Half and Half

Writers on Growing Up Biracial and Bicultural

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Paperback
$20.00 US
On sale Jun 09, 1998 | 288 Pages | 9780375700118

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As we approach the twenty-first century, biracialism and biculturalism are becoming increasingly common. Skin color and place of birth are no longer reliable signifiers of one's identity or origin. Simple questions like "What are you?" and "Where are you from?" aren't answered--they are discussed. These eighteen essays, joined by a shared sense of duality, address the difficulties of not fitting into and the benefits of being a part of two worlds. Through the lens of personal experience, they offer a broader spectrum of meaning for race and culture. In the process, they map a new ethnic terrain that transcends racial and cultural division.

PRAISE FOR Half and Half:

"The future is here in these fascinating looks at complicated identities. Insightful, hilarious, and often heartbreaking. I can't wait for my daughter (part Cuban, part Japanese, part Jewish) to grow up and read it."
--Cristina Garcia, author of The Aguero Sisters

"Half and Half is more than the sum of its parts--it is at once somber and hilarious, irreverent and moving. These writers show us, in the alchemy of art, how their experiences in identifying who they are make not only for cultural news, but for riveting reading."
--Chang-Rae Lee, author of Native Speaker

"A wonderful and thought-provoking collection which accurately captures the cultural and racial fissions that not only reflect the reality of our modern world, but increasingly feed our sense of who we are as individuals."
--Caryl Phillips, author of The Nature of Blood


CONTENTS

Introduction by Claudine Chiawei O'Hearn

Lost in Place by Garrett Hongo

The Mulatto Millennium by Danzy Senna

The Double Helix by Roxane Farmanfarmaian

California Palms by le thi diem thuy

Moro Like Me by Francisco Goldman

The Road from Ballygunge by Bharati Mukherjee

Reflections on My Daughter by David Mura

Life as an Alien by Meri Nana-Ama Danquah

Lost in the Middle by Malcolm Gladwell

The Funeral Banquet by Lisa See

A White Woman of Color by Julia Alvarez

A Middle Passage by Philippe Wamba

Food and the Immigrant by Indira Ganesan

What Color is Jesus? by James McBride

Postcards from "Home" by Lori Tsang

From Here to Poland by Nina Mehta

Technicolor by Ruben Martinez

An Ethnic Trump by Gish Jen
Introduction by Claudine Chiawei O’Hearn vii
 
LOST IN PLACE by Garrett Hongo 1
 
THE MULATTO MILLENIUM by Danny Senna 12
 
THE DOUBLE HELIX by Roxane Farmanfarmaian 28
 
CALIFORNIA PALMS by lê thi diem thúy  38
 
MORO LIKE ME by Francisco Goldman 49
 
THE ROAD FROM BALLYGUNGE by Bharati Mukherjee 71
 
REFLECTIONS ON MY DAUGHTER by David Mura 80
 
LIFE AS AN ALIEN by Meri Nana-Ama Danquah 99
 
LOST IN THE MIDDLE by Malcolm Gladwell 112
 
THE FUNERAL BANQUET by Lisa See 125
 
A WHITE WOMAN OF COLOR by Julia Álvarez 139
 
A MIDDLE PASSAGE by Philippe Wamba 150
 
FOOD AND THE IMMIGRANT by Indira Ganesan 170
 
WHAT COLOR IS JESUS? by James McBride 181
 
POSTCARDS FROM “HOME” by Lori Tsang 197
 
FROM HERE TO POLAND by Nina Mehta 216
 
TECHNICOLOR by Rubén Martinez 245
 
AN ETHNIC TRUMP by Gish Jen 265
 
About the Authors 269
INTRODUCTION
 
I was walking down the street the other day, on my way home from the gym, when a large woman with wiry hair run amok approached me, mumbling to herself and looking somewhat deranged, as only New Yorkers can look. As she neared me, she looked me in the eye and barked, “Half-breed bitch.” I had already passed her by the time I figured out what she had said. Shocked, my first reaction was a mix of surprise and even pleasure: “How’d she know? What gave it away?” It wasn’t until a block later that I became enraged and thought of a witty retort.
 
I stopped being American when I first came to the States to live eight years ago. Growing up in Asia, I knew being mixed set me apart, but I didn’t have to name it until people began to ask, Where are you from? My father was raised in a working-class Irish American family in Fall River, Massachusetts. My mother was born near Shanghai, China, but when she was seven, on the eve of the communist revolution, she and her family fled to Taiwan. They met, romantically, and I think aptly, on an airplane (my mother was a flight attendant) and soon married—though not without first encountering resistance. My father’s family were familiar with only stereotypes of Asian women, and so were not eager to invite China into the O’Hearn fold. My mother’s family felt the same and took it a step further by hiring a private detective, who fortunately was unable to dig up anything incriminating about my father. Both sides eventually got over it, so we can laugh about it now, and frequently do. Following my mother’s example, both of her sisters married Caucasians, creating a whole generation of hapas (Hawaiian for half) in our family.
 
My parents settled in Hong Kong, where I was born, and moved to Singapore, Belgium, and Ohio and finally settled in Taiwan. I consider these all to be home, with the exception of Akron, Ohio, where I experience my first sting of racism when preschool classmates pushed me off playground slides, pulled tight their eyes, and idiotically chanted, “Ching, Chang, Chong, Chinese.” Early learners. As coached by my mother, I retorted, “Chinese are better.” But since these places are all home, they forfeit their definition as a single place I can come from. Suspended, I can go anywhere but home.
 
I don’t look especially Chinese—my eyes are wide and lidded, and my hair has a Caucasian texture and color. When my mother and I walked together, people would stare, often rudely. I could see questions in their curious looks: “Is this your daughter?” We looked incongruous. It never occurred to me that my mother and I looked any more different than any other mother and daughter; and even if we did, that it would affect how we related to each other. I don’t think I minded so because I assumed that I would find a home in the States when I went there for college. To me, America was summer vacations; getting up at six in the morning to watch Scooby Doo and the rest of the Saturday morning cartoons; eating Pop Rocks and macaroni and cheese (which I would inhale in large amounts); and best of all, shopping at the mall. Coupled with what I saw in the movies, this was my small window into American life.
 
Because most people didn’t know where to place me. I made up stories about myself. In bars, cabs, and restaurants I would try on identities with strangers I knew I would never meet again. I faked accents as I pretended to be a Hawaiian dancer, an Italian tourist, and even once a Russian student. It always amazed me what I could get away with. Being mixed inspired and gave me license to test new characters, but it also cast me as a foreigner in every setting I found myself in.
Claudine Chiawei O'Hearn was born in Hong Kong and raised in Asia and Europe. She lives in New York City, where she works as an editor. View titles by Claudine C. O'Hearn

About

As we approach the twenty-first century, biracialism and biculturalism are becoming increasingly common. Skin color and place of birth are no longer reliable signifiers of one's identity or origin. Simple questions like "What are you?" and "Where are you from?" aren't answered--they are discussed. These eighteen essays, joined by a shared sense of duality, address the difficulties of not fitting into and the benefits of being a part of two worlds. Through the lens of personal experience, they offer a broader spectrum of meaning for race and culture. In the process, they map a new ethnic terrain that transcends racial and cultural division.

PRAISE FOR Half and Half:

"The future is here in these fascinating looks at complicated identities. Insightful, hilarious, and often heartbreaking. I can't wait for my daughter (part Cuban, part Japanese, part Jewish) to grow up and read it."
--Cristina Garcia, author of The Aguero Sisters

"Half and Half is more than the sum of its parts--it is at once somber and hilarious, irreverent and moving. These writers show us, in the alchemy of art, how their experiences in identifying who they are make not only for cultural news, but for riveting reading."
--Chang-Rae Lee, author of Native Speaker

"A wonderful and thought-provoking collection which accurately captures the cultural and racial fissions that not only reflect the reality of our modern world, but increasingly feed our sense of who we are as individuals."
--Caryl Phillips, author of The Nature of Blood


CONTENTS

Introduction by Claudine Chiawei O'Hearn

Lost in Place by Garrett Hongo

The Mulatto Millennium by Danzy Senna

The Double Helix by Roxane Farmanfarmaian

California Palms by le thi diem thuy

Moro Like Me by Francisco Goldman

The Road from Ballygunge by Bharati Mukherjee

Reflections on My Daughter by David Mura

Life as an Alien by Meri Nana-Ama Danquah

Lost in the Middle by Malcolm Gladwell

The Funeral Banquet by Lisa See

A White Woman of Color by Julia Alvarez

A Middle Passage by Philippe Wamba

Food and the Immigrant by Indira Ganesan

What Color is Jesus? by James McBride

Postcards from "Home" by Lori Tsang

From Here to Poland by Nina Mehta

Technicolor by Ruben Martinez

An Ethnic Trump by Gish Jen

Table of Contents

Introduction by Claudine Chiawei O’Hearn vii
 
LOST IN PLACE by Garrett Hongo 1
 
THE MULATTO MILLENIUM by Danny Senna 12
 
THE DOUBLE HELIX by Roxane Farmanfarmaian 28
 
CALIFORNIA PALMS by lê thi diem thúy  38
 
MORO LIKE ME by Francisco Goldman 49
 
THE ROAD FROM BALLYGUNGE by Bharati Mukherjee 71
 
REFLECTIONS ON MY DAUGHTER by David Mura 80
 
LIFE AS AN ALIEN by Meri Nana-Ama Danquah 99
 
LOST IN THE MIDDLE by Malcolm Gladwell 112
 
THE FUNERAL BANQUET by Lisa See 125
 
A WHITE WOMAN OF COLOR by Julia Álvarez 139
 
A MIDDLE PASSAGE by Philippe Wamba 150
 
FOOD AND THE IMMIGRANT by Indira Ganesan 170
 
WHAT COLOR IS JESUS? by James McBride 181
 
POSTCARDS FROM “HOME” by Lori Tsang 197
 
FROM HERE TO POLAND by Nina Mehta 216
 
TECHNICOLOR by Rubén Martinez 245
 
AN ETHNIC TRUMP by Gish Jen 265
 
About the Authors 269

Excerpt

INTRODUCTION
 
I was walking down the street the other day, on my way home from the gym, when a large woman with wiry hair run amok approached me, mumbling to herself and looking somewhat deranged, as only New Yorkers can look. As she neared me, she looked me in the eye and barked, “Half-breed bitch.” I had already passed her by the time I figured out what she had said. Shocked, my first reaction was a mix of surprise and even pleasure: “How’d she know? What gave it away?” It wasn’t until a block later that I became enraged and thought of a witty retort.
 
I stopped being American when I first came to the States to live eight years ago. Growing up in Asia, I knew being mixed set me apart, but I didn’t have to name it until people began to ask, Where are you from? My father was raised in a working-class Irish American family in Fall River, Massachusetts. My mother was born near Shanghai, China, but when she was seven, on the eve of the communist revolution, she and her family fled to Taiwan. They met, romantically, and I think aptly, on an airplane (my mother was a flight attendant) and soon married—though not without first encountering resistance. My father’s family were familiar with only stereotypes of Asian women, and so were not eager to invite China into the O’Hearn fold. My mother’s family felt the same and took it a step further by hiring a private detective, who fortunately was unable to dig up anything incriminating about my father. Both sides eventually got over it, so we can laugh about it now, and frequently do. Following my mother’s example, both of her sisters married Caucasians, creating a whole generation of hapas (Hawaiian for half) in our family.
 
My parents settled in Hong Kong, where I was born, and moved to Singapore, Belgium, and Ohio and finally settled in Taiwan. I consider these all to be home, with the exception of Akron, Ohio, where I experience my first sting of racism when preschool classmates pushed me off playground slides, pulled tight their eyes, and idiotically chanted, “Ching, Chang, Chong, Chinese.” Early learners. As coached by my mother, I retorted, “Chinese are better.” But since these places are all home, they forfeit their definition as a single place I can come from. Suspended, I can go anywhere but home.
 
I don’t look especially Chinese—my eyes are wide and lidded, and my hair has a Caucasian texture and color. When my mother and I walked together, people would stare, often rudely. I could see questions in their curious looks: “Is this your daughter?” We looked incongruous. It never occurred to me that my mother and I looked any more different than any other mother and daughter; and even if we did, that it would affect how we related to each other. I don’t think I minded so because I assumed that I would find a home in the States when I went there for college. To me, America was summer vacations; getting up at six in the morning to watch Scooby Doo and the rest of the Saturday morning cartoons; eating Pop Rocks and macaroni and cheese (which I would inhale in large amounts); and best of all, shopping at the mall. Coupled with what I saw in the movies, this was my small window into American life.
 
Because most people didn’t know where to place me. I made up stories about myself. In bars, cabs, and restaurants I would try on identities with strangers I knew I would never meet again. I faked accents as I pretended to be a Hawaiian dancer, an Italian tourist, and even once a Russian student. It always amazed me what I could get away with. Being mixed inspired and gave me license to test new characters, but it also cast me as a foreigner in every setting I found myself in.

Author

Claudine Chiawei O'Hearn was born in Hong Kong and raised in Asia and Europe. She lives in New York City, where she works as an editor. View titles by Claudine C. O'Hearn

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