A keenly observed and irresistibly funny memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing. 

Now a major motion picture starring Sigourney Weaver and Margaret Qualley

After leaving graduate school to pursue her dream of becoming a poet, Joanna Rakoff takes a job as assistant to the storied literary agent for J. D. Salinger. Precariously balanced between poverty and glamour, she spends her days in a plush, wood-paneled office—where Dictaphones and typewriters still reign and agents doze after three-martini lunches—and then goes home to her threadbare Brooklyn apartment and her socialist boyfriend.

Rakoff is tasked with processing Salinger’s voluminous fan mail, but as she reads the heart-wrenching letters from around the world, she becomes reluctant to send the agency’s form response and impulsively begins writing back. The results are both humorous and moving, as Rakoff, while acting as the great writer’s voice, begins to discover her own.
How many times had I been told that Salinger would not call, would never call, that I would have no contact with him? More than I could count.
 
And yet one morning, a Friday, at the beginning of April, I picked up the phone and heard someone shouting at me. “HELLO? HELLO?” Then something incomprehensible. “HELLO? HELLO?” More gibberish. Slowly, as in a dream, the gibberish resolved into language. “It’s Jerry,” the caller was shouting. Oh my God, I thought. It’s him. I began, slightly, to quiver with fear, not because I was talking to—or being shouted at by—the actual J. D. Salinger, but because I so feared doing something wrong and incurring my boss’s wrath. My mind began to sift through all the Salinger-related instructions that had been imparted to me, but they had more to do with keeping others away from him, less to do with the man himself. There was no risk of my asking him to read my stories or gushing about The Catcher in the Rye. I still hadn’t read it. “WHO IS THIS?” he asked, though it took me a few tries to understand. “It’s Joanna,” I told him, nine or ten times, yelling at the top of my lungs by the final three. “I’m the new assistant.”
 
“Well, nice to meet you, Suzanne,” he said, finally, in something akin to a normal voice. “I’m calling to speak to your boss.” I had assumed as much. Why had Pam put him through to me, rather than taking a message? My boss was out for the day, it being Friday, her reading day.
 
I conveyed this to him, or hoped that I did. “I can call her at home and have her call you back today. Or she can give you a call when she gets in on Monday.”
 
“Monday is fine,” he said, his voice ratcheted down another notch. “Well, very nice to meet you, Suzanne. I hope we meet in person someday.”
 
“Me, too,” I said. “Have a great day.” This was not a phrase I ever used. Where had it come from?
 
“YOU, TOO!” Ah, the shouting.
 
I put the phone down and took a deep breath, as I’d learned to do in ballet. My entire body, I realized, was shaking. I stood up and stretched.
 
“Jerry?” asked Hugh, stepping out of his office with a mug of coffee.
 
“Yes!” I said. “Wow.”
 
“He’s deaf. His wife set up this special phone for him, with an amplified receiver, but he refuses to use it.” He sighed his trademark sigh. To be Hugh was to be let down by the world. “What did he want?”
 
“Just to talk to my boss.” I shrugged. “I offered to call her at home and have her call him back, but he said Monday was fine.”
 
Hugh wrinkled his face in thought. “Hmm, why don’t you call her anyway. I think she’d want to know.”
 
“Okay,” I said, thumbing through my Rolodex.
 
She wasn’t home and had no answering machine. She didn’t believe in them. Just as she didn’t believe in computers or voice mail, another newfangled invention not employed by the Agency. If you called during business hours, you reached Pam, the receptionist. If you called outside business hours, the phone just rang and rang, as it did at my boss’s apartment, twenty blocks north of the office. I tried again, every hour or so, until the end of the day, to no avail. It would have to be Monday.
Joanna Rakoff’s novel A Fortunate Age won the Goldberg Prize for Jewish Fiction by Emerging Writers and the Elle Readers’ Prize, and was a New York Times Editors’ Choice and a San Francisco Chronicle best seller. She has written for The New York Times, the Los Angeles Times, Vogue, and other publications. She lives in Cambridge, Massachusetts. View titles by Joanna Rakoff

About

A keenly observed and irresistibly funny memoir about literary New York in the late nineties, a pre-digital world on the cusp of vanishing. 

Now a major motion picture starring Sigourney Weaver and Margaret Qualley

After leaving graduate school to pursue her dream of becoming a poet, Joanna Rakoff takes a job as assistant to the storied literary agent for J. D. Salinger. Precariously balanced between poverty and glamour, she spends her days in a plush, wood-paneled office—where Dictaphones and typewriters still reign and agents doze after three-martini lunches—and then goes home to her threadbare Brooklyn apartment and her socialist boyfriend.

Rakoff is tasked with processing Salinger’s voluminous fan mail, but as she reads the heart-wrenching letters from around the world, she becomes reluctant to send the agency’s form response and impulsively begins writing back. The results are both humorous and moving, as Rakoff, while acting as the great writer’s voice, begins to discover her own.

Excerpt

How many times had I been told that Salinger would not call, would never call, that I would have no contact with him? More than I could count.
 
And yet one morning, a Friday, at the beginning of April, I picked up the phone and heard someone shouting at me. “HELLO? HELLO?” Then something incomprehensible. “HELLO? HELLO?” More gibberish. Slowly, as in a dream, the gibberish resolved into language. “It’s Jerry,” the caller was shouting. Oh my God, I thought. It’s him. I began, slightly, to quiver with fear, not because I was talking to—or being shouted at by—the actual J. D. Salinger, but because I so feared doing something wrong and incurring my boss’s wrath. My mind began to sift through all the Salinger-related instructions that had been imparted to me, but they had more to do with keeping others away from him, less to do with the man himself. There was no risk of my asking him to read my stories or gushing about The Catcher in the Rye. I still hadn’t read it. “WHO IS THIS?” he asked, though it took me a few tries to understand. “It’s Joanna,” I told him, nine or ten times, yelling at the top of my lungs by the final three. “I’m the new assistant.”
 
“Well, nice to meet you, Suzanne,” he said, finally, in something akin to a normal voice. “I’m calling to speak to your boss.” I had assumed as much. Why had Pam put him through to me, rather than taking a message? My boss was out for the day, it being Friday, her reading day.
 
I conveyed this to him, or hoped that I did. “I can call her at home and have her call you back today. Or she can give you a call when she gets in on Monday.”
 
“Monday is fine,” he said, his voice ratcheted down another notch. “Well, very nice to meet you, Suzanne. I hope we meet in person someday.”
 
“Me, too,” I said. “Have a great day.” This was not a phrase I ever used. Where had it come from?
 
“YOU, TOO!” Ah, the shouting.
 
I put the phone down and took a deep breath, as I’d learned to do in ballet. My entire body, I realized, was shaking. I stood up and stretched.
 
“Jerry?” asked Hugh, stepping out of his office with a mug of coffee.
 
“Yes!” I said. “Wow.”
 
“He’s deaf. His wife set up this special phone for him, with an amplified receiver, but he refuses to use it.” He sighed his trademark sigh. To be Hugh was to be let down by the world. “What did he want?”
 
“Just to talk to my boss.” I shrugged. “I offered to call her at home and have her call him back, but he said Monday was fine.”
 
Hugh wrinkled his face in thought. “Hmm, why don’t you call her anyway. I think she’d want to know.”
 
“Okay,” I said, thumbing through my Rolodex.
 
She wasn’t home and had no answering machine. She didn’t believe in them. Just as she didn’t believe in computers or voice mail, another newfangled invention not employed by the Agency. If you called during business hours, you reached Pam, the receptionist. If you called outside business hours, the phone just rang and rang, as it did at my boss’s apartment, twenty blocks north of the office. I tried again, every hour or so, until the end of the day, to no avail. It would have to be Monday.

Author

Joanna Rakoff’s novel A Fortunate Age won the Goldberg Prize for Jewish Fiction by Emerging Writers and the Elle Readers’ Prize, and was a New York Times Editors’ Choice and a San Francisco Chronicle best seller. She has written for The New York Times, the Los Angeles Times, Vogue, and other publications. She lives in Cambridge, Massachusetts. View titles by Joanna Rakoff

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