To Repel Ghosts

The Remix

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Paperback
$24.00 US
On sale Sep 27, 2005 | 320 Pages | 978-0-375-71023-0
As Kevin Young explains in his introduction to this “remix” of To Repel Ghosts, his “discography” of the life of Jean-Michel Basquiat was originally published in a "double-album" version of 350 pages, but for our new paperback he has scaled it back to an “alternate take” that, at about half that length, has a streamlined focus and new punch. This book can be seen as the first installment in an American trilogy that has continued in Jelly Roll and ends with Black Maria, and of the three it is the most edgy, the closest to us historically: it tells the tragic story of Basquiat's rise from graffiti artist with the tag SAMO to the hot painter (“blue-chip Basquiat/ playing the bull/ market”) who was overwhelmed by his reputation, addicted to heroine, and dead of an overdose in his late twenties.

Young riffs on Basquiat's paintings and sayings, on the music the artist loved and collected on vinyl, and on the black folk heroes (Grace Jones, Charlie Parker, Muhammad Ali, Joe Louis) who inspired him, and who provide a foil to his own bout with fame. It is a tale of the eighties, a time when, Young writes in “Negative,” we “Wake to find everything black/ what was white, all the vice/ versa,” and “Only money keeps/ green,”when the culture was rife with excesses and contradictions, particularly in the art world. In these poems we bump into such figures as Bill T Jones and the omnipresent Andy Warhol (who took Basquiat under his wing); we attend a birthday party for Roy Cohn, and watch Keith Haring excavate a section of the back wall of his building when he moves out because Basquiat has painted on it.
  • WINNER | 2006
    New York Public Library Books for the Teen Age
© Maciek Jasik
KEVIN YOUNG is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture. He previously served as the director of the Schomburg Center for Research in Black Culture. Young is the author of fourteen books of poetry and prose, including BrownBlue LawsSelected & Uncollected Poems, 1995–2015Book of Hours, winner of the Lenore Marshall Poetry Prize from the Academy of American Poets; Jelly RollA Blues, a finalist for both the National Book Award and the Los Angeles Times Book Prize for Poetry; Bunk, a New York Times Notable Book; and The Grey Album, winner of the Graywolf Press Nonfiction Prize and the PEN Open Book Award, a New York Times Notable Book, and a finalist for the National Book Critics Circle Award for criticism. The poetry editor of The New Yorker, Young is the editor of nine other volumes of poetry, most recently, the acclaimed anthology African American Poetry250 Years of Struggle & Song. He is a member of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, and was named a chancellor of the Academy of American Poets in 2020. He lives in Washington, DC. View titles by Kevin Young

About

As Kevin Young explains in his introduction to this “remix” of To Repel Ghosts, his “discography” of the life of Jean-Michel Basquiat was originally published in a "double-album" version of 350 pages, but for our new paperback he has scaled it back to an “alternate take” that, at about half that length, has a streamlined focus and new punch. This book can be seen as the first installment in an American trilogy that has continued in Jelly Roll and ends with Black Maria, and of the three it is the most edgy, the closest to us historically: it tells the tragic story of Basquiat's rise from graffiti artist with the tag SAMO to the hot painter (“blue-chip Basquiat/ playing the bull/ market”) who was overwhelmed by his reputation, addicted to heroine, and dead of an overdose in his late twenties.

Young riffs on Basquiat's paintings and sayings, on the music the artist loved and collected on vinyl, and on the black folk heroes (Grace Jones, Charlie Parker, Muhammad Ali, Joe Louis) who inspired him, and who provide a foil to his own bout with fame. It is a tale of the eighties, a time when, Young writes in “Negative,” we “Wake to find everything black/ what was white, all the vice/ versa,” and “Only money keeps/ green,”when the culture was rife with excesses and contradictions, particularly in the art world. In these poems we bump into such figures as Bill T Jones and the omnipresent Andy Warhol (who took Basquiat under his wing); we attend a birthday party for Roy Cohn, and watch Keith Haring excavate a section of the back wall of his building when he moves out because Basquiat has painted on it.

Awards

  • WINNER | 2006
    New York Public Library Books for the Teen Age

Author

© Maciek Jasik
KEVIN YOUNG is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture. He previously served as the director of the Schomburg Center for Research in Black Culture. Young is the author of fourteen books of poetry and prose, including BrownBlue LawsSelected & Uncollected Poems, 1995–2015Book of Hours, winner of the Lenore Marshall Poetry Prize from the Academy of American Poets; Jelly RollA Blues, a finalist for both the National Book Award and the Los Angeles Times Book Prize for Poetry; Bunk, a New York Times Notable Book; and The Grey Album, winner of the Graywolf Press Nonfiction Prize and the PEN Open Book Award, a New York Times Notable Book, and a finalist for the National Book Critics Circle Award for criticism. The poetry editor of The New Yorker, Young is the editor of nine other volumes of poetry, most recently, the acclaimed anthology African American Poetry250 Years of Struggle & Song. He is a member of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, and was named a chancellor of the Academy of American Poets in 2020. He lives in Washington, DC. View titles by Kevin Young