that no matter the ailment, he will suggest working as a possible cure.    

THREE AND A HALF MONTHS LATER-- A THURSDAY IN DECEMBER    
I turned eighteen in October and I went from pizza maker to pizza deliverer. I also went from twenty hours a week to forty, on top of my schoolwork. Though the only classes worth studying for are Modern Social Thought and Vocabulary. MST is easy homework--everyday we discuss a different newspaper article. Vocab is ten words a week (with bonus points for additional words students find in their everyday reading), using each in a sentence.   Here's me using parsimonious in a sentence.   My parsimonious father doesn't understand that a senior in high school shouldn't have a full-time job. He doesn't listen when I explain that working as a pizza delivery girl from four until midnight every school night isn't very good for my grades. Instead,my parsimonious father launches into a ten-minute-long lecture about how working for a living is hard and kids today don't get it because they're given allowances they don't earn.   Seemingly, this is character building.   Apparently, most kids would be thankful.   Allegedly, I'm the only kid in my school who isn't "spoiled by our culture of entitlement."   This was supposed to keep my mind off Charlie dying--which hasn't worked so far. It's only made it worse. The more I work, the more he follows me. The more he follows me, the more he nags me to clear his name. The more he nags me, the more I hate him forleaving me with this mess. Or for leaving me, period.   I'm at the traffic light outside school and I slip the red Pagoda Pizza shirt over my head. I don't care if it messes up my hair, because I need to look a mix of crazy, disheveled, and apathetic to maintain the balancing act of getting good tips and notgetting robbed. I reach under my seat and feel around for the cold glass, and when I find it, I slide it between my legs and twist the metal cap off. Two gulps of vodka later, my eyes are watering and my throat automatically grumbles "Ahhhhh" to get rid ofthe burning. Don't judge. I'm not getting drunk. I'm coping.   I pop three pieces of Winterfresh gum into my mouth, slip the bottle back under my seat, and turn left into the Pagoda Pizza Delivery parking lot.   My boss at Pagoda is a really cool biker lady with crooked yellow teeth called Marie. We have two other managers. Nathan (Nate) is a six-foot-five black guy with square 1980s glasses, and Steve is in his forties, drives a Porsche, and lives with his mom.One of the other drivers told me that he's loaded and he only works here for fun, but I don't believe what the other drivers say. Most of the time, they're stoned. They tell me, when we're mopping the floor or washing the dishes after closing, that when they'rehigh, they can't look at Marie because her teeth freak them out.   Marie is running the store tonight, and when I get in, she smiles at me, like a bagful of broken, sun-aged piano keys, and hands me my change envelope and my Pagoda Phone for the night. Nate is cashing out his day-shift receipts on the computer behindthe stainless-steel toppings island. "Yo, Vera! What's shakin'?"   "Hey, Nate."   "Anyone ever tell you that you look fine in that uniform?" he asks. He asks this at least twice a week. It's his idea of endearing small talk.   "Only you," I say.   "It's like you were destined to be a pizza delivery technician," he adds, then slams the cash drawer shut and struts into the back room with me, where he slaps a deposit bag onto the old desk in the office and removes his hokey MC Hammer leather coat fromthe hook on the back of the door.   "Destiny's bullshit," I answer. I should know. I've spent my whole life avoiding mine.    

YOU'RE WONDERING WHERE MY MOTHER IS    
My mother left us when I was twelve. She found a man who was not as parsimonious as my father and they moved to Las Vegas, Nevada, which is two thousand five hundred miles away. She doesn't visit. She doesn't call. She sends me a card on my birthday withfifty dollars in it, which my father nags me about until I finally go to the bank and deposit it. And so, for all six years she's been gone, I have $337 to show for having a mother.   Dad says that thirty-seven bucks is good interest. He doesn't see the irony in that. He doesn't see the word interest as anything not connected to money because he's an accountant and to him, everything is a number.   I think $37 and no mother and no visits or phone calls is shitty interest.   She had me when she was seventeen. I guess I should feel lucky that she stuck around the twelve lousy years she did. I guess I should feel lucky she didn't give me up for adoption or abort me at the clinic behind the bowling alley that no one thinks weknow about.   She and Dad grew up together, next-door neighbors. Just like Charlie and me. "I followed my heart," he claims. Some good that did him. Now he's stuck with me and three bookcases full of self-help Zen bullshit, has no friends, and maintains an amazing abilityto blow off anything that's remotely important.     When I turned thirteen, Dad told me the truth about Mom.   "I'm sure this will never come up, but in case it does, I want you to know the truth."   Make a note. When a conversation starts out like this, brace yourself.   "When you were just a little baby, your mother took a job over at Joe's."   Of course, this meant nothing to me. I was thirteen. I had no clue that Joe's was a bring-your-own-beer strip joint where women danced around half naked getting dollar bills stuffed into their panties.   "What's Joe's?"   With no shame or recognition of how badly I could take this, my father said, "A strip club."   I knew what that was.   "Mom was a--a stripper?"   He nodded.   "And people know this?"   "Just people who were around back then--whoever knew her." He struggled a bit then, seeing how disgusted I was. "It was only for a few months, Vera. She wanted her freedom back after dropping out of school, getting kicked out of her house, and having--uh--ababy so young. I was still drinking then. She wanted something that she never got back," he said. The words came out garbled and stuttery. "She--she--uh--wanted something she never found until she ran off with Marty, I guess."   Marty had been Mom and Dad's podiatrist.   Dad and I used to sit in the waiting room and play twenty questions during Mom's longer-than-normal appointments for verrucas.   Dad still hits an AA meeting when he needs to. He says it's a curse--alcoholism. Says I should never even try the stuff because the curse runs in our family. "My father was a drunk, and so was his father."   Well, if it's as easy as catching my future from a blood relative, then I guess I'm due to be a drunk, pregnant, dropout stripper any day now.

Awards

  • WINNER
    ALA Best Books for Young Adults
  • WINNER
    Young Adult Services Division, School Library Journal Author Award
  • WINNER
    Cooperative Children's Book Center Choices
  • WINNER
    Michael L. Printz Honor Book
  • WINNER
    Pennsylvania Young Readers Choice Award
  • WINNER | 2011
    Printz Awards
  • WINNER | 2010
    Printz Honors
  • WINNER | 2010
    Kirkus Reviews Best Young Adult Books
  • NOMINEE
    South Carolina Children's Book Award
  • FINALIST
    Bank Street Child Study Children's Book Award
  • NOMINEE
    Texas TAYSHAS High School Reading List
  • NOMINEE
    ALA Quick Pick for Young Adult Reluctant Readers
  • NOMINEE
    New Jersey Garden State Teen Book Award
  • NOMINEE
    Bank Street Child Study Children's Book Award
  • FINALIST | 2011
    Edgar Allan Poe Award for Best Young Adult Novel

Author

© A.S. King
Hailed by the New York Times as “one of the best YA writers working today,” A.S. King is the author of over a dozen books for young readers. She is the only two-time winner of the Michael L. Printz Award. She is the winner of the Los Angeles Times Book Prize. She is the recipient of both the Margaret A. Edwards Award and the ALAN Award for her lifetime contributions to young adult literature. King lives with her family in Pennsylvania, where she returned after living on a farm and teaching adult literacy in Ireland for more than a decade. View titles by A.S. King