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Un Lun Dun

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Paperback
$21.00 US
On sale Jan 29, 2008 | 496 Pages | 9780345458445
2008 Best Books for Young Adults

What is Un Lun Dun?

It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book.

When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

Praise for Un Lun Dun:

"[O]ne of the most imaginative young adult novels of the post-Potter era.... Most of all, Un Lun Dun is the work of an author fascinated by language, and one who rewards any reader who cares about it half as much as Mieville does."—New York Times Book Review

"For style and inventiveness, turn to Un Lun Dun, by China Mieville, who throws off more imaginative sparks per chapter than most authors can manufacture in a whole book. Mieville sits at the table with Lewis Carroll and Deeba cavorts with another young explorer of topsy-turvy worlds." —The Washington Post Book World

“The authors of children's books have always had remarkable leeway when it comes to echoing the classics. Sometimes the results are merely derivative, but in this case the allusions to Carroll and Baum and Norton Juster and Gaiman only highlight how original Un Lun Dun feels. It hardly seems possible I didn't read this novel and love it at age 12, it brought back so vividly the long, book-drunk days of my late childhood. Like the best children's fiction, Un Lun Dun seems to have always been there, waiting to be discovered.”
Salon.com

“Miéville’s first attempt at writing for young adults is astonishingly good.... Miéville sacrifices none of the maturity and intellectualism of his earlier novels for a cheap read, and the respect with which he treats his young readers is refreshing. It is a sophisticated novel of emotion and social awareness, and it is impossible to leave Unlondon until the last page.”
—Dwain Confer, Lafayette Senior High School

"[Mieville] relies on his formidable storytelling skill for this lenghty yet swiftly moving tale that, with a wink and a nod, cuts through archetypal notions of fate and prophecy." —Publishers Weekly (starred review)

“Miéville’s fantastical city is vivid and splendidly crafted. Who would have thought a milk carton could make such an endearing pet? Or that words, or utterlings, could have a life and form of their own? Fans ... Norton Juster’s The Phantom Tollbooth will love this novel. The story is exceptional and the action moves along at a quick pace.”
School Library Journal

"Mieville's compelling heroine and her fantastical journey through the labyrinth of a strange London forms that rare book that feels instantly like a classic and yet is thoroughly modern."
— Holly Black, bestselling author of the YA novels TITHE and VALIANT

“A book which shows the world as it truly is: full of marvels and monsters and unexpected opportunities for heroism and magic. UN LUN DUN is delicious, twisty, ferocious fun, a book so crammed with inventions, delights, and unexpected turns that you will want to start reading it over again as soon as you've reached the end.”
— Kelly Link, author of STRANGER THINGS HAPPEN and MAGIC FOR BEGINNERS
1

The Respectful Fox

There was no doubt about it: there was a fox behind the climbing frame. And it was watching.

“It is, isn’t it?”

The playground was full of children, their gray uniforms flapping as they ran and kicked balls into makeshift goals. Amid the shouting and the games, a few girls were watching the fox.

“It definitely is. It’s just watching us,” a tall blond girl said. She could see the animal clearly behind a fringe of grass and thistle. “Why isn’t it moving?” She walked slowly towards it.



At first the friends had thought the animal was a dog, and had started ambling towards it while they chatted. But halfway across the tarmac they had realized it was a fox.

It was a cold cloudless autumn morning and the sun was bright. None of them could quite believe what they were seeing. The fox kept standing still as they approached.

“I saw one once before,” whispered Kath, shifting her bag from shoulder to shoulder. “I was with my dad by the canal. He told me there’s loads in London now, but you don’t normally see them.”

“It should be running,” said Keisha, anxiously. “I’m staying here. That’s got teeth.”

“All the better to eat you with,” said Deeba.

“That was a wolf,” said Kath.

Kath and Keisha held back: Zanna, the blond girl, slowly approached the fox, with Deeba, as usual, by her side. They got closer, expecting it to arch into one of those beautiful curves of animal panic, and duck under the fence. It kept not doing so.

The girls had never seen any animal so still. It wasn’t that it wasn’t moving: it was furiously not-moving. By the time they got close to the climbing frame they were creeping exaggeratedly, like cartoon hunters.

The fox eyed Zanna’s outstretched hand politely. Deeba frowned.

“Yeah, it is watching,” Deeba said. “But not us. It’s watching you.”



Zanna—she hated her name Susanna, and she hated “Sue” even more—had moved to the estate about a year ago, and quickly made friends with Kath and Keisha and Becks and others. Especially Deeba. On her way to Kilburn Comprehensive, on her first day, Deeba had made Zanna laugh, which not many people could do. Since then, where Zanna was, Deeba tended to be too. There was something about Zanna that drew attention. She was decent-to-good at things like sports, schoolwork, dancing, whatever, but that wasn’t it: she did well enough to do well, but never enough to stand out. She was tall and striking, but she never played that up either: if anything, she seemed to try to stay in the background. But she never quite could. If she hadn’t been easy to get on with, that could have caused her trouble.

Sometimes even her mates were a little bit wary of Zanna, as if they weren’t quite sure how to deal with her. Even Deeba herself had to admit that Zanna could be a bit dreamy. Sometimes she would sort of zone out, staring skywards or losing the thread of what she was saying.

Just at that moment, however, she was concentrating hard on what Deeba had just said.



Zanna put her hands on her hips, and even her sudden movement didn’t make the fox jump.

“It’s true,” said Deeba. “It hasn’t taken its eyes off you.”

Zanna met the fox’s gentle vulpine gaze. All the girls watching, and the animal, seemed to get lost in something.

. . . Until their attention was interrupted by the bell for the end of break. The girls looked at each other, blinking.

The fox finally moved. Still looking at Zanna, it bowed its head. It did it once, then leapt up and was gone.

Deeba watched Zanna, and muttered, “This is just getting weird.”
  • WINNER | 2008
    New York Public Library Books for the Teen Age
  • WINNER | 2008
    YALSA Best Books for Young Adults
© Chris Stein
China Miéville is a New York Times bestselling author of fiction and nonfiction. His novels include The City & The City, Embassytown, and Perdido Street Station. A recipient of the Guggenheim Fellowship for Fiction, he has won the World Fantasy, the Hugo, and the Arthur C. Clarke Awards, among others. His nonfiction includes a study of international law and a history of the Russian Revolution. View titles by China Miéville

About

2008 Best Books for Young Adults

What is Un Lun Dun?

It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book.

When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

Praise for Un Lun Dun:

"[O]ne of the most imaginative young adult novels of the post-Potter era.... Most of all, Un Lun Dun is the work of an author fascinated by language, and one who rewards any reader who cares about it half as much as Mieville does."—New York Times Book Review

"For style and inventiveness, turn to Un Lun Dun, by China Mieville, who throws off more imaginative sparks per chapter than most authors can manufacture in a whole book. Mieville sits at the table with Lewis Carroll and Deeba cavorts with another young explorer of topsy-turvy worlds." —The Washington Post Book World

“The authors of children's books have always had remarkable leeway when it comes to echoing the classics. Sometimes the results are merely derivative, but in this case the allusions to Carroll and Baum and Norton Juster and Gaiman only highlight how original Un Lun Dun feels. It hardly seems possible I didn't read this novel and love it at age 12, it brought back so vividly the long, book-drunk days of my late childhood. Like the best children's fiction, Un Lun Dun seems to have always been there, waiting to be discovered.”
Salon.com

“Miéville’s first attempt at writing for young adults is astonishingly good.... Miéville sacrifices none of the maturity and intellectualism of his earlier novels for a cheap read, and the respect with which he treats his young readers is refreshing. It is a sophisticated novel of emotion and social awareness, and it is impossible to leave Unlondon until the last page.”
—Dwain Confer, Lafayette Senior High School

"[Mieville] relies on his formidable storytelling skill for this lenghty yet swiftly moving tale that, with a wink and a nod, cuts through archetypal notions of fate and prophecy." —Publishers Weekly (starred review)

“Miéville’s fantastical city is vivid and splendidly crafted. Who would have thought a milk carton could make such an endearing pet? Or that words, or utterlings, could have a life and form of their own? Fans ... Norton Juster’s The Phantom Tollbooth will love this novel. The story is exceptional and the action moves along at a quick pace.”
School Library Journal

"Mieville's compelling heroine and her fantastical journey through the labyrinth of a strange London forms that rare book that feels instantly like a classic and yet is thoroughly modern."
— Holly Black, bestselling author of the YA novels TITHE and VALIANT

“A book which shows the world as it truly is: full of marvels and monsters and unexpected opportunities for heroism and magic. UN LUN DUN is delicious, twisty, ferocious fun, a book so crammed with inventions, delights, and unexpected turns that you will want to start reading it over again as soon as you've reached the end.”
— Kelly Link, author of STRANGER THINGS HAPPEN and MAGIC FOR BEGINNERS

Excerpt

1

The Respectful Fox

There was no doubt about it: there was a fox behind the climbing frame. And it was watching.

“It is, isn’t it?”

The playground was full of children, their gray uniforms flapping as they ran and kicked balls into makeshift goals. Amid the shouting and the games, a few girls were watching the fox.

“It definitely is. It’s just watching us,” a tall blond girl said. She could see the animal clearly behind a fringe of grass and thistle. “Why isn’t it moving?” She walked slowly towards it.



At first the friends had thought the animal was a dog, and had started ambling towards it while they chatted. But halfway across the tarmac they had realized it was a fox.

It was a cold cloudless autumn morning and the sun was bright. None of them could quite believe what they were seeing. The fox kept standing still as they approached.

“I saw one once before,” whispered Kath, shifting her bag from shoulder to shoulder. “I was with my dad by the canal. He told me there’s loads in London now, but you don’t normally see them.”

“It should be running,” said Keisha, anxiously. “I’m staying here. That’s got teeth.”

“All the better to eat you with,” said Deeba.

“That was a wolf,” said Kath.

Kath and Keisha held back: Zanna, the blond girl, slowly approached the fox, with Deeba, as usual, by her side. They got closer, expecting it to arch into one of those beautiful curves of animal panic, and duck under the fence. It kept not doing so.

The girls had never seen any animal so still. It wasn’t that it wasn’t moving: it was furiously not-moving. By the time they got close to the climbing frame they were creeping exaggeratedly, like cartoon hunters.

The fox eyed Zanna’s outstretched hand politely. Deeba frowned.

“Yeah, it is watching,” Deeba said. “But not us. It’s watching you.”



Zanna—she hated her name Susanna, and she hated “Sue” even more—had moved to the estate about a year ago, and quickly made friends with Kath and Keisha and Becks and others. Especially Deeba. On her way to Kilburn Comprehensive, on her first day, Deeba had made Zanna laugh, which not many people could do. Since then, where Zanna was, Deeba tended to be too. There was something about Zanna that drew attention. She was decent-to-good at things like sports, schoolwork, dancing, whatever, but that wasn’t it: she did well enough to do well, but never enough to stand out. She was tall and striking, but she never played that up either: if anything, she seemed to try to stay in the background. But she never quite could. If she hadn’t been easy to get on with, that could have caused her trouble.

Sometimes even her mates were a little bit wary of Zanna, as if they weren’t quite sure how to deal with her. Even Deeba herself had to admit that Zanna could be a bit dreamy. Sometimes she would sort of zone out, staring skywards or losing the thread of what she was saying.

Just at that moment, however, she was concentrating hard on what Deeba had just said.



Zanna put her hands on her hips, and even her sudden movement didn’t make the fox jump.

“It’s true,” said Deeba. “It hasn’t taken its eyes off you.”

Zanna met the fox’s gentle vulpine gaze. All the girls watching, and the animal, seemed to get lost in something.

. . . Until their attention was interrupted by the bell for the end of break. The girls looked at each other, blinking.

The fox finally moved. Still looking at Zanna, it bowed its head. It did it once, then leapt up and was gone.

Deeba watched Zanna, and muttered, “This is just getting weird.”

Awards

  • WINNER | 2008
    New York Public Library Books for the Teen Age
  • WINNER | 2008
    YALSA Best Books for Young Adults

Author

© Chris Stein
China Miéville is a New York Times bestselling author of fiction and nonfiction. His novels include The City & The City, Embassytown, and Perdido Street Station. A recipient of the Guggenheim Fellowship for Fiction, he has won the World Fantasy, the Hugo, and the Arthur C. Clarke Awards, among others. His nonfiction includes a study of international law and a history of the Russian Revolution. View titles by China Miéville