Download high-resolution image Look inside
Listen to a clip from the audiobook
audio play button
0:00
0:00

Eyes on the Street

The Life of Jane Jacobs

Look inside
Listen to a clip from the audiobook
audio play button
0:00
0:00
The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence is felt to this day.

Jane Jacobs was a phenomenal woman who wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged in thousands of impassioned debates—all of which she won. Robert Kanigel's revelatory portrait of Jacobs, based on new sources and interviews, brings to life the child who challenged her third-grade teacher; the high school poet; the mother who raised three children; the journalist who honed her skills at Architectural Forum and Fortune before writing her most famous book, The Death and Life of Great American Cities; and the activist who helped lead a successful protest against Robert Moses’s proposed expressway through her beloved Greenwich Village.

Best Books of the Year, NPR 
Top Ten Art Books of the Year, Booklist
Top Ten Architecture Books of the Year, World Architecture
Longlisted for the Andrew Carnegie Medal for Nonfiction

“A powerful and all too rare biography of the making of a female public intellectual. . . . Thrilling.”—Fresh Air (NPR)

“Kanigel has written the definitive Jacobs biography . . . in prose that is as lively as her own.” —The Washington Post
 
“Sparkling. . . . Magisterial. . . . An exhaustively researched, beautifully rendered tale, revealing the human contours of a vigorous, original mind.” —Minneapolis Star Tribune
 
“A portrait emerges of an independent heroine who stepped into an arena dominated by men. She was Betty Friedan, Rachel Carson, and Erin Brockovich all rolled into one.” —Boston Globe

“[Kanigel delivers] fast-paced and nuanced storytelling in a crisp prose style that engages the reader. . . . This most complete biography of Jane Jacobs to date is a treat to read.” —The New York Journal of Books
 
“Zestfully illuminating and entertaining . . . Kanigel’s delight in his subject . . . shimmers on every page.” —Booklist (starred review)
 
“[Jane Jacobs] was great, and Kanigel gives her the great biography she deserves.” —Edward Glaeser, The American Scholar
The Great Bewildering World


It couldn’t have been long into her life there that Jane learned what every New Yorker knew, that “the city” was Manhattan, period. The fur district she’d stumbled upon so fortuitously was in Manhattan. So was the diamond district. Vogue itself, New York fashion personified, was in Manhattan. The jobs she got that first year were all in Manhattan, as were the better jobs she sought now. So were Broadway, Times Square, Fifth Avenue, the tall towers, the publishing houses, the galleries, and practically all the other iconic places of New York. It was hard not to feel the pull. Jane had only to glance down Henry Street, at the great stone arches that were the Brooklyn Bridge approaches, to take herself in her mind’s eye to Manhattan. For Jane, as for any young person of curiosity and spunk, the city beckoned.

On one of her forays into Manhattan near the end of that first year, probably in late summer, Jane got out at the Christopher Street subway stop; she “liked the sound of the name,” she’d say. She had no idea where she was, “but I was enchanted with this place . . . I spent the rest of the afternoon just walking these streets.”

As she got off the train, she’d have seen the name of the station set in mosaic tile, as in most of New York’s four hundred–odd subway stations:
 
CHRISTOPHER ST.
SHERIDAN SQ.
 
Sheridan Square was no “square” at all, of course. But out of its irregular and unlovely expanse radiated Seventh Avenue South and wide West Fourth Street. Stroll along them, or on Grove Street, Washington Place, or Waverly Place, which all converged there, and soon you found yourself among a warren of little streets south and west of the square, the clubs and bars lining West Fourth Street that drew revelers from the outer boroughs, art galleries, small shops, modest apartment buildings.

It was here, in a low-lying bowl of cityscape mostly off the tourist maps, far from the great employment centers, not grand, not rich, maybe a little ragtag, that Jane now found herself. No neatly defined shopping districts here in the streets near Sheridan Square, nothing like upscale Fifth Avenue or proletarian Fourteenth Street—no neatly defined anything. Blocks of handsome brownstones across Sixth Avenue that could have stepped out of a Henry James novel, musical Italian filling the shops and stoops of the tenements to the south, gritty warehouses and a sprinkling of small-scale industry to the west. Along Bleecker Street, a bakery selling Italian bread for a nickel a loaf, a cheese shop selling ricotta for twenty-five cents a pound. Peasant smocks, antique jewelry, and second-hand books for sale arrayed on one block. A drugstore selling cosmetics and contraceptives. An ice cream parlor where the neighborhood’s young Italian men hung out. The scale was small, the range and variety stunning, the streetscape obeying nothing like cool Cartesian order. This wasn’t New York in its bigness, its numbers, its densest crowds that Jane found here. If anything, it was New York in all its smallness, its irregularity, its turn-the-corner-and-what-do-you-find little shocks and surprises.

The Manhattan street grid fell apart here, as if by an abrupt, invasive fault in an otherwise orderly crystal matrix. West Fourth Street, obediently grid-bound just to the east, at Sheridan Square abruptly veered northwest and, after a few blocks, dared to run, against all sense and logic, into West Eleventh Street. Other streets, like Carmine, Cornelia, and Jones, simply disappeared after a block or two. A conscientious student of urban life, Professor Caroline Ware of Vassar College, had recently tallied the “contents” of one block of Jones Street. She counted old-law tenements and 1840s-vintage houses, an apartment house that went up only in 1929, factories that made feather mattresses, children’s toys, and Italian ice cream; an old stable, a settlement house, two grocers, a tobacco and candy store, an ice dealer’s cellar, a French hand laundry, a barber shop, a tea room, an “Italian men’s café,” a wrought iron workshop, and (it still being Prohibition at the time of her census) three speakeasies. All in a single block. Behind this line of five-story façades—inside, unseen, hidden—life played out each day and night, in all its struggles, pains, and pleasures; on the busy sidewalks outside, traces and whispers only of those silent stories, spilling out into the city’s everyday jangle.

Spend an afternoon on streets like Jones Street, as Jane did, and any part of the brain habituated to easy order was bound to come away bruised. But Jane? She “liked the little streets,” she’d remember. “I liked the variety of it and there were craft shops of hand-made things of ingenuity and artistry. I had never seen shops like those. I just thought it was great.” The whole neighborhood was great. Could she have said why, exactly? Maybe not. She was nineteen. She was all enthusiasm.
© Michael Lionstar
ROBERT KANIGEL is the author of nine books, most recently Hearing Homer's Song: The Brief Life and Big Idea of Milman Parry. He has received many awards, including a Guggenheim fellowship, the Grady-Stack Award for science writing, and an NEH “Public Scholar” grant. His book The Man Who Knew Infinity was a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize; it has been translated into more than a dozen languages, and was the basis for the film of the same name starring Jeremy Irons and Dev Patel. Kanigel and his wife, the poet S. B. Merrow, live in Baltimore. View titles by Robert Kanigel

About

The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence is felt to this day.

Jane Jacobs was a phenomenal woman who wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged in thousands of impassioned debates—all of which she won. Robert Kanigel's revelatory portrait of Jacobs, based on new sources and interviews, brings to life the child who challenged her third-grade teacher; the high school poet; the mother who raised three children; the journalist who honed her skills at Architectural Forum and Fortune before writing her most famous book, The Death and Life of Great American Cities; and the activist who helped lead a successful protest against Robert Moses’s proposed expressway through her beloved Greenwich Village.

Best Books of the Year, NPR 
Top Ten Art Books of the Year, Booklist
Top Ten Architecture Books of the Year, World Architecture
Longlisted for the Andrew Carnegie Medal for Nonfiction

“A powerful and all too rare biography of the making of a female public intellectual. . . . Thrilling.”—Fresh Air (NPR)

“Kanigel has written the definitive Jacobs biography . . . in prose that is as lively as her own.” —The Washington Post
 
“Sparkling. . . . Magisterial. . . . An exhaustively researched, beautifully rendered tale, revealing the human contours of a vigorous, original mind.” —Minneapolis Star Tribune
 
“A portrait emerges of an independent heroine who stepped into an arena dominated by men. She was Betty Friedan, Rachel Carson, and Erin Brockovich all rolled into one.” —Boston Globe

“[Kanigel delivers] fast-paced and nuanced storytelling in a crisp prose style that engages the reader. . . . This most complete biography of Jane Jacobs to date is a treat to read.” —The New York Journal of Books
 
“Zestfully illuminating and entertaining . . . Kanigel’s delight in his subject . . . shimmers on every page.” —Booklist (starred review)
 
“[Jane Jacobs] was great, and Kanigel gives her the great biography she deserves.” —Edward Glaeser, The American Scholar

Excerpt

The Great Bewildering World


It couldn’t have been long into her life there that Jane learned what every New Yorker knew, that “the city” was Manhattan, period. The fur district she’d stumbled upon so fortuitously was in Manhattan. So was the diamond district. Vogue itself, New York fashion personified, was in Manhattan. The jobs she got that first year were all in Manhattan, as were the better jobs she sought now. So were Broadway, Times Square, Fifth Avenue, the tall towers, the publishing houses, the galleries, and practically all the other iconic places of New York. It was hard not to feel the pull. Jane had only to glance down Henry Street, at the great stone arches that were the Brooklyn Bridge approaches, to take herself in her mind’s eye to Manhattan. For Jane, as for any young person of curiosity and spunk, the city beckoned.

On one of her forays into Manhattan near the end of that first year, probably in late summer, Jane got out at the Christopher Street subway stop; she “liked the sound of the name,” she’d say. She had no idea where she was, “but I was enchanted with this place . . . I spent the rest of the afternoon just walking these streets.”

As she got off the train, she’d have seen the name of the station set in mosaic tile, as in most of New York’s four hundred–odd subway stations:
 
CHRISTOPHER ST.
SHERIDAN SQ.
 
Sheridan Square was no “square” at all, of course. But out of its irregular and unlovely expanse radiated Seventh Avenue South and wide West Fourth Street. Stroll along them, or on Grove Street, Washington Place, or Waverly Place, which all converged there, and soon you found yourself among a warren of little streets south and west of the square, the clubs and bars lining West Fourth Street that drew revelers from the outer boroughs, art galleries, small shops, modest apartment buildings.

It was here, in a low-lying bowl of cityscape mostly off the tourist maps, far from the great employment centers, not grand, not rich, maybe a little ragtag, that Jane now found herself. No neatly defined shopping districts here in the streets near Sheridan Square, nothing like upscale Fifth Avenue or proletarian Fourteenth Street—no neatly defined anything. Blocks of handsome brownstones across Sixth Avenue that could have stepped out of a Henry James novel, musical Italian filling the shops and stoops of the tenements to the south, gritty warehouses and a sprinkling of small-scale industry to the west. Along Bleecker Street, a bakery selling Italian bread for a nickel a loaf, a cheese shop selling ricotta for twenty-five cents a pound. Peasant smocks, antique jewelry, and second-hand books for sale arrayed on one block. A drugstore selling cosmetics and contraceptives. An ice cream parlor where the neighborhood’s young Italian men hung out. The scale was small, the range and variety stunning, the streetscape obeying nothing like cool Cartesian order. This wasn’t New York in its bigness, its numbers, its densest crowds that Jane found here. If anything, it was New York in all its smallness, its irregularity, its turn-the-corner-and-what-do-you-find little shocks and surprises.

The Manhattan street grid fell apart here, as if by an abrupt, invasive fault in an otherwise orderly crystal matrix. West Fourth Street, obediently grid-bound just to the east, at Sheridan Square abruptly veered northwest and, after a few blocks, dared to run, against all sense and logic, into West Eleventh Street. Other streets, like Carmine, Cornelia, and Jones, simply disappeared after a block or two. A conscientious student of urban life, Professor Caroline Ware of Vassar College, had recently tallied the “contents” of one block of Jones Street. She counted old-law tenements and 1840s-vintage houses, an apartment house that went up only in 1929, factories that made feather mattresses, children’s toys, and Italian ice cream; an old stable, a settlement house, two grocers, a tobacco and candy store, an ice dealer’s cellar, a French hand laundry, a barber shop, a tea room, an “Italian men’s café,” a wrought iron workshop, and (it still being Prohibition at the time of her census) three speakeasies. All in a single block. Behind this line of five-story façades—inside, unseen, hidden—life played out each day and night, in all its struggles, pains, and pleasures; on the busy sidewalks outside, traces and whispers only of those silent stories, spilling out into the city’s everyday jangle.

Spend an afternoon on streets like Jones Street, as Jane did, and any part of the brain habituated to easy order was bound to come away bruised. But Jane? She “liked the little streets,” she’d remember. “I liked the variety of it and there were craft shops of hand-made things of ingenuity and artistry. I had never seen shops like those. I just thought it was great.” The whole neighborhood was great. Could she have said why, exactly? Maybe not. She was nineteen. She was all enthusiasm.

Author

© Michael Lionstar
ROBERT KANIGEL is the author of nine books, most recently Hearing Homer's Song: The Brief Life and Big Idea of Milman Parry. He has received many awards, including a Guggenheim fellowship, the Grady-Stack Award for science writing, and an NEH “Public Scholar” grant. His book The Man Who Knew Infinity was a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize; it has been translated into more than a dozen languages, and was the basis for the film of the same name starring Jeremy Irons and Dev Patel. Kanigel and his wife, the poet S. B. Merrow, live in Baltimore. View titles by Robert Kanigel

Books for National Depression Education and Awareness Month

For National Depression Education and Awareness Month in October, we are sharing a collection of titles that educates and informs on depression, including personal stories from those who have experienced depression and topics that range from causes and symptoms of depression to how to develop coping mechanisms to battle depression.

Read more

Horror Titles for the Halloween Season

In celebration of the Halloween season, we are sharing horror books that are aligned with the themes of the holiday: the sometimes unknown and scary creatures and witches. From classic ghost stories and popular novels that are celebrated today, in literature courses and beyond, to contemporary stories about the monsters that hide in the dark, our list

Read more

Books for LGBTQIA+ History Month

For LGBTQIA+ History Month in October, we’re celebrating the shared history of individuals within the community and the importance of the activists who have fought for their rights and the rights of others. We acknowledge the varying and diverse experiences within the LGBTQIA+ community that have shaped history and have led the way for those

Read more